Browse Items (3223 total)

Illustration from the Albacete edition (1999)
La Celestina Ilustrada, Museo de Albacete, 1999. Illustrations by Teo Puebla.

Illustration of the cover from the Albacete edition (1999)
La Celestina Ilustrada, Museo de Albacete, 1999. Illustrations by Teo Puebla.

Temptation of Saint Anthony, by Teniers (1640 c.)
Notice that the devil takes the form of a procuress to tempt Saint Anthony, offering him a young woman. There are other version by Teniers or his followers of the same scene, as the one at the National Museum of Western Art, Tokyo, and others.

Representation of the National Festival of Dominican Theater, Santo Domingo, 2010
Cast:
Nives Santana- Celestina
Carlos Chapuseaux- The Troubadour
Manuel Chapuseaux- Sempronio

Representación del Théâtre Montansier, Versailles, de Tassencourt (1993-1994)
Adaptation: Paul Achard
Cast:
Annie Cordy – Celestina
Nicolas BrianCon – Calisto
Gérard Chambre – Sempronio
Charles Capezzali – Sereno
Isabelle Thomas – Melibea
Nathalie Bleynie – Elicia
Marie-Claire Achard – Alisa
Michel Chalmeau –…

Representation of the Teatro de la Comedia, Madrid, by Tamayo, 1978
Version: Camilo José Cela Author: Fernando de RojasDirection: JoséTamayoScenography: Andrea D’Odorico Director deputy: Luis Balaguer Clothing: Miguel Narros Corporal expression: Marta Schinca Music: Antón García Abril Cast: Irene Gutiérrez Caba,…

Representation of the Lalki i Aktora Baj Pomorski Theatre, Toruń, Poland, by Szachnowski, 1979
Translation: Kazimierz Zawanowski
Adaptation: Bogumiła Pasionek y Konrad Szachnowski
Scenography: Lucjan Zamel
Music: Roman Nowacki
Assistant director: Urszula Miedzińska

Cast:
Halina Garbowska – Celestina
Paulina Bednarska –…

Young Man and Matchmaker (Hombre joven y alcahueta), by Sweerts (1660 c.).
Young man looking at matchmaker that rests her hand on his shoulder.

Representation of the Regio Theater, Buenos Aires, 2007
Duration: 90 min.
Music: Nicolás Bernazzani
Musical coach and lute player: Miguel de Olaso
Lighting: Nicolás Trovato
Costume design: Renata Schussheim
Scenography: Horacio Pigozzi
Scenography design for outdoor spaces: Héctor…

IMG-5280-scaled-e1616415976435-1920x1200.jpeg
The photograph represents the models of the work La Celestina by Fernando de Rojas made by the students of the Institute of secondary education Saint Elizabeth of Hungary

Representation of the Casa de las Artes, Coquimbo, Chile, by Striano, 2012
Celestina Vamp.Vampire version ofLa CelestinaLa Jaula Theater CompanyAdaptation: Andrea Franco

Image10.jpg
This painting portrays the famous biblical scene of Delilah cutting Samson's hair. Note the maid who appears on the right besides Delilah. The maid resembles the procuress inCaravaggio's Judith Beheading Holofernes(1598, c.)

The hunting of the owl, by Stoer (1532)
A procuress (Kupplerin) shelters between her legs a young woman who had attracted several men. Several characters speak, among them the old procuress with a hunting device and an owl

Other title: Die Eulenbeize

Second engraving of act XX of the Venice edition (1534)
Melibea's suicide, as she throws herself from the tower while two male (Pleberio and another) and two female (Alisa and Lucrecia) characters watch.

First engraving of act XX of the Venice edition (1534)
Factotum of a tree, Lucrecia, Pleberio and houses.

Second engraving of act XIX of the Venice edition (1534)
Calisto, dead, is carried away by Sosia and Tristán.

First engraving of act XIX of the Venice edition (1534)
Calisto scaling the wall of Melibea's garden accompanied by Tristán and Sosia while Melibea and Lucrecia wait within. The same image used in act XIV.

Engraving of act XVIII of the Venice edition (1534)
Factotums of houses, Areúsa, Centurio, Elicia and a tree.

Engraving of act XVII of the Venice edition (1534)
Factotums of houses, Elicia Sosia, Areúsa and a tree.

Engraving of act XVI of the Venice edition (1534)
Factotums of Melibea, Lucrecia, Alisa and Pleberio.

Engraving of act XV of the Venice edition (1534)
Factotums of houses, Elicia, Centurio, Areúsa and a tree.

Engraving of act XIV of the Venice edition (1534)
Calisto scaling Melibea's garden wall accompanied by Sosia and Tristán. Melibea and Lucrecia wait inside. The same image is used later in act XIX.

Engraving of act XIII of the Venice edition (1534)
Pármeno and Sempronio's execution.

Second engraving of act XII of the Venice edition (1534)
Two sequences that simultaneously show Celestina's death, Pármeno and Sempronio jumping from the window, and their sentence by the judge.

First engraving of act XII of the Venice edition (1534)
Factotums of Pleberio, Alisa, Celestina and Alicia.

Engraving of act XI of the Venice edition (1534)
Factotums of Calisto, Celestina, Pármeno, Sempronio and Elicia.

Engraving of act X of the Venice edition (1534)
Factotums of Melibea, Celestina, Lucrecia and Alisa.

Engraving of act IX of the Venice edition (1534)
Factotums of Sempronio, Pármeno, Celestina, Lucrecia and Areúsa.

Engraving of act VIII of the Venice edition (1534)
Factotums of Calisto, Sempronio, Pármeno and Areúsa.

Engraving of act VII of the Venice edition (1534)
Factotums of Celestina, Pármeno, Areúsa, Elicia and buildings.

Engraving of act VI of the Venice edition (1534)
Factotums of Calisto, Celestina, Pármeno and Sempronio.

Engraving of act V of the Venice edition (1534)
Factotums of buildings, Calisto, Pármeno, Sempronio and Celestina.

Cover page of the Venice edition (1534)
Celestina, Melibea, Lucrecia, Calisto, Sempronio and a dog. Falcon and horse. Celestina holding her rosary and Calisto the chain and falcon. Note the detail of the horse's testicles that can be seen from behind.

Engraving of act IV of the Venice edition (1534)
Factotums of buildings, Lucrecia, Celestina, Alisa and Melibea.

Cover of the Venecia edition, 1534.
The same cover as the Sevilla, 1523 edition.This is an illustrated edition, with 21 illustrations that can be seen by clicking here: Venecia, 1534.

Beware of Luxury, by Steen (1663)
The painting represents a room with various characters. Two children, a dog eating on a table, a pig by the door, a girl at the back of the room, a woman sitting sleeping, a man looking at the girl and playing a violin, an old woman talking to a man…

The Procuress, by Steen (1650, c.)
Dutch art. Tradition of brothel painting representing a client paying a procuress while a woman lies on a bed.

Celestina Steen.png
In the picture appears a young woman in the hands of a young man playing a flute. On the right, an old man and an old woman acting as her procuress. Description from Christie's webpage: "The other motive of this painting, that of the Procuress, the…

Betsabé con una carta de David, de Steen (1659)
Despite the biblical theme, it is treated as a genre scene in which a young woman welcomes a procuress with a missive.

Robbery in a Brothel, by Steen (1665, c.)
Brothel scene. A young man on the lap of a young woman, while another young woman hands an object to an elderly woman. The old woman acts as a procuress for the young women. A couple of men in the background playing music instruments.

Cover of Seville, 1501
Comedia de Calisto y Melibea Oxford (UK), Taylorian Institute Library Taylorian TAY Main Libr MICR.1267 Paris (Fr), Bibliothèque nationale de France RES-YG-63 Record inUTSC

Representation of the Teatro Argentina, Rome, by Squarzina, 1979
Representation of Alfonso Sastre's version of La Celestina.Storia di amore e di magia con qualche citazione dalla famosa tragicommedia di Calisto e Melibea.Performance at the Teatro Argentina, Rome, Italy. Premiere April 26, 1979.

Postage stamp from Correos de España, 1998.
Stamp worth 35 pesetas with blue monochromatic image of Celestina in the foreground with objects from her laboratory. Artist without feature in the background.

Spanish National Lottery Ticket (1974)
Copy of the Toledo, 1526, coloured. Ticket worth 200 pesetas from February 9, 1974 to celebrate Valentine's Day.

Representation of Espace Julien, Marseille, by la Rueca Theater, 2009
Celestina entre palos Flamenco show presented at the "L'Espagne des Trois Cultures" Festival organized by Horizontes del Sur, the Center Edmond Fleg and the Espace Julien.

Representation of the NaKop Tyjátr Theater, Jihlava, Czechia, by Soumar, 2008-2009
Adaptation: Milan Calábek

Original title: Zavraždění svaté Celestiny, kuplířky z města Salamanky (Assassination of Saint Celestina, procuresses of the city of Salamanca)

White Slavery (Trata de blancas), by Sorolla (1894)
Original title: "Trata de blancas" ("White Slave Trade").

A group of young women on their way to a brothel, under the vigilance of a procuress. Social denunciation.

Doña Paca y su prenda, de Soria Aedo (1943)
A young woman in the center of the work with a fan. On the right an old woman. On the left two young men, one of them looking at the young woman.

El piropo de Aedo (1928)
A young woman covers her torso with a fan while smiling and looking to the left. On the left, an old woman smiling looking in the same direction as the young woman.

Painting of the Classic Period.

La nieta, de Soria Aedo (fecha desconocida)
Obra que puede interpretarse como parte de la tradición celestinesca a pesar del título

Dos amantes en una mesa, de Sorgh (1644)
Hidden behind the door, a procuress or old woman watches the interaction of the couple. We can assume that she is calculating the amount of money she can get out of the boy to obtain the girl's favors.

Cover of the Vicens Vives: Barcelona, 2014 edition.
An illustration, as if for a juvenile audience, of a young woman beside a lattice and, in the foreground, of an old woman with her head covered.

Representation of the Maribor National Drama Theater, Slovenia, by Soldatović, 1984-1985
Translation:Niko Košir Scenography: Dorijan Sokolić Clothing:Ingrid Begović Cast: Borut Alujevič– Pármeno Marjan Bačko- Pleberio Sonja Blaž- Melibea Zvone Funda– Centurio Franci Gabrovšek- Tristán Ivo Leskovec- Sosia Irena Mihelič– Celestina's…

Representation of the Teatro Burdel a Escena, Madrid, by Sojo (2021)
Original title of the representation: Celestina, puta vieja ("Celestina, old whore")Production: Sojoproduce Poster Photo: Salomé Sagüillo Costumes: Tocado y Hundido Collaboration: Evonhe Hairdresser and Beauty CenterCast: Silvia Vivó-…

Deportista enamorado, de Smith (1790 c.)
A young couple sit outside. The young man takes the young woman's hand as he puts his hand to his heart. At the door of the house, an old woman looks at them.

Cover of the E.M.E.S.A.: Madrid edition, 1977
A drawing of the face of an old woman against a blue background.

Cover of the Second Comedy of La Celestina, by Silva (1968)
Original title: Segunda comedia de Celestina ("Second Comedy of La Celestina").

Cover by Alberto Corazón. Madrid : Ciencia Nueva, D. L. 1968.
Illustration of two young lovers which recalls various cover pages of La Celestina of the era.

Cover of the Second Comedy of La Celestina, by Silva (1988)
Original title: Segunda comedia de Celestina ("Second Comedy of La Celestina").

Cover of the Consolación Baranda edition. Letras Hispánicas collection nº 284.
Showing Celestina "resurrected".

Representation of the Teatro Federico García Lorca in San Fernando, San Fernando de Henares, by Silgado, 2022
Representation of La Celestina 1905. Circus tragicomedy of Calisto and Melibea (La Celestina 1905. Tragicomedia Circense de Calisto y Melibea), Menecmos company for the ‘El Moscardón’ Amateur Theater Contest, organized by the Department of Culture at…

Representation in the Montecarmelo Center, Santiago de Chile, by Sieveking (1992)
Performance directed by Alejandro Sieveking for the Montecarmelo Center, starring Bélgica Castro in Santiago de Chile.Cast:Bélgica Castro (Celestina)Jéssica Vera (Melibea)Mauricio Torres (Calisto)Ramón Carcher (Sempronio)Mónica Jaramillo…

Tales of a Parrot, by Shravana (1560, c.)
The images are pages from the book Tales of a Parrot ("Tuti-nama"), a series of folktales of Persian origin written by Shravana in 1560, c. in Mughal India, court of Akbar. The first image is from the seventeenth night titled "The old procuress…

Tentación, de Shilder (Fecha desconocida)
According to the museum's description, a procuress tries to recruit a poor girl by promising her a life of luxury. Meanwhile, a potential client waits at the door.

Other title: Искушение

Representation of the House of Culture, Buenos Aires, by Sharry, 2009
La Barraca de Pergamino Theater group

Cast:
Melina Antuña – Melibea
Álvaro Repetto – Calisto
Pamela Lombari – Celestina

Representation of the Conservatory Pražské, Prague, by Seydler, 2001
Original title: Zavraždění svaté Celestiny, kuplířky z města Salamanky (Assassination of Saint Celestina, procuresses of the city of Salamanca)

Cast:
Vladislav Rotta- Sempronio

Representation of the Pardubice Theater, Czechia, by Seydler, 1997-1998
Original title: Zavraždění svaté Celestiny, kuplířky z města Salamanky (Assassination of Saint Celestina, procuresses of the city of Salamanca)

Dramaturgy: Jana Pithartová
Scenography: Miloň Kališ jh
Costumes: Tomáš Kypta jh
Music: Jiří…

Cover of the Anaya edition: Madrid, 1990
History and analysis of the text.
The image is a fragment from Velázquez's work: Vieja friendo huevos (Old woman frying eggs)

Cover of the Cátedra edition: Madrid, 1987
A cubist depiction - possibly by Picasso - of a naked woman and a matchmaker, framed in a black as is typical of the collection.

Cover of The Repulsive Celestine, by Seventinain (2022)
Fictional cover of La Repulsiva Celestina ("The Repulsive Celestine") by Fernando de Rojas, prepared by Seventinain insuperhero style.In the image appears a woman dressed in black, with a cape, skirt and stockings and with blue hair that represents…

The Concierge (The procuress - The housemaid), by Seurat (1884)
Original title: La Concierge (La Maquerelle - La Bonne) ("The Concierge (The procuress - The housemaid)").

In the image appears an old woman with her head covered. From the title it is understood that she is a procuress.

Representation of the Teatro Fernán Gómez, Madrid, by Serrano, 2012
Representation directed by Mariano de Paco Serrano, Secuencia 3 Artes y Comunicación.
Version: Eduardo Galán.
Direction: Mariano de Paco Serrano.
Scenography: David Deloaysa.
Clothing: Maika Chamorro.
Music: Tomás Marco.
Lighting: Pedro…

La Celestina, engraving by Seoane (1950, c.)
Engraving, but the image here is from a picture.
Notice the marks of the knives on Celestina's body

Representation of the Cuartel Sánchez Aguilera, Ferrol, by Seoane, 2001
Theatrical Adaptation: Estudio Xente Nova
Instituto Concepción Arenal
Direction Assistant: Eleonor Curto
Electricity and Video-Alejandro Rey
Lighting- Sonia Serrano and Jaime Castro
Sound and Special Effects- Paloma Medina
Poster and Program…

Illustration from the Barcelona edition (1952)
Illustration of a work by José Segrelles, contained in the edition of Pedro Bohigas.

Portada de la edición de Castalia: Valencia, 1946
A black background with a colourful and semi-abstract representation of Celestina. A line, representing the thread she sells, forms loops and knots, referencing the way she ties her victims up into her schemes. She clutches the money bag in her right…

Fight between Celestina, Sempronio and Pármeno (Pelea entre Celestina, Sempronio y Pármeno), by Enríquez de Navarra (1946 c.)
It is the same image used in the illustred edition:Valencia, 1946, for act XII

Sketch for the Valencia edition (1946)
Sketch of Celestina, where the procuress appears with her head covered and a rosary in her hand.

Sketch for the Valencia edition (1946)
Sketches of various scenes and characters in the play, including a pair of sketches of the procuress, both with her head covered, one where the procuress looks at the viewer and the other where she looks to her right. At the bottom there are sketches…

Sketch for the Valencia edition (1946)
Sketch of Celestina, where the procuress appears with her head covered and looking at the viewer.

Ilustración del Acto XVIII, de Segrelles (1946)
Illustration in Celestinesca from act XVIII made by José Segrelles. Vol 16 Num 2.

Illustration from act XX from the Valencia edition (1946)
Melibea's death. Illustration from act XX, Melibea's death, made by José Segrelles, in Celestinesca vol 9, num 2.

Illustration of Calisto, Tristán and Sosia from the Valencia edition (1946)
Illustration of Calisto, Tristán and Sosia in Celestinesca Vol 13, Num 1, of Calisto with both his servants, possibly receiving news of Pármeno and Sempronio's deaths. Made by José Segrelles.

Illustration of Pleberio and Alisa from the Valencia edition (1946)
Illustration of Pleberio and Alisa together, in Celestinesca, Vol 13, Num 2. Made by José Segrelles.

Illustration of Sempronio and Calisto from the Valencia edition (1946)
Sempronio and Calisto. Illustration from act II in Celestinesca Vol 9, Num 1, made by José Segrelles.

Illustration from act XII from the Valencia edition (1946)
Celestina assassinated. Illustration from act XII in Celestinesca Vol 9, Num 1, made by José Segrelles.
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