Browse Items (3223 total)

The same illustration as act IV. Above the names Melibea, Celestina, Lucrecia, Elisa, Melibea (repeated).

The same illustration of act I. Written above are the names Sempronio, Pármeno, Elicia, Celestina, Areusa, Lucrecia, Sempronio (repeated).

The same illustration as act IV, written above are the names Pármeno, Areúsa, Sempronio, Calisto, Pármeno (repeated).

The same illustration as act I. The names Celestina, Pármeno, Areúsa, Elicia, Celestina (repeated) written above the figures.

The same illustration as act IV. The names Calisto, Celestina, Pármeno, Sempronio, Calisto. Note the repetition of the name Calisto.

The same generic illustration from act IV. Written above are the names Celestina, Sempronio, Calisto, Pármeno, Celestina. Note that the name Celestina is repeated.

Two young men on one side, an old woman or celestina in the middle and a young man on the left making a supplicating gesture. Porticoes in the background. Written over the figures are the names Celestina, Lucrecia, Elisa, Melibea, which clearly do…

A couple, woman and man, talking, while another group of five people, all young men with the exception of an old woman who can be interpreted as a celestina appear to argue over a spyglass in order to spy on the couple on the left. Portico…

Celestina convinces or begs a young woman, probably Melibea, although in theory she could also be Areúsa, in her bedroom. The bed in the background. In Latin is written: "vetula tail scorpionis" (an old lady like the tail of a scorpion)This is an…

Celestina convinces or cajoles a young woman, likely Melibea, although in theory it could be Areúsa, in her bedroom. Bed in the background. "Vetula cauda scorpionis" is written in Latin (an old woman, like the tail of a scorpion).

Representation Celestina, Moulin Rougein the CajaGranada Theatre, Granada, Spain, 2019.Production:Jacaranda 11.Free adaptation of the text by Fernando de Rojas: Antonio César Morón.Direction: Carmen Ruiz Mingorance.Cast:Aristide BruantAdéle de…

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

Adapted to modern Castilian. Old, yellow block print stamps against a dark background that show various characters, with the corresponding names printed below each figure. However, not all figures represent the characters indicated by the names in…

Organized by the Casa de la Mancha and the Department of Social Welfare

Dramaturgy: Arturo Castro and José Antonio Lobato Assistant director: Cristina E. Pérez Scenic space design: Teatro Margen Lighting design: Javier Fernández Costume design: Azucena Rico Video report: Escuela Taller Técnicas del Espectáculo…

Representation of La Celestina by the company Secuencia 3 Artes y Comunicación S.L., Pentación S.A., Saga Producciones and Teatre Romea at the 46th Almagro International Classical Theater Festival, Almagro, Spain.Author: Fernando de RojasAdaptation:…

Youth Theater Group
Adaptation by: José Ricardo Morales

Cast:
Elsa Poblete - Celestina
Omar Gutiérrez - Calisto
Eliana Rodríguez - Melibea
Juan Vera - Sempronio
Pepe Herrera - Pármeno
Miryam Pérez - Elicia and Alisa
Mariela Roy - Areúsa…

Generic image of a woman. Note that she does not have her hair covered nor any identifiable accessory typical of a procuress. She has something unidentifiable on her waste.Transcription of the passage of the procuresses, fromCervantes…

Bronze statue of an older woman and a plaque with the loversCalisto and Melibea in the hawk scene. The following fragment taken from the work has been engraved below:'Soy una vieja cual Dios me hizo, no peor que todas …. Si bien o mal vivo, Dios es…

An edition for young readers.

The cover features a black-and-white fragment of the painting Las Meninas(1656) by Diego Velázquez.

La Celestina te echa la suerte con la baraja Góngora ("La Celestina casts your luck with Góngora deck")Minishow of 15 minutes of duration. La Celestina receives a consultant in a dark cave and in the light of the lamp and with the musicAmor Brujo by…

Poster of the representationEn busca de Calisto y Melibea ("In search of Calisto and Melibea") at the XXIII Celestina Festival, Puebla de Montalbán (Toledo) from August 26 to 29, 2021. Premier on August 28 in Patio del Palacio de los Condes de…

Factotums of Calisto and Melibea with the complete name written above. Melibea with a peculiar headdress.

Pleberio and Alisa watch as Melibea throws herself from the tower. Two buildings at the sides.

Four factotums: Lucrecia, Melibea, a building with two people, and Pleberio.

Tristan and Sosia collect Calisto's dead body. Melibea's garden in the background with the ladder at hand. Above, the names Melibea, Lucrecia, Sosia, Tristán, Calisto can be read. The images of Melibea and Lucrecia are not seen, but it is assumed…

Lucrecia and Melibea behind the crenellated walls of the garden that Calisto is scaling, on the right, two armed servants, Sosia and Tristán.

Four factotums: a building with two people inside, Areúsa, Elicia, Centurio (image used for another character in another act XI).

Four factotums: a tower with various people on top of and within it, Elicia with a black mourning mantle, Areúsa, Sosia (image used for another character in act IX).

Four factotums: building, Areúsa (image of a woman that is covered, possibly to represent her mourning, but the same used in previous acts to portray Celestina), Centurio (image used in act XII for Sempronio) and Elicia.

Tristán and Sosia remove Calisto's dead body. In the background, Melibea's garden and the ladder at hand. Above, the names Melibea, Lucrecia, Sosia, Tristán and Calisto can be read. The images of Melibea and Lucrecia are not visible, but it is…

The judge between two armed soldiers and, on the right, the executioner beheading Pármeno and Sempronio with a knife (one of them is already beheaded). A corner background of houses with arched windows and a two part view.

Double image. On the left, the judge and two soldiers stand over Pármeno or Sempronio's fallen body, while the other of the two is still jumping from the window.
On the right, the previous scene of Pármeno and Sempronio killing Celestina with…

Four factotums: two men and two young women and five names: Calisto, Lucrecia, Pármeno, Melibea, Sempronio.

Four factotums of Calisto, Celestina, Pármeno and Sempronio. Elicia's name appears above but there is no character for her.

Factotums of Celestina, Melibea with a flower in hand, Lucrecia and Alisa.

Four factotums of two masculine and two feminine figures. Above are the names Sempronio, Pármeno, Elicia, Celestina, Areúsa and Lucrecia. As there is no older woman, Celestina does not seem to be represented and one of the named young women is…

Four factotums of Calisto, Areúsa, Sempronio and Pármeno.

Four factotums of Celestina, Pármeno, Areúsa and Elicia.

Factotums of Calisto, Celestina, Pármeno and Sempronio.

Four factotums with the names of Calisto, Pármeno, Sempronio (wearing a turban) and a new image for Celestina with her head covered with a black scarf.

Factotums of Celestina, Lucrecia, Melibea and Alisa. Alisa's factotum is the same that is used for Celestina in the first illustration of act I.

Four blocks of factotums with Pármeno, Elicia, Celestina and houses.

Factotum of four blocks: houses, Calisto, Pármeno and Sempronio, the last two are armed and Sempronio has a turban and a shield.

Drop cap letter E with the figure of an undetermined saint. It is part of Calisto's first words, "In this I see..." Perhaps it was considered relevant given the content of loa of the divine work of these words, or simply used this image at random.

Factotums of four images, two young men, a young woman and an old woman. Above are the names Pármeno, Calisto, Melibea, Sempronio, Celestina and Crito, which correspond to characters in the act, not to the images. Celestina is covered and has her…

Building with two windows and three characters inside, two women in a garden in front, Celestina knocking at the door, Calisto and two servants in the right margin, behind there are two men and two women who meet in the street in front of other…

This is the same as that of Barcelona, 1525: A building with two windows and three characters inside, the front garden with two women, Celestina knocking on the door, Calisto and two servants on the right bank, behind him two men and two women are in…

A building with two windows and three characters inside, a front garden with two women, and Celestina knocking on the door. Callisto and two servants on the right hand margin, in behind, two men and two women are in the street in front of other…

The cover features a fragment of an unidentified painting from the Dutch school that depicts a brothel or tavern scene. An old woman reads a letter to a young woman, who has a child in her arms, while a man stands behind them, laughing.

A coloured reproduction of the older cover of Seville, 1501. It depicts Celestina knocking on the door of Melibea's house, while Melibea and Calisto are shown, in the foreground, in their first meeting. Lucrecia stands behind them, observing them.…

Company: Karpas
Original music: Volker Kirberg.
Stage design and figurines: Manuel María Grimaldi.
Clothing: Chemané.
Lighting: Gonzalo Gordon. 

Cast:
Alberto Romo- Calixto
Alexia Lorrio- Melibea
Charo Bergón- Celestina
Ignacio Ysasi-…

This work represents the biblical scene where Salome holds the decapitated head of Saint John the Baptist. In this painting by Caravaggio, Salomé is represented by a young woman holding his head on a tray in the center of the painting. To the…

Although, evidently, the maid is neither a celestine nor a procuress, she is represented in the painting with typical traits of these characters. The three, young woman, old woman and man, is typical in the celestine, the client and the protected…

Engravings in a collection representing different characters in he city of Bologna, in this case a procuress at the door of a house with two women

According to the description on the cover, this edition is considered to be of cultural and educational interest by UNESCO.

Etching by Ramón de Capmany, contained in the edition by Pedro Bohigas.

The images show a young couple on a bed lying down and kissing while a woman in the center of the image with her head covered looks at the viewer while holding flowers. From the title of the paintings it is understood that the couple represent the…

1.9 m bronze statue based on the only portrait that remains of Rojas, the municipal command cane in his right hand and in the left, a copy of La Celestina. There is a sword on his belt.

The cover features a fragment of the print from the third act of the Burgos edition of 1499, in which Celestina appears with the string, knocking on Melibea's door. See the related item.

A coloured reproduction of an old print (from a different cover).

Amor de Calixto y Melibea… y la puta Celestina ("Love of Calixto and Melibea ... and the whore Celestina") Comedy turning into shamFree adaptationMéxico Dramaturgy and direction: Enrique Cancio Production: Estela Lucio Cañandonga…

Los amores de Calisto, Melibea y la vieja Celestina("The loves of Calisto, Melibea and old Celestina")Cast:Erandeni Durán, Karla Paola Torres Jaime, Pablo Marín, Alfredo Monsiváis González, Alhelí Abrego, José Ponce, Jennifer Lucero, Jessy Anda.

The image shows a group of people sitting around a figure in the center dancing. Among the seated people is a man on the left, several women dressed in blue and red, and an old woman with her head covered and playing the guitar reminiscent of…

In the image three figures appear in a field. A young woman dressed in a regional dress, an old woman to her right with a fan covering her face, and a man on horseback behind them. The trio is reminiscent of celestina scenes where the old woman acts…

In the image appear five young women dressed in a similar way. To the right appear three other figures, two men and a young woman, with a different aesthetic from that of the other young women. In the middle of the young women appears an old woman…

Original title: Femme fumant ("Woman smoking").

In the image appear two young women in a bar. One of the young women appears with a cigarette in her mouth while the other lights the cigarette for her. The blurred image in the background on the…

In the image appears a man sitting at a table surrounded by young women. Next to the man appears a woman visibly older than the rest of the women selling flowers. The flower seller is a symbolic celestina as she is offering to choose a beauty-flower…

Original title: Se rendant à la fête ou Promenade après la course ("Going to the party or a walk after the race").

In the image appear four young women dressed in regional dresses and mantillas. They are in a field surrounded by men and women…

In the image appears a young woman dancing in a local (bailaora), surrounded by people. Among the spectators are several men and women and an old woman appears on the left. The aesthetic of the painting is reminiscent of Goya's work.

The images are set in a bar or tavern. They show a young woman dressed in a white regional dress and an old woman talking to a man who is sitting at a table. In the second image, the old woman and the man also appear to be talking while the young…

In the image appears a group of young women in a box. By the title it is understood that they are watching a bullfight. Most women appear with mantillas and flowers, dressed in regional dresses and some with fans. All of these women appear to be the…

In the painting a naked young woman appears next to a bathtub and an old woman next to her who seems to be assisting her in her bath. The image is reminiscent of brothel scenes, in this case the young woman would represent the prostitute and the old…

Several women appear in the image: two women with hats, a woman without a hat on the right and an old woman on the top right corner that is reminiscent of Celestina. The description of Canals' work that appears in the article next to the image also…

Representation This is not la Celestina("Esto no es la Celestina"), in the Centro Cultural Gilitos in Alcalá de Henares, Madrid, 2022.Production:La LocandieraAuthor: Fernando de Rojas.Dramaturgy and direction: Francisco Campos.Scenography: Francisco…

Pleberio atónito por la confesión y muerte de su hija

Melibea sube a la azotea de su vivienda

Calisto se pone su capa para salir a defender a sus criados

Calisto quiere bajar a ayudar a Sosia

El pacto de Centurio

Areúsa le saca información a Sosia