Browse Items (3223 total)

Two and half minute video uploaded to YouTube in which the suicide of Melibea is represented with Playmobil figures and background voice.

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

Factotums of Melibea, Celestina, Alisa, Lucrecia and houses, the characters speaking in pairs.

Five factotums and six names above: Sempronio, Pármeno, Celestina, Elicia, Lucrecia, Areúsa.

Factotums of Pármeno, Celestina, Aréusa, Elicia and houses.

Factotum of five blocks: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding a bag. The houses are mirror images of a same model.

Factotums of houses, Calisto, Celestina, Pármeno and Sempronio.

Factotums: houses, Celestina, Sempronio, Pármeno and Calisto.

Factotums: houses, Lucrecia, Celestina, Alisa and Melibea. They are speaking in pairs, Celestina with Lucrecia and Alisa with Melibea. Celestina and Alisa are characterized as old women with their heads covered.

Factotums of houses, Sempronio, Celestina, Elicia and the same houses inverted. Celestina is holding a rosary and a walking stick, same image used before.

Factotum with five blocks: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding a bag. The houses are mirror images of a same model.

Drop cap letter E of the first words of the play, "In this I see..." Within the letter there is a saint with a candle or a candelabra.

Five factotums and six names on top: Calisto, Melibea, Sempronio, Pármeno, Celestina, Elicia, Crito. Celestina is carrying the rosary and a walking stick.

Calisto and Melibea are in the walled garden on the left. Celestina is carrying the rosary, the string and a walking stick while knocking on a door and a young woman (Lucrecia) appears at the window to see who is knocking.

The scene of Melibea's suicide in which she throws herself from the tower while Pleberio and a female character watch the event. Note the prominence of the lock on the door of the tower to show that the door is locked. This image is of a simpler…

Factotums of a tree, Melibea, Lucrecia, Pleberio and houses

Scene of Tristán and Sosia removing the body of Calisto fallen beside the ladder

The same engraving as in act XIV which shows Calisto with two servants climbing into Melibea's garden,where she is waiting for him with Lucrecia

Factotums of a tree, Areúsa covered (Image used previously for Elicia and Alisa), Centurio (image used previously for Pármeno and Sempronio), Elicia and houses

Factotums of houses, Elicia (Image used in act IX for Celestina and in act XVI for Alisa), a woman with the erroneous name of Sosia, Areúsa and a tree

Factotums of Melibea, Lucrecia, Alisa (the same image used on act IX for Celestina), Pleberio and a tree

Factotums of houses, Elicia with her head covered (image used for Alisa in act IV), Centurio (image with turban used previously for Sempronio), Areúsa and a tree

Scene of Calisto climbing the ladder to the Melibea's garden protected by two servants. Within Lucrecia and Melibea wait. The same engraving is used again in act XIX

The execution scene of Pármeno and Sempronio with an executioner and his assistant on the right. On the left, the judge with two soldiers and a character who covers their eyes so as not to see, perhaps Sosia

The scene of Celestina's death at the hands of Pármeno and Sempronio on the left, with Elicia present, and on the right the following scene of Pármeno and Sempronio jumping from the window and the judge with a soldier

Five factotums (three men and two women) and above in two lines the names of Calisto, Lucrecia, Melibea, Pármeno, Sempronio, Pleberio, Alisa, Celestina, Elicia

Factotums of Calisto, Celestina, Pármeno, Sempronio and Elicia

Factotums of Melibea, Celestina, Lucrecia, Alisa and houses

Factotums of five characters and six names above: Sempronio, Pármeno, Celestina, Lucrecia, Elicia and Areúsa

Factotums of Sempronio, Pármeno, Calisto and Areúsa

Factotums of Celestina, Pármeno, Areúsa, Elicia and houses

Factotums of houses, Calisto, Celestina (with the rosary), Pármeno and Sempronio

Factotums of houses, Lucrecia, Celestina, Alisa and Melibea

Factotums of houses, Celestina, Sempronio, Elicia and a tree

Factotums of Calisto, Pármeno and Sempronio. In the two margins a tree and houses respectively.

Factotums of Pármeno, Calisto, Melibea, Sempronio and Celestina. Elicia and Crito, whose names appear in the image heading, are not shown. Pármeno attired with a turban

Factotums of houses, Calisto, Pármeno, Sempronio and Celestina

Celestina knocking at the door of Pleberio's house with the yarn in her hand. Lucrecia in the background, Melibea and Calisto in their first meeting talking, a horse and unnamed servant on the right margin. Initials of Lucrecia, Melibea and Calisto…

Wine cellar on 9 Espoz y Mina Street, Madrid, decorated with
tiles of attractive erotic images of nude women that do not seem to be connected at all to La Celestina other than by the general eroticism. A tile painting of the interior that mixes…

Description by the author for the online exhibition held in 2012 in the Spanish gallery Plastiké Art Gallery, where the drawing was exhibited: "The painting represents a brothel where a variety of characters meet, drawn by business or…

Sculpted on the baptismal font of the Romanesque church of San Salvador, in Rebanal de las Llantas, Palencia, there is a couple copulating and an old woman behind the young woman, as well as another man. The other side of the font shows a scene of…

Representation directed by Xosé Manuel Blanco Gil of the Teatro Iberico in Lisboa at the Teatro Clásico in Almagro. The play was also performed in Portugal in 1984.Author: Fernando de Rojas.Stage director: Xosé Manuel Blanco GilPhotographer: Fernando…

Colour photos of the representation Eva y Don Juan by Álvaro Custoidio at the Real Coliseo de Carlos III Theater, in San Lorenzo de El Escorial. Actress María Calonje as Celestina.

The same as the cover of the Sevilla, 1523 edition, a variation of the Seville covers by Cromberger but completely redesigned. It now also includes a dog, and the initials of Sempronio and Celestina have been added on top of the corresponding…

The same as Sevilla, 1523.

This is the same as the Venecia, 1519 and Venecia, 1531 editions. Please see the description there.

This is the same as in Venecia, 1519. Please see the description on that page.

This is an elaborate frontispiece with columns and putty framing the page.

The emblem of the printer with two unicorns and a double-headed eagle.

Celestina convinces or begs a young woman, probably Melibea, although in theory she could also be Areúsa, in her bedroom. The bed in the background. In Latin is written: "vetula tail scorpionis" (an old lady like the tail of a scorpion)This is an…

Half of Melibea's body, sad appearance and long hair, and Celestina in the background in a pose that indicates here evil plans. Illustration made for the collective exposition titled "Oficis Extraordinaris," organized by APIV (Professional…

A cat in a border, probably the emblem of the printer or bookseller of Count Antonio Viscount, count of Leonato Poçolo

Emblem of the printer Christoph Plantin and his descendants, which is a compass held in a hand which is rising from a cloud and the Latin inscription "labore et constantia".
The second image is of a similar edition but dated 1595

Composite scene of Celestina knocking on the door with the thread, Lucrecia at the window, Calisto and Melibea in the garden, a horse and a woman. A low quality image that seems to be inspired by the cover of the edition of Valencia, 1514 or of…

Emblem of the printer, with a phoenix and two mottos in Latin pertaining to the immortal bird, along with two winged fauns or devils and the initials of the printer.

Emblem of the printer, showing a Pelican feeding a fish to its young..
There is also a 1545 edition.

A scene composed of two pictures, to the left Calisto and Melibea in the garden, outside a servant with horse, and to the right Celestina knocking on the door with the thread, while Lucrecia looks out the window. This is the model that comes from…

Composite scene with an unidentified servant, Calisto, Melibea and Lucrecia, with the initials above. Celestina, also with initials above is knocking at the door, with the thread in hand. A tree in the center. An illustrated edition with26…

Factotums of Calisto and Melibea with the complete name written above. Melibea with a peculiar headdress.

Factotums of Calisto and Melibea in positions of arguing, each with a finger raised. Calisto with hat in hand. The names of the characters written above.

Emblem of the printer showing a hand between clouds or waves, holding an object in the form of "T" and the inscription in Latin "Per verbum Dei auditus".

Capital with a decoration of curved shapes and flowers.

Emblem of the printer showing a Stork feeding its young, and a motto in Latin: "PIetas homini utilissima virtus."

Three factotums of a man between two women, thought to be Calisto standing between Melibea and Celestina.

A composite image that appears to be a fragment of the models begun by Cromberger, Sevilla, 1511 (1502) and Valencia, 1514, which shows the garden with Calisto and Melibea,the servant with a horse and Celestina knocking at the door with the thread…

This is the same as the Toledo, 1526 edition. An illustrated edition with 24 images that can be seen by clicking here: Toledo, 1538.

This is the same as in the Burgos, 1531 edition.

The same cover as the Sevilla, 1523 edition.This is an illustrated edition, with 21 illustrations that can be seen by clicking here: Venecia, 1534.

The same as Sevilla, 1523.

This is the same as that of Barcelona, 1525: A building with two windows and three characters inside, the front garden with two women, Celestina knocking on the door, Calisto and two servants on the right bank, behind him two men and two women are in…

Two factotums of a man and a woman, thought to represent Calisto and Melibea.

On the left, Calisto and Melibea in the walled garden, Celestina with the rosary, thread and a cane knocking on a door and a young woman (Lucrecia) leaning out the window to see who is calling at the door. This is an edition with 25 illustrations…

A building with two windows and three characters inside, a front garden with two women, and Celestina knocking on the door. Callisto and two servants on the right hand margin, in behind, two men and two women are in the street in front of other…

A variant of the covers of Seville by Cromberger, but completely redesigned. It now also includes a dog and the initials of Sempronio and Celestina have been added on top of the corresponding characters. See the complete description in the edition of…

A composite scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…

A composed scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…

Calisto and his servants in the foreground; Celestina knocking on the door of Melibea's house, and inside her, her parents and her servant. In the background two men (Pármeno and Sempronio?) meet with two women (Areúsa and Elicia) in…

A composed scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…

A composite scene showing Celestina with the thread knocking at a door, in the center Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…

Calisto on his knees before Melibea, who is sitting in a covered chair. The names are written below.

Properly speaking, this is not an actual cover, but rather an illustration of the first scene of Act I, depicting the initial encounter between Calisto and Melibea. The cover, if there was one, has been lost. For this reason, the first illustration…

Production by Marcel Hicter with the title L'acopleuse. Photos of Celestina and Sempronio and a model of Melibea taken from the show's brochure (cover with drawing included)

The same combination of two women as in act IV.

The same combination of a man and a woman from acts V and VI.

The same factotum of a man from acts V and VI and the same figure of a woman used for Celestina in act IV, but here with an empty banner.

The same factotums as act V.

Factotums of a man and woman with unfilled banners. The woman's character is the same as was used for Lucrecia in the previous act.

Two women who appear with a written title identifying them as "Celestine" and Lucrecia. This is the only case where there is identification over the figures. The figure of Lucrecia has a band or border above probably destined to be inscribed,…

The same factotums as in act II.

Two factotums, one of a woman that could be Celestina, and the other of a young man with a bag that appears to be a hunting morion. Perhaps it is trying to show the delivery of the bag of gold to Celestina with two images from another source.

A woman wearing a girdle with an object in hand (diamond?) in a garden with Cupid.

Commercial card from the library specialized in La Celestina theatre. Copies the engraving from act XIV and XIX from the Valencia, 1514 edition.

Dutch translation. This edition is the annotated edition of the 1550 Dutch edition. The cover is a reproduction of a Dutch paintaing by Jan Van Amstel, titled 'Kroegtafreel', which features a scene in a brothel or tavern.

The cover features a fragment of the cover of the Valencia edition of 1514.

Pieza de loza de principios del siglo XVI, Museo Cerámica de Barcelona. La imagen representa lo que parece ser una mujer vieja hablando

A coloured reproduction of an old print (from a different cover).

English translation. The cover features the image from the painting Celestina, by Picasso (1904).

English translation. The cover features the image from the printFlight at Dawn(1968) by Pablo Picasso.

Grabdo inglés cuyo título completo es "The Harlot´s Nurse or Modern Procuress". Incluye 8 líneas en verso: "Behold the practis'd Baud explore, / The Nymph from head to foot all O'er, / For Cupers whom shes dress'd w'th Care, / (A bait to Catch some…

The image that is featured on this cover is a reproduction of the old cover of Toledo edition from 1526. This fragment includes Celestina knocking on the door of Melibea's house while Lucrecia looks at her from the window. The title is in red…