Browse Items (3223 total)

Siècle d’Or La Célestine et Don Juan
Artistic collaboration of Florence Delay

Scenography: Renaud de Fontainieu
Accessories: Fanny Gamet
Costumes: Thibaut Welchlin
Lighting: Julia Grand
Sound: Laurent Dureux
Wig and makeup: Claire…

Translation: Juliusz Gomulicki
Adaptation: Marcel Achard
Scenography and costumes: Władysław Daszewski
Music: Tomasz Kiesewetter
Choreography: Jadwiga Hryniewiecka
Master: Edward Wejman
Assistant director: Ludwik René

Cast:
Józef…

A client is distracted by a prostitute while the matchmaker hands a bag of money to another servant. In the tradition of the fools of the Narrenschiff, a fool with a hood at the window identifies the client as such.

Other title: Schule der…

Original title: Der Narrenkäfig ("The Fools' Cage").

A matchmaker has locked a group of fools in a cage. Among other words in German, she says: "When I was young, I was a whore/Now I am a matchmaker and I need this shipment" and other words…

Portrait of an alleged ancestor of Roderick Usher in Vincent Price's movie adaptation of Poe's The Fall of the House of Usher (1960). The painting seems to be inspired by Picasso's famous Celestina of 1903. Schonberg meet Picasso in Paris and seem to…

The engraving shows a young couple looking at each other, while an old woman with a turban on her head appears in the middle of the two and looking at the young woman. From the title of the engraving it is understood that the old woman acts as a…

French translation. The cover of the French translation published by Fayard (Paris, 2006) reproduces part of the young woman in Marietta Robusti's Venetian Woman (c. 1560) (In…

Pen, India ink and wash

Courtship scene that closely recalls some of the covers and illustrations of the first page of contemporary editions of Celestina. Policiano playing the guitar or lute is the main departure from the model.

The group Segundo Acto (Second act) is formed of Silvio Rivas (Father), Francisco Gabriel Martín (Calixto), Inma Molina (Melibea), Lorenzo Guerrero (Sempronio), Mari Carmen Díaz (Celestina), Emerencia Alabarce (Elicia), José Francisco Villoslada…

Translation of the adaptation: Zvone Šedlbauer 
Translator: Niko Košir 
Assistant director: Matjaž Šmalc 
Playwright assistant: Samanta Kobal 
Playwright: Miha Trefalt 
Scenography: Vojteh Ravnikar 
Scenography assistant: Tanja…

This image represents the biblical scene where Salome receives the severed head of Saint John the Baptist. Other people are represented in the painting, such as another young woman next to Salome, an elder woman holding the head and on the left a…

Ilustration "Get out of there..." in Celestinesca by José Segrelles of the encounter and confrontation between Calisto y Melibea at the beggining of the novel. Act I from the Valencia edition (1946). In Celestinesca Vol. 7, Num 2, p. 34.

Illustration of Celestina speaks to Melibea about Calisto in Celestinesca by José Segrelles from the Castalia edition, 1946. Celestinesca Vol. 7, Num. 2, Pa. 10.

Celestina and Melibea. Illustration from act X by José Segrelles in Celestinesca, Vol. 8 Num. 2.

Celestina and Areúsa. Illustration from act VII in Celestinesca, Vol. 9 Num. 1. Made by José Segrelles.

Calisto and Celestina. Illustration from act VI in Celestinesca, Vol 9. Num 1. Made by José Segrelles.

Sempronio and Pármeno. Illustration from act VIII by José Segrelles in Celestinesca Vol 9, Num 1.

Sempronio, Pármeno, Elicia, Celestina, Areusa and Lucrecia. Illustration from act IX in Celestinesca Vol 9, Num 1, made by José Segrelles.

Celestina assassinated. Illustration from act XII in Celestinesca Vol 9, Num 1, made by José Segrelles.

Sempronio and Calisto. Illustration from act II in Celestinesca Vol 9, Num 1, made by José Segrelles.

Illustration of Pleberio and Alisa together, in Celestinesca, Vol 13, Num 2. Made by José Segrelles.

Illustration of Calisto, Tristán and Sosia in Celestinesca Vol 13, Num 1, of Calisto with both his servants, possibly receiving news of Pármeno and Sempronio's deaths. Made by José Segrelles.

Melibea's death. Illustration from act XX, Melibea's death, made by José Segrelles, in Celestinesca vol 9, num 2.

Illustration in Celestinesca from act XVIII made by José Segrelles. Vol 16 Num 2.

Sketch of Celestina, where the procuress appears with her head covered and looking at the viewer.

Sketches of various scenes and characters in the play, including a pair of sketches of the procuress, both with her head covered, one where the procuress looks at the viewer and the other where she looks to her right. At the bottom there are sketches…

Sketch of Celestina, where the procuress appears with her head covered and a rosary in her hand.

It is the same image used in the illustred edition:Valencia, 1946, for act XII

A black background with a colourful and semi-abstract representation of Celestina. A line, representing the thread she sells, forms loops and knots, referencing the way she ties her victims up into her schemes. She clutches the money bag in her right…

Illustration of a work by José Segrelles, contained in the edition of Pedro Bohigas.

Theatrical Adaptation: Estudio Xente Nova
Instituto Concepción Arenal
Direction Assistant: Eleonor Curto
Electricity and Video-Alejandro Rey
Lighting- Sonia Serrano and Jaime Castro
Sound and Special Effects- Paloma Medina
Poster and Program…

Engraving, but the image here is from a picture.
Notice the marks of the knives on Celestina's body

Representation directed by Mariano de Paco Serrano, Secuencia 3 Artes y Comunicación.
Version: Eduardo Galán.
Direction: Mariano de Paco Serrano.
Scenography: David Deloaysa.
Clothing: Maika Chamorro.
Music: Tomás Marco.
Lighting: Pedro…

Original title: La Concierge (La Maquerelle - La Bonne) ("The Concierge (The procuress - The housemaid)").

In the image appears an old woman with her head covered. From the title it is understood that she is a procuress.

Fictional cover of La Repulsiva Celestina ("The Repulsive Celestine") by Fernando de Rojas, prepared by Seventinain insuperhero style.In the image appears a woman dressed in black, with a cape, skirt and stockings and with blue hair that represents…

A cubist depiction - possibly by Picasso - of a naked woman and a matchmaker, framed in a black as is typical of the collection.

History and analysis of the text.
The image is a fragment from Velázquez's work: Vieja friendo huevos (Old woman frying eggs)

Original title: Zavraždění svaté Celestiny, kuplířky z města Salamanky (Assassination of Saint Celestina, procuresses of the city of Salamanca)

Dramaturgy: Jana Pithartová
Scenography: Miloň Kališ jh
Costumes: Tomáš Kypta jh
Music: Jiří…

Original title: Zavraždění svaté Celestiny, kuplířky z města Salamanky (Assassination of Saint Celestina, procuresses of the city of Salamanca)

Cast:
Vladislav Rotta- Sempronio

La Barraca de Pergamino Theater group

Cast:
Melina Antuña – Melibea
Álvaro Repetto – Calisto
Pamela Lombari – Celestina

According to the museum's description, a procuress tries to recruit a poor girl by promising her a life of luxury. Meanwhile, a potential client waits at the door.

Other title: Искушение

The images are pages from the book Tales of a Parrot ("Tuti-nama"), a series of folktales of Persian origin written by Shravana in 1560, c. in Mughal India, court of Akbar. The first image is from the seventeenth night titled "The old procuress…

Performance directed by Alejandro Sieveking for the Montecarmelo Center, starring Bélgica Castro in Santiago de Chile.Cast:Bélgica Castro (Celestina)Jéssica Vera (Melibea)Mauricio Torres (Calisto)Ramón Carcher (Sempronio)Mónica Jaramillo…

Representation of La Celestina 1905. Circus tragicomedy of Calisto and Melibea (La Celestina 1905. Tragicomedia Circense de Calisto y Melibea), Menecmos company for the ‘El Moscardón’ Amateur Theater Contest, organized by the Department of Culture at…

Original title: Segunda comedia de Celestina ("Second Comedy of La Celestina").

Cover of the Consolación Baranda edition. Letras Hispánicas collection nº 284.
Showing Celestina "resurrected".

Original title: Segunda comedia de Celestina ("Second Comedy of La Celestina").

Cover by Alberto Corazón. Madrid : Ciencia Nueva, D. L. 1968.
Illustration of two young lovers which recalls various cover pages of La Celestina of the era.

A facsimile of the 1955 edition.

English translation.

A drawing of the face of an old woman against a blue background.

A young couple sit outside. The young man takes the young woman's hand as he puts his hand to his heart. At the door of the house, an old woman looks at them.

Arabic translation.

Original title of the representation: Celestina, puta vieja ("Celestina, old whore")Production: Sojoproduce Poster Photo: Salomé Sagüillo Costumes: Tocado y Hundido Collaboration: Evonhe Hairdresser and Beauty CenterCast: Silvia Vivó-…

Translation:Niko Košir Scenography: Dorijan Sokolić Clothing:Ingrid Begović Cast: Borut Alujevič– Pármeno Marjan Bačko- Pleberio Sonja Blaž- Melibea Zvone Funda– Centurio Franci Gabrovšek- Tristán Ivo Leskovec- Sosia Irena Mihelič– Celestina's…

An illustration, as if for a juvenile audience, of a young woman beside a lattice and, in the foreground, of an old woman with her head covered.

Hidden behind the door, a procuress or old woman watches the interaction of the couple. We can assume that she is calculating the amount of money she can get out of the boy to obtain the girl's favors.

Obra que puede interpretarse como parte de la tradición celestinesca a pesar del título

A young woman covers her torso with a fan while smiling and looking to the left. On the left, an old woman smiling looking in the same direction as the young woman.

Painting of the Classic Period.

A young woman in the center of the work with a fan. On the right an old woman. On the left two young men, one of them looking at the young woman.

Original title: "Trata de blancas" ("White Slave Trade").

A group of young women on their way to a brothel, under the vigilance of a procuress. Social denunciation.

Adaptation: Milan Calábek

Original title: Zavraždění svaté Celestiny, kuplířky z města Salamanky (Assassination of Saint Celestina, procuresses of the city of Salamanca)

Celestina entre palos Flamenco show presented at the "L'Espagne des Trois Cultures" Festival organized by Horizontes del Sur, the Center Edmond Fleg and the Espace Julien.

Copy of the Toledo, 1526, coloured. Ticket worth 200 pesetas from February 9, 1974 to celebrate Valentine's Day.

Stamp worth 35 pesetas with blue monochromatic image of Celestina in the foreground with objects from her laboratory. Artist without feature in the background.

Representation of Alfonso Sastre's version of La Celestina.Storia di amore e di magia con qualche citazione dalla famosa tragicommedia di Calisto e Melibea.Performance at the Teatro Argentina, Rome, Italy. Premiere April 26, 1979.

Comedia de Calisto y Melibea Oxford (UK), Taylorian Institute Library Taylorian TAY Main Libr MICR.1267 Paris (Fr), Bibliothèque nationale de France RES-YG-63 Record inUTSC

Brothel scene. A young man on the lap of a young woman, while another young woman hands an object to an elderly woman. The old woman acts as a procuress for the young women. A couple of men in the background playing music instruments.

Despite the biblical theme, it is treated as a genre scene in which a young woman welcomes a procuress with a missive.

In the picture appears a young woman in the hands of a young man playing a flute. On the right, an old man and an old woman acting as her procuress. Description from Christie's webpage: "The other motive of this painting, that of the Procuress, the…

Dutch art. Tradition of brothel painting representing a client paying a procuress while a woman lies on a bed.

The painting represents a room with various characters. Two children, a dog eating on a table, a pig by the door, a girl at the back of the room, a woman sitting sleeping, a man looking at the girl and playing a violin, an old woman talking to a man…

The same cover as the Sevilla, 1523 edition.This is an illustrated edition, with 21 illustrations that can be seen by clicking here: Venecia, 1534.

Factotums of buildings, Lucrecia, Celestina, Alisa and Melibea.

Celestina, Melibea, Lucrecia, Calisto, Sempronio and a dog. Falcon and horse. Celestina holding her rosary and Calisto the chain and falcon. Note the detail of the horse's testicles that can be seen from behind.

Factotums of buildings, Calisto, Pármeno, Sempronio and Celestina.

Factotums of Calisto, Celestina, Pármeno and Sempronio.

Factotums of Celestina, Pármeno, Areúsa, Elicia and buildings.

Factotums of Calisto, Sempronio, Pármeno and Areúsa.

Factotums of Sempronio, Pármeno, Celestina, Lucrecia and Areúsa.

Factotums of Melibea, Celestina, Lucrecia and Alisa.

Factotums of Calisto, Celestina, Pármeno, Sempronio and Elicia.

Factotums of Pleberio, Alisa, Celestina and Alicia.

Two sequences that simultaneously show Celestina's death, Pármeno and Sempronio jumping from the window, and their sentence by the judge.

Pármeno and Sempronio's execution.

Calisto scaling Melibea's garden wall accompanied by Sosia and Tristán. Melibea and Lucrecia wait inside. The same image is used later in act XIX.

Factotums of houses, Elicia, Centurio, Areúsa and a tree.