Browse Items (3223 total)

Melibea's suicide with her and Pleberio. Two unidentified male characters on the margin are included. There is also an image of an object in the sky that may be Melibea's girdle or cord falling or another object.

Pleberio, Lucrecia and Melibea Factotums

Calisto dead at the foot of the ladder is carried by Sosia and Tristan

Same illustration as the one used in act 14 of Calisto entering the garden.

Centurio, Areúsa and Elicia Factotums

Three factotums with the names of Elicia, Areúsa and Sosia

Four names of Melibea, Lucrecia, Pleberio and Alisa. Three factotums

Three factotums with the names of Elicia, Centurio and Areúsa.

Calisto on the stairs accessing the garden where Melibea and Lucrecia are waiting. Outside Sosia and Tristán armed.

Execution of Pármeno and Sempronio with Sosias present.

Death of Celestina. While one of the male characters holds her, the other is ready to stab her. Elicia is pulling her hairs. Curiously, there is a window or door with two characters outside. Shelves with cups and glass containers.

Three factotums and the names Calisto, Melibea, Lucrecia, Pármeno

Four factotums and the names Melibea, Celestina, Alisa and Lucrecia

Three factotums and the names of Sempronio, Pármeno and Celestina

Factotums of three characters and four names: Areúsa, Pármeno, Sempronio and Calisto

Factotums of Pármeno, Celestina, Areúsa and Elicia. Image of Areúsa with a girdle, used before for Melibea

Three factotums and four names of the characters in this act: Calisto, Celestina, Pármeno and Sempronio. Same image of Calisto with flowers of act 1.

Three factotums and four names: Sempronio, Celestina, Pármeno and Calisto

Factotums of Calisto, Pármeno and Sempronio

Three factotums, Calisto with flowers, Melibea with girdle and Pármeno

Factotums of two characters and their names above. Sempronio with a sword, Celestina and Elicia.

Only print in the book. Scene of Calisto and Melibea's initial encounter. Calisto has the hawk. Celestina with the string and a servant.This edition containsother 21 illustrations, that can be seen here.

Translation: Eduard Hodoušek
Edition: Miroslav Krobot, Radmila Hrdinová, Jaroslav Král
Dramaturgy: Radmila Hrdinová
Casting: Zita Miklošová
Scenography: Miloň Kališ
Assistant director: Leona Primová
Stage director: Marika Skopalová
Assistants:…

Staging: Nikolai Kolyada
Choreography: Mihailom Umnovym

Cast:
Zoya Samsonov,  Irina Janko, Tatyana Denisenko, Zhezhel Maria, Nadezhda Ivanova Darya Farafontova, Vitaly Zlobin Denis Bukhalov, Alexander Lebedev and Sergei Chinenov. 

Scenography and costumes: Vladimir Kravtsov
Choreography: Weiss (Germany)
Choreography assistant: Natalia von Schlippe-Poletaev (Germany)
Artists from around the world: Vladimir Urazbakhtin, Vladimir Korneev

Cast:
Leah Akhedzhakova –…

ELENCO
baile Shoji kojima
Cristian Lozano
Tamara López
Pablo Fraile
Francisco Morgado
Ángel Sánchez Fariña

Ballet Shoji Kojima Flamenco:
Chiharu Okano, Kanako Maeda, Ayumi Yanagiya
Harumitsu Seki, Tomoya Matsuda
Satoyo Kamata, Etsuko…

Self-portrait of the DeviantArt user, Kohryu, that is inspired in the painting Celestina, by Picasso (1904) during his blue phase.

La Celestina. Edition Reichenberger Kassel, 1989. Ilustraciones de Klaus Reichenberger & Theo Reichenberger

La Celestina. Reichenberger Kassel Edition, 1989. Illustrations by Klaus Reichenberger & Theo Reichenberger.

La Celestina. Reichenberger Kassel Edition, 1989. Illustrations by Klaus Reichenberger & Theo Reichenberger.

La Celestina. Reichenberger Kassel Edition, 1989. Illustrations by Klaus Reichenberger & Theo Reichenberger.

La Celestina. Reichenberger Kassel Edition, 1989. Illustrations by Klaus Reichenberger & Theo Reichenberger.

La Celestina. Reichenberger Kassel Edition, 1989. Illustrations by Klaus Reichenberger & Theo Reichenberger.

La Celestina. Reichenberger Kassel Edition, 1989. Illustrations by Klaus Reichenberger & Theo Reichenberger.

La Celestina. Reichenberger Kassel Edition, 1989. Illustrations by Klaus Reichenberger & Theo Reichenberger.

La Celestina. Reichenberger Kassel Edition, 1989. Illustrations by Klaus Reichenberger & Theo Reichenberger.

La Celestina. Reichenberger Kassel Edition, 1989. Illustrations by Klaus Reichenberger & Theo Reichenberger.

La Celestina. Reichenberger Kassel Edition, 1989. Illustrations by Klaus Reichenberger & Theo Reichenberger.

La Celestina. Reichenberger Kassel Edition, 1989. Illustrations by Klaus Reichenberger & Theo Reichenberger.

Plate 6 from the series A Harlot's Progress.

The engraving shows an interior brothel scene. In it many characters appear around a coffin. Among the characters are couples of young women (prostitutes) and men and an old woman sitting on the left…

Play:For Celestina and Maja on BalconyWritten by Trista Baldwin Local artists got together to translate six masterpieces of the famous painter for the stage. From the noble beauty of court life to the nightmarish visions of a cynic old man, "The Goya…

A drawing done by the DeviantArt user KermitTX. Inspired by the Michael Sweerts painting "The young man and the procuress."

Matchmaker or old woman shows a box with objects to a young man.

Title: The procuress and the canon. (La alcahueta y el canónigo (Der Domherr und die Kupplerin))A farse of Carnaval (Fastnacthspiel) from the Middle Ages in Nuremberg.

French language adaptation: Georges Brousse
Decoration: Marcel-Louis Dieulot
Costumes: Anne-Marie Marchand
Music: Even de Tissot

Cast:
Bernard Garnier – Calisto
Dominique Arden – Melibea
Jacques Ferrière - Sempronio
Bernard Laïk - Pármeno…

Célestine (Maria Meriko) and Sempronio (Jacques Ferrière)

Cast from the Theatre du Hangar

Composite scene of Celestina knocking on the door with the thread, Lucrecia at the window, Calisto and Melibea in the garden, a horse and a woman. A low quality image that seems to be inspired by the cover of the edition of Valencia, 1514 or of…

Melibea throws herself from the tower while Pleberio opens his arms on the left side (variation of the image used in the previous act) and a woman with her hair down joins her hands in prayer.

Factotums of houses, Pleberio (image used previously for Calisto), Lucrecia, Melibea and a tree.

Dead Calisto is taken by Sosia and Tristán after falling from the ladder.

Same image used in act XIV; Calisto climbing the ladder to the garden where Melibea and Lucrecia wait for him and outside Tristán and Sosia armed.

Factotums of Sosia, Tristán, Calisto, Melibea and Lucrecia.

Factotums of a tree, Centurio, Areúsa, Elicia and a house.

Factotums of a tree, Elicia, Areúsa, Sosia and houses.

Factotums of Melibea, Lucrecia, Pleberio, Alisa (image previously used for Celestina) and a tree.

Factotum of houses, Elicia, Centurio (man with a turban, which has already been used), Areúsa in mourning (image used previously for Alisa) and houses.

Calisto climbs the ladder to the garden where Melibea and Lucrecia are waiting for him and outside Tristán and Sosia are armed. It is reused in act XIX.

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto (new image of a young man for Calisto) (Sosia is shown as the image of the man with the turban used previously for Sempronio).

Pármeno and Sempronio's execution scene with Sosia as witness, plus judge, two soldiers and another character pointing their fingers.

Factotums of a tree, Calisto, Tristán, Sosia and houses.

Double image, Celestina's death at the hands of Pármeno and Sempronio with Elicia as witness on the left and their jump from the window and the judge sentencing them on the right. Only the house wall serves to partially separate the scenes.

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

Factotums of Celestina, Calisto, Sempronio, Pármeno and Elicia.

Factotums of Melibea, Celestina, Alisa, Lucrecia and houses.

Factotums of Sempronio, Pármeno, Celestina, Lucrecia, Elicia and Areúsa (image used previously for Lucrecia and Elicia).

Factotums of Pármeno, Areúsa, Calisto, Sempronio and houses.

Factotums of houses, Celestina, Parmeno, Areúsa and Elicia (image used previously for Lucrecia).

Factotums of Calisto, Celestina, Pármeno, Sempronio and houses.

Factotums of Celestina, Sempronio, Pármeno, Calisto and houses.

Factotums of houses, Celestina, Lucrecia, Alisa and Melibea. New image for Melibea, who in the other acts is portrayed with the same image as in act I.

Factotums of a tree, Sempronio, Celestina, Elicia and houses. The image of Sempronio is different from the ones used in earlier acts.

Factotums of Calisto, Sempronio and Pármeno and two factotums of houses in the right margin. Same character images as used in act I.

Six factotums and above seven names: Calisto, Melibea, Pármeno, Sempronio, Celestina, Elicia and Crito (there is no image for him). The image of Calisto is of an old man which is used in act XX for Pleberio; Sempronio wearing a turban, an image that…

Composite scene with an unidentified servant, Calisto, Melibea and Lucrecia with their initials above them, and Celestina, also with initials, knocking at a door with the thread in hand; a tree in the center.

Factotum of a house, Alisa, Melibea throwing herself from the tower (without a name above) and Pleberio tearing at his beard.

Factotums of Pleberio, without a beard, Lucrecia who has her head covered and Melibea with the mirror and a plant in the background, surrounded by a building on the left and a tree on the right. Very similar to the illustration used in act XVI. Note…

Sosia and Tristán retrieve Calisto's body. He has just fallen from the ladder.

The same image used in act XIV: Sosia and Tristán stand guard while Calisto begins to climb the ladder. Lucrecia and Melibea watch from the other side of the crenelated wall.

Factotums of Centurio, Elicia (covered) and Areúsa (without head covering) framed by two buildings.

Factotums of Elicia, Areúsa and Sosia framed by two buildings in the margins.

Factotums of Pleberio without a beard, Alisa, Lucrecia wearing cloak, and Melibea holding a mirror and a plant in the background. Factotum of a building in the right margin.

Factotum of Areúsa, who has her head covered in mourning, Centurio and Elicia. Framed by factotums of buildings on each side.

Sosia and Tristán stand guard while Calisto begins to climb the ladder. Lucrecia and Melibea watch them from the other side of the crenelated wall. This is used again in act XX.

The executioner executes Pármeno and Sempronio in the right margin and the judge holds a staff and sword in his belt flanked by two armed soldiers.

Pármeno and Sempronio killing Celestina with swords.

Factotums of Calisto, Lucrecia, Melibea, Sempronio and Pármeno.

Factotums of Calisto, Celestina, Pármeno, Sempronio and Elicia.

Factotums of Melibea, Celestina, Lucrecia, Alisa.

Factotums of Sempronio, Pármeno, two houses repeated (in the Valencia edition (1514) they are different), and a covered female character. The names above these five factotums are Sempronio, Pármeno, Elicia, Celestina, Areúsa, Lucrecia.

Factotums of Sempronio, Pármeno, Areúsa, Calisto and a house.

Factotums of Pármeno, Celestina, Areúsa, Elicia and a house.

Factotums of a house with a person inside, Calisto, Celestina (head covered), Pármeno and Sempronio.

Factotums of Calisto, Pármeno, Sempronio, Celestina and a house with a person inside in the right margin.

Factotums of Lucrecia, Celestina, Alisa and Melibea. Only Alisa corresponds to an older woman, but not Celestina. On the left, there is a row of houses.

Factotums of Sempronio, Celestina and Elicia framed by a tree and a tower.

Three factotums of Calisto, Pármeno and Sempronio. Framed by a tree and a tower with two people inside. The image of Pármeno is the same used in the previous act for Calisto.

Five factotums of Pármeno, Calisto, Melibea (holding a mirror and a background with vegetation), Celestina, Elisa. The name Crito is included above the factotums but does not have a corresponding image.

Represents the author and at times the illustration is identified as "young author" to distinguish it from the image of the "old author" in the Valencia edition (1518).