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Third illustration from act IX from the Paris edition (1949)
The younger years of Celestina's house. Reminds us of act IX.
Third illustration from act V from the Mexico edition (1947)
Drawing of a group of older women.
Third illustration from act V from the Paris edition (1949)
The medieval city at sunset.
Third illustration from act VI from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 83.
Third illustration from act VI from the Mexico edition (1947)
A skeleton representing death approaches a dove or bird on a branch.
Third illustration from act VI from the Paris edition (1949)
Illustration from act VI when Celestina tells Calisto what she did at Melibea's house.
Third illustration from act VII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Third illustration from act VII from the Paris edition (1949)
Celestina introduces Areúsa to Pármeno.
Third illustration from act VIII from the Paris edition (1949)
Calisto speaking with Sempronio.
Third illustration from act X from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Third illustration from act XII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 151.
Third illustration from act XII from the Paris edition (1949)
Calisto converses with Melibea who is on the other side of the door.
Third illustration from act XII from the Paris edition (1989)
Pármeno and Sempronio.
Third illustration from act XII of the Toledo edition (1525)
Judge and two soldiers with Pármeno and Sempronio (one on the floor, the other jumping out the window) on the left side and on the right, Pármeno and Sempronio kill Celestina with swords while Elicia pulls out her own hair behind Celestina. Curiously…
Third illustration from act XIII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Third illustration from act XIII from the Paris edition (1949)
Sempronio and Pármeno's death spoken about by the townspeople.
Third illustration from act XVI from the Mexico edition (1947)
Coloured image of naked Melibea and Calisto in the garden. Underneath can be read: "¡Oh dulce sobresalto!" ("Oh sweet shock!").
Third illustration from act XVII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Third illustration from act XVIII from the Paris edition (1949)
Illustration of Centurio.
Third illustration from act XXI from the Paris edition (1949)
Illustration of the end of the work. The lovers' faces and their names carved in stone.
Third illustration from the back cover from the Mexico edition (1947)
Drawing of death in skeleton form floating beside the ladder in the garden.
Third illustration from the introduction from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Third illustration from the Madrid edition (1974)
Melibea and Celestina.
Third illustration from the prologue from the Mexico edition (1947)
Drawing of the gallant scene between Calisto and Melibea, probably their encounter in the garden.
Third illustration of act I from the Barcelona edition (1883)
Sempronio and Celestina arrive at the door of Calisto's house (p. 46). He is knocking on the door.
Third illustration of act I of the Barcelona edition, 2013
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola
Third illustration of act I of the Paris edition, 1976
Corresponds to Celestina's spell in act III
Third illustration of act IV from the Barcelona edition (1883)
Melibea hands over her cord to Celestina (p. 103). The scene takes place in the garden.
Third illustration of act VI from the Barcelona edition (1883)
Calisto embraces the cord (p. 131).
Third illustration of act X, by Alcalá Iberri (2004)
Alisa le pide a su hija que no vuelva a recibir a Celestina
Third illustration of act XI, by Alcalá Iberri (2004)
Calisto elogia a Melibea
Third illustration of act XII from the Barcelona edition (1883)
The death of Celestina at the hands of Pármeno and Sempronio with Elicia present (p. 225).
Third illustration of act XIX from the Barcelona edition (1883)
Melibea laments the death of Calisto seated on a bench in the garden (p. 284).
Third illustration of act XV of the Madrid edition, 2005
A continuation of the second illustration of act XV
Third illustration of act XX of the Valencia edition (1529)
Factotums of Pleberio, without a beard, Lucrecia who has her head covered and Melibea with the mirror and a plant in the background, surrounded by a building on the left and a tree on the right. Very similar to the illustration used in act XVI. Note…
Third image of act XIII of the Paris edition (1943)
Adaptation by Paul Achard
Third image of act XIII of the Valladolid edition (1561)
Pármeno and Sempronio's execution. On the right, the judge and three characters, one of whom is probably Sosia. On the left, the execution, one of the prisoners decapitated and the other being decapitated. Two bearded figures on the right. In the…
Third image of act XIX of the Burgos edition (1531)
Dead Calisto is taken by Sosia and Tristán after falling from the ladder.
Third image of act XIX of the Medina del Campo edition (1536)
Scene of the retrieval of the body of Calisto by his servants Tristán and Sosia.
Third image of the introduction of the Salamanca edition (1590)
Factotum of Melibea.
Third image of the introduction, of Calisto, of the Paris edition (1943)
Adaptation by Paul Achard
Three figures in half figure (The procuress), by Schongauer (1480, c.)
The engraving shows a young couple looking at each other, while an old woman with a turban on her head appears in the middle of the two and looking at the young woman. From the title of the engraving it is understood that the old woman acts as a…
Three images of Celestina in a book about famous literary characters, by Navarro (1969)
Three images of Celestina inside the book. Originals in color
Tía Sinforosa, in Sainete, by Noguera (1858)
Four characters appear on the cover of the first image (first part), who, according to the cover, are in Juan Llorens house, Calle de la Palma de Santa Catarina. The young couple on the left (characters Saldoni and Margarida), the old woman with her…
Tile of La Celestina (2016 c.)
Sign of José Luis Gallo Street in Talavera de la Reina, Spain
Tin bas-relief of a Celestina type scene, by anonymous (1900, c.)
Bas reliefi in tin of a plate to hang. It represents a scene of lovers in a garden and an older woman looking upon them from a window. It may be part of the Celestina tradition, but this exact distribution of the characters is not traditional.
Títeres de Calisto y Melibea, Teatro Di Commedia, 2009-2014
Títeres de Calisto y Melibea
Title of the film.
Title and in the background the medieval city in which all the events from the movie occur.
Title page engraving from the Valencia edition (1514)
Calisto and his servants in the foreground; Celestina knocking on Melibea's door, and she is inside with her parents and servant. In the background, two men (Pármeno and Sempronio?) meet two women (Areúsa y Elicia?) in the street.
Title page from the first volume from the Paris edition (1949)
Title page from the edition of La Celestina by Les Bibliophiles de France. Illustrations by Maurice Lalau, one illustration from the edition appears also in Celestinesca.
Title page from the second volume from the Paris edition (1949)
Title page from the second volume of La Celestina, translated to French by Les Bibliophiles de France, illustrated by Maurice Lalau. Certain images come from ebay.fr and others from googlebooks.com.
Title page of the Barcelona edition (1883)
A colored version of the old title page of the Toledo edition, Remón de Petras (1536) and by J Toledo, Juan de Ayala (1538).
Today Fresh Sausage, by Grosz (1928)
Mixed media, watercolor and ink, on paper.
A young carrying a package and an old woman . Although there is no indication of being a procuress and her protegee, Grosz painted many scenes of prostitution in Weimer Germany.
A young carrying a package and an old woman . Although there is no indication of being a procuress and her protegee, Grosz painted many scenes of prostitution in Weimer Germany.
Tres mujeres en un balcón, de Bernard (1903)
Parece recorder a la serie de prositutas en el balcón de Goya, aunque parece falta la alcahueta vieja
Two Amorous Couples at an Inn, by de Ram and van Vliet (1633, c.)
"Two amorous couples at an inn; one couple in frontal view next to the fireplace at right; the other turned to right in left foreground; a female figure carrying a jug at far left; broken glass, playing cards and a pipe on the floor. c.1633-5 Etching…
Two Lovers at Table, by Sorgh (1644)
Hidden behind the door, a procuress or old woman watches the interaction of the couple. We can assume that she is calculating the amount of money she can get out of the boy to obtain the girl's favors.
Two of a kind, by Goya (1797, c.)
A young woman is hugged by a young man while a pair of old women are seated to the left.
Two prints of a contemporary Celestina in The Spanish Drawn by Themselves (Los españoles pintados por sí mismos), by Alenza y Nieto, Lameyer and Ortega (1843, c.)
A 19th century Celestina functioning as a messenger receiving and transporting a love letter.
Two Women at a Window, by Murillo (1660, c.)
Two women in a window, a roof, possibly a prostitute and her matchmaker.
Two women at the window, by Bellotti (1700, c.)
Original title: Due donne alla finestra ("Two women at the window").In the image there are two women at a window, a younger and an older one. The painting is probably inspired by the painting Two Women at a Window, by Murillo (1660, c.) even though…
Ugly Couple with an Old Procuress, by Veneziano (1561)
In the engraving, a young couple and an old woman in the background. The young man is holding a bag that appears to contain money. From the title it is known that the old woman acts as a procuress in the image.
Un caballero encendiendo una pipa en una vela
Fragmento del cuadro. Nótese la mujer vieja detrás. La escena parece corresponder al modelo de "marrymaking" o reunión con música, comida y bebida en ambientes burdelarios, muy frecuente en la pintura holandesa de la época
Una pareja amorosa en un interior, de Janneck (1731 c.)
Una pareja en escena privada, con una mujer vieja (alcahueta) mirandolos detrás de una cortina.
Una pareja, escena galante en un parque, de Janneck (1730 c.)
Una pareja sentados en una mesa con la chaperona o alcahueta vigilando la interacción.
Underground comic with Celestina character, from Amor Amateur (2016)
Underground comic published in Daemon Club. It includes the character of Celestina that has the ability to travel through time. Erotic tone.
Untitled drawing, by Canals (1898)
Several women appear in the image: two women with hats, a woman without a hat on the right and an old woman on the top right corner that is reminiscent of Celestina. The description of Canals' work that appears in the article next to the image also…
Untitled, engraving by Pazzi of the drawing by Lorenzi.
Young man and matchmaker argue, using their fingers to count.
Valencian Falles -cardboard statues/ entitled Pamtomime and Celestina go well together (Pantomima i Celestina sempre han fet molt bona rima), by Martínez Aparici (2017)
A falla by the falla group San Vicente-Periodista Azzati for the 2017 Fallas in Valencia (Spain). It is described as a "Venetian pantomime" and, in some ways, a criticism of the contemporary society. It has a budget of 42,000 Euros.
A masked…
A masked…
Vanitas, Allegory Of The Ages, by Martinelli (1650, c.)
Death, young and old woman, a servant or procuress, coins.
Vertumnus and Pomona, by Mieris (1725)
The image shows two women in an outdoor scene, Vertumnus and Pomona. The young woman (Pomona) is shown with one of her breasts uncovered and picking fruit as she looks at the old woman. The old woman, in this painting representing Vertumnus, is…
VHScase of the movieLa Celestina, byVera (1996)
Calisto (Juan Diego Botto) y Melibea (Penélope Cruz)
Video summary ofLa Celestina with animated figures, from the series Grandes Obras Universales, from RTVE (2010)
Comedic summary of La Celestina in 2 minutes with moving figures and Madrid zarzuela type accent.