Browse Items (3223 total)

Ilustración del Acto XV, de Alcalá Iberri (2004)
Melibea le pide a Lucrecia que guarde silencio para escuchar la conversación de sus padres

Ilustración segunda del Acto XIII, de Alcalá Iberri (2004)
Melibea se lamenta haber perdido su corona de virgen por tan breve deleite

Ilustración del Acto XII, de Alcalá Iberri (2004)
Calisto recibe la noticia de la muerte de sus criados

Ilustración sexta del Acto XI, de Alcalá Iberri (2004)
Sempronio llama a Celestina vieja avarienta

Ilustración quinta del Acto XI, de Alcalá Iberri (2004)
Sempronio le cuenta a Celestina que sus armas están destrozado

Ilustración cuarta del Acto XI, de Alcalá Iberri (2004)
Pármeno le advierte a Calisto la presencia de unos hombres armados

Ilustración primera del Acto XI, de Alcalá Iberri (2004)
Calisto, Sempronio y Pármeno parten rumbo a la casa de Melibea

Ilustración tercera del Acto X, de Alcalá Iberri (2004)
Alisa le pide a su hija que no vuelva a recibir a Celestina

Ilustración primera del Acto X, de Alcalá Iberri (2004)
Melibea le confiesa a Celestina su mal de amor

Ilustración del Acto VIII, de Alcalá Iberri (2004)
Sempronio da consejos a Calisto

Ilustración del Acto VII, de Alcalá Iberri (2004)
Celestina invita a Pármeno a entrar a la alcoba de Areúsa

Ilustración del Acto VI, de Alcalá Iberri (2004)
Entra Celestina en casa de Calisto, quien corre a su encuentro

Ilustración del Acto V, de Alcalá Iberri (2004)
Llega Celestina a su casa, donde le espera Sempronio

Ilustración del Acto IV, de Alcalá Iberri (2004)
Celestina aborda el tema del gentil hombre con Melibea

Ilustración del Acto III, de Alcalá Iberri (2004)
Celestina conversa con Sempronio y Elicia

Ilustración segunda del Acto I, de Alcalá Iberri (2004)
Celestina recibe las monedas de oro de Calisto

Representation of the XVIII UCM University Theater Contest, Madrid, by Calvo and Bernárdez, 2014
New version of the loves of Calisto and Melibea; and the deceptions of old Celestina.

Direction assistance: Matías Gómez and Jorge José López.
Dramaturgy: Sara Calvo
Scenography: Uniteatra2
Lighting: Uniteatra2
Music: Uniteatra2
Costumes:…

Representation of the Teatre del Repartidor, Barcelona, 2011
Actors:Izaskun Martínez, Alma Alonso, Francesc Camins andBorja Nieto Light and sound technician:Pedro Nares Technical space: Pepa Calvo Clothing: Marian Dorronsoro Selection and musical montage: Berton Fernández Teatre del Repartidor production

The Prodigal Son Driven Out, by Callot (1635)
The prodigal son driven out of the house of the prostitutes. It is an engraving in a series of five. Notice the procuress on the stairs, the only engraving portraying a procuress in the series. This engraving influenced Murillo's painting of the same…

Representation of the Teatro El Silo, Córdoba, 2013
La moderna Celestina ("Modern Celestina")Jara Theater GroupFree adaptation: María Isabel Valdivia

Cover of the Círculo de Lectores: Madrid edition, 1990
The cover features an image of an engraving of the death of Celestina from from act XII from the Toledo edition (1538).

Cover of the Unidad Editorial: Madrid, 1999 edition.
The cover features a signed painting of an old woman sitting in a chair with her head covered and a heart in her hands.

Representation of Antigüo Cine Pinzales, Asturias, by Caamaño, 2008
Assistant director: Inma RodríguezLighting:Nona AsensioVideographic performance:Borja MitjansActresses: Lara Herrero and Arantxa FernándezTempus fugitTwo girls, in the not too distant future, appear in an abandoned theater in search of the "Capsules…

The Matchmaker, by Businck (1650, c.)
Original title: Die Kupplerin ("The Matchmaker").

Woodcut based on the painting by Lallemand.

Triangle between matchmaker, young woman, and man, plus another character.

Representation of the Sala Verdi, Montevideo, 2000
National comedyMusic: Martín Buscaglia and Paolo Buscaglia Scenography: Adán Torres Clothing: Nelson Mancebo Lighting: Carlos Torres Cast: Estela Medina- Celestina Andrea Davidovics- Melibea Oscar Serra- Calisto Julio Calcagno, Pablo Varrailhon,…

Representation of the Gramercy Arts Theater, New York, by Buch, 1980
Representation of Celestina, by the Teatro Repertorio Español company, at the Gramercy Arts Theater (NewYork), in 1980.Author: Fernando de RojasDirector: René A. BuchAssistant Director: Rafael PagánDesign (general): Robert Weber FedericoCast:Yolanda…

Representation of the Plazuela de San Roque, Guanajuato, by Buch, 1974
Representation ofCelestina, by the Repertorio Español Theater Company. The two first images (clippings of newspapers about the play) are of the representation at the Plazuela de San Roque (Guanajuato, Mexico), during the II Festival Internacional…

Illustration in the book Sperne Voluptatem, by Bry (1614)
Emblem with motto in three languages:Latin: Sperne Voluptatem annalem ut retia vites, Quae certam noxam per niciema ereant. Lena, canes, pisces volucres Cupidia, porcus Quam multos multis implicuere modis.German (Original): Der wollust Netz vnd…

Representation of the C'est la Vie Teatro, Madrid, by Bruneau and Lourties, 2011
Adaptation: María Lourties
Staging: Javier Martínez Cifuentes
Costume Design: Asun Bernárdez and Elisa Mariscal
Original Music: Equipo Elevador
Locution: Antonio Bueno
Light Design: Víctor Blázquez González
Penitents: Quim Garreta

5 acts, 2…

Representation of the Teatro Itinerante, Santiago de Chile, 1982
Version of José Ricardo Morales
Teatro Itinerante Company
Costume design, set design, lighting and technical direction: Guillermo Ganga.
Costume making: María Teresa Cereceda
Music: Patricio Solovera
Make-up: Juan Cruz
Scene direction: Silvio…

Monk with Nun and Procuress or Martin Luther and his consort Katharina von Bora, by follower of Brueghel (1600, c.)
Original title: Mönch mit Nonne und Kupplerin oder Martin Luther mit seiner Gefährtin Katharina von Bora ("Monk with Nun and Procuress or Martin Luther and his consort Katharina von Bora").

The painting represents a young man being kissed in the…

The Matchmaker (De koppelaarster), by Bronckhorst (1636-1638).
Original title: De koppelaarster ("The Matchmaker").

Nude prostitute with client and matchmaker. Brother or Dutch school tavern scene

Cover of the Garzanti edition: Milan, 1995
Italian translation.
The image in the cover is a fragment of Goya's Paseo por Andalucía, also known as La maja y los embozados (An avenue in Andalusia, The maja and the cloaked men).

Representation in the Máscara Theater, Montevideo, 1981
Songs: Lucila Ramos Mañé Stenography: Osvaldo ReynoCostumes: Nelson Mancebo Lighting: Carlos Vecino Props: Roberto Rosas Accessories: Maria Isabel Hairdresser: Nelson Coiffeur Cast: Roberto Meneses- Calixto Eliana Pena- Melibea Pedro Corradi-…

La Celestina (Goya), by Braun-Vega (2000, c.)
Self/portrait, Goya's maja and naked young girl

The procuress, by Brakenburg (1690, c.)
Indoor scene. In the image appears a seated man holding a glass, a young woman sitting on his lap with her chest uncovered and an old woman who appears in the background with her head covered and looking at the couple. The old woman acts as a…

Celestina, by Bradipsiquia (sic) (2013)
Oil on canvas painting, inspired by a photo by another DeviantArt user, Anhen, namedScarface.

Representation of the Documentation Center for the Performing Arts of Andalusia, by Boza, 2015
Carmen Boza presents the piece Himenorrafia. Sound portrait of the character of La Celestina. Inspired by the aesthetics of Salvador Távora. Idea, adaptation and interpretation Carmen Boza. Activity within the framework of cultural programming.

House of the Twins Arias. by Botero (1973)
The painting shows a room with five young women, two men, an older woman and a child. They all appear around a bed, except for the child, which lies underneath the bed.

House of Mariduque, by Botero (1970)
The painting portrays a room where six women appear: three of them are sitting in two chairs, the remaining three are standing. One of them is drinking and another one is sweeping. A man lying behind a chair appears in the background of the painting.

Allegory of touch.jpg
In the engraving, a couple appears in a room. The young woman is on the man's lap. On the right, an old woman, who acts as a procuress, makes the bed.

Detail of Temptation of Saint Anthony, by Bosch (1501)
Fragment of the left panel of the triptych The Temptations of Saint Anthony. Note that this fragment presents various female characters, like the woman crowned with an ecclesiastical hat or the one seen through the window and the one barely…

Cover of the Cooperación Editorial.: Madrid, 2002 edition.
The cover features a fragment of a medieval illumination that depicts two lovers in a garden.

Cover of the Ediciones Escolares: Madrid, 2004 edition.
A medieval image of a woman standing beside the city gates, being welcomed by important characters (Mary and the Jews).

Representation of Teatro Condal, Barcelona, by Bonnin, 1995
Version: José Ruibal Scenography: Marcelo Grande Clothing: Marcelo Grande Lighting: Quico Gutiérrez (AAI) Production: Focus Cast: Amparo Soler Leal- Celestina Romà Sánchez- Calisto Bea Guevara- Melibea Paul Berrondo- Sempronio Xavier Ruano- Pármeno…

Image2.png
The image represents the biblical scene of the Philistines taking Samson in Delila's house. Both characters appear naked only covered by a robe. Notice the maid that appears on the left near Delilah.The maid resembles the procuress inCaravaggio's…

Representation of the San Martín Theater, Buenos Aires, by Bonet, 1994
Assistant Directors: Lito Bara and Ana Belén Saint-Jean
Fight Consulting: Hernán Martinez
Original Music: Jorge Valcarcel
Musicians on stage: Jorge Valcarcel and Luis Reales
Lighting design: Lito Pastrán and Jorgelina Flores
Setting and costume…

Celestina, a Tragic Music Comedy, by Bond, New York, 1999
Reviewed Celestinesca23.1-2 (1999)Songs (courtesy of Brad Bond)Press on the song to hear themHERE AM I In this number, Melibea is in her moonlit garden waiting for Calisto to arrive. This demo features the new orchestration accompaniment. The singer…

Representation Shades of Green, Laramie, Wyoming, 1993
Adaptation of La Celestina to the modern world, in English. This version was the departing point for the musical Celestina, a Music Tragic Comedy

Representation of Teatro Strehler, Milan, 2014
Adaptation by Michel GarneauScenography: Marco RossiClothing: Gianluca SbiccaTranslation: Davide Verga Lighting: A.J. Weissbard Sound: Hubert WestkemperMusic: Peppe Servillo e Flavio D'Ancona Make up and hairstyle: Aldo Signoretti Cast: Giovanni…

Representation of the ArtSEEDS Festival, Zwolle, Netherlands, by Bom-B Music (2014)
Instrumental show La Celestina Cast: Masha Galperina – Celestina (piano) Alberto Pérez Jurado – Calisto (tuba) Desirée Riera Cebrián – Melibea (clarinet) Iván Ortega – Sempronio (eufonio) Antonio Carrasco Álvarez – Acompañamiento (piano) Ward Meijer…

A Venetian Procuress, by Boissard (1581)
Image of three women of the sex trade in Venice, including two prostitutes and a procuress.

Other title: Prostituée bourgeoise, Noble prostituée vénitienne, Maquerelle vénitienne

Cover of Montaner y Simón, Barcelona, 1952
An image of two cherubs or cupids.

Wine Celestina, Argentina
Wine label with a young woman,. It does not seem to be relate to the literary character of Celestina, especially because it is an Argentinian wine and the Italina connection is more likely.

Capture.JPG
Wine label representing an unusual image of a Celestina with the lower part of the body like a snake coiled to a flask and raising an arrow like a spear, flanked by the words "carpe diem". Underneath, the name of the wine: La Celestina and the date…

Cover of the Anaya: Madrid, 2004 edition.
A photograph of Celestina and a male character from the theatrical performance in Teatro Esponcedra 34, Madrid, 1980

escena de burdel.jpg
Brothel scene. In the engraving the characters appear on a bed. A young woman sitting on the left, and a man lying on her lap. To the left appears an old woman who acts as a procuress. The young woman appears to be stealing from the young man's…

Calendar advertisement for Los polvos de la madre Celestina, by Blanquel (1857)
The image is probably a lithograph of a scene from the play performed at the Gran Teatro Nacional (of Mexico), of which six magic scenes are said to be included in this calendar (calendar of Los polvos de la madre Celestina) announced to be sold in…

fichacontieneenlacenglish.jpg
Illustration by the magazine Blanco y Negro in an article signed by Azorín that references a celestina from the comedyEufemia, by Lope de Rueda, that connects with the traditional Celestina only because of sorcery. The image resembles Cervantes' La…

fichacontieneenlacenglish.jpg
A press release that mentions a work titled:La Celestina, by Alberti. The image is not shown in this work. We have not been able to find the painting, nor the subsequent news about its destination.

Cover of the Torre de Goyanes: Madrid, 1998 edition.
The cover features a medieval image of two musicians or minstrels.

Representation in Portugal, by Blanco Gil, 1984
Representation directed by Xosé Manuel Blanco Gil of the Teatro Iberico in Lisboa at the Teatro Clásico in Almagro. The play was also performed in Portugal in 1984.Author: Fernando de Rojas.Stage director: Xosé Manuel Blanco GilPhotographer: Fernando…

Representation Celestina's petticoat, in León (Spain),1982
Original title: El refajo de la Celestina("Celestina's petticoat")The images belong to different representations of El refajo de la Celestina by Blanco Amor between the years 1982-1986. The 1982 performance was in León and the 1985 performance was by…

Representation Celestina's petticoat, by Blanco Amor, 1993
Original title: Un refaixo pra Celestina ("Celestina's petticoat").Representation Celestina's petticoat, 1993.Production:Centro Dramático Galego (CDG)Author: Eduardo Blanco AmorDramaturgy, direction and set design: Antonio Francisco SimónClothing:…

Representation of the UPNFM, Gracias Lempira, Honduras, 2016
Black Theater (dark version with neon lights) of La Celestina

Representation of the University of Manitoba, Winnipeg, 2017
Dramatized reading based on the translation by James Mabbe with the projection of images from Celestina Visual in the background. Produced by the French, Spanish and Italian department and the Theater Program of the English department. With the…

Cover of the Estradas: Buenos Aires edition, 1949
The cover features a modern black and red print that depicts the nocturnal scene, with Celestina in the street, Calisto jumping over the wall of the garden and Melibea welcoming him.

Ladies and students, by Bilbao Martínez (1929)
In the image three young women dressed in regional costumes appear in a park in the city of Seville (Spain). On the left are three young men looking at them. Behind the young women appears an old woman with her head covered reminiscent of Celestina…

The slave or The one that is worth, by Bilbao Martínez (1904)
Note the old procuress in the background on the left

At the Procuress, by Bijlert (1625, c.)
Original title: Koppelaarster ("At the Procuress").

Client and prostitute at the table. Matchmaker or servant in the background. Dog in foreground. Brother or tavern, Dutch school.
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