Browse Items (3223 total)

Calisto climbing a ladder while Melibea and Lucrecia watch from two arches. On the right, Sosia and Tristán stand guard outside. The same image is repeated again in act XIX.

Pármeno and Sempronio's execution. On the left, the judge and three people, one of which is probably Sosia. On the right, the execution, one of the defendants already decapitated and the other being decapitated. Two people with beards on the right.…

Sosia and Tristán talk in the doorway about the execution of Pármeno and Sempronio while Calisto lies in his bed.

Pármeno and Sempronio kill Celestina, who is on the floor, while Elicia watches horrified.

While Pármeno and Sempronio, well armed, stand watch, Calisto speaks with Lucrecia and Melibea, who are not represented, through the garden door.

Celestina is accompanied by Pármeno and Sempronio, in the street. Calisto on his knees in the church of the Magdalen.

Two consecutive scenes. On the left, Celestina, holding the rosary, arrives at Melibea's house with Lucrecia. On the right, inside the house, Celestina talks with Melibea while sitting on the dais, and Alisa enters through the door.

The banquet scene in Celestina's house with Pármeno, Sempronio, Elisa y Areúsa. Outside Lucrecia knocking on the door. Celestina drinking and a cat or dog with a bone in front of the table.

Double scene. On the right, Pármeno has awoken to go to his master's house after spending the night with Areúsa. On the left, the following scene is of the encounter and agreement between Pármeno and Sempronio.

On the left, Celestina speaking with Pármeno. On the right, the following scene of him lying with Areúsa.

At Calisto's house, Celestina is speaks with him, while Sempronio and Pármeno talk amongst themselves apart from them. A background with columns and arches.

Sempronio and Celestina arrive at Calisto's house. He speaks with Pármeno, while seated inside. A bed in the background.

Celestina in Melibea's house, and she, with Lucrecia on a dais, while Alisa leaves with the messenger who has come to call on her. A pet next to one of the women.

Sempronio, accompanied by Celestina, arrives at her house, where Elicia is inside, occupied with a task. Oustide, in the background, a crenellated wall with trees behind.

Three men in a street speaking, while a woman watches them from the window. It is unclear which scene of the work is referenced here because the image is so generic.

Three scenes separated by columns. The first is of a couple talking inside a building, the woman seated on a dais, which is thought to be in some way representative of Calisto and Melibea's first meeting. The second is a man that seems melancholic,…

Very elaborate variant of the composite model taken fromValencia (1514)andSevilla (1523).Illustrated edition with 26 engravings (plus cover) that can be seen by clicking here:Zaragoza (1545).

A very elaborate composite model that originated from Valencia, 1514 and Sevilla, 1523.An illustrated edition with 26 engravings (plus the cover) which can be seen by clicking here: Zaragoza, 1545.The same engraving is used for the cover of the…

Translation and adaptation: Yoichi Tajiri Stage direction: Hirofumi Suzuki Lighting: Shunsuke Yoshito Sound: Mitsuhiro Nakagawa Cast: Masaya Nagano- Choir 1, Calisto Kazunori Tokida-Choir 2, Sempronio Daisuke Higuchi-Choir 3, Pármeno Tadayoshi…

Photomontage by the DeviantArt user Jesuss1 based on the painting Celestina, by Picasso (1904), interpreted by the user with his own paint.

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

A scene from the parable of the prodigal son, to the right on the background an old woman sits with a device that resembles an abacus, by this object, she is portrayed as a procuress calculating the money she will earn.

Other title: Der Verlorene…

A young woman accompanied by an old woman and it seems that the latter acts as her procuress. A young man is on the left.

Other title: Galante Szene

In a room, a young man is sitting and holding a young woman's hand. Between these two characters, an old woman acts as procuress by introducing the young woman to the man.

Other title: The Prodigal Son takes leave of his Father.

Una pareja sentados en una mesa con la chaperona o alcahueta vigilando la interacción.

Una pareja en escena privada, con una mujer vieja (alcahueta) mirandolos detrás de una cortina.

Celestina's spell on Areúsa, Calisto and Melibea

Two page panoramic view of the city. On the right, a woman going up some ladders that could be Celestina walking fast. Pages 136-137,

Pleberio cries before Melibea's body. In the background, Lucrecia, Sosia and Tristán look downcast (possibly a fragment from Calisto's death). Page 206.

Areúsa coaxes Calisto's plans out of Sosia while Elicia listens. There are three female characters, one of which seems to not fit with the scene. Page 184.

Image composed of various scenes, one of them Areúsa motivating Centurio to action and other not so evident scenes. Page 174.

Calisto looking thoughtful in a chair, Tristán and Sosia come to tell him about Sempronio and Pármeno's death. Woman in the background (mental image of Melibea?) (see image from act II for a similar treatment of thought). Page 161.

Image made up of a square or street seen from a portico and at the same time from outside. Page 113.

Generic scene of the old city. Page 82.

Generic scene of a square or a street of the times with many undefined characters. Panoramic image that covers two pages. Pages 72-73.

Celestina walking quickly through the streets, her skirt hoisted and people observing her. Page 66.

Conversation between Calisto and Sempronio, a woman in the background (mental image of Melibea?) (Cf. image from act XIII). Page 53.

Calisto and Melibea's initial encounter. Calisto has the falcon. Page 12.

19th century engraving from a History of Prostitution, By P. L. Jacobs, 1885.

A composed scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…

A composite scene showing Celestina with the thread knocking at a door, in the center Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…

Japanese translation.

Greek translation.

TheSecretaría de Cultura y Turismo of the Township of Mosquera and theInstitución Educativa Mayor of Mosquera present the group MAGISTER TEATRO with their playLa Celestina.

Cast: Students and Faculty of Language and Literature
Lorena Junquera, Juan Cruz Pérez Remis, Verónica Badoza

Opera performance for the Zarzuela Theater, Directed by Ana Mª Iriarte (artistic direction), Miquel Ortega (musical direction), Ignacio García (stage direction).

Celestina appears in the first illustration wearing many jewels and accompanied by two young men. In the illustration below, Melibea and Calisto appear in the garden.

Representation of Grupo Atalaya.Original title: Celestina, la Tragicomedia ("Celestina, the Tragicomedy").Author: Fernando de Rojas.Adaptation and stage director: Ricardo Iniesta.Choral Direction: Esperanza Abad.Scenography: Ricardo Iniesta et…

Apoteosis Celestina

La mujer como personaje: de Pandora al s. XXI("The woman as a character: from Pandora to the 21st century")Este espectáculo guía al espectador en un recorrido que nos lleva del mito heleno de Pandora a "la"Mirandadel texto contemporáneo.Cuando el…

Rozentāls's watercolor drawing (Image 1), represents a naked young woman under an apple tree and a snake coiled around the trunk looking at the young woman. The image is reminiscent of the biblical scene of Eve, the serpent and the apple of…

Old procuresses in illustrations that appear in works by Valle Inclán. In the first image the old procuress appears holding a young woman who can act as a prostitute. In the second and third images the old procuresses appear alone, and in the third,…

The images represent the biblical parable of the prodigal son. In both images appears a figure that represents a procuress. In the first image, the old woman with her head covered that appears on the right, can be interpreted as the prostitutes'…

Work presented at the Second Youth Theater Festival

Queimada Literaria, an original theatrical performance of the play ‘La Celestina’ accompanied by the cellos of the ‘Manchelos’ group.

Cast:
María José Torres – Celestina
Mari Nieves Patiño – Areúsa

Guiragai Theater CompanyScenic space: Jean Helbig Scenography and costumes: Mónica Florensa, Javier Chavarria and Maribel Ganso Lighting: Juanjo Granda Characterization: Carolina Cubría Cast: Antonia Bueno - Celestina and Tristán Miguel Ángel Pérez -…

Representation of the compañía Guirigai, directed by Agustín Iglesias, from Teatro Muños Seca.

La Celestina: yesterday and todayCast: students of IES Son Ferrer

An unidentified painting from the Dutch school that depicts a scene in a brothel or tavern. An old woman reads a letter to a young woman, who has a child in her arms, while a man laughs behind them.

Original poetic drama about Fernando de Rojas by Rafael BallesterosDuration 1.15 h. (s/i) Show: “Contramansedumbre” Montage and Production: Alfa Teatro Producciones Scenic space: Manuel Mayo Lighting: Patricia Gea Melibea: Dora Gálvez Garcilaso de la…

Illustration by Manuel Humbert, contenida en la edición de Pedro Bohigas.

Drawing of a scene from La Celestina made by Manuel Humbert in an edition of Celestinesca.

Old lady and young woman, Pre Raphaelite style, several possible interpreations.

Other titles: Sigh No More, Ladies, Juliet and her Nurse

Old lady and young woman, Pre Raphaelite style, several possible interpreations.

Other titles: Sigh No More, Ladies, Juliet and her Nurse

This cover is a reproduction of the cover of the Sevilla edition of 1520. It depicts the first meeting and argument between Calisto and Melibea, with Lucrecia observing them from the background. On the left, Celestina is depicted knocking the door of…

Adaptation: Milan Calábek Scenography: Zita Miklošová Music: Ladislav Štancl Assistant: Jiří Maršík Original title: Zavraždění svaté Celestiny, kuplířky z města Salamanky (Assassination of Saint Celestina, procuresses of the city of…

Full title: Bordellszene, die junge Frau bietet den im Hintergrund stehenden Freiern ein Glas Wein an, die Kupplerin umklammert mit einer erotischen Geste den Flaschenhals ("Brothel scene, the young woman offers the suitors standing in the background…

Scene inspired by the tradition of the prodigal son. Caravaggio influences. "Honthorst's genre painting relates to the subject portrayed by his fellow Utrecht Caravaggisti. It depicts a provocative scene of a wanton student (the prodigal son?) in the…

Scene of music and a banquet, a subject of which this painter has several paintings. Note the old woman on the right and the wine.

"Honthorst's genre pictures of light-hearted gatherings had a great impact in Utrecht. He made such pictures while he was still in Italy. His Supper Party, painted during his last months in Italy, set a precedent for similar scenes done in the 1620s…

Dinner scene with prostitutes inspired by the biblical story of the prodigal son, a common theme in Dutch painting of the time. Compared with pictures by Murillo on the same theme, which do not present these scenes but rather the reconciliation.

Brother scene with the triangle of the matchmaker, young woman and client. The young woman has a lute and the matchmaker points her finger.

Original title: De koppelaarster

Drawing of Calisto, it seems to be done by a French edition, but presented in Celestinesca vol. 22, no. 2, without edition details.

First print from a series of 6 scenes of the life of a young country girl that becomes a prostitute. This first print includes a matchmaker.

Image of a punished procuress in the map of the city of Seville found in the work by Braun and Hogenberg, (1612-1618).Civitates orbis terrarvm. Coloniae Agrippinae: apud Petrum à Brachel, sumptibus auctorum. From the inscription on the page it is…

Czech translation.

Illustration of Celestina which appears in the book Leyendas, milagros y rumores extraordinarios de la ciudad de Salamanca. Amarú, 2003.