Browse Items (3223 total)

Japanese translation.

A drawing of a single figure wearing a hat over what appears to be a veil, in what is most likely a depiction of Celestina.

In the cover appears a reproduction of the old cover of the Seville edition, 1511 (1502).

Emblem of the printer Christoph Plantin and his descendants, which is a compass held in a hand which is rising from a cloud and the Latin inscription "labore et constantia".
The second image is of a similar edition but dated 1595

Tragicomedie van Calisto ende Melibea. Anónimo trad. TʼHantwerpen: HeyndricHeyndricz, 1574. Traducción anónima al holandés. La mayoría de lasilustraciones son copias giradas de las ilustraciones deZaragoza…

Emblem of the printer showing a Stork feeding its young, and a motto in Latin: "PIetas homini utilissima virtus."

Cover that looks like a rotated copy from the Zaragoza edition (1545)but from a much less careful production. See the description on Zaragoza's cover. It is an edition with illustrations that can be seen here.

Cover that looks like a rotated copy from theZaragoza edition (1545)but from a much less careful production. See the description on Zaragoza's cover. It is an edition with illustrations that can be seen here.Very similar to the laterreeditionAntwerp…

A naive-style drawing in colour of a book, a quill, and an inkwell.

The cover features a modern black and red print that depicts the nocturnal scene, with Celestina in the street, Calisto jumping over the wall of the garden and Melibea welcoming him.

A photograph of Celestina and a male character from the theatrical performance in Teatro Esponcedra 34, Madrid, 1980

History and analysis of the text.
The image is a fragment from Velázquez's work: Vieja friendo huevos (Old woman frying eggs)

Possibly an exact reproduction of an edition published before 1923.

The cover features an unidentified medieval miniature or painting that depicts a garden or paradise and a man - possibly Petrarch - at the door.

The cover features a fragment of the cover of the Valencia edition of 1514.

Emblem of the printer showing a hand between clouds or waves, holding an object in the form of "T" and the inscription in Latin "Per verbum Dei auditus".

Three factotums of a man between two women, thought to be Calisto standing between Melibea and Celestina.

Basque translation.

The cover features the image from the painting Celestina, by Picasso (1904).

A photograph of a lit candle in a candlestick and its shadow.

A panel of an old woman in front of a pot. Suggestive of sorcery.

A naive-style, colour drawing of Celestina with the thread, Calisto on the ladder reaching out to Melibea on the wall, and Lucrecia keeping watch.

A black and yellow dust jacket with a drawing of a ladder propped against a wall. The image references Calisto's visit to Melibea in the fourteenth act.

In the cover the painting Celestina, by Picasso (1904) appears.

On the cover the painting Celestina, by Picasso (1904)appears.

French translation.

A drawing of a young couple and an older woman behind them, in the style of a portrait. The older woman, presumably acting as both a chaperone and matchmaker, rests a hand on the young woman's shoulder.

The cover is reminiscent of the old editions of the work. An old woman with a covered head appears knocking on the door of the house where a couple and a young woman are seen through the window. The old woman represents the procuress.

Frontispiece framed with two images, one upper and one lower, which respectively illustrate Callisto accessing the garden of Melibea with the ladder and their servants removing his corpse after the deadly fall. These same scenes appear later in the…

Adapted for easy reading in modern Castilian. The cover features the image from the paintingFrancesca da Rimini (1837) by William Dyce.

Arabic translation.

A grey scale drawing of a young couple, the man clasping the hand of the woman, who shies away demurely. Clearly meant to depict Calisto and Melibea although not in her garden as is commonly depicted. In the background, Celestina approaches in an…

The second picture is of a similar edition dated 1543

Comedia de Calisto y Melibea Oxford (UK), Taylorian Institute Library Taylorian TAY Main Libr MICR.1267 Paris (Fr), Bibliothèque nationale de France RES-YG-63 Record inUTSC

A depiction of the scene in the garden, with the silhouette of Calisto cut out.

An image of two cherubs or cupids.

Only print in the book. Scene of Calisto and Melibea's initial encounter. Calisto has the hawk. Celestina with the string and a servant.This edition containsother 21 illustrations, that can be seen here.

Ink wash with several characters on the cover of number zero of the magazine Cuaderno de Buzones, [Toledo]: Bremen Ediciones) which is dedicated to the fifth centenary of the publication of the book

. 1978. Literatura española. ¿Rojas, Fernando de? 7 Celestina.06 (860 ¿Rojas, Fernando de? 7 Celestina.06) 21 cm. 534 p., 1 h. Encuadernación en tapa blanda de editorial ilustrada. Colección Persiles , numero…

Emblem of the printer, showing a Pelican feeding a fish to its young..
There is also a 1545 edition.

Russian translation.

The image of the characters is outlined in red and depicts, in the foreground, Calisto and Melibea in conversation and, in the background, Celestina observing them.

Cover of A high ranking casino ("Un casino de alto rango"), by Torrenueva, The exquisite novel ("La novela exquisita") (erotic novel), Madrid 20s, No. 80. Illustrations by Pan.

Two women are represented on the cover. One of them (the youngest) is…

A French edition, published in 1922 by Éditions de la Nouvelle Revue Française. Translated by A. Germond de Lavigne (XX century) and illustrated by Démétrius Emmanuel Galanis (1882-1966).

Cover in watercolor of the Libro de Calixto y Melibea y la puta vieja Celestina("Book of Calixto and Melibea and the old whore Celestina")

A depiction of Melibea falling from the tower. She is wearing a collar or rosary that comes apart during the fall.

Original title: Höfische Gesellschaft im Freien, rechts Blick in einen Barockgarten("Courtly company in the open air, right view of a baroque garden").The image represents an outdoor scene where young men and women appear around a table. Some couples…

Young woman and procuress talking
Oil on canvass, 20 1/2 x 25 3/4 inches (52 x 65.5 cm)

In the image appears a couple in the center to the left appears an angel playing an instrument and to the right an old woman with her head covered representing Celestina.

A young woman sitting under a tree, accompanied by an old woman on the left and several men on the left looking at her.

The illustration is part of a series of more than 30 monotypes that Degas did for Ludovic Halévy's La Famille Cardinal.Description of the book and illustration:"The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie…

Other title: Loose Company

The image represents two young men, one of them being the prodigal son with a semi-naked young woman acting as a prostitute. She is also holding a violin. An old woman acting as the procuress appears in the background…

A seated young woman looking up at the viewer. In the background on the left, an old woman holds a cloth.

Colour comic for young readers, part of a collection of classic works for young readers.

Adaptation: Rémy Bastien
Script: Dolores Plaza
Drawings: J. Santos Reyna
Colour separation: Carlos García, José García, Raúl Mendoza, Antonio Pérez y…

Children's book format with an illustrated page and a brief narration of the events from the preceding page.

La Celestina, illustrated by Victor Palmerín Navarro. MSPublishers, 2017. The author about his work (translated): "More than half a year of work between documentation and creation has resulted in what is the first modern adaptation of La…

Comic fromLa Celestinacreated by Irina Alamanova's students.

Cover and loose pages of a comic of the play for a high school course. Manga influences. The images belong to the first and second part of the comic. Note the figure of the old woman who represents Celestina in the comic pages. The procuress appears…

An anonymous comic made using a software program that allows one to create comics using preexisting images. Probably an assignment by a student in secondary school.

Comic by the young (15 years old) Murcian illustrator Alejandro Peña Sáez, who would later become a cartoonist and artist. It is a black and white adventure comic in a combination of medieval and western settings in the type of Mortadelo and Filemón…

Website logo from Colombia that offers sexual services by women. The logo looks as if it was taken from Victoria's Secret, although the crown and the name La Celestina are of a different origin.

Coasters from La Celestina wine bar, brewery and restaurant, in Santander Street, 6, Burgos, Spain. Celestina's face and the name "La Celestina" appear on the coasters with ice cubes in the background.

Original ink illustration in naive style of Melibea and Celestina with a heart and a sun.

Prostitutes in a brothel with matchmaker to the left. Reference to an absent bullfighter or picador.

Lithograph of a young woman with the name La Celestina on a Bernard Stahl & Co and Lichten Brothers box. It is not, however, a reference to de Rojas' character, but to a property or estates in which tobacco is produced and that usually have feminine…

Part of the series of the whims by Francisco de Goya. Etching and aquatint on paper.

Melibea (Penélope Cruz)

Calisto (Juan Diego Botto) and Melibea (Penélope Cruz)

Costumbrist engraving to accompany the article in which the character is identified as a celestina of that time period.

From right to left, Pleberio, Alisa, Sempronio, Lucrecia, Areúsa, Pármeno, Elicia and Centurio.

Self-portrait of the DeviantArt user, Kohryu, that is inspired in the painting Celestina, by Picasso (1904) during his blue phase.

Illustration with themes from La Celestina, made in Germany by a painter known only by his/her initials as Master E.S. Gallant scene in a garden with a falcon. The scene recalls the first scene from La Celestina. InCelestinesca, 1987, Vol. 11, Num.…

A character identified as Celestina tries to corrupt the heroine. The actress who plays Celestina is Dolores Fora.

Winner of the Honor Award in the 1944 Fine Arts Exhibition in Barcelona.

Translated transcription from the PDF, courtesy of the Museum of Fine Arts of Asturias, Spain.

"In the painting that concerns us now, the character of La Celestina appears to the right of the composition, with her bad arts she is addressing…

Portrait of a woman showing her right profile, representing Celestine.

The illustration shows a heart nailed in a mass that represents a tumor, and a blue channel that connects the two with a figure of an old woman reminiscent of Celestina. This illustration represents how the so-called celestine antibodies work. These…

Various representations of Celestinas or celestinesque characters in the weekly magazine "El Fandango: Weekly dance dedicated to the beautiful male sex" (1891). We can see the figures that remind of Celestina as old women, with their heads covered…

Illustration presented in Celestinescavol. 19, no. 1 & 2. Made by Alfredo, possibly as part of an artistic work for a specific edition.

Celestina (Lola Gaos) visits Melibea (Lolita Herrera) and tells her about Calisto's lovesickness.

In the engraving appears an old woman with a naked torso resting on a table. Two men appear in the engraving, one sitting in front of the woman and the other standing and looking at her.

Comment by the artist: "This other drawing illustrates a fragment in which Pármeno describes Celestina's house to Calisto, specifically the room where she prepares her potions and spells."

In the first image, Pármeno (Franciso Portes) and Sempronio (Julio Muñoz) are arguing with Celestina (Lola Gaos).
In the second image, the servants have killed Celestina. An afflicted Elicia (Gloria Lafuente) stands out in the background.

Lucrecia (Asunción Villamil) announces Celestina's arrival to the mansion of Alisa (Marta Rus) and Melibea (Lolita Herrera), who are in the garden knitting.

La Celestina, protagonizada por Carolina Calema, de la revista culturalTeatro Reportaje