Browse Items (3223 total)

Tragicomedy of Sempronio y CelestinaDrama: Jonay RodaLight and Sound: Marc MartínProduction: Teatre Ponent Cast:Mònica Lucchetti - CelestinaJoaquin Daniel - SempronioWith the colaboration of:Ricardo Romanos - voicing PleberioAitor García Álvarez -…

Portrait from the American realist school.

Adaptation by Paul Achard. Fourth illustration of the French series by Maurice L'Hoir. It can also be found in Celestinesca vol 23, num 1 & 2.

This edition had a print run of 35 000 copies.

Bilingual production.
Adaptation by Margarita Stocker and Margarita Galbán.
Decor: D. Azfali

Cast:
Margarita Stocker and Margarita Córdova - Celestina
Sully Díaz and Veronika Stoker - Melibea
Olegario Andrade and Johnathan del Arco -…

Digital work of art based on the famous painting Celestina, by Picasso (1904). Made by the DeviantArt user44rivax.

This edition is adapted for younger audiences and illustrated in color.

In the cover the painting Celestina, by Picasso (1904) appears.

A young woman sits with a book in her hands. Two musicians around her play the harp and the double bass. Behind the young woman, an old woman.

Original title: Musicerend gezelschap

Representation of the Bacanal Teatro at the Filarmónica Theater in Oviedo, Spain, directed by José Rico. The representation is part of the cycle "Asturias on stage".

A depiction of Melibea falling from the tower. She is wearing a collar or rosary that comes apart during the fall.

Design from the performance Llegó el Bululú, character named Antonia and described as Celestina and "Jealous old man" written beside it. See the attached page from the ABC from 1983.

This painting represents Salome receiving the severed head of Saint John the Baptist, based on the biblical scene. A young man is holding his head and he is accompanied by an older man. To Salomé's right there is an older woman. The…

No es necesariamente una alcahueta pero encaja con el tipo usado para éstas

Drawings inspired by some of the acts from the text by Fernando de Rojas.

Factotums of houses, Alisa and Pleberio.

Melibea throws herself from the tower while Pleberio watches.

Dead Calisto is removed by Tristán and Sosia. In the background, a ladder and the garden wall. Note the detail that Calisto's shoes are on the ground.

Dead Calisto is removed by Tristán and Sosia. In the background, a ladder and the garden wall. Note the detail that Calisto's shoes are on the ground.

Factotums of Tristán, Sosia, Calisto, Melibea and Lucrecia.

Five factotums and the six names of Traso, Centurio, Aréusa, Elicia, Terencia and Tiburcia.

Factotums of houses, Aréusa, Elicia, same unnamed character called the "moço" as in the illustration from act XV, and Centurio.

Factotums of houses, Elicia, Aréusa, Sosia and houses.

Factotums of Melibea, Lucrecia, Alisa, Pleberio and houses.

Factotums of Elicia, the moço (sic), Centurio, Areúsa and houses.

Sosia and Tristán are armed in the street while Calisto goes up the staircase beside Melibea's garden, who is waiting for him inside with Lucrecia.

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto.

Pármeno and Sempronio's execution with two soldiers, judge, Sosia contemplating him and executioner wearing a turban. One of the executed carries a cross in hand.

Factotums of buildings, Calisto, Tristán, Sosia and buildings. Tristán and Sosia are armed with swords.

Judge and two soldiers with Pármeno and Sempronio (one on the floor, the other jumping out the window) on the left side and on the right, Pármeno and Sempronio kill Celestina with swords while Elicia pulls out her own hair behind Celestina. Curiously…

Factotums of Alisa, Pleberio, Celestina, Elicia and houses. Exceptionally the names are underneath instead of above the figures.

Factotums of Celestina, Calisto, Sempronio, Pármeno and Elicia.

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

Factotums of Melibea, Celestina, Alisa, Lucrecia and houses, the characters speaking in pairs.

Five factotums and six names above: Sempronio, Pármeno, Celestina, Elicia, Lucrecia, Areúsa.

Factotum of five blocks: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding a bag. The houses are mirror images of a same model.

Factotums of houses, Calisto, Celestina, Pármeno and Sempronio.

Factotums: houses, Celestina, Sempronio, Pármeno and Calisto.

Factotums: houses, Lucrecia, Celestina, Alisa and Melibea. They are speaking in pairs, Celestina with Lucrecia and Alisa with Melibea. Celestina and Alisa are characterized as old women with their heads covered.

Factotums of houses, Sempronio, Celestina, Elicia and the same houses inverted. Celestina is holding a rosary and a walking stick, same image used before.

Factotum with five blocks: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding a bag. The houses are mirror images of a same model.

Drop cap letter E of the first words of the play, "In this I see..." Within the letter there is a saint with a candle or a candelabra.

Five factotums and six names on top: Calisto, Melibea, Sempronio, Pármeno, Celestina, Elicia, Crito. Celestina is carrying the rosary and a walking stick.

Calisto and Melibea are in the walled garden on the left. Celestina is carrying the rosary, the string and a walking stick while knocking on a door and a young woman (Lucrecia) appears at the window to see who is knocking.

On the left, Calisto and Melibea in the walled garden, Celestina with the rosary, thread and a cane knocking on a door and a young woman (Lucrecia) leaning out the window to see who is calling at the door. This is an edition with 25 illustrations…

In this representation of Bathsheba, Rembrandt depicts her as a naked young woman holding a letter from King David. Bathing the young woman, a Celestina inspired character appears on the left as an older woman. This topic also appears in Picasso's…

A silhouette of two lovers in black and red, in the style of a cinema projection.

Act 21 - Represents the scene where Pleberio and Alisa (Melibea's parents) mourn the death of their daughter.

Act 20 - Represents the scene where Melibea is at the top of a tower and upon hearing that her beloved Callisto has died, she decides to jump from the tower.

Act 16 - Represents the scene where Pleberio and Alisa (Melibea's parents), discuss her marriage. Melibea listens to the conversation and sends Lucrecia to end it.

Act 12 - Represents the scene where Sempronio and Pármeno go to Celestina's house and after an argument, they end up killing the procuress.

Act 4 - Represents the scene where Celestina visits Melibea at her home.

Act 1 - Represents the scene where Melibea rejects Callisto's declaration of love.

Act 1 - Represents the scene in the field where Callisto declares his love for Melibea.

Old woman by a fire with a bellow.Noice the similarity to 1929,La chiquita piconera de Romero de Torres

In the engraving appears an old woman with a naked torso resting on a table. Two men appear in the engraving, one sitting in front of the woman and the other standing and looking at her.

Lithograph with handcolouring by Charlotte Hodes, on Arches wove paper.
signed in pencil, numbered 11/17, there were also a few artist's proofs
published by the artist and Marlborough Graphics, London, printed by Paupers Press, London

"Paula Rego paints a world of dark fairy tale where childhood stories are thin guises for psycho-sexual intrigue and taboo, where magical realism rules, where nothing is certain except the witchy powers of feminism, and the underlying notion that…

Engraving byJosé García Ramos,where an old woman can be seen in the middle of a street. In the foreground on the right there is a dog and in the background on the left a silhouette of a person wearing a hat.In Celestinesca, Vol. 26, No.…

Factotums of Pármeno, Celestina, Aréusa, Elicia and houses.

Representation directed by Ramón Bocanegra in Teatro Clásico in Sevilla. Dramaturgy: Alfonso Zurro. Starring Roberto Quintana.Cast: Gina Escánez, Juanfra Sánchez, Julián Manzano, Moncho Sánchez, Montse Rueda, Paqui Montoya, Roberto Quintana, Serafín…

Representation of La Celestina, by Fernando de Rojas. Adapted version by Juan E. Ramón Ballcells from the Morgana Teatre company at the Can Ventosa Cultural Center, Ibiza, Spain.

Cast:
Xisca Bibiloni (Celestina)
David Navarro (Calixto)
Maite…

Three figures appear in the image; a young woman in the center, a girl on the left and an old woman looking at the young woman with her head covered following the celestinesque tradition. The old woman can act as a procuress for the young woman.The…

Cycle of paintings inspired byLa Celestina. The author explores the themes of vanitas, the seven deadly sins, and impermance.

Welcome to a night of pure theatrical magic in the heart of Madrid! In the emblematic Teatro Arlequín Gran Vía, the central studios of Radio Nacional de España come to life tonight thanks to radio theatre. The star of the evening? Nothing less than…

Surrealistic painting in dark blue tones

Ink drawings in a series.
Note the celestinesque characters with their heads covered and in some images the old woman appears with a rosary.

UNAPEC Theater group
Duration: 90 min.

Cast:
Lidia Ariza- Celestina
Bryan Payano- Calisto
Jisell Sanchez- Melibea
Félix Melián- Pármeno
Javé Javier- Sempronio
Aleja Jhonson- Elicia

Series of engraving for an illustrated edition in German that was not published

A drawing by the DeviantArt user Pukingrainbows. He/she explains that he/she was studying for his/her Spanish literature class and became bored and began to draw and produced this drawing.

La novela de hoy is a series of popular novels from the 1920s and 1930s that are characterized by noteworthy covers that sometimes have an erotic theme.
In this case it consists of the opposite representation of a procuress since she is an old woman…

The cover features the image from the painting Maja and Celestina (c.1824) by Francisco de Goya.

Noble edition published in commemoration of the 500th anniversary.

Poster for the Celestina Festival 2020, where works of various artists will be performed, among these the work of Teo Puebla.

Original title: Arias de amor en torno a la Celestina ("Love arias around La Celestina").

Concert of a repertoire of love songs related to the world and period of La Celestina

Poster announcing the celebration of a public market within the annual celebrations of the yearly Celestina Festival organized by the city of Puebla de Montalban

Poster of the 21st Celestina Festival that each year takes place in Puebla de Montalbán, where Fernando de Rojas was born. Several activities and performances take place during the festival. The picture in the poster is from one of these…

There is an older woman that acts as the Celestina for young, working-class women. Observe the older woman's scarf.

Representation directed by Phillip Prowse by The Citizens Company for the Citizens Theatre, in Glasgow. Photos of the representation by photographer John Vere Brown. The pictures show the actors and parts of the stage.

A drawing suggestive of the kidnapping of Europe but with two characters and a Goya-style goat. There is a certain Picasso-like influence.

Medal in bronze. On the obverse side there is the image of a naked young woman with a snake. On the reverse side, a rope with two knots and the words: "an old bearded woman known as Celestina, who is a astute sorceress, expert in all kind of evil…

In the image there appear several figures that represent characters from the work: a man and an old woman with her head covered in the center can represent Calixto and Celestina, a young woman on the left can represent Melibea and on the right…

The cover depicts a conglomeration of scenes, which is a reproduction of the engraving of the argument of the Augsburg edition (1520). First, Calisto and Melibea are depicted in the garden, while, in the foreground, Sempronio and Parmeno can be seen…

Translation: Hodoušek
Adaptation: Marie Caltová

Assistant director: Jakub Zindulka
Scenography: Štefan Bunta
Costumes: Mona Hafsahl
Music: Peter Vaňouček
Songs lyrics: Jan Kosek
Co-répétiteur: Pavel Kantořík


Cast:
Zorka Kostková –…

The cover art depicts a young couple, clearly meant to be Calisto and Melibea, embracing. In the background, Celestina watches them with a mischievous smile.

8 x 18Plate from the work: L erotismo in Spagna.1. Rear: José Antolinez. La Magdalena Author/s: Xavier Domingo Publisher: Sampietro Editore. Edition date: 1968.

This painting depicts the biblical story of the prodigal son in the house of prostitutes. In the painting, young women are mingling with men around a table. An old woman, acting as a procuress appears on the right.

A room with a table with a red tablecloth. On the left, a young woman near a man and next to her an old woman who seems to act like a procuress.