Browse Items (3223 total)

The image shows an indoor scene where young men and women appear in a room. Another hugging couple is seen through the bedroom door. Note the old woman who appears on the right with her head covered, following the Celestinesque tradition, which may…

The image shows an outdoor scene where young men and women appear around a table. Talking to one of the customers on the left appears an old woman with her head covered following the Celestinesque tradition who can act as a procuress for the young…

Original title: Höfische Gesellschaft im Freien, rechts Blick in einen Barockgarten("Courtly company in the open air, right view of a baroque garden").The image represents an outdoor scene where young men and women appear around a table. Some couples…

Original title: Elégante compagnie dans un intérieur("Elegant company in an interior").The image shows an indoor scene where young men and women appear, some hugging and even kissing. Note the old woman who appears on the left with her head covered,…

The image shows an interior scene where young men and women appear at a table. In the center of the image a couple and the woman touches the man on the chest in a suggestive way. Note the old woman who appears on the left with her head covered, who…

The image shows a group of people around an outdoor table. There are two young women who appear, one embracing a man and the other holding hands with another man. The third man appears playing a musical instrument. Note the old woman who appears on…

Original title:Les musicien("The musicians"). In the image there are two young women and two men playing instruments. To the right appears an old woman bent over with her head covered following the Celestinesque tradition. The old woman can act as a…

Original title: Interieur mit illustrer Gesellschaft beim Austern Essen("Interior with illustrious company eating oysters").The image shows a group of people around a table eating oysters. There are several young women who appear embracing men. Note…

Hungarian translation.

A scene in the Hermitage of the Virgin of the Port. In the lower left corner of the table, there is a group of people acting similarly as characters inLa Celestina. A soldier dressed in red, with a young girl who seems to be flirting, while an old…

In the image there is a figure seated in a chair with a fan with her back to the viewer. By the silhouette it is understood that she is an old woman with her head covered following the Celestinesque tradition, and that therefore the drawing…

Original title: "Mujeres de la vida"

A group of young women, supposedly prostitutes, and behind them an older woman, that could be their procuress.

Prostitutes in a brothel with matchmaker to the left. Reference to an absent bullfighter or picador.

Callisto playing the lute

Cover
On the top part, Elicia (Gemma Cuervo) is shown in mourning and Areúsa (Tina Sáinz) is eating.
Celestina (Tony Solder) is smiling in the bottom part.

Back cover
In the image of the top part you can see the face of pain that Elicia feels…

Cover
On the top part, Elicia (Gemma Cuervo) is shown in mourning and Areúsa (Tina Sáinz) is eating.
Celestina (Tony Solder) is smiling in the bottom part.

Back cover
In the image in the top part Celestina (Tony Solder) is arguing with Pármeno…

Cover
On the top part, Elicia (Gemma Cuervo) is shown in mourning and Areúsa (Tina Sáinz) is eating.
Celestina (Tony Solder) is smiling in the bottom part.

Back cover
In the image of the top part Elicia is crying over the tragic death of…

French translation.

Director: Joan GuaskiMusic: Francesc Planchart Cast: Joaquín Gómez / Jordi Pérez / Marc Parejo / Marga Julià / María Jesús Pereiro / Martha Carbonell / Oriol Macià / Rebeca Sánchez / Rosa GironaRecord of representation in the Documentation Center for…

"This volume presents the most rigorous version of the Tragicomedy of Callisto and Melibea - the one published in Valencia in 1514 -, completed with the suppressed fragments of the primitive Sixteen-act Comedy and with the interpolations and variants…

A black-and-white image that depicts a gallant medieval court scene.

The cover features a cut-out image of two young women and an old woman.

Mixed media, watercolor and ink, on paper.
A young carrying a package and an old woman . Although there is no indication of being a procuress and her protegee, Grosz painted many scenes of prostitution in Weimer Germany.

Indoor scene. Four characters appear in it, a young woman sitting on the ground, a man standing next to her, an old woman with her head covered and pointing to a basket with eggs (one is broken) and a small child on the right. The scene is…

This painting represents a biblical scene where Herodias pierces the tongue of John the Baptist while his severed head is resting on a plate hold by Salome.
The portrayal of the young woman, the older woman and a man is reminiscent of Celestina…

English translation. The cover features the image from the printFlight at Dawn(1968) by Pablo Picasso.

Image 1 is a drawing in Album B or Madrid album. The original title of the second image is "La Bella y la Celestina" ("The Beauty and the Celestina").

In both images, a young woman and an old procuress are under an arch. The young woman rests on a…

Mixed method in mural transferred to canvas.
This painting is on display at the Prado Museum, in the "Black Paintings" collection, the description of the painting provided by the museum in the exhibition describes the women drawn as "dressed in the…

Part of the series of the whims by Francisco de Goya. Etching and aquatint on paper.

A young woman putting on stockings while an old woman watches her. Engraving that belongs to the series Los Caprichos number 17.

A young woman sitting on a chair. An old woman next to her looks at her. Etching in the seriesLosCaprichosnumber 15.From Wikiepediahttps://es.wikipedia.org/wiki/Bellos_consejos"Explanation of this stamp from the Prado Museum manuscript: The advice is…

A young woman appears in the center of the painting in the foreground. An old woman appears to the right in the background.

A tied young woman and man are attacked by a giant owl.

A young woman is hugged by a young man while a pair of old women are seated to the left.

Illustration of one of Goya's Caprichos contained in the edition by Pedro Bohigas.

One of Goya's Caprichos, El chitón, made in 1799 c. contained in the Pedro Bohigas edition.

Another engraving by Goya based on the social effects of the war between France and Spain. An interpretation of the Prado Museum names the characters as a young prostitute, alasciviousman, and a celestinesque old woman. This is an interpretation of…

In the image two figures appear on a balcony: a young woman leaning on the railing and looking at the viewer (maja) and an old woman with a rosary on the left who reminds of Celestina. From the title it is also understood that the old woman acts as…

Una escena durante la guerra entre Francia y España, trantando de cuestiones moralizantes de mantener la honra y morir de hambre, o vender el cuerpo y sobrevivir. Siguiendo el comentario del grabado del Museo del Prado, la mujer vieja que aparece…

Young woman in a reclined position and an old matchmaker behind her in a rural setting. Probably a model for a tapestry.

Original title:De Spaanse Hoer ("The Spanish Whore"), adaptation of the work by Hugo Claus directed by Alfons Goris at the Studio Herman Teirlinck, Antwerp (1987-88).Representation in the city of Antwerp. Photos of the performance showing the actors…

Melibea goes out by night, accompanied by Lucrecia (p. 229). One of the two holds her index finger to her lips in a signal to be quiet. The foot of the image says: "Qué harían si mi cierta salida supiesen?" ("What would they do if they knew of my…

This illustration is missing in some editions. The moment in which Pármeno approaches Areúsa's bed while Celestina watches the scene (p. 149). At the foot of the scene Areúsa's words can be read: "Quítate allá, que no soy de aquellas que piensas, ten…

Calisto and Melibea embrace in the garden while Lucrecia stands guard or spies (p. 314). The footnote at the bottom of the page says: "Jamás querría, señora, que amaneciese, según la gloria y descanso que mi sentido recibe" ("My lady, I never want…

Banquete scene in Celestina's house (p. 178). She is represented with an envious expression, contemplating the lovers while they kiss, while she grabs the jar and cup of wine to serve herself once more. At the foot of the page it says; "Besáos y…

An old, unidentified illustration of two women hugging as a greeting, similar to the meeting between Saint Elizabeth and the Virgin Mary. In this case, it represents one of the encounters between Celestina and her protegees or friends.

Representation directed by Nilda González of the University Theatre of the Puerto Rico University. Adaptation by Nilda González based on Francisco Fernández Villegas' version. Official program, sketches of the stage, illustrations of the stage,…

Adaptation and assembly:
Isabel González
Experimental company of the Orfeó Maonès

Cast:
Darakth Teixidor González -Calisto
Cristina Pons Van Walré- Melibea
Toñi Rivera – Celestina
María Cubas -Elicia
Bárbara Delgado -Areúsa
Jaume Font…

Traditional technique, employing ink on parchment paper. One can observe the procuress with a glass in which she carries out her spells.

Adaptation: Francisco de Pedro Production: La trouppe inestable" of the I.E.S. "La Arboleda" Stage equipment: Fernando Pérez- Baquero and his students.

Play:Seis géneros dramáticos en busca de un actorTragedy:Edipo ReyComedy:LysistraraTragicomedy:La CelestinaWilson Morales - PármenoPiece:La GaviotaFarce:El Retablillo de Don Cristóbal

Celestina. 6 offices, to know…Theatre- Fifth Iberoamerican Culture CongressStaging and Lighting: Miguel Ángel CamachoAudiovisuales: Luis AbadMapping: Jimmy Gira Interpreter and author: Maritza Wilde

Theatre prize

Celestina the sorceress.

Calixto gives Celestina a gold chain, therefore, his soul. Behind can be observed Sempronio and Pármeno as witnesses.

The go-between Celestina. On the left, a prostitute and on the other, a knight in the form of a bird.

Melibea and Celestina.

The procuress Celestina when her business was prosperous with the visits of priests to her brothel.

Celestina's laboratory.

Cover of the book with 19 lithographs. Celestina as the maker of virgos.

La Celestina ShowCast:Julio Pachón, Adriana Silva, Myriam Palacios, Juan Carlos Cruz, José Sedek, Danny Chacón, Mónica Gutierrez de Piñeres

Theater projectComics of the language: La Celestina read("Cómicos de la lengua: La Celestina leída") National Dramatic Center - Ministry of Culture ("Centro Dramático Nacional- Ministerio de Cultura").Concept: José Luis GómezAuthor: Fernando de…

Representation directed by José Luis Gómez of Teatro de la Abadía in co-production with Compañía Nacional de Teatro Clásico. Starring José Luis Gómez (as Celestina).Record of representation in CDAEM, Spanish…

Cover page in which the execution of Celestina is depicted

Elaborate calligraphic rendering of the words La Celestina in a style that has reminiscences of Miro and Lorca´s drawings

The cover features two medieval miniatures: one of a king in his court and the other of the protagonist welcoming his subjects.

"Brief summary of the argument of the play La Celestina"
Six minute silent video in which an electronic blackboard and a series of drawings is used to summarize the argument. Educational material?? Note the use of modern characters in the drawings.

Painted terracotta figurine of Celestina and a sitting young woman. The Celestina figurine has the defining scar on the cheek.

The same as Sevilla (1523)'scover page. A variation of the cover pages by Cromberger from Sevilla (1511) (1502) but completely redesigned. Now it also includes a dog and Sempronio and Celestina's initialshave been added on top of the corresponding…

Factotums of a tree, three characters (two men and one woman) and houses, written above Pleberio, Lucrecia, Melibea and Pleberio repeated for being the first to speak in the act.

Five factotums (two women and three men) and above, the names Sosia, Tristanico, Calisto, Melibea, Lucrecia, and Sosia repeated for being the first to speak in the act.

Four factotums of characters (three women and one man) and houses. Above is written Elicia, Centurione ruffian [sic] and Areúsa, with the name of Elicia repeated for being the first to speak in the act.

Four factotums of characters (three women and one man) and houses. Above, the names Elisa, Areúsa and Sosia, with Elicia repeated for being the first to speak in the act.

Five factotums (two women and three men) and above, the names of Pleberio, Alisa, Lucrecia, and Melibea. Pleberio's name repeated for being the first to speak in the act.

Four characters and houses. Above, Areúsa, Centurione ruffian [sic] and Elicia. The name Elicia repeated for being the first to speak in the act.

Five factotums of characters, two women and three men, and above, the names of Melibea, Lucrecia, Sosia, Trístanico, Calisto and Melibea repeated for being the first to speak in the act. The order of the characters appears to coincide, but the first…

Five factotums of houses, three characters and a tree. Above, the names Calisto, Tristanico, Sosia and Calisto repeated, for being the first to speak in the act. One of the factotums is a woman.

Five factotums and above the names of Calisto, Sempronio, Pármeno, Lucrecia, Melibea, Pleberio, Alisa, Celestina, Elicia, and repeated Calisto for being the first to speak in the act.

Five factotums and above the names Celestina, Sempronio, Calisto, Pármeno and Elicia that appear to coincide with the image order. Celestina's name is repeated twice for being the first to appear in the act.

Four factotums and houses. Above, four names: Melibea, Celestina, Lucrecia, Elisa and Melibea repeated to indicate it is she who speaks first in the act. There is a masculine character between the images.

Five factotums and above the names of the characters who appear in the act: Sempronio, Pármeno, Elicia, Celestina and Lucrecia, and later repeated, Sempronio to indicate he is the first to speak in the act.

Four factotums of characters --three men and a woman-- and houses. Above are written the names Pármeno, Areúsa, Sempronio, Calisto, and Pármeno repeated, the one who begins speaking first in this act.

Four factotums of characters and houses. Above, without coinciding with the images --two male and two female--, the names Celestina, Lucrecia, Elicia and Melibea.