Illustration of a French edition, by Ernest Bourdin, from the story One Thousand and One Nights, that tells of an encounter between a young woman and an old woman that acts as a procuress. (Les mille et une nuits: Contes arabes traduits par…
Two women who appear with a written title identifying them as "Celestine" and Lucrecia. This is the only case where there is identification over the figures. The figure of Lucrecia has a band or border above probably destined to be inscribed,…
Two factotums, one of a woman that could be Celestina, and the other of a young man with a bag that appears to be a hunting morion. Perhaps it is trying to show the delivery of the bag of gold to Celestina with two images from another source.
La Celestina oder Tragikomödie von Clisto und Melibea Production of Gobelin Theater in cooperation with the Zimmer TheaterDuration: 100 min. Cast: Janne Wagler represents Celestina and all the characters.Alon Wallach- guitarist
Play byAlonso Jerónimo de Salas Barbadillo taken to television in the miniseriesLas pícaras by Televisión Española. Series with courtly erotic and romantic elements.Free adaptation: Emilio RomeroProducer: José Frade…
In the image appears a young woman on a balcony and a man who puts his hand on the young woman. In the background appears an old woman with her head covered and looking at the couple. From the title it is understood that the painting represents the…
In the image appears an old woman with her head covered picking up coins that are on a table while with the other hand she opens a chest containing coins. To the right appears a young couple, the woman takes the young man by the hand while he looks…
In the image appears a young woman on a balcony. Behind the young woman a man appears looking at her and to her left an old woman with her head covered holding her hand. Two other men appear in the image, one with his back to the viewer and the other…
Scene containing typical themes from procuress and celestine themes. An old woman, resembling a procuress, encourages couples at the table, while giving instructions to a young boy who seems to be helping her.
La CelestinaUniversity of California, Irvine Claire Trevor School of the Arts
Production: Laura A. SimmsMusic: Daniel Gary BusbuyMusic design director: Mike HookerLighting: Sara BroadheadCostumes: Jessica ChampagneChoreography: Heather…
In the caricature, a woman appears pointing to a building where a sign appears that says "Celesti Coop." The woman represents Celestina. Under the caricature appears the quote "¡Si trabajando en mi casa vivía como una reina, cómo sería hoy con una…
Tragedia fantástica de la gitana Celestina ("Fantastic tragedy of the gypsy Celestina")
Author: Alfonso Sastre. Co-production of the Centre Dramàtic de la Generalitat and the Grupo de Acción Teatral (GAT), from l'HospitaletMusic: Teresa FloLighting:…
This fresco painting portrays a domestic scene. There is a couple in bed and a woman on the corner. The latter could either be their maid or the woman's procuress.
Cover of the 1909 work bound in leather where two figures appear on a balcony: Melibea represented by a young woman braiding her hair and Celestina represented by an old woman with her head covered.
Illustrated children's story that has a witch inspired byMother Celestina's Powder, as the use of the expression in the text shows:"Y en su cueva aquella noche le echó las cartas, ladina, y a una guitarra echó los polvos de la madre…
Representation written and directed by Francisco Fernández Villegas for Teatro Español protagonized by Carmen Cobeña. With Amparo Villegas (Melibea), Ricardo Calvo (Calisto), Leovigildo Ruiz Tatay (Sempronio), Francisco Comes (Pármeno), Mercedes…
The cover features an image of an old woman with her head covered. The style of the illustration suggests that it was probably taken from a Dutch painting and altered to be a two-tone drawing.
Factotums of Calisto and Melibea in positions of arguing, each with a finger raised. Calisto with hat in hand. The names of the characters written above.
Double engraving. Left: Elicia and Sempronio are on the inside. Right: Celestina approaches a house carrying the thread and a bag of coins. Tower in the background. A variation of the left side of the image is used again later in act VII.
Double image. Left: Calisto inside his house, while Pármeno goes out to receive Sempronio and Celestina, who are arriving at the house from outside on the right. A block of houses in the right hand margin. The image is repeated in Act V. The first…
Alisa and Pleberio contemplate Melibea's suicide, fallen or while falling. Behind Melibea there is a series of buildings, one that appears to be an unfinished tower. Alisa's figure wears different clothes from the previous images, but the same…
Melibea speaks with Pleberio while Alisa listens. It is unclear if the image is in an interior or exterior. Melibea's image is a variation of what has been used in Acts I, X and XII. Alisa's image is almost identical to the one used in Acts IV and X…
Double image. Left: Sosia arrives at Calisto's house and Tristán receives him at the door with expressions of explanation and surprise, respectively. Inside, Calisto is lovesick in bed.
Double image. Left: Lucrecia and Melibea are in the interior behind a locked door. Right: Calisto is accompanied by Pármeno and Sempronio, who are armed at the door. This illustration is mentioned in Miguel Marciales' critical edition:…
Calisto carrying the gold chain and Celestina. Behind them, Sempronio and Pármeno are exiting a door. Exterior scene. The image of Calisto is nearly a carbon copy of his image in acts I and VII.
Celestina speaks with Melibea at the girl's house. Lucrecia comes out of the door to receive the page and Alisa who are returning. The figure of Melibea is a carbon copy of the one used on the cover page of Act I.
Double engraving: Banquet scene in Celestina's house. Left: Lucrecia who arrives at the door and Celestina who goes out to see her, uniting the two spaces. Right: Sempronio, Elicia, Areúsa and Pármeno are in the interior all standing, not at the…
Double engraving. Left: Block of a house and Calisto in the street. Right: Sempronio and Pármeno speak in a house. The image of Calisto is nearly identical to the one used in the title page of act I.
Double engraving. Left: Areúsa and Pármeno talk in her house. Right: Elicia receives Celestina at the door of her house. A variation of the left half is used in act III.
Room in the interior of Calisto's house. He speaks with Celestina, who hands him the cord. Sempronio and Pármeno talk amongst themselves. There is a mark that appears to be a tear on Calisto's face. There is a wall in the background with decorative…
The same engraving as in act I. Double image. Left: Calisto inside the house while Pármeno goes out to receive Sempronio and Celestina, who arrive outside the house on the right. Block of houses in the right hand margin.
Double scene. Left: The page and Alisa go to her sister's house, who is sick, Alisa carrying a rosary. A barely visible door is in the margin, symbolic of the place they are going to. Right: Celestina, carrying the thread and money bag, meets with…
Double scene. Left: Celestina leaving Calisto's house carrying the bag of coins. In the margin, the block of houses cut to fill the frame. Right: Calisto is with Pármeno and Sempronio, inside the house.
Calisto and Melibea are in the garden. It is thought to be during their first meeting in the garden. The characters' names are written above the figures, as with the rest of the engravings in this edition. There is a house on the left and a tree with…
Representation of La Celestina, Tragicomedia de Calisto y Melibea ("Tragicomedy of Calisto and Melibea")by Teatro del Aire.Author:Fernando de RojasAdaptation and direction: Ángel FacioImages of performances at the Teatro Colón in Bogotá (1979), the…