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Samson and Delilah, by Stom (1630, c.)
This painting portrays the famous biblical scene of Delilah cutting Samson's hair. Note the maid who appears on the right besides Delilah. The maid resembles the procuress inCaravaggio's Judith Beheading Holofernes(1598, c.)
Samson and Delilah, by Tintoretto (1550, c.)
This painting portrays the famous biblical scene of Delilah cutting Samson's hair, except in this picture, it is a servant cutting Samson's hair while he lies on Delilah's lap. Note the maid who appears on the left near Delilah. The maid resembles…
Samson and Delilah, by van Dyck (1618, c.)
This painting portrays the famous biblical scene of thePhilistines approachingSamson'sto cut off his hair while he lies onDelilah's lap. Note the maid who appears on the right near Delilah. The maid resembles the procuress inCaravaggio's Judith…
Samson and Delilah, by van Dyck (1628, c.)
This painting portrays the famous biblical scene of Delilah cutting Samson's hair. However, in this representation of the scene,Delilah is not cutting Samson's hair, he is being taken by soldiers with ropes whileSamson and Delilahreach out for each…
Samson and Delilah, by van Honthorst (1616, c.)
This painting portrays the famous biblical scene of Delilah cutting Samson's hair. Note the maid who appears on the left holding the candle in the scene. The maid resembles the procuress in Caravaggio's Judith Beheading Holofernes(1598, c.)
Samson Taken by the Philistines in Delilah's House, by Bonnet (1767)
The image represents the biblical scene of the Philistines taking Samson in Delila's house. Both characters appear naked only covered by a robe. Notice the maid that appears on the left near Delilah.The maid resembles the procuress inCaravaggio's…
Satyrical painting from the XIX century, anonymous. (Cuadro satírico del XIX).
A matchmaker and her pupil, who shows a leg, are surprised by a priest and a women that exit a house and are scandalized. Possible ironic reference to the priest that carries a little boy.
Scene at the door of a tavern, by Alenza (1840, c.)
In the scene, a group of people, a horse, a dog and a man playing the guitar appear at the door of a tavern. In the crowd appears a young woman with a mantilla and next to her an old woman with a covered head that resembles a procuress.
Scene with Celestina, by anonymous (1900, c.)
Calisto and Melibea appear in the scene looking at each other outside a house. Melibea looks out the window while Calisto appears outside and looking at her. In the window on the right, Celestina appears looking at Calisto and Melibea.
School of the "sisters", by anonymous (1902)
In the image appears an old man with a hat and a club and an old woman with a hat reminiscent of Celestina. They are both in front of a building that, from the joke that appears below the image, it is understood that it is a school that the old woman…
Second engraving from act 13 of Antwerp, 1574
Está copiada de laZaragoza 1545pero hay cambios notables. No existe equivalente en la reedición deAmberes 1616Sosia y Tristán hablan a la puerta sobre la ejecución de Pármeno y Sempronio mientras Calisto yace en su…
Second engraving from act 14 of Antwerp, 1574
Ejecución de Pármeno y Sempronio. A la izquierda el juez y tres personajes, uno de ellos probablemente Sosia. A la derecha la ejecución, con uno de los reos decapitados y otro siendo decapitado. Dos personajes con barba a la…
Second engraving from act I from the Augsburg edition (1520)
Conversation between Sempronio and a melancholic Calisto seated at the table where there is a lute. In his bedroom with a bed in the background.
Second engraving from act II of the Augsburg edition (1520)
Pármeno helps Calisto mount his horse to pass by Melibea's house.
Second engraving from act X of the Augsburg edition (1520)
Melibea falls unconscious in her home in front of Celestina.
Second engraving from act XII of the Augsburg edition (1520)
Two panels separated by a wall. On the right, Pármeno and Sempronio kill Celestina while Elicia cries for help. In the left margin, armed men knock on the door.
Second engraving from act XXI of the Augsburg edition (1520)
Alisa beside Melibea's dead body and Lucrecia lamenting behind. In the background, Pleberio raises his hands to the sky.
Second engraving of act XII of the Venice edition (1534)
Two sequences that simultaneously show Celestina's death, Pármeno and Sempronio jumping from the window, and their sentence by the judge.
Second engraving of act XIX of the Venice edition (1534)
Calisto, dead, is carried away by Sosia and Tristán.
Second engraving of act XX of the Venice edition (1534)
Melibea's suicide, as she throws herself from the tower while two male (Pleberio and another) and two female (Alisa and Lucrecia) characters watch.
Second illustration from act I from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Second illustration from act I from the I Toledo edition (1526)
Drop cap letter E of the first words of the play, "In this I see..." Within the letter there is a saint with a candle or a candelabra.
Second illustration from act I from the Mexico edition (1947)
Colour image of Melibea with long hair. Beneath the image can be read: "La soberana hermosura" ("The sovereign beauty").
Second illustration from act I from the Paris edition (1989)
Sempronio playing the guitar for his master.
Second illustration from act II from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 45.
Second illustration from act II from the Paris edition (1949)
Market scene, possibly an illustration of Lucrecia carrying out her domestic chores for Melibea's house. Melibea appears in La Celestina of Les Bibliophiles de France.
Second illustration from act III from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Second illustration from act III from the Paris edition (1949)
Illustration of Areúsa and Elicia (?) in Areúsa's bed talking.
Second illustration from act IV from the Barcelona edition (1967)
Generic scene of a square or a street of the times with many undefined characters. Panoramic image that covers two pages. Pages 72-73.
Second illustration from act IV from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 61.
Second illustration from act IV from the Paris edition (1949)
Claudina's death.
Second illustration from act IV from the Paris edition (1989)
Celestina speaks with Melibea.
Second illustration from act IX from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Second illustration from act IX from the Mexico edition (1947)
Drawing of a couple hugging and ascending to the top floor of Celestina's house, while Pármeno is downstairs, kneeling??
Second illustration from act IX from the Paris edition (1949)
Illustration of the meal at Celestina's house. Celestina, Areúsa and Pármeno in the foreground. In the background, Elicia and Sempronio can be seen.
Second illustration from act V from the Mexico edition (1947)
Coloured image of Sempronio hugging Elicia. Underneath can be read: "No derribes la mesa" ("Don't knock down the table").
Second illustration from act V from the Paris edition (1949)
Celestina speaks with Sempronio. In the background, Elicia and Areúsa can be observed.
Second illustration from act VI from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Second illustration from act VI from the Mexico edition (1947)
Calisto and Melibea kissing in the garden under the moon. Underneath can be read: "¡Oh mi vida y mi amor!" ("Oh my life and my love!").
Second illustration from act VI from the Paris edition (1949)
Sempronio and another servant speak at Calisto's house.
Second illustration from act VI from the Paris edition (1989)
Celestina and Pármeno (?).
Second illustration from act VII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 91.
Second illustration from act VII from the Mexico edition (1947)
Drawing of Areúsa bent over and naked.
Second illustration from act VII from the Paris edition (1949)
Claudina taking a molar from a person that has been hanged. Celestina is seen in the front.
Second illustration from act VIII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Second illustration from act VIII from the Mexico edition (1947)
Drawing of Pármeno and Sempronio speaking at the table at Celestina's house, from whose ceiling hang hams and charcuterie.
Second illustration from act VIII from the Paris edition (1949)
Sempronio and Areúsa.
Second illustration from act X from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 131.
Second illustration from act X from the Mexico edition (1947)
Colour image of Pármeno approaching Areúsa's bed. She is naked. Underneath can be read: "Que quiero ver par cuanto eres" ("I want to see how much you are worth").
Second illustration from act X from the Paris edition (1949)
Celestina visits a lovesick Melibea.
Second illustration from act X from the Paris edition (1989)
Lovesick Melibea.
Second illustration from act XI from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Second illustration from act XI from the Mexico edition (1947)
Drawing of Celestina with the Church of the Magdalena in the background and handwritten superimposed text of her words in which she desires to go to the Church of the Magdalena to meet with Calisto.
Second illustration from act XI from the Paris edition (1949)
Celestina brings Calisto Melibea's string.
Second illustration from act XI from the Paris edition (1989)
Sempronio and Calisto (?).
Second illustration from act XII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 147.
Second illustration from act XII from the Mexico edition (1947)
Calisto and Melibea, half naked, hugging in the garden, with the moon and the tree in the background.
Second illustration from act XII from the Paris edition (1949)
Lucrecia and Melibea listen to Calisto from the other side of the door.
Second illustration from act XII from the Paris edition (1989)
Calisto approaches Melibea's door.
Second illustration from act XII from the Toledo edition (1526)
Factotums of Alisa, Pleberio, Celestina, Elicia and houses. Exceptionally the names are underneath instead of above the figures.
Second illustration from act XII from the Toledo edition (1538)
Judge and two soldiers with Pármeno and Sempronio (one on the ground, the other jumping out the window) on the left side and on the right, Pármeno and Sempronio kill Celestina with swords while Elicia tears out her hair behind Celestina. Curiously…
Second illustration from act XIII from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 87.
Second illustration from act XIII from the Mexico edition (1947)
Drawing of a body covered with a sheet or a shroud that is supposedly dead Celestina.
Second illustration from act XIII from the Paris edition (1949)
Calisto's servants, Pármeno and Sempronio, are decapitated.
Second illustration from act XIII from the Toledo edition (1526)
Pármeno and Sempronio's execution with two soldiers, judge, Sosia contemplating him and executioner wearing a turban. One of the executed carries a cross in hand.
Second illustration from act XIII from the Toledo edition (1538)
Pármeno and Sempronio's execution with two soldiers, a judge, Sosia observing and an executioner wearing a turban. One of the executed has a cross in his hand.
Second illustration from act XIV from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Second illustration from act XIV from the Mexico edition (1947)
Drawing of Lucrecia playing the lute while Calisto and Melibea hug in the garden.
Second illustration from act XIV from the Paris edition (1949)
Sempronio about to stab Celestina. Pármeno stops Elicia. Calisto alludes to this murder in act XIV.
Second illustration from act XIV from the Paris edition (1989)
Melibea's mansion.
Second illustration from act XIV from the Toledo edition (1526)
Sosia and Tristán are armed in the street while Calisto goes up the staircase beside Melibea's garden, who is waiting for him inside with Lucrecia.
Second illustration from act XIV from the Toledo edition (1538)
Sosia and Tristán armed in the street while Calisto climbs the ladder to Melibea's garden. She waits for him inside with Lucrecia.
Second illustration from act XIX from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 203.
Second illustration from act XIX from the Mexico edition (1947)
Coloured image of Melibea's suicide that transforms to rose gradually as she falls.
Second illustration from act XIX from the Paris edition (1949)
Calisto and Melibea's sexual encounter.
Second illustration from act XIX from the Paris edition (1989)
Calisto's death.
Second illustration from act XV from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 173.
Second illustration from act XV from the Mexico edition (1947)
Drawing of a man (Sosia or Tristán) who with a candle in his hand illuminates a fallen corpse beside the wall who could be Calisto after his fall.
Second illustration from act XV from the Paris edition (1949)
Areúsa consoles Elicia about Celestina's death.
Second illustration from act XVI from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.
Second illustration from act XVI from the Mexico edition (1947)
Drawing of Melibea playing the lute in her bed.