Browse Items (3223 total)

A montage of two different paintings, with the image of old Celestina in the foreground and the gallant scene of Calisto and Melibea in the background.

An unidentified painting from the Dutch school that depicts a scene in a brothel or tavern. An old woman reads a letter to a young woman, who has a child in her arms, while a man laughs behind them.

The cover features a fragment of an unidentified painting from the Dutch school that depicts a brothel or tavern scene. An old woman reads a letter to a young woman, who has a child in her arms, while a man stands behind them, laughing.

In the foreground, a multi-coloured depiction of Celestina with her hands clasped. In the background, a full moon hangs over a grove of trees where a young couple (Calisto and Melibea) are meeting. The design consists of circular and oval shapes,…

This cover features a fragment of the cover of the Toledo edition of 1538, framed in a shape that resembles a castle or arched building.

On the cover there is an image of an old edition of La Celestina, where Calisto and Melibea appear. Calisto is on a ladder and Melibea looks at him from her house.

An illustration of an old woman - probably Celestina- with a jug of wine, in the banquet scene at her house.

There exists an edition published in 1982 by the same publishing house.

A silhouette of the old woman- taken from an unidentified painting- and the words that Melibea says to Celestina to end of the fourth act: "If you had asked me sooner you would have received it. Go with God, for your message did not benefit me and…

An original drawing of an older woman with her head covered- presumably Celestina - against a background of waves depicting wind or a turbulent sea.

Volume 15 - No. 18

Adapted to modern Castilian. Old, yellow block print stamps against a dark background that show various characters, with the corresponding names printed below each figure. However, not all figures represent the characters indicated by the names in…

The cover features a fragment of the painting Maja and Celestina(c. 1824) byFrancisco de Goya.

A modern drawing of Celestina in her house with string and a cat. The cover is yellow and white.

The cover image is the image from the film poster of Vera's cinematic version.

The cover features a fragment of the print from the third act of the Burgos edition of 1499, in which Celestina appears with the string, knocking on Melibea's door. See the related item.

Edition for young readers.

The cover features an illustration of an anatomically correct heart, a key, and windows.

This is the first edition in this format.

A montage of an old woman with a cane and two lovers reclining against a tree. It resembles an old painting.

A lavender grey and red cover depicting Calisto and Melibea in an embrace. Celestina, leaning on a cane, faces away from them. All three characters are set against a white orb appears to be the moon, and, thus, suggestive of the couple's nocturnal…

A coloured drawing of an old woman's face, a snake, and an object that looks like a bird's wing.

Panel-style drawing of Celestina with her cane and in the background, two lovers kissing in the garden and the moon.

This cover imitates older covers, with the emblem or seal of the printer. The cover does not feature any images of the characters of the text.

A drawing of the face of an old woman against a blue background.

A red quill or feather against a blue background, in reference to the author and the act of writing.

Adapted to modern Castilian.

A gallant scene with couples and troubadours that appears to be a modified medieval illumination.

English translation.

The cover features an image of an old woman with her head covered. The style of the illustration suggests that it was probably taken from a Dutch painting and altered to be a two-tone drawing.

A copy of the image from a painting or tapestry of a hunting scene, which depicts a young noble man with a falcon, a dog, and a servant.

A greyscale drawing of Celestina possibly casting the spell from the third act, positioned against an orange background.

A modern, fine-line caricature of the old Celestina.

On the cover the painting Old Woman Frying Eggs by Velázquez (1618, c.) appears.

Portuguese translation.

The cover features a fragment of a medieval illumination that depicts two lovers in a garden.

A black-and-white drawing of a couple. The man reaches up for the woman's hand as she is standing on a balcony or an enclosed patio.

Melibea and Calisto appear on the cover of this edition.

Circle of Friends of History ("Círculo de Amigos de la Historia"). 1975. Spanish literature. Theater. Tragedies of the XV century. (860-21 14) 17 cm. 308 p., 2 h., 4 h., Plate. Publisher's hardcover binding. Spanish Classics Collection. Rojas,…

A gold, red and blue copy of an unidentified engraving, in which Celestina appears with a bag and two other characters.

A black-and-white drawing of a couple leaning against each other, embellished by roses to indicate Melibea's garden.

According to the description on the cover, this edition is considered to be of cultural and educational interest by UNESCO.

The cover features an image of an engraving of the death of Celestina from from act XII from the Toledo edition (1538).

Mandarin translation.

Celestina's face as she casts the spell in a theatrical version.

A water colour imitation of the mural Witches' Sabbath (The Great He-Goat) by Francisco Goya.

The cover features illustrations of a woman and some buildings in color. On the cover, it explains that it is detail from a woodcut for a 15th century edition of Ovid's 'Art of Loving'.

A fragment of an unidentified painting depicting a woman combing her hair and another woman with her head covered. Although they are both young, it could be a representation of Celestina and Melibea.

A cubist depiction - possibly by Picasso - of a naked woman and a matchmaker, framed in a black as is typical of the collection.

A coloured drawing of Celestina counting coins in the foreground while Calisto and Melibea share an embrace in the background.

On the cover there is a fragment of the painting Bathsheba receiving David’s Letter, by Steen (1659, c.).

An old woman, characterized as a witch, offers a young woman a box or jewel. The image is reminiscent of the depictions of Snow White and the witch in Disney's images.

The cover features a fragment of the paintingJudith Beheading Holofernes (c.1598) by Michelangelo Merisi da Caravaggio.

The cover features the image from the painting Maja and Celestina (c.1824) by Francisco de Goya.

This cover features a fragment of the cover of the Seville edition of 1523. The editors have chosen to focus on the characters Calisto and Melibea (prominent in the foreground) instead of including the full image, which incorporates three animals: a…

Celestina painted in watercolor appears as the cover of this version of Carlos Slim Foundation, México.

This is the same as in the Burgos, 1531 edition.

Composite scene with an unidentified servant, Calisto, Melibea and Lucrecia, with the initials above. Celestina, also with initials above is knocking at the door, with the thread in hand. A tree in the center. An illustrated edition with26…

Properly speaking, this is not an actual cover, but rather an illustration of the first scene of Act I, depicting the initial encounter between Calisto and Melibea. The cover, if there was one, has been lost. For this reason, the first illustration…

An abstract painting (signed but unidentified) that depicts Celestina and two women.

A naive-style drawing of Celestina walking in a cemetery at night.

The cover features the image of the painting Celestina, by Picasso (1904).

A black-and-white illustration from the first act of the Burgos edition of 1499, printed by Fadrique de Basilea. The image is a depiction of the first meeting between Calisto and Melibea.

Coloured drawings of a money bag and gold coins positioned against a green background.

A coloured reproduction of the older cover of Seville, 1501. It depicts Celestina knocking on the door of Melibea's house, while Melibea and Calisto are shown, in the foreground, in their first meeting. Lucrecia stands behind them, observing them.…

Image of a female hindu deity

Book with cover that suggests that it is an essay with the subtitle "estudio sobre la mitología de lo femenino, la mujer y su manipulación a través de la industria cultural." The title is probably influenced bu the Spanish translation of Kubrick's…

Montage of two Adam and Eve type baroque statues.

Two people appear on the cover, on the right an old woman with her head covered following the Celestinesque tradition and holding a club and on the left a young man handing a sack of coins to the old woman. By the title of the work it is understood…

On the cover appears a young woman and two black silhouettes behind her. The two black silhouettes in the background suggest Celestinas of the Goya type.

Italian translation.

A grey-scale illustration of a young man and woman, both young and lavishly dressed, with their heads inclined towards each other in conversation. It is a depiction of Calisto and Melibea.

Italian translation.

An unusual cover that depicts Celestina. Drawn in grey-scale, her calculating expression shows her unsavory intentions. Interestingly, in place of a veil imitating a nun's habit, she wears a head covering that could be…

Italian translation.

French translation.

The cover of the first volume of a French edition.

The cover features a vignette, reminiscent of a theater scene, that depicts a black-robed Celestina looming menacingly over the forms of two nude young women, most likely…

This edition had a print run of 5000 copies.

This is the same as that of Barcelona, 1525: A building with two windows and three characters inside, the front garden with two women, Celestina knocking on the door, Calisto and two servants on the right bank, behind him two men and two women are in…

A building with two windows and three characters inside, a front garden with two women, and Celestina knocking on the door. Callisto and two servants on the right hand margin, in behind, two men and two women are in the street in front of other…

A silhouette of two lovers in black and red, in the style of a cinema projection.

This is the catalogue of the well-known exhibit at Casa de Cultura, which ran from April to May of 1999.

Noble edition published in commemoration of the 500th anniversary.

Turkish translation.

Portuguese translation.