The cover features a fragment of the print from the third act of the Burgos edition of 1499, in which Celestina appears with the string, knocking on Melibea's door. See the related item.
Adapted to modern Castilian. Old, yellow block print stamps against a dark background that show various characters, with the corresponding names printed below each figure. However, not all figures represent the characters indicated by the names in…
A silhouette of the old woman- taken from an unidentified painting- and the words that Melibea says to Celestina to end of the fourth act: "If you had asked me sooner you would have received it. Go with God, for your message did not benefit me and…
On the cover there is an image of an old edition of La Celestina, where Calisto and Melibea appear. Calisto is on a ladder and Melibea looks at him from her house.
In the foreground, a multi-coloured depiction of Celestina with her hands clasped. In the background, a full moon hangs over a grove of trees where a young couple (Calisto and Melibea) are meeting. The design consists of circular and oval shapes,…
The cover features a fragment of an unidentified painting from the Dutch school that depicts a brothel or tavern scene. An old woman reads a letter to a young woman, who has a child in her arms, while a man stands behind them, laughing.
An unidentified painting from the Dutch school that depicts a scene in a brothel or tavern. An old woman reads a letter to a young woman, who has a child in her arms, while a man laughs behind them.
A montage of two different paintings, with the image of old Celestina in the foreground and the gallant scene of Calisto and Melibea in the background.
The cover features a fragment of a print from the old Valencia edition (1514), positioned inside a large letter 'e.' The print depicts the death of Celestina, The back cover features a drawing of Fernando de Rojas's face.
A black-and-white cover with a design suggestive of a theater program. It depicts a nude female figure and a demon with a pitchfork flanking the title, while, above them, a pair of gargoyles look down on these two figures.…
A drawing of Celestina approaching a house, likely Melibea's, with the enchanted thread in hand to sell. The image proceeds from the illustration in Act III of the Burgos, 1499, edition, but, curiously, Celestina's face has been altered. The ochre…
A black background with a colourful and semi-abstract representation of Celestina. A line, representing the thread she sells, forms loops and knots, referencing the way she ties her victims up into her schemes. She clutches the money bag in her right…
"This volume presents the most rigorous version of the Tragicomedy of Callisto and Melibea - the one published in Valencia in 1514 -, completed with the suppressed fragments of the primitive Sixteen-act Comedy and with the interpolations and variants…
Even two unrelated paintings, such as fragment showing a young bourgeois couple in the paintingA Goldsmith in Shop by Peter Christus (1449), and an older woman taken grom Botticelli's allegorical female figure for Repentance in his painting The…
Even two unrelated paintings, such as fragment showing a young bourgeois couple in the paintingA Goldsmith in Shopby Peter Christus (1449), and an older woman taken grom Botticelli's allegorical female figure for Repentance in his paintingThe Calumny…
A comic-style illustration of a couple on some steps and an old woman behind them. The clothing style appears to be from an earlier time period. The old woman is wearing a ruff and her head is uncovered. The second part of this edition is El…
On the cover there is a woman with her head covered. Following the tradition of depicting Celestina as an old woman with her head covered, the woman on the cover could represent the procuress.
A cover in black, white, and purple tones that depicts a male figure with his arms outstretched, moving towards what appear to be two figures, grasping a letter in his right hand.
Three figures appear on the cover: Calisto, Melibea and Celestina. Calisto and Melibea are represented as old illustrations, while Celestina appears in the center of the cover as a silhouette filled with an abstract design in black and blue.
The image is a collage of two unrelated paintings, a fragment showing a young bourgeois couple in the paintingA Goldsmith in Shopby Peter Christus (1449), and an older woman taken grom Botticelli's allegorical female figure for Repentance in his…
Cover of the edition of La Celestina, by Fernando de Rojas and Eduardo Galán, Éride Ediciones: Madrid (2023), Subject: VdB Teatro De Almagro. Image by Eduardo Galán.On the cover there is a drawing of a young woman dressed in a traditional way that…
Busts of Calisto and Melibea with laurel leaf crowns. The abbreviated names of the characters are shown above.This is an illustrated edition that can be seen by clicking here: Estella, 1557
On the cover of this edition there is an older woman who acts as Celestina. One of her eyes is damaged, which is reminiscent of the tradition where this character is represented with a damaged eye, as in the painting Celestina, by Picasso (1904)
French translation. The cover of the French translation published by Fayard (Paris, 2006) reproduces part of the young woman in Marietta Robusti's Venetian Woman (c. 1560) (In…
Cover of the 1909 work bound in leather where two figures appear on a balcony: Melibea represented by a young woman braiding her hair and Celestina represented by an old woman with her head covered.
The cover features a mirrored image of an abstract pattern against a blue background, which seems to represent a tower, embroidered in gold thread with a red half circle. This could be interpreted as a coat of arms or an…
Italian translation.
The image in the cover is a fragment of Goya's Paseo por Andalucía, also known as La maja y los embozados (An avenue in Andalusia, The maja and the cloaked men).
In this cover Calisto is represented on the left, Celestina at the center and Melibea on the right. Because of how Celestina is represented with different eye colours and her grin, it is reminiscent of the representation of this character in…
A depiction of Celestina's expression as she observes two lovers - possibly Pármeno y Areúsa - in a bed. The drawing is red and white and imitates medieval-style images.