In the image appears a young woman touching her breast while an old woman with her head covered looks at her. The old woman acts as a procuress for the young woman.
Representation ofCelestina,by the Rita Montaner Theater Company, at the Sala Teatro El Sótano (La Habana, Cuba), in 1993.Creative team:Author: Fernando de RojasDirector: Rafael DaboinCostume design, Lighting design, Set designer: Tony…
Description of the work by the author: "As you may have seen on my website, I work from mythology considering this endless source for reflection on who we are and the latent aspirations of every human being. That is, as archetypes of human behavior.…
Colour photos of the representation Eva y Don Juan by Álvaro Custoidio at the Real Coliseo de Carlos III Theater, in San Lorenzo de El Escorial. Actress María Calonje as Celestina.
Representation directed by Álvaro Custodio of the Teatro Español de Mexico for the Ateneo Español de Mexico, in Mexico D.F. Clippings of theater reviews, comics, and photos and pages taken from magazines.
Theater critic of "La Celestina" in the Teatro Reforma in the Bulletin of the Classical Theater of Mexico (Boletín del Teatro Clásico de México), México, D.F.,titled "La Celestina at the Reforma Theater" ("La Celestina en el Teatro Reforma"), on…
A photo of two people, one of them acting in an accusing or threatening way, in the Garden of Calixto and Melibea, on a travel blog by Daniel de Culla.
Compendio De La Obra Maestra La Celestina "Compendium of the Masterpiece La Celestina", by Fernando de Rojas. On the cover appears the face of a young woman with her head covered.
A composite scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…
The scene of Melibea's suicide in which she throws herself from the tower while Pleberio and a female character watch the event. Note the prominence of the lock on the door of the tower to show that the door is locked. This image is of a simpler…
Factotums of a tree, Areúsa covered (Image used previously for Elicia and Alisa), Centurio (image used previously for Pármeno and Sempronio), Elicia and houses
Factotums of houses, Elicia with her head covered (image used for Alisa in act IV), Centurio (image with turban used previously for Sempronio), Areúsa and a tree
Scene of Calisto climbing the ladder to the Melibea's garden protected by two servants. Within Lucrecia and Melibea wait. The same engraving is used again in act XIX
The execution scene of Pármeno and Sempronio with an executioner and his assistant on the right. On the left, the judge with two soldiers and a character who covers their eyes so as not to see, perhaps Sosia
The scene of Celestina's death at the hands of Pármeno and Sempronio on the left, with Elicia present, and on the right the following scene of Pármeno and Sempronio jumping from the window and the judge with a soldier
Five factotums (three men and two women) and above in two lines the names of Calisto, Lucrecia, Melibea, Pármeno, Sempronio, Pleberio, Alisa, Celestina, Elicia
Factotums of Pármeno, Calisto, Melibea, Sempronio and Celestina. Elicia and Crito, whose names appear in the image heading, are not shown. Pármeno attired with a turban
Celestina knocking at the door of Pleberio's house with the yarn in her hand. Lucrecia in the background, Melibea and Calisto in their first meeting talking, a horse and unnamed servant on the right margin. Initials of Lucrecia, Melibea and Calisto…
A composed scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…
A strange illustration of the execution of Parmeno and Sempronio that introduces a female character as executioner. It could be Areúsa or Elicia, or an allegorical character. It is not clear if there is a bag of money or an allusion to the horn of…
Illustration of one of the problematic copies of the supposed 1502 edition, actually 1513-15, Cromberger, This copy includes the usual illustration for the execution plus this one of a servant taken to the gallows. It looks as it had been taken from…
Among many other engraving, this Dutch engraver printed a book with portraits of famosu courtisans and bawds. 'Miroir des plus belles courtisans de ce temps¨. Spigel der alderschoonste courtisanen deses tyts,
A black-and-white illustration from the first act of the Burgos edition of 1499, printed by Fadrique de Basilea. The image is a depiction of the first meeting between Calisto and Melibea.
Two women appear in the painting, a young woman and an old woman. The old woman appears with a fan pointing at the young woman. Following the celestinesque tradition, the old woman can act as a procuress for the young woman. Two children also appear…
Description of painting by the Art Institute of Chicago: "Mère Grégoire is a character from a popular song written in 1820 by French lyricist Pierre Jean Béranger. As described by Béranger, she was the portly proprietress…
La ¿tragi?comedia de Calixto y MelibeaProduction: Indigesto TheaterCostume: Indigesto Theater and ETMZ Cast: Encarni Corrales – CelestinaLorena García – Melibea Laura Tejero – Elicia Yolanda Jurado – Alisa Alberto Salvador – Úrsula J.J. Sánchez –…
Series made byAndreas Constantinoucomposed of nine photos of a model that poses as Melibea. According to the photographer, "My inspiration came after visiting Salamanca and the garden where the story took place, the fiancé (now husband) of my best…
Event organized by ACTÚA (Artistic cultural action) on the occasion of Book Day, in the Plaza de Las Palmas de Arrecife, the public enjoyed this scene represented by Begoña Cedrés, Matías Di Candia and Germán Barrios.
The image shows the afternoon session of Hartzenbusch's The Powders of Mother Celestina ("Los polvos de la madre Celestina"). Note that there are children and youth among the audience.Engraving print The theaters and their public ("Los teatros y su…
Book with cover that suggests that it is an essay with the subtitle "estudio sobre la mitología de lo femenino, la mujer y su manipulación a través de la industria cultural." The title is probably influenced bu the Spanish translation of Kubrick's…
Figurines by designer Lorenzo Collado of the characters from La Celestina, including: Melibea, Calixto, Parmeno, Areusa, Lucrecia, Sempronio, Celestina, student and the author Fernando de Rojas. Celestina's character is reminiscent of a nun because…
A banner is carried by the two figures -one male and one female- bearing the inscription: "como quien sale a justar" ("as one who goes out to fair"). The man and the woman are also holding up a sheaf of wheat or wild flowers. In the background, a…
A black-and-white print positioned against a red background. The print depicts Calisto on his bed, pining after his first disastrous encounter with Melibea. Behind him, Sempronio approaches with Celestina, having gone to fetch her.
The cover features a mirrored image of an abstract pattern against a blue background, which seems to represent a tower, embroidered in gold thread with a red half circle. This could be interpreted as a coat of arms or an…
The first image shows Celestina with a cauldron, alluding to the spell that the character performs in act III. The second image shows Celestina surrounded by trees.
La tragicomedia de Hamlet y Calisto("The tragicomedy of Hamlet and Calisto")Integrated Center for Professional Training in New Technologies- José Luis GarciWhen the stories of Hamlet and Celestina are mixed, the characters become confused and loves…
Representation ofEl ñaque de celestina ("The Celestine ñaque"), Goliardía teatro company in the Library of Castilla y León, Valladolid, organized by Junta de Castilla y León premiered on October 7, 2021.Author: David ParaDirection: Miguel…
Emblem of the printer Christoph Plantin and his descendants, which is a compass held in a hand which is rising from a cloud and the Latin inscription "labore et constantia".
The second image is of a similar edition but dated 1595
Staging: Leon Schiller
Translation: Juliusz Gomulicki
Adaptation: Marcel Achard
Scenography and costumes: Władysław Daszewski
Choreography: Jadwiga Hryniewiecka
Music: Tomasz Kiesewetter
Assistant director: Andrzej Żarnecki
Staging: Leon Schiller
Translation: Juliusz Gomulicki
Adaptation: Marcel Achard
Decoration: Władysław Daszewski
Music: Tomasz Kiesewetter
Assistant director : Hieronim Konieczka
Casting:
Jadwiga Chojnacka – Celestina
Jan Zdrojewski –…
Card of the six of swords representing Brígida convincing Doña Inés that Don Juan is in love with her. The swords are used to represent her pain in the tradition of the heart of Mary of Sorrows.
Adaptation of The Lusty Andalusian(La lozana andaluza)by Francisco Delicado.Broadcast on May 6, 1983.Producer: José FradeProduction director: José SalcedoScript: Chumy ChámezDecorator: José Luis GaliciaWardrobe advisor:…
The same illustration as act I. Above, the names Calisto, Sempronio, Pármeno, Lucrecia, Melibea, Pleberio, Alisa, Celestina, Elicia, Calisto (repeated)