A blue, white and yellow depiction of a castle, suggestive of a watercolour drawing. Superimposed on this outline is the looming figure of Celestina, which occupies the majority of the foreground. Within the shape of her figure, a couple (Calisto…
A naive-style drawing, in colour and created predominantly with straight lines. It depicts an old woman, laughing and holding a cane. Beneath her image, a couple is hugging. A tower features in the background.
A coloured reproduction of the cover of the Seville edition of 1523 by Juan Bautista Pedrezano, which depicts Calisto, Melibea, Lucrecia, Sempronio, and Celestina. Curiously, this edition shows Calisto's falcon as well as a hound and horse,…
This cover is a reproduction of the cover of the Sevilla edition of 1520. It depicts the first meeting and argument between Calisto and Melibea, with Lucrecia observing them from the background. On the left, Celestina is depicted knocking the door of…
The cover depicts a conglomeration of scenes, which is a reproduction of the engraving of the argument of the Augsburg edition (1520). First, Calisto and Melibea are depicted in the garden, while, in the foreground, Sempronio and Parmeno can be seen…
Depictions of Calisto and Melibea in the form of a composed painting. A yellow background sets off the blue of Calisto's clothing and the brown tones of Melibea's dress. Celestina is not depicted on this cover.
French translation. A black figure (Celestina) on a red binding. The figure is a stock character or stamp of an old woman, used to represent Celestina in the Seville edition (1523), that appears in the first act of the work.
Dutch translation. This edition is the annotated edition of the 1550 Dutch edition. The cover is a reproduction of a Dutch paintaing by Jan Van Amstel, titled 'Kroegtafreel', which features a scene in a brothel or tavern.
Celestina appears in the first illustration wearing many jewels and accompanied by two young men. In the illustration below, Melibea and Calisto appear in the garden.
The cover features a young woman, sitting with her hands clasped in her lap, looking out towards the reader. On the right, an old man offers her a box. To the left, a younger man appears to be attempting to draw her attention.
It is the first…
The cover art depicts a young couple, clearly meant to be Calisto and Melibea, embracing. In the background, Celestina watches them with a mischievous smile.
An old, unidentified illustration of two women hugging as a greeting, similar to the meeting between Saint Elizabeth and the Virgin Mary. In this case, it represents one of the encounters between Celestina and her protegees or friends.
The cover contains three fragments of three acts from the old Valencia edition (1514)in yellow on an orange background:the engraving of act I,the engraving of act IVandthe engraving of act XXI.
A representation of Celestina. Seated against a stone wall and looking to her right, with her open hand resting on one knee, she gives the impression that she is begging for alms in the street. The white veil and dark clothing recalls her tendency to…
The cover features a fragment of an engraving from an older edition, positioned here within an orange circle, that shows Celestina knocking on a door while Calisto and Melibea converse with each other beside her.
A black-and-white print positioned against a red background. The print depicts Calisto on his bed, pining after his first disastrous encounter with Melibea. Behind him, Sempronio approaches with Celestina, having gone to fetch her.
A multi-colored print from the cover of the old Toledo edition of 1538. It depicts Celestina selling thread. On the back, there is a facsimile print of the only print from the Juan de Navarra, Valencia 1575,edition,which depicts Melibea's suicide.…
The image is a collage of two unrelated paintings, a fragment showing a young bourgeois couple in the painting A Goldsmith in Shopby Peter Christus (1449), and an older woman taken grom Botticelli's allegorical female figure for Repentance in his…
On the cover there is an animal-like figure with wings and horns and two smaller figures on both sides.This edition is an Italian translation of a theatrical adaptation by Alfonso Sastre that was made the same year: Representation of the Teatro…
Four images of the work surrounding the title and other information.
Note that the most tragic and violent scenes have been chosen: the execution of Pármeno and Sempronio, the death of Celestina, the death of Melibea and the death of Calisto. In the…
A factotum of an older woman with a rosary or beads tucked into her belt and with the name Celestine in red in a border.See the complete work: Paris (1527)
A banner is carried by the two figures -one male and one female- bearing the inscription: "como quien sale a justar" ("as one who goes out to fair"). The man and the woman are also holding up a sheaf of wheat or wild flowers. In the background, a…
On the cover Calisto and Melibea appear embracing near a pillar. To the right and in the background appears Celestina with her head covered and looking at the couple.
The cover features an image of the painting Woman with raven (1904) by Pablo Picasso. The painting is rotated on the cover, since in the original the woman appears looking the other way.
Compendio De La Obra Maestra La Celestina "Compendium of the Masterpiece La Celestina", by Fernando de Rojas. On the cover appears the face of a young woman with her head covered.
The cover features an image of the painting Wealth is Looking (1663) by the Dutch artist Jan Steen. The image depicts a scene in a hostel from the sixteenth or seventeenth century that features both men and women.
A coloured drawing of Celestina in the foreground, with Calisto and Melibea in the garden in the background. Note the influence of Don Juan Tenorio by Zorilla. Another edition with this cover was printed in 1934.
Fictional cover of La Repulsiva Celestina ("The Repulsive Celestine") by Fernando de Rojas, prepared by Seventinain insuperhero style.In the image appears a woman dressed in black, with a cape, skirt and stockings and with blue hair that represents…
A composed scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…
Composite scene of Celestina knocking on the door with the thread, Lucrecia at the window, Calisto and Melibea in the garden, a horse and a woman. A low quality image that seems to be inspired by the cover of the edition of Valencia, 1514 or of…
Original title: Segunda comedia de Celestina ("Second Comedy of La Celestina").
Cover by Alberto Corazón. Madrid : Ciencia Nueva, D. L. 1968.
Illustration of two young lovers which recalls various cover pages of La Celestina of the era.