Browse Items (3223 total)

Cover of the Huemul: Buenos Aires edition, 1952
A composition of a two-tone photo of an old woman and, at the bottom of the image, an illustration of two red hearts.

Portada de la edición de Librería del Colegio, 1966
A blue, white and yellow depiction of a castle, suggestive of a watercolour drawing. Superimposed on this outline is the looming figure of Celestina, which occupies the majority of the foreground. Within the shape of her figure, a couple (Calisto…

Cover of the Huemul: Buenos Aires edition, 1969
A naive-style drawing, in colour and created predominantly with straight lines. It depicts an old woman, laughing and holding a cane. Beneath her image, a couple is hugging. A tower features in the background.

Cover of the Huemul: Buenos Aires edition, 1984
A cupid within a dropped capital 'C'. Both figures are red, positioned against a gray background.

Portada de la edición de Obras Maestras de IBERI, 1958
A coloured reproduction of the cover of the Seville edition of 1523 by Juan Bautista Pedrezano, which depicts Calisto, Melibea, Lucrecia, Sempronio, and Celestina. Curiously, this edition shows Calisto's falcon as well as a hound and horse,…

Cover of the J. Pérez del Hoyo: Madrid edition, 1969
The cover features a copy of the print from the cover of the Toledo edition of 1526.

Cover of the Ediciones Escolares: Madrid, 2004 edition.
A medieval image of a woman standing beside the city gates, being welcomed by important characters (Mary and the Jews).

Cover of the Kapelusz: Buenos Aires edition, 1976
This cover is a reproduction of the cover of the Sevilla edition of 1520. It depicts the first meeting and argument between Calisto and Melibea, with Lucrecia observing them from the background. On the left, Celestina is depicted knocking the door of…

Portada de la edición de Editorial La Muralla, 1967
The cover depicts a conglomeration of scenes, which is a reproduction of the engraving of the argument of the Augsburg edition (1520). First, Calisto and Melibea are depicted in the garden, while, in the foreground, Sempronio and Parmeno can be seen…

Cover the edition of La Nouvelle Revue Française, París (1922)
French translation.

Two interior covers, shown here.

Cover of the Editorial de la Oveja Negra: Bogota, 1996.
The cover features an image from an unidentified painting that depicts women going to a fountain to fetch water.

Cover of the La Spiga edition: Milan, 2007
Similarly, the cover of La Spiga (Milano, 2007), reproduces Titian's portrait of the goddess Flora showing her left breast.

Portada de la edición de Libros de Bolsillo Z, 1972
Depictions of Calisto and Melibea in the form of a composed painting. A yellow background sets off the blue of Calisto's clothing and the brown tones of Melibea's dress. Celestina is not depicted on this cover.

Portada de la edición en francés de Le club français du livre, 1952
French translation. A black figure (Celestina) on a red binding. The figure is a stock character or stamp of an old woman, used to represent Celestina in the Seville edition (1523), that appears in the first act of the work.

Portada de la edición de la Universidad de Lovania: Lovania, 2005.
Dutch translation. This edition is the annotated edition of the 1550 Dutch edition. The cover is a reproduction of a Dutch paintaing by Jan Van Amstel, titled 'Kroegtafreel', which features a scene in a brothel or tavern.

Portada Celestina - Liberty.jpg
Celestina appears in the first illustration wearing many jewels and accompanied by two young men. In the illustration below, Melibea and Calisto appear in the garden.

Cover of Libsa, Madrid (2017)
A collage depicting a Celestina based on Picasso's famous painting, Calisto and Melibea embracing in front of an arch or window, and a black cat.

Cover of the Longseller edition: Buenos Aires, 2002.
Illustrated edition.The cover features a fragment of the painting Two Women at a Window (c. 1660) by Bartolomé Esteban Murillo.

Cover of the Losada: Buenos Aires edition, 1960 (c.)
A black-and-white image that depicts a gallant medieval court scene.

Cover of the Losada: Buenos Aires edition, 1967
This cover features a drawing of a woman with her head covered. It is drawn in blue tones and appears to be inspired by certain cubist styles.

Cover of the Losada: Buenos Aires edition, 1969
The cover features an illustration of a female figure. The use of colour- red, grey and black- result in a vibrant, eye catching design.

Cover of the Losada edition: Buenos Aires, 2013
Cover of La Celestina edition, by Fernando de Rojas. Losada edition: Buenos Aires, 2013.A golden chain appears on the yellow cover.

Portada de la edición de Colección Eterna, 1966
The cover features a young woman, sitting with her hands clasped in her lap, looking out towards the reader. On the right, an old man offers her a box. To the left, a younger man appears to be attempting to draw her attention. It is the first…

Cover of the Ediciones Fraile: Madrid, 1994 edition.
An old woman's face. This is fragment of the painting The Three Ages of Man and Death(c.1541) by Hans Baldung.

Cover of the Madrid edition, 1569
A pair of lovers in a border with Cupid in the middle firing an arrow.

Cover of the magazine Teleradio (1973)
Cover of a popular TV program magazine with the image of the lead actress dressed as Celestina.

Cover of the Manuel Montt Legal Editorial: Santiago de Chile, 1997 edition.
A young woman's head, which appears to be a fragment of an unidentified painting.

Cover of the Mar del Sur: Santiago edition, 1979
A reproduction of the nineteenth-century print by Gustavo Doré that depicts a group of people, including a young woman with a jug of water.

Cover of the Editorial Mateu: Barcelona edition, 1964
The cover features the image of a painting of a young woman.

Cover of the Maucci edition, 1961
The cover art depicts a young couple, clearly meant to be Calisto and Melibea, embracing. In the background, Celestina watches them with a mischievous smile.

Cover of the McGraw Hill: Madrid, 1996 edition.
An old, unidentified illustration of two women hugging as a greeting, similar to the meeting between Saint Elizabeth and the Virgin Mary. In this case, it represents one of the encounters between Celestina and her protegees or friends.

Portada de Medina del Campo, 1530.
Two factotums of a man and a woman, thought to represent Calisto and Melibea.

Cover of the Editorial Mediterráneo edition, 1990
The cover is a partial reproduction of the engraving of act XII from the old Valencia edition (1514).

Cover of the Mensajero Bolsillo edition, 1982
The cover contains three fragments of three acts from the old Valencia edition (1514)in yellow on an orange background:the engraving of act I,the engraving of act IVandthe engraving of act XXI.

Cover of the Mestas edition: Madrid, 2016
The image is a fragment of Goya’s work: Milagro de San Antonio de Padua (Miracle of Saint Anthony of Padua)

Cover of the Micomicona Ediciones edition (2019)
This edition is adapted for younger audiences and illustrated in color.

Cover of the Milan edition, 1622.
A cat in a border, probably the emblem of the printer or bookseller of Count Antonio Viscount, count of Leonato Poçolo

Cover of the Molino edition, 1942
A representation of Celestina. Seated against a stone wall and looking to her right, with her open hand resting on one knee, she gives the impression that she is begging for alms in the street. The white veil and dark clothing recalls her tendency to…

Portada de celestina moderna.jpg
On this cover there is an old woman, Celestina, who appears with an uncovered breast and holds a bag of coins.

Cover of the National Textbook Company: Lincolnwood, 1995 edition.
A drawing of Celestina that resembles the character in one of the theatrical performances.

Cover of the Ediciones Nautilus: Argentina edition, 1976
The cover features a fragment of an engraving from an older edition, positioned here within an orange circle, that shows Celestina knocking on a door while Calisto and Melibea converse with each other beside her.

Portada de la edición de New York University Press, 1966
A black-and-white print positioned against a red background. The print depicts Calisto on his bed, pining after his first disastrous encounter with Melibea. Behind him, Sempronio approaches with Celestina, having gone to fetch her.

Cover of the novel The Brothel Keeper (La madama), by Concha Alós (1973)
Cover with a woman covered in a Celestina-like way. In the work, there is a woman that encourages another to prostitute herself.

Cover of the Administración Nueva de San Francisco edition: Barcelona, 1883
A multi-colored print from the cover of the old Toledo edition of 1538. It depicts Celestina selling thread. On the back, there is a facsimile print of the only print from the Juan de Navarra, Valencia 1575,edition,which depicts Melibea's suicide.…

Cover of the Nuevas estructuras: Madrid, 2000 edition.
The cover features two medieval miniatures: one of a king in his court and the other of the protagonist welcoming his subjects.

Cover of the Nuevo Talento edition, 2005
The image is a collage of two unrelated paintings, a fragment showing a young bourgeois couple in the painting A Goldsmith in Shopby Peter Christus (1449), and an older woman taken grom Botticelli's allegorical female figure for Repentance in his…

Cover of the Officina edizioni edition: Rome, 1979
On the cover there is an animal-like figure with wings and horns and two smaller figures on both sides.This edition is an Italian translation of a theatrical adaptation by Alfonso Sastre that was made the same year: Representation of the Teatro…

Cover of the Editorial Orbis: Barcelona, 1998 edition.
A dropped capital 'T'. The background is yellow.

Cover of Paris, 1922
Four images of the work surrounding the title and other information.
Note that the most tragic and violent scenes have been chosen: the execution of Pármeno and Sempronio, the death of Celestina, the death of Melibea and the death of Calisto. In the…

Cover of the Paris edition, 1527
A factotum of an older woman with a rosary or beads tucked into her belt and with the name Celestine in red in a border.See the complete work: Paris (1527)

Portada de la edición de Penguin Classics, 1964
A banner is carried by the two figures -one male and one female- bearing the inscription: "como quien sale a justar" ("as one who goes out to fair"). The man and the woman are also holding up a sheaf of wheat or wild flowers. In the background, a…

Cover of the Penguin Classics editions, 2015
On the cover there are two figures from the book of an old edition surrounded by a figure of a snake with a flower pattern.

Portada de la edición de Penguin: New York, 2009.
English translation. The cover features the image from the printFlight at Dawn(1968) by Pablo Picasso.

Cover of the Petronio edition: Barcelona, 1970
On the cover Calisto and Melibea appear embracing near a pillar. To the right and in the background appears Celestina with her head covered and looking at the couple.

Cover of the Ediciones Marte: Barcelona edition, 1982
A dark-toned painting of an old woman smiling. The image is reminiscent of the painting Woman in the Window(c.1660) by Murillo.

Cover of the Editores Plana & Janes: Barcelona edition, 1984
A drawing of a woman in the style of Las Meninas.

Cover of the P.M.I.: Madrid, 1994 edition.
The cover features an image of the painting Woman with raven (1904) by Pablo Picasso. The painting is rotated on the cover, since in the original the woman appears looking the other way.

Cover of the Promoción y Ediciones Edition, Madrid, 1992
An imitation of an old engraving that depicts the lovers and Celestina together.

portada.png
Compendio De La Obra Maestra La Celestina "Compendium of the Masterpiece La Celestina", by Fernando de Rojas. On the cover appears the face of a young woman with her head covered.

Cover of the Pueblo y Educación: La Habana edition, 1971
The cover features an image of the painting Wealth is Looking (1663) by the Dutch artist Jan Steen. The image depicts a scene in a hostel from the sixteenth or seventeenth century that features both men and women.

Cover of the Ediciones Quinto Sol edition: México, 1987
A colour drawing of a furious old woman and two young people.

Cover of the edition of Ramón Rico Sastre (1976)
A combined edition of La Celestina and La Lozana Andaluza. The cover image seems to correspond to La Celestina.

Cover of the Ramón Sopena edition: Barcelona, 1920, c.
A coloured drawing of Celestina in the foreground, with Calisto and Melibea in the garden in the background. Note the influence of Don Juan Tenorio by Zorilla. Another edition with this cover was printed in 1934.

Cover of the Editorial Ramón Sopena: Barcelona edition, 1975
A coloured drawing of Celestina with a cane against a background of shrubs that appear slightly human-like.

Cover of the Remedium edition, 1996
The cover features a fragment ofthe cover of the Valencia edition of 1514.

Cover of The Repulsive Celestine, by Seventinain (2022)
Fictional cover of La Repulsiva Celestina ("The Repulsive Celestine") by Fernando de Rojas, prepared by Seventinain insuperhero style.In the image appears a woman dressed in black, with a cape, skirt and stockings and with blue hair that represents…

Portada de la edición Rodegar, 1969
Celestina in the foreground and Calisto and Melibea in the background. The black and sepia tones give the illustration an aged appearance.

Cover of the Roma edition, 1515-1516 (1502).
A composed scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…

Cover of the Sabadell, 2018 edition
Facsimile edition of the 1554 Zaragoza edition. Only 100 copies printed. The cover is new.

Cover of the Salamanca edition, 1570.
Capital with a decoration of curved shapes and flowers.

Cover of the Salamanca edition, 1590.
Composite scene of Celestina knocking on the door with the thread, Lucrecia at the window, Calisto and Melibea in the garden, a horse and a woman. A low quality image that seems to be inspired by the cover of the edition of Valencia, 1514 or of…

Cover of the Santillana: Madrid, 1994 edition.
A photograph of Celestina casting a spell with smoke and fire in an unidentified theatrical performance.

Cover of the Loqueleo Santillana edition, 2016.
A juvenile edition from Loqueleo, a brand of the editorial house Santillana.

The cover features images from the Burgos 1499 edition, which represent Calisto and Melibea, amidst a squared pattern typically found on floors.

Cover of the Second Comedy of La Celestina, by Silva (1968)
Original title: Segunda comedia de Celestina ("Second Comedy of La Celestina").

Cover by Alberto Corazón. Madrid : Ciencia Nueva, D. L. 1968.
Illustration of two young lovers which recalls various cover pages of La Celestina of the era.

Cover of the Second Comedy of La Celestina, by Silva (1988)
Original title: Segunda comedia de Celestina ("Second Comedy of La Celestina").

Cover of the Consolación Baranda edition. Letras Hispánicas collection nº 284.
Showing Celestina "resurrected".
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