Browse Items (3223 total)

Third illustration from act XII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 151.

First illustration from act XIII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

Second illustration from act XIII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 87.

Third illustration from act XIII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XIV from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

Second illustration from act XIV from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XV from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

Second illustration from act XV from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 173.

First illustration from act XVI from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 179.

Second illustration from act XVI from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XVII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 183.

Second illustration from act XVII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 186.

Third illustration from act XVII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XVIII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

Second illustration from act XVIII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XIX from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

Second illustration from act XIX from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 203.

First illustration from act XX from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea), Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

Second illustration from act XX from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XXI from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 211.

Second illustration from act XXI from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

Illustration from the conclusion from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 219.

Postal stamp of the Festival La Celestina, by FNMT (2018)
Postal stamp commemorating the Festival La Celestina that takes place in La Puebla de Montalban, the town in Toledo province where Fernando de Rojas was born. The festival takes place every year. The stamp is a red and white version of part of the…

Representation of Teatro del Aire, by Facio, 1984
Representation of La Celestina, Tragicomedia de Calisto y Melibea ("Tragicomedy of Calisto and Melibea")by Teatro del Aire.Author:Fernando de RojasAdaptation and direction: Ángel FacioImages of performances at the Teatro Colón in Bogotá (1979), the…

Engraving of Act I and cover page from the Burgos edition (1499)
Calisto and Melibea are in the garden. It is thought to be during their first meeting in the garden. The characters' names are written above the figures, as with the rest of the engravings in this edition. There is a house on the left and a tree with…

Engraving of Act II from the Burgos edition (1499)
Double scene. Left: Celestina leaving Calisto's house carrying the bag of coins. In the margin, the block of houses cut to fill the frame. Right: Calisto is with Pármeno and Sempronio, inside the house.

Engraving of Act IV from the Burgos edition (1499)
Double scene. Left: The page and Alisa go to her sister's house, who is sick, Alisa carrying a rosary. A barely visible door is in the margin, symbolic of the place they are going to. Right: Celestina, carrying the thread and money bag, meets with…

Engraving of Act V from the Burgos edition (1499)
The same engraving as in act I. Double image. Left: Calisto inside the house while Pármeno goes out to receive Sempronio and Celestina, who arrive outside the house on the right. Block of houses in the right hand margin.

Engraving of Act VI from the Burgos edition (1499)
Room in the interior of Calisto's house. He speaks with Celestina, who hands him the cord. Sempronio and Pármeno talk amongst themselves. There is a mark that appears to be a tear on Calisto's face. There is a wall in the background with decorative…

Engraving of Act VII from the Burgos edition (1499)
Double engraving. Left: Areúsa and Pármeno talk in her house. Right: Elicia receives Celestina at the door of her house. A variation of the left half is used in act III.

Engraving of Act VIII from the Burgos edition (1499)
Double engraving. Left: Block of a house and Calisto in the street. Right: Sempronio and Pármeno speak in a house. The image of Calisto is nearly identical to the one used in the title page of act I.

Engraving of Act IX from the Burgos edition (1499)
Double engraving: Banquet scene in Celestina's house. Left: Lucrecia who arrives at the door and Celestina who goes out to see her, uniting the two spaces. Right: Sempronio, Elicia, Areúsa and Pármeno are in the interior all standing, not at the…

Engraving of Act X from the Burgos edition (1499)
Celestina speaks with Melibea at the girl's house. Lucrecia comes out of the door to receive the page and Alisa who are returning. The figure of Melibea is a carbon copy of the one used on the cover page of Act I.

Engraving of Act XI from the Burgos edition (1499)
Calisto carrying the gold chain and Celestina. Behind them, Sempronio and Pármeno are exiting a door. Exterior scene. The image of Calisto is nearly a carbon copy of his image in acts I and VII.

Engraving of Act XII from the Burgos edition (1499)
Double image. Left: Lucrecia and Melibea are in the interior behind a locked door. Right: Calisto is accompanied by Pármeno and Sempronio, who are armed at the door. This illustration is mentioned in Miguel Marciales' critical edition:…

Engraving of Act XIII from the Burgos edition (1499)
Double image. Left: Sosia arrives at Calisto's house and Tristán receives him at the door with expressions of explanation and surprise, respectively. Inside, Calisto is lovesick in bed.

Engraving of Act XIV from the Burgos edition (1499)
Double image. Left: Lucrecia and Melibea in the interior of the garden. Right: Sosia and Tristán contemplate Calisto's fall.

Engraving of Act XV from the Burgos edition (1499)
Melibea speaks with Pleberio while Alisa listens. It is unclear if the image is in an interior or exterior. Melibea's image is a variation of what has been used in Acts I, X and XII. Alisa's image is almost identical to the one used in Acts IV and X…

Engraving of Act XVI from the Burgos edition (1499)
Alisa and Pleberio contemplate Melibea's suicide, fallen or while falling. Behind Melibea there is a series of buildings, one that appears to be an unfinished tower. Alisa's figure wears different clothes from the previous images, but the same…

Engraving of Act I from the Burgos edition (1499)
Double image. Left: Calisto inside his house, while Pármeno goes out to receive Sempronio and Celestina, who are arriving at the house from outside on the right. A block of houses in the right hand margin. The image is repeated in Act V. The first…

Engraving of act III from the Burgos edition (1499)
Double engraving. Left: Elicia and Sempronio are on the inside. Right: Celestina approaches a house carrying the thread and a bag of coins. Tower in the background. A variation of the left side of the image is used again later in act VII.

Illustration of Pleberio from the Budapest edition (1979)
Drawing in a Hungarian edition from 1979. Made by Gyula Feledy. In an edition of Celestinesca, Vol. 6, Num. 1.

Illustration of Calisto in Melibea's garden from the Budapest edition (1979)
Drawing by Gyula Feledy in a Hungarian edition from 1979 in Celestinesca Vol. 5 Num 1. Pa. 34. September 4, 2016.

Illustration of Celestina from the Budapest edition (1979)
Illustration of Celestina made by Gyula Feledy in the Hungarian edition by Károlyi and Szőnyi. Presented in the 1981 edition from Celestinesca.

Illustration of Celestina bringing Calisto Melibea's string from the Budapest edition (1979)
Illustration by Gyula Feledy in the 1892 edition from Celestinesca. Made by the Hungarian edition by Károlyi and Szőnyi from 1979.

Illustration of Calisto and Melibea from the Budapest edition (1979)
Illustration from the Hungarian edition by Sándor Károlyi and
Ferenc Szőnyi, made byGyula Feledy.

Illustration of Calisto's death from the Budapest edition (1979)
Illustration from the Hungarian edition by Sándor Károlyi and
Ferenc Szőnyi, made by Gyula Feledy.

Illustration of Celestina, Pármeno and Areúsa from the Budapest edition (1979)
Illustration from the Hungarian edition by Sándor Károlyi and
Ferenc Szőnyi, made by Gyula Feledy.

Cover of the Antwerp edition, 1568.
Emblem of the printer showing a Stork feeding its young, and a motto in Latin: "PIetas homini utilissima virtus."

Cover of the Tarragona edition, 1595.
Factotums of Calisto and Melibea in positions of arguing, each with a finger raised. Calisto with hat in hand. The names of the characters written above.

Cover of the Ediciones Delfín: Santiago de Chile edition, 1974
The cover features an image of an old woman with her head covered. The style of the illustration suggests that it was probably taken from a Dutch painting and altered to be a two-tone drawing.

Title of the film.
Title and in the background the medieval city in which all the events from the movie occur.

Representation in Madrid, 1909
Representation written and directed by Francisco Fernández Villegas for Teatro Español protagonized by Carmen Cobeña. With Amparo Villegas (Melibea), Ricardo Calvo (Calisto), Leovigildo Ruiz Tatay (Sempronio), Francisco Comes (Pármeno), Mercedes…

Representation of the Porreres Auditorium, Balearic Islands, by Fernández (2016)
Melibea, el duende del loco amor("Melibea, the elf of crazy love")Performer: Helen Mansino

Untitled2.jpg
On the cover appears what seems to be the bust of a Greco-Roman statue. The bust appears with long hair and a beard.

Untitled.jpg
On the cover, a young woman lies down naked on a bed and next to her an older woman, possibly her procuress.

Currito the Flamenco Singer's Enchanted Guitar (La guitarra embrujada de Currito el cantaor), by Ferrándiz (1961 c.)
Illustrated children's story that has a witch inspired byMother Celestina's Powder, as the use of the expression in the text shows:"Y en su cueva aquella noche le echó las cartas, ladina, y a una guitarra echó los polvos de la madre…

Banda sonora de Celestina P...R...de Lizzani, 1965
Vinyl disk.
Label: RCA
ASIN: B01F2MLK18

Cover of the Figuerola edition: Barcelona, 1909
Cover of the 1909 work bound in leather where two figures appear on a balcony: Melibea represented by a young woman braiding her hair and Celestina represented by an old woman with her head covered.

filipuccio.jpg
This fresco painting portrays a domestic scene. There is a couple in bed and a woman on the corner. The latter could either be their maid or the woman's procuress.

The Human Beast (La bestia humana), by Fillol (1897).
An older woman is forcing a younger woman into prostitution. A client in the background. Social denunciation painting.

Cover of the European Masterpieces: Andalusia, 2003 edition.
Celestina's face as she casts the spell in a theatrical version.

Representation of the Sala Villarroel, Barcelona, 1985
Tragedia fantástica de la gitana Celestina ("Fantastic tragedy of the gypsy Celestina") Author: Alfonso Sastre. Co-production of the Centre Dramàtic de la Generalitat and the Grupo de Acción Teatral (GAT), from l'HospitaletMusic: Teresa FloLighting:…

Representation Fantastic tragedy of the gypsy Celestina, Barcelona, by Flores, 1985
Original title: Tragedia fantástica de la gitana ("Celestina Fantastic tragedy of the gypsy Celestina").

Author: Alfonso Sastre.
Director: Enric Flores.
Scenography: Alfons Flores.

Cast: Ramón Teixidor, Mª Josep Arenós, Minerva Álvarez,…

Caricature of La Celestina, by Flórez Herrera (2014)
In the caricature, a woman appears pointing to a building where a sign appears that says "Celesti Coop." The woman represents Celestina. Under the caricature appears the quote "¡Si trabajando en mi casa vivía como una reina, cómo sería hoy con una…

Representation of the Claire Trevor School of the Arts, California, by Flowler, 2006
La CelestinaUniversity of California, Irvine Claire Trevor School of the Arts Production: Laura A. SimmsMusic: Daniel Gary BusbuyMusic design director: Mike HookerLighting: Sara BroadheadCostumes: Jessica ChampagneChoreography: Heather…

El hijo pródigo, atribuido a un seguidor de Frans Francken (Fecha desconocida)
Scene containing typical themes from procuress and celestine themes. An old woman, resembling a procuress, encourages couples at the table, while giving instructions to a young boy who seems to be helping her.

Other title: Der verlorene Sohn

The procuress, by follower of Philip Mercier (1750, c.)
In the image appears a young woman on a balcony. Behind the young woman a man appears looking at her and to her left an old woman with her head covered holding her hand. Two other men appear in the image, one with his back to the viewer and the other…

A brothel scene with a young couple and a procuress, by follower of Willem Pietersz Buytewech (1620, c.)
In the image appears an old woman with her head covered picking up coins that are on a table while with the other hand she opens a chest containing coins. To the right appears a young couple, the woman takes the young man by the hand while he looks…

A visit to the procuress, by follower of Willem van Mieris (1775, c.)
In the image appears a young woman on a balcony and a man who puts his hand on the young woman. In the background appears an old woman with her head covered and looking at the couple. From the title it is understood that the painting represents the…

Celestina's Daughter (La hija de Celestina), by Fons (1983)
Play byAlonso Jerónimo de Salas Barbadillo taken to television in the miniseriesLas pícaras by Televisión Española. Series with courtly erotic and romantic elements.Free adaptation: Emilio RomeroProducer: José Frade…

Still 1 Celestina's Daughter (La hija de Celestina), by Fons (1983)
Elena (Victoria Vera) and Antonio (Alfredo Mayo) in the city's main square.

Still 3 Celestina's Daughter (La hija de Celestina), by Fons (1983)
Sancho's (Máximo Valverde) arrival to the city admiring Elena.

Still 4 Celestina's Daughter (La hija de Celestina), by Fons (1983)
The three swindlers cheat Sancho's uncle out of some money to repair the dishonour caused by his nephew.

Still 5 Celestina's Daughter (La hija de Celestina), by Fons (1983)
Sancho (Máximo Valverde) meets with his uncle to confirm that he was deceived by the 3 swindlers.

Still 6 Celestina's Daughter (La hija de Celestina), by Fons (1983)
The procuress Méndez (Queta Claver) and Elena (Victoria Vera) deceiving the Andalusian population.

Still 7 Celestina's Daughter (La hija de Celestina), by Fons (1983)
Sancho (Máximo Valverde) and Elena (Victoria Vera) meet again after 3 years.

Still 8 Celestina's Daughter (La hija de Celestina), by Fons (1983)
The ruffian and the pimp Montufar (Daniel Dicenta) being executed.

Still 9 Celestina's Daughter (La hija de Celestina), by Fons (1983)
Meeting between old friends: Fernanda and Elena (Victoria Vera).

Still 10 Celestina's Daughter (La hija de Celestina), by Fons (1983)
The death of the procuress Méndez (Queta Claver) in jail.

Still 9 Celestina's Daughter (La hija de Celestina), by Fons (1983)
Elena (Victoria Vera) agrees to marry don Pascual (Luis Escobar) for money.

Still 12 Celestina's Daughter (La hija de Celestina), by Fons (1983)
Elena (Victoria Vera) kills her husband don Pascual (Luis Escobar).

Still 12 Celestina's Daughter (La hija de Celestina), by Fons (1983)
Elena (Victoria Vera) about to be executed.

Una escena en las cortes de la ley, de Forain (1900(c))
A prostitute and her procuress in court, according to the museum's description.

Representation of the Zimmer Theater, Tubingen, Alemania 2014
La Celestina oder Tragikomödie von Clisto und Melibea Production of Gobelin Theater in cooperation with the Zimmer TheaterDuration: 100 min. Cast: Janne Wagler represents Celestina and all the characters.Alon Wallach- guitarist

Illustration of act I of the Paris edition (1542)
A woman wearing a girdle with an object in hand (diamond?) in a garden with Cupid.

Illustration of act II of the Paris edition (1542)
Two factotums, one of a woman that could be Celestina, and the other of a young man with a bag that appears to be a hunting morion. Perhaps it is trying to show the delivery of the bag of gold to Celestina with two images from another source.

Illustration act III of the Paris edition (1542)
The same factotums as in act II.

Illustration act IV of the Paris edition (1542)
Two women who appear with a written title identifying them as "Celestine" and Lucrecia. This is the only case where there is identification over the figures. The figure of Lucrecia has a band or border above probably destined to be inscribed,…

Illustration of act V of the Paris edition (1542)
Factotums of a man and woman with unfilled banners. The woman's character is the same as was used for Lucrecia in the previous act.

Illustration of act VII of the Paris edition (1542)
The same factotum of a man from acts V and VI and the same figure of a woman used for Celestina in act IV, but here with an empty banner.

Illustration of act VIII of the Paris edition (1542)
The same combination of a man and a woman from acts V and VI.

Illustration of act X of the Paris edition (1542)
The same combination of two women as in act IV.

Zubayda y la mujer vieja, de MM. Français y H. Baron (1827 c.)
Illustration of a French edition, by Ernest Bourdin, from the story One Thousand and One Nights, that tells of an encounter between a young woman and an old woman that acts as a procuress. (Les mille et une nuits: Contes arabes traduits par…
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