Browse Items (3223 total)

Sempronio, acompañado de Celestina, llega a casa de ésta, donde está Elicia en el interior, ocupada en una labor.No tiene equivalente en la reedición deAmberes 1616Copia girada y alterada de la deZaragoza, 1545.

Se vuelve a usar en el acto 10. Es copia del acto 10 de la deZaragoza, 1545, que presenta una dirferente para el acto III.

Copia girada de la ilustración del acto V de laedición de Zaragoza(1545). Escena doble en que se presenta a la izquierda a Calisto sentado y Pármeno de pie, y a la derecha a Celestina llegando a casa de Calisto acompañada…

Copiada girada y alterada de la deZaragoza, 1545

Variación de la escena delacto VII de Zaragoza (1545). Celestina hablando con Pármeno a la puerta de Areúsa, que yace en la cama. Nótese que en esta versión, adiferencia del caso de la imagende Zaragoza (1545),la…

Escena doble. A la derecha Pármeno se ha levantado para ir a casa de su amo tras pasar la noche con Areúsa.Esta copiada de la deZaragoza, 1545. No tiene equivalente en la reedición deAmberes 1616

Escena del banquete en casa de Celestina. Es copia girada y simplifiicada (falta el gato) de la deZaragoza 1545.La ilustración usada en la reedición deAmberes 1616es muy diferente.

Esta copiada girada y cambiada de la edición deZaragoza, 1545.Se ha usado ya en el acto 4. No tiene equivalente enAmberes 1616en este capítulo, pero si en el 4.

It is copied with changes from theZaragoza 1545edition.

Está copiada con cambios notables de la edición deZaragoza, 1545. No tiene equivalente en la reedición deAmberes 1616

Está copiada de laZaragoza 1545pero hay cambios notables. No existe equivalente en la reedición deAmberes 1616Sosia y Tristán hablan a la puerta sobre la ejecución de Pármeno y Sempronio mientras Calisto yace en su…

Ejecución de Pármeno y Sempronio. A la izquierda el juez y tres personajes, uno de ellos probablemente Sosia. A la derecha la ejecución, con uno de los reos decapitados y otro siendo decapitado. Dos personajes con barba a la…

Es copia de la ilustración del acto XIV de la edición de Zaragoza(1545).Calisto subiendo por una escalera mientras Melibea y Lucrecia están asomadas a dos arcos, y dos criados de guardia afuera.

Elicia y Areúsa conciertan la venganza contra Calisto con Centurio, representado con espada. De fondo una cama y escaleras. Se vuelve a usar la imagen en el acto XVIII.

Es copia delgrabado del acto XVI en la edición de Zaragoza(1545).Lucrecia y Melibea, sobre un cojín, al otro lado de una puerta escuchan la conversación entre Pleberio y Alisa, sentados en otra habitación.

Es copia del grabado delacto XVII de la edición de Zaragoza(1545). Areúsa en su casa, que recibe a Sosia, mientras Elicia escucha escondida. Cama y escaleras de fondo.

Es copia de lailustración del acto XV de la edición de Zaragoza (1545). Representar a Elicia ayudando a Areúsa a hacer las paces con Centurio.

Es copia de lailustración del acto XIV de la edición de Zaragoza(1545).Calisto subiendo por una escala mientras Melibea y Lucrecia están asomadas a dos arcos. A la derecha, Sosia y Tristán, de guardia afuera

Es copia dela imagen del acto XX de la edición de Zaragoza, (1545).Sosia y Tristán retiran el cuerpo muerto de Calisto.

Es copia dela imagen del acto XX de la edición de Zaragoza, (1545).Sosia y Tristán retiran el cuerpo muerto de Calisto.

Tragicomedie van Calisto ende Melibea. Anónimo trad. TʼHantwerpen: HeyndricHeyndricz, 1574. Traducción anónima al holandés. La mayoría de lasilustraciones son copias giradas de las ilustraciones deZaragoza…

Engraving of Celestina, description by author: ¨El último encargo de 2018 lo hizo @carlos_disfruta y fue esta #Celestina para regalar a @Aradhriel. Me sonaba que ella había interpretado al personaje. Así era, así que basé el diseño en su propia…

Illustration from the newspaper El día de Salamanca

Illustration of Celestina which appears in the book Leyendas, milagros y rumores extraordinarios de la ciudad de Salamanca. Amarú, 2003.

Czech translation.

Image of a punished procuress in the map of the city of Seville found in the work by Braun and Hogenberg, (1612-1618).Civitates orbis terrarvm. Coloniae Agrippinae: apud Petrum à Brachel, sumptibus auctorum. From the inscription on the page it is…

First print from a series of 6 scenes of the life of a young country girl that becomes a prostitute. This first print includes a matchmaker.

Drawing of Calisto, it seems to be done by a French edition, but presented in Celestinesca vol. 22, no. 2, without edition details.

Brother scene with the triangle of the matchmaker, young woman and client. The young woman has a lute and the matchmaker points her finger.

Original title: De koppelaarster

Dinner scene with prostitutes inspired by the biblical story of the prodigal son, a common theme in Dutch painting of the time. Compared with pictures by Murillo on the same theme, which do not present these scenes but rather the reconciliation.

"Honthorst's genre pictures of light-hearted gatherings had a great impact in Utrecht. He made such pictures while he was still in Italy. His Supper Party, painted during his last months in Italy, set a precedent for similar scenes done in the 1620s…

Scene of music and a banquet, a subject of which this painter has several paintings. Note the old woman on the right and the wine.

Scene inspired by the tradition of the prodigal son. Caravaggio influences. "Honthorst's genre painting relates to the subject portrayed by his fellow Utrecht Caravaggisti. It depicts a provocative scene of a wanton student (the prodigal son?) in the…

Full title: Bordellszene, die junge Frau bietet den im Hintergrund stehenden Freiern ein Glas Wein an, die Kupplerin umklammert mit einer erotischen Geste den Flaschenhals ("Brothel scene, the young woman offers the suitors standing in the background…

Adaptation: Milan Calábek Scenography: Zita Miklošová Music: Ladislav Štancl Assistant: Jiří Maršík Original title: Zavraždění svaté Celestiny, kuplířky z města Salamanky (Assassination of Saint Celestina, procuresses of the city of…

This cover is a reproduction of the cover of the Sevilla edition of 1520. It depicts the first meeting and argument between Calisto and Melibea, with Lucrecia observing them from the background. On the left, Celestina is depicted knocking the door of…

Old lady and young woman, Pre Raphaelite style, several possible interpreations.

Other titles: Sigh No More, Ladies, Juliet and her Nurse

Old lady and young woman, Pre Raphaelite style, several possible interpreations.

Other titles: Sigh No More, Ladies, Juliet and her Nurse

Drawing of a scene from La Celestina made by Manuel Humbert in an edition of Celestinesca.

Illustration by Manuel Humbert, contenida en la edición de Pedro Bohigas.

Original poetic drama about Fernando de Rojas by Rafael BallesterosDuration 1.15 h. (s/i) Show: “Contramansedumbre” Montage and Production: Alfa Teatro Producciones Scenic space: Manuel Mayo Lighting: Patricia Gea Melibea: Dora Gálvez Garcilaso de la…

An unidentified painting from the Dutch school that depicts a scene in a brothel or tavern. An old woman reads a letter to a young woman, who has a child in her arms, while a man laughs behind them.

La Celestina: yesterday and todayCast: students of IES Son Ferrer

Representation of the compañía Guirigai, directed by Agustín Iglesias, from Teatro Muños Seca.

Guiragai Theater CompanyScenic space: Jean Helbig Scenography and costumes: Mónica Florensa, Javier Chavarria and Maribel Ganso Lighting: Juanjo Granda Characterization: Carolina Cubría Cast: Antonia Bueno - Celestina and Tristán Miguel Ángel Pérez -…

Queimada Literaria, an original theatrical performance of the play ‘La Celestina’ accompanied by the cellos of the ‘Manchelos’ group.

Cast:
María José Torres – Celestina
Mari Nieves Patiño – Areúsa

Work presented at the Second Youth Theater Festival

The images represent the biblical parable of the prodigal son. In both images appears a figure that represents a procuress. In the first image, the old woman with her head covered that appears on the right, can be interpreted as the prostitutes'…

Old procuresses in illustrations that appear in works by Valle Inclán. In the first image the old procuress appears holding a young woman who can act as a prostitute. In the second and third images the old procuresses appear alone, and in the third,…

Rozentāls's watercolor drawing (Image 1), represents a naked young woman under an apple tree and a snake coiled around the trunk looking at the young woman. The image is reminiscent of the biblical scene of Eve, the serpent and the apple of…

La mujer como personaje: de Pandora al s. XXI("The woman as a character: from Pandora to the 21st century")Este espectáculo guía al espectador en un recorrido que nos lleva del mito heleno de Pandora a "la"Mirandadel texto contemporáneo.Cuando el…

Apoteosis Celestina

Representation of Grupo Atalaya.Original title: Celestina, la Tragicomedia ("Celestina, the Tragicomedy").Author: Fernando de Rojas.Adaptation and stage director: Ricardo Iniesta.Choral Direction: Esperanza Abad.Scenography: Ricardo Iniesta et…

Celestina appears in the first illustration wearing many jewels and accompanied by two young men. In the illustration below, Melibea and Calisto appear in the garden.

Opera performance for the Zarzuela Theater, Directed by Ana Mª Iriarte (artistic direction), Miquel Ortega (musical direction), Ignacio García (stage direction).

Cast: Students and Faculty of Language and Literature
Lorena Junquera, Juan Cruz Pérez Remis, Verónica Badoza

TheSecretaría de Cultura y Turismo of the Township of Mosquera and theInstitución Educativa Mayor of Mosquera present the group MAGISTER TEATRO with their playLa Celestina.

Greek translation.

Japanese translation.

A composite scene showing Celestina with the thread knocking at a door, in the center Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…

A composed scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…

19th century engraving from a History of Prostitution, By P. L. Jacobs, 1885.

Calisto and Melibea's initial encounter. Calisto has the falcon. Page 12.

Conversation between Calisto and Sempronio, a woman in the background (mental image of Melibea?) (Cf. image from act XIII). Page 53.

Celestina walking quickly through the streets, her skirt hoisted and people observing her. Page 66.

Generic scene of a square or a street of the times with many undefined characters. Panoramic image that covers two pages. Pages 72-73.

Generic scene of the old city. Page 82.

Image made up of a square or street seen from a portico and at the same time from outside. Page 113.

Calisto looking thoughtful in a chair, Tristán and Sosia come to tell him about Sempronio and Pármeno's death. Woman in the background (mental image of Melibea?) (see image from act II for a similar treatment of thought). Page 161.

Image composed of various scenes, one of them Areúsa motivating Centurio to action and other not so evident scenes. Page 174.

Areúsa coaxes Calisto's plans out of Sosia while Elicia listens. There are three female characters, one of which seems to not fit with the scene. Page 184.

Pleberio cries before Melibea's body. In the background, Lucrecia, Sosia and Tristán look downcast (possibly a fragment from Calisto's death). Page 206.

Two page panoramic view of the city. On the right, a woman going up some ladders that could be Celestina walking fast. Pages 136-137,

Celestina's spell on Areúsa, Calisto and Melibea

Una pareja en escena privada, con una mujer vieja (alcahueta) mirandolos detrás de una cortina.

Una pareja sentados en una mesa con la chaperona o alcahueta vigilando la interacción.

In a room, a young man is sitting and holding a young woman's hand. Between these two characters, an old woman acts as procuress by introducing the young woman to the man.

Other title: The Prodigal Son takes leave of his Father.

A young woman accompanied by an old woman and it seems that the latter acts as her procuress. A young man is on the left.

Other title: Galante Szene

A scene from the parable of the prodigal son, to the right on the background an old woman sits with a device that resembles an abacus, by this object, she is portrayed as a procuress calculating the money she will earn.

Other title: Der Verlorene…

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez

La Celestina. Didáctica Anaya Editorial, 2001. Illustrations by Javier Serrano Pérez