Browse Items (3223 total)

Calisto (Juan Diego Botto) and Melibea (Penélope Cruz)

Lucrecia (Nathalie Seseña) and Melibea (Penélope Cruz)

Medieval party and music

Elicia (Candela Peña) and Areúsa (Maribel Verdú)

Calisto (Juan Diego Botto) and Melibea (Penélope Cruz)

Sempronio (Nancho Novo) and Celestina (Terele Pávez) moments before her death.

Tristán (Sergio Villanueva) and Sosia (Carlos Fuentes) crying over the death of Calisto (Juan Diego Botto)

Pármeno (Jordi Mollà) and Calisto (Juan Diego Botto)

French translation.

Two interior covers, shown here.

The image shows a young woman with two men leaning on her next to a bed. On the right, an old woman who acts as a procuress holds the hand of one of the men.

Two-act tragicomedy
Translation: Jean Gillibert

Music: Pierre Boeswillwald
Decoration and costume: Oskar Gustin
Cast: Maria Casarès... [et al.]

. 1978. Literatura española. ¿Rojas, Fernando de? 7 Celestina.06 (860 ¿Rojas, Fernando de? 7 Celestina.06) 21 cm. 534 p., 1 h. Encuadernación en tapa blanda de editorial ilustrada. Colección Persiles , numero…

The cover features a fragment of the cover of the Valencia edition of 1514.

The cover features an unidentified medieval miniature or painting that depicts a garden or paradise and a man - possibly Petrarch - at the door.

Possibly an exact reproduction of an edition published before 1923.

Representation directed by David Gilmore in Nuffield Theatre, in the University of Southampton. Pictures of the representation,clippings of newspaper theater reviews and advertising poster showing the actors and parts of the stage and an illustrated…

Representation directed by Carlos Giménez of the fundación Rajatabla (Venezuela) tour 1987-1989. Clippings of theater reviews with photos of the actors from the newspapers El Público, Boletín, andLa Prensa. Version by Carlos Giménez based on the…

A cookie decorated with an image of Celestina which comes from a drawing made by Thecarlosmal (pseudonym) as a model.
Artists' comments: "La Celestina", obra de Fernando de Rojas, fue realizada como parte de un regalo personalizado, para una…

This painting portrays the famous biblical scene of Delilah cutting Samson's hair. In this representation of the scene, Samson lies on her lap while soldiers approach them. Note the maid who appears on the left nearDelilahin the scene. The maid…

Five factotums and written above are the names of the characters in the act, repeating Calisto's twice to indicate he is the one who speaks first in the act. Calisto's name is the only one that coincides with the factotum of an image, although it…

Four factotums of characters and one of houses. Above only the names of Calisto, Sempronio and Pármeno appear, which do not coincide with the characters over which they are been situated.

Four factotums of characters and houses. Above, without coinciding with the images --two male and two female--, the names Celestina, Lucrecia, Elicia and Melibea.

Four factotums of characters --three men and a woman-- and houses. Above are written the names Pármeno, Areúsa, Sempronio, Calisto, and Pármeno repeated, the one who begins speaking first in this act.

Five factotums and above the names of the characters who appear in the act: Sempronio, Pármeno, Elicia, Celestina and Lucrecia, and later repeated, Sempronio to indicate he is the first to speak in the act.

Four factotums and houses. Above, four names: Melibea, Celestina, Lucrecia, Elisa and Melibea repeated to indicate it is she who speaks first in the act. There is a masculine character between the images.

Five factotums and above the names Celestina, Sempronio, Calisto, Pármeno and Elicia that appear to coincide with the image order. Celestina's name is repeated twice for being the first to appear in the act.

Five factotums and above the names of Calisto, Sempronio, Pármeno, Lucrecia, Melibea, Pleberio, Alisa, Celestina, Elicia, and repeated Calisto for being the first to speak in the act.

Five factotums of houses, three characters and a tree. Above, the names Calisto, Tristanico, Sosia and Calisto repeated, for being the first to speak in the act. One of the factotums is a woman.

Five factotums of characters, two women and three men, and above, the names of Melibea, Lucrecia, Sosia, Trístanico, Calisto and Melibea repeated for being the first to speak in the act. The order of the characters appears to coincide, but the first…

Four characters and houses. Above, Areúsa, Centurione ruffian [sic] and Elicia. The name Elicia repeated for being the first to speak in the act.

Five factotums (two women and three men) and above, the names of Pleberio, Alisa, Lucrecia, and Melibea. Pleberio's name repeated for being the first to speak in the act.

Four factotums of characters (three women and one man) and houses. Above, the names Elisa, Areúsa and Sosia, with Elicia repeated for being the first to speak in the act.

Four factotums of characters (three women and one man) and houses. Above is written Elicia, Centurione ruffian [sic] and Areúsa, with the name of Elicia repeated for being the first to speak in the act.

Five factotums (two women and three men) and above, the names Sosia, Tristanico, Calisto, Melibea, Lucrecia, and Sosia repeated for being the first to speak in the act.

Factotums of a tree, three characters (two men and one woman) and houses, written above Pleberio, Lucrecia, Melibea and Pleberio repeated for being the first to speak in the act.

The same as Sevilla (1523)'scover page. A variation of the cover pages by Cromberger from Sevilla (1511) (1502) but completely redesigned. Now it also includes a dog and Sempronio and Celestina's initialshave been added on top of the corresponding…

Painted terracotta figurine of Celestina and a sitting young woman. The Celestina figurine has the defining scar on the cheek.

"Brief summary of the argument of the play La Celestina"
Six minute silent video in which an electronic blackboard and a series of drawings is used to summarize the argument. Educational material?? Note the use of modern characters in the drawings.

The cover features two medieval miniatures: one of a king in his court and the other of the protagonist welcoming his subjects.

Elaborate calligraphic rendering of the words La Celestina in a style that has reminiscences of Miro and Lorca´s drawings

Cover page in which the execution of Celestina is depicted

Representation directed by José Luis Gómez of Teatro de la Abadía in co-production with Compañía Nacional de Teatro Clásico. Starring José Luis Gómez (as Celestina).Record of representation in CDAEM, Spanish…

Theater projectComics of the language: La Celestina read("Cómicos de la lengua: La Celestina leída") National Dramatic Center - Ministry of Culture ("Centro Dramático Nacional- Ministerio de Cultura").Concept: José Luis GómezAuthor: Fernando de…

La Celestina ShowCast:Julio Pachón, Adriana Silva, Myriam Palacios, Juan Carlos Cruz, José Sedek, Danny Chacón, Mónica Gutierrez de Piñeres

Cover of the book with 19 lithographs. Celestina as the maker of virgos.

Celestina's laboratory.

The procuress Celestina when her business was prosperous with the visits of priests to her brothel.

Melibea and Celestina.

The go-between Celestina. On the left, a prostitute and on the other, a knight in the form of a bird.

Calixto gives Celestina a gold chain, therefore, his soul. Behind can be observed Sempronio and Pármeno as witnesses.

Celestina the sorceress.

Theatre prize

Celestina. 6 offices, to know…Theatre- Fifth Iberoamerican Culture CongressStaging and Lighting: Miguel Ángel CamachoAudiovisuales: Luis AbadMapping: Jimmy Gira Interpreter and author: Maritza Wilde

Play:Seis géneros dramáticos en busca de un actorTragedy:Edipo ReyComedy:LysistraraTragicomedy:La CelestinaWilson Morales - PármenoPiece:La GaviotaFarce:El Retablillo de Don Cristóbal

Adaptation: Francisco de Pedro Production: La trouppe inestable" of the I.E.S. "La Arboleda" Stage equipment: Fernando Pérez- Baquero and his students.

Traditional technique, employing ink on parchment paper. One can observe the procuress with a glass in which she carries out her spells.

Adaptation and assembly:
Isabel González
Experimental company of the Orfeó Maonès

Cast:
Darakth Teixidor González -Calisto
Cristina Pons Van Walré- Melibea
Toñi Rivera – Celestina
María Cubas -Elicia
Bárbara Delgado -Areúsa
Jaume Font…

Representation directed by Nilda González of the University Theatre of the Puerto Rico University. Adaptation by Nilda González based on Francisco Fernández Villegas' version. Official program, sketches of the stage, illustrations of the stage,…

An old, unidentified illustration of two women hugging as a greeting, similar to the meeting between Saint Elizabeth and the Virgin Mary. In this case, it represents one of the encounters between Celestina and her protegees or friends.

Banquete scene in Celestina's house (p. 178). She is represented with an envious expression, contemplating the lovers while they kiss, while she grabs the jar and cup of wine to serve herself once more. At the foot of the page it says; "Besáos y…

Calisto and Melibea embrace in the garden while Lucrecia stands guard or spies (p. 314). The footnote at the bottom of the page says: "Jamás querría, señora, que amaneciese, según la gloria y descanso que mi sentido recibe" ("My lady, I never want…

This illustration is missing in some editions. The moment in which Pármeno approaches Areúsa's bed while Celestina watches the scene (p. 149). At the foot of the scene Areúsa's words can be read: "Quítate allá, que no soy de aquellas que piensas, ten…

Melibea goes out by night, accompanied by Lucrecia (p. 229). One of the two holds her index finger to her lips in a signal to be quiet. The foot of the image says: "Qué harían si mi cierta salida supiesen?" ("What would they do if they knew of my…

Original title:De Spaanse Hoer ("The Spanish Whore"), adaptation of the work by Hugo Claus directed by Alfons Goris at the Studio Herman Teirlinck, Antwerp (1987-88).Representation in the city of Antwerp. Photos of the performance showing the actors…

Young woman in a reclined position and an old matchmaker behind her in a rural setting. Probably a model for a tapestry.

Una escena durante la guerra entre Francia y España, trantando de cuestiones moralizantes de mantener la honra y morir de hambre, o vender el cuerpo y sobrevivir. Siguiendo el comentario del grabado del Museo del Prado, la mujer vieja que aparece…

In the image two figures appear on a balcony: a young woman leaning on the railing and looking at the viewer (maja) and an old woman with a rosary on the left who reminds of Celestina. From the title it is also understood that the old woman acts as…

Another engraving by Goya based on the social effects of the war between France and Spain. An interpretation of the Prado Museum names the characters as a young prostitute, alasciviousman, and a celestinesque old woman. This is an interpretation of…

One of Goya's Caprichos, El chitón, made in 1799 c. contained in the Pedro Bohigas edition.

Illustration of one of Goya's Caprichos contained in the edition by Pedro Bohigas.

A young woman is hugged by a young man while a pair of old women are seated to the left.

A tied young woman and man are attacked by a giant owl.

A young woman appears in the center of the painting in the foreground. An old woman appears to the right in the background.

A young woman sitting on a chair. An old woman next to her looks at her. Etching in the seriesLosCaprichosnumber 15.From Wikiepediahttps://es.wikipedia.org/wiki/Bellos_consejos"Explanation of this stamp from the Prado Museum manuscript: The advice is…

A young woman putting on stockings while an old woman watches her. Engraving that belongs to the series Los Caprichos number 17.

Part of the series of the whims by Francisco de Goya. Etching and aquatint on paper.

Mixed method in mural transferred to canvas.
This painting is on display at the Prado Museum, in the "Black Paintings" collection, the description of the painting provided by the museum in the exhibition describes the women drawn as "dressed in the…

Image 1 is a drawing in Album B or Madrid album. The original title of the second image is "La Bella y la Celestina" ("The Beauty and the Celestina").

In both images, a young woman and an old procuress are under an arch. The young woman rests on a…

English translation. The cover features the image from the printFlight at Dawn(1968) by Pablo Picasso.

This painting represents a biblical scene where Herodias pierces the tongue of John the Baptist while his severed head is resting on a plate hold by Salome.
The portrayal of the young woman, the older woman and a man is reminiscent of Celestina…

Indoor scene. Four characters appear in it, a young woman sitting on the ground, a man standing next to her, an old woman with her head covered and pointing to a basket with eggs (one is broken) and a small child on the right. The scene is…

Mixed media, watercolor and ink, on paper.
A young carrying a package and an old woman . Although there is no indication of being a procuress and her protegee, Grosz painted many scenes of prostitution in Weimer Germany.

The cover features a cut-out image of two young women and an old woman.

A black-and-white image that depicts a gallant medieval court scene.

"This volume presents the most rigorous version of the Tragicomedy of Callisto and Melibea - the one published in Valencia in 1514 -, completed with the suppressed fragments of the primitive Sixteen-act Comedy and with the interpolations and variants…

Director: Joan GuaskiMusic: Francesc Planchart Cast: Joaquín Gómez / Jordi Pérez / Marc Parejo / Marga Julià / María Jesús Pereiro / Martha Carbonell / Oriol Macià / Rebeca Sánchez / Rosa GironaRecord of representation in the Documentation Center for…

French translation.

Cover
On the top part, Elicia (Gemma Cuervo) is shown in mourning and Areúsa (Tina Sáinz) is eating.
Celestina (Tony Solder) is smiling in the bottom part.

Back cover
In the image of the top part Elicia is crying over the tragic death of…