Browse Items (3220 total)

Fragment of the left panel of the triptych The Temptations of Saint Anthony. Note that this fragment presents various female characters, like the woman crowned with an ecclesiastical hat or the one seen through the window and the one barely…

Notice that the devil takes the form of a procuress to tempt Saint Anthony, offering him a young woman. There are other version by Teniers or his followers of the same scene, as the one at the National Museum of Western Art, Tokyo, and others.

Notice the old woman in the corner at the back of the picture.

Full title/ Other titles: Le harem, Nus roses, Figures roses

Engraving from the Complete workds of Gild Vicente, 1586. The character on the right is the procuress Brizida Vaz, which is inspired in Celestina. The othe two character may be the simpleton or fool Joane and one of the four knights in the story. The…

Young couple carousing while a boy pickpockets the man. An old woman behind the boy

Maja and old woman

Watercolor on paper of a costumbrista scene with three characters in the Celestinesque tradition

Representation of La Celestina,Compañía Nacional de Teatro, México, 2019. Adaptation by Rosenda Monteros anddirection by Ruby TagleImages 5-6 of the representation in the Teatro del Bosque Julio Castillo of the Bosque Cultural Centre, from February…

Series of engraving for an illustrated edition in German that was not published

Engraving, but the image here is from a picture.
Notice the marks of the knives on Celestina's body

The cover features the image from the painting Celestina, by Picasso (1904).

Proscenio TeatroDirection: Jone ArteagoitiaCast: Olga Abuín, Eduardo Méndez, Neus Soler, Leticia Aparicio, Pol de la Rosa, Laura Mateu and Toni Sanchez MacarrillaScenography: Proscenio Teatro Characterization: Leticia Aparicio Costumes: Leticia…

From the company webpage: SYNOPSIS "Divertida adaptación de La Celestina en clave de clown. Donde se entremezcla el circo y el teatro. Tres actores reinterpretarán, a su manera, la clásica historia de Calisto y Melibea. Contaran las miserias, vilezas…

Catalan translation.

Oil on canvas. A gypsy man and woman quarrel while an old woman is sitting next to them. The old woman is not normally seen as a procuress, but it is possible to see her as such

Image 1 is a drawing in Album B or Madrid album. The original title of the second image is "La Bella y la Celestina" ("The Beauty and the Celestina").

In both images, a young woman and an old procuress are under an arch. The young woman rests on a…

The prodigal son driven out of the house of the prostitutes. It is an engraving in a series of five. Notice the procuress on the stairs, the only engraving portraying a procuress in the series. This engraving influenced Murillo's painting of the same…

On the left, in the shadows, a character of Celestinesque descent.See TAGGARD, MINDY NANCARROW. “A Source for the Interpretation of Murillo’s ‘Parable of the Prodigal Son’: The Golden Age Stage.” RACAR: Revue d’art Canadienne / Canadian Art Review,…

Engraving of Celestina, description by author: ¨El último encargo de 2018 lo hizo @carlos_disfruta y fue esta #Celestina para regalar a @Aradhriel. Me sonaba que ella había interpretado al personaje. Así era, así que basé el diseño en su propia…

Oil on canvas 29'5 x 23'5 cm. Three people at the light of a candle. They may be Celestina, Areúsa and Pármeno, or other characters

Woman with a Lapdog, Accompanied by a Maidservant (probably Bathsheba with King David’s Letter)

Young woman and procuress talking
Oil on canvass, 20 1/2 x 25 3/4 inches (52 x 65.5 cm)

Ink drawing on paper, 24,5 x 32 cmRich man talks to a procuress while a naked young woman covers her face

Drawing as part of the collection "Horrors of war". A person completely covered is carrying the body of a hanged person in a bag. Two female characters are watching in horror.

Original title: Un selfie con Melibea ("A selfie with Melibea")

Adaptation for young audiences

Melibea's suicide with her and Pleberio. Two unidentified male characters on the margin are included. There is also an image of an object in the sky that may be Melibea's girdle or cord falling or another object.

Pleberio, Lucrecia and Melibea Factotums

Calisto dead at the foot of the ladder is carried by Sosia and Tristan

Same illustration as the one used in act 14 of Calisto entering the garden.

Centurio, Areúsa and Elicia Factotums

Three factotums with the names of Elicia, Areúsa and Sosia

Four names of Melibea, Lucrecia, Pleberio and Alisa. Three factotums

Three factotums with the names of Elicia, Centurio and Areúsa.

Calisto on the stairs accessing the garden where Melibea and Lucrecia are waiting. Outside Sosia and Tristán armed.

Execution of Pármeno and Sempronio with Sosias present.

Death of Celestina. While one of the male characters holds her, the other is ready to stab her. Elicia is pulling her hairs. Curiously, there is a window or door with two characters outside. Shelves with cups and glass containers.

Three factotums and the names Calisto, Melibea, Lucrecia, Pármeno

Four factotums and the names Melibea, Celestina, Alisa and Lucrecia

Three factotums and the names of Sempronio, Pármeno and Celestina

Factotums of three characters and four names: Areúsa, Pármeno, Sempronio and Calisto

Factotums of Pármeno, Celestina, Areúsa and Elicia. Image of Areúsa with a girdle, used before for Melibea

Three factotums and four names of the characters in this act: Calisto, Celestina, Pármeno and Sempronio. Same image of Calisto with flowers of act 1.

Three factotums and four names: Sempronio, Celestina, Pármeno and Calisto

Factotums of Calisto, Pármeno and Sempronio

Three factotums, Calisto with flowers, Melibea with girdle and Pármeno

Factotums of two characters and their names above. Sempronio with a sword, Celestina and Elicia.

A combined edition of La Celestina and La Lozana Andaluza. The cover image seems to correspond to La Celestina.

Engraving depicting a procuress on a donkey, whipped while wearing a crest. An inscription in Italian reads: The procuress whipped while wearing a crest on her head, Bologna, June 1696.

Original Italian statue titled La ruffiana.

Bas reliefi in tin of a plate to hang. It represents a scene of lovers in a garden and an older woman looking upon them from a window. It may be part of the Celestina tradition, but this exact distribution of the characters is not traditional.

Edition for young readers.

The cover features an illustration of an anatomically correct heart, a key, and windows.

This is the first edition in this format.

Adaptation of La Celestina to the modern world, in English. This version was the departing point for the musical Celestina, a Music Tragic Comedy

Original title: Arias de amor en torno a la Celestina ("Love arias around La Celestina").

Concert of a repertoire of love songs related to the world and period of La Celestina

Poster announcing the celebration of a public market within the annual celebrations of the yearly Celestina Festival organized by the city of Puebla de Montalban

The second picture is of a similar edition dated 1543

A procuress being publicly displayed and punished. A daughter of Celestina is watching the event

A depiction of the scene in the garden, with the silhouette of Calisto cut out.

Tragicomedie van Calisto ende Melibea. Anónimo trad. TʼHantwerpen: HeyndricHeyndricz, 1574. Traducción anónima al holandés. La mayoría de lasilustraciones son copias giradas de las ilustraciones deZaragoza…

Es copia dela imagen del acto XX de la edición de Zaragoza, (1545).Sosia y Tristán retiran el cuerpo muerto de Calisto.

Es copia dela imagen del acto XX de la edición de Zaragoza, (1545).Sosia y Tristán retiran el cuerpo muerto de Calisto.

Es copia de lailustración del acto XIV de la edición de Zaragoza(1545).Calisto subiendo por una escala mientras Melibea y Lucrecia están asomadas a dos arcos. A la derecha, Sosia y Tristán, de guardia afuera

Es copia de lailustración del acto XV de la edición de Zaragoza (1545). Representar a Elicia ayudando a Areúsa a hacer las paces con Centurio.

Es copia del grabado delacto XVII de la edición de Zaragoza(1545). Areúsa en su casa, que recibe a Sosia, mientras Elicia escucha escondida. Cama y escaleras de fondo.

Es copia delgrabado del acto XVI en la edición de Zaragoza(1545).Lucrecia y Melibea, sobre un cojín, al otro lado de una puerta escuchan la conversación entre Pleberio y Alisa, sentados en otra habitación.

Elicia y Areúsa conciertan la venganza contra Calisto con Centurio, representado con espada. De fondo una cama y escaleras. Se vuelve a usar la imagen en el acto XVIII.