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Promotional photochrome

A new love triangle: Miguel Ángel Gael Parra, a suitor of Melibea's (Emmanuel Palomares), Melibea Fuentes Cordero (Josette Vidal) and Calixto Sánchez Peláez (Lasso).

Promotional photochrome

Melibea Fuentes Cordero (Josette Vidal) and Calixto Sánchez Peláez (Lasso).

Promotional photochrome

Celeste Rojas (Nacarid Escalona), Pleberio Fuentes, Melibea's father (Guillermo Pérez), Alina Cordero de Fuentes, Melibea's mother (Emma Rabbe).

Promotional posterNacer contigo(2012)

From left to right: Miguel Ángel, Calixto, Melibea, Alina, Pleberio, Celeste, and Caín.

Representation of La Celestina, tragicomedy, by Escalera de Tijera, Extremadura, 2019

From the company webpage: SYNOPSIS "Divertida adaptación de La Celestina en clave de clown. Donde se entremezcla el circo y el teatro. Tres actores reinterpretarán, a su manera, la clásica historia de Calisto y Melibea. Contaran las miserias, vilezas…

Illustration of act XXI from the Barcelona edition (1883)

Melibea lies dead after throwing herself from the tower (p. 294). Vignette.

Third illustration of act XIX from the Barcelona edition (1883)

Melibea laments the death of Calisto seated on a bench in the garden (p. 284).

Second illustration of act XIX from the Barcelona edition (1883)

Lucrecia spying on the lovers from behind the vegetation (p. 281).

First illustration of act XIX from the Barcelona edition (1883)

Calisto climbing the wall of the garden of Melibea, the moon in the sky (p. 277).

Second illustration of act XVIII from the Barcelona edition (1883)

Vignette of the end of the chapter with two separate scenes: two birds, one in a fallen nest and an adult bird looking on from the tree (p. 273).

First illustration of act XVIII from the Barcelona edition (1883)

Centurio speaks with Elicia and Areúsa in her house (p. 270).

Illustration of act XVI from the Barcelona edition (1883)

Pleberio and Alisa speak about the convenience of marrying off Melibea (p. 256).

Second illustration of act XIV from the Barcelona edition (1883)

Cat playing with a ball of wool (p. 240).

First illustration of act XIV from the Barcelona edition (1883)

Calisto holds Melibea's hand on a bench in the garden (p. 237).

Second illustration of act XIII from the Barcelona edition (1883)

Vignette of the end of the chapter, with a small dead bird (p. 234).

First illustration of act XIII from the Barcelona edition (1883)

Herald proclaiming the deaths of Pármeno and Sempronio (p. 231). Vignette.

Third illustration of act XII from the Barcelona edition (1883)

The death of Celestina at the hands of Pármeno and Sempronio with Elicia present (p. 225).

Second illustration of act XII from the Barcelona edition (1883)

Melibea answers Calisto next to the garden gate, from inside (p. 210).

First illustration of act XII from the Barcelona edition (1883)

Calisto talks to Melibea through the door while Pármeno and Sempronio stand guard (p. 208).

Illustration of act XI from the Barcelona edition (1883)

Calisto hands over the chain to Celestina while Pármeno and Sempronio whisper to each other (p. 198).

Illustration of act X from the Barcelona edition (1883)

Melibea collapsed in her chair and Celestina taking her pulse (p. 189). Vignette.

Second illustration of act IX from the Barcelona edition (1883)

Vignette of a heart wounded by an arrow (p. 180).

First illustration of act IX from the Barcelona edition (1883)

The banquet in Celestina's house (p. 171). She is standing with the jug of wine in hand.

Second illustration of act VIII from the Barcelona edition (1883)

Pármeno and Sempronio comment on the situation of their master, who is in bed thinking about love (p. 160). Vignette with black background.

First illustration of act VIII from the Barcelona edition (1883)

Pármeno sees and greets Sempronio from afar (p. 155).

Second illustration of act VII from the Barcelona edition (1883)

Celestina descends the stairs leaving Pármeno and Areúsa in bed (p. 149).

First illustration of act VII from the Barcelona edition (1883)

Celestina goes to the bed in which Areúsa is lying (p. 143).

Third illustration of act VI from the Barcelona edition (1883)

Calisto embraces the cord (p. 131).

Second illustration of act VI from the Barcelona edition (1883)

Calisto takes the cord from Celestina's hands (p. 125).

First illustration of act VI from the Barcelona edition (1883)

Calisto receives Celestina at his house, who reasons before handing over the cord. Decoration of weapons and urns (p. 114).

Illustration of act V from the Barcelona edition (1883)

Calisto and Pármeno at the window watching Celestina near the house with the cord (we do not see Celestina) (p. 111).

Third illustration of act IV from the Barcelona edition (1883)

Melibea hands over her cord to Celestina (p. 103). The scene takes place in the garden.

Second illustration of act IV from the Barcelona edition (1883)

Celestina's first visit to Melibea's house, who stands angrily from her chair and reproaches her for her business there (p. 97).

First illustration of act IV from the Barcelona edition (1883)

A somewhat contemporary image of the devil as an illustration of Celestina's words a few lines before "Por aquí anda el diablo" ("Here walks the devil") (p. 90.).

Second illustration of act III from the Barcelona edition (1883)

Celestina performing her spell in her house in front of the fire (p. 83).

First illustration of act III from the Barcelona edition (1883)

Vignette with a portrait of a woman, supposedly Elicia (p. 81).

Illustration of act II from the Barcelona edition (1883)

Calisto leaving his house on horseback, and Pármeno, cursing him in the background (p. 73).

Fourth illustration of act I from the Barcelona edition (1883)

Pármeno and Calisto descending the staircase while Celestina and Sempronio, not included in the image, wait for them below (p. 52).

Third illustration of act I from the Barcelona edition (1883)

Sempronio and Celestina arrive at the door of Calisto's house (p. 46). He is knocking on the door.

Second illustration of act I from the Barcelona edition (1883)

Sempronio's discussion with Celestina and Elicia about whether there were noises coming from the floor above (p. 43). The three characters, and a staircase in the background. Sempronio and Celestina argue behind, Elicia appears to be crying or…

First illustration of act I from the Barcelona edition (1883)

Melibea in the garden, in the opening scene of the work (p. 36). Alone in the vegetation, with long plaits and a wall in the background.

Representation of the Teatro El Salvador, San Salvador, by Escalante, 2016

Teatro El Salvador y Asociados
Lead: Mario Vásquez

Illustration from act XXI from the Paris edition (1989)

The celestinesca city.

Illustration from act XX from the Paris edition (1989)

Melibea's death.

Second illustration from act XIX from the Paris edition (1989)

Calisto's death.

First illustration from act XIX from the Paris edition (1989)

Lucrecia and Melibea.

Illustration from act XVIII from the Paris edition (1989)

The pact with Centurio.

Second illustration from act XIV from the Paris edition (1989)

Melibea's mansion.

First illustration from act XIV from the Paris edition (1989)

Lucrecia and Melibea in the garden.

Fourth illustration from act XII from the Paris edition (1989)

Celestina's death.

Third illustration from act XII from the Paris edition (1989)

Pármeno and Sempronio.

Second illustration from act XII from the Paris edition (1989)

Calisto approaches Melibea's door.

First illustration from act XII from the Paris edition (1989)

Sempronio and Pármeno accompanying their master Calisto.

Second illustration from act XI from the Paris edition (1989)

Sempronio and Calisto (?).

First illustration from act XI from the Paris edition (1989)

Calisto waiting for news from Celestina.

Second illustration from act X from the Paris edition (1989)

Lovesick Melibea.

First illustration from act X from the Paris edition (1989)

Melibea and Celestina.

Illustration from act IX from the Paris edition (1989)

Dinner at Celestina's house.

Illustration from act VIII from the Paris edition (1989)

Celestina and Areúsa.

Second illustration from act VI from the Paris edition (1989)

Celestina and Pármeno (?).

First illustration from act VI from the Paris edition (1989)

Pármeno and Sempronio.

Illustration from act V from the Paris edition (1989)

Sempronio and Celestina.

Second illustration from act IV from the Paris edition (1989)

Celestina speaks with Melibea.

First illustration from act IV from the Paris edition (1989)

Alisa and her page.

Illustration from act III from the Paris edition (1989)

Celestina walking towards Melibea's house.

Illustration from act II from the Paris edition (1989)

Pármeno and Calisto riding his horse.

Fifth illustration from act I from the Paris edition (1989)

Calisto gives Celestina 100 gold coins.

Fourth illustration from act I from the Paris edition (1989)

Celestina's spell (this illustration corresponds to Rojas' act III).

Third illustration from act I from the Paris edition (1989)

Celestina and Sempronio.

Second illustration from act I from the Paris edition (1989)

Sempronio playing the guitar for his master.

First illustration from act I from the Paris edition (1989)

Calisto and Melibea's first encounter.

Cover of the Losada edition: Buenos Aires, 1967

Cover of the Losada: Buenos Aires edition, 1967

This cover features a drawing of a woman with her head covered. It is drawn in blue tones and appears to be inspired by certain cubist styles.

Eclogue of Placida and Vitoriano, by Encina (1518, c.)

Eclogue of Plácida and Vitoriano, by Juan del Encina (1518.c)

Same illustration used for the argument opening Fadrique de Basilea's Burgos 1499 edition of the Comedia de Calisto y Melibea.

Other title: Egloga nueuame[n]te trobada por juan d[e]l enzina : En la qual se introduzen dos enamorados llamada ella…

Photograph of La Celestina, by Emotional Books (2017)

Fotografía de La Celestina, de Emotional Books (2017)

Emotional books is a proyect that joins literature and photography through the staging of the selected play.

La Celestina, by EminaAcqua (sic) (2009)

Representation of the Olimpia Theater, Villa del Río, Cordoba, by EMAEJ (2013)

Celestina ComedyParody of La Celestina by Fernando de Rojas Theatrical performance at the event Entre monólogos anda el juego ("Between monologues and the game") 2013 “Las Carvas” Carnival AssociationLighting and Sound: Jose Mantas "Pote" Jesús…

Representation of the Fiesta Corral Cervantes, Madrid, by Elías, 2020

ARTISTIC TEAM Author: Fernando de Rojas Dramaturgical adaptation: Antonio Campos Direction and scenic space: Lluís Elías Company: Albacity Corporation Production: Albacity en colaboración con la Fundación Siglo de Oro Lighting: Fernando Martínez…