An illustration which comes from an edition translated to Russian of various picaresque novels, among them: La Celestina, Lazarillo de Tormes, El Buscón, El diablo cojuelo, and La garduña de Sevilla y anzuelo de las bolsas.
Generic image of a woman. Note that she does not have her hair covered nor any identifiable accessory typical of a procuress. She has something unidentifiable on her waste.Transcription of the passage of the procuresses, fromCervantes…
Celestina, Sempronio, Elicia, Areúsa and Pármeno eating. Illustration of act IX made by Dodie Masterman for the Folio Society, London, also shown in Celestinesca, Vol 20, Num 1 & 2.…
Emblem with motto in three languages:Latin: Sperne Voluptatem annalem ut retia vites, Quae certam noxam per niciema ereant. Lena, canes, pisces volucres Cupidia, porcus Quam multos multis implicuere modis.German (Original): Der wollust Netz vnd…
Courtship scene that closely recalls some of the covers and illustrations of the first page of contemporary editions of Celestina. Policiano playing the guitar or lute is the main departure from the model.
Calisto and Melibea are in the walled garden on the left. Celestina is carrying the rosary, string and a cane knocking on a door and a young woman (Lucrecia) leans out of the window to see who is knocking.
Celestina walking surrounded by mythological beings. Note Picasso's influence on the minotaur, Melibea in the background and garden with trees that remind us of the cypresses from the cementery.
Calisto and Melibea are in the walled garden on the left. Celestina is carrying the rosary, the string and a walking stick while knocking on a door and a young woman (Lucrecia) appears at the window to see who is knocking.
Illustration of a painting, El palco de Celestina, by E. Santasugsana, contained in the Pedro Bohigas edition.See also attached front and back of an advertising reproduction of 1947
Factotums of a tower, Pleberio, Lucrecia and Melibea. Above the tower appear the words "de la torre abajo." This image changes in order and attribution of the characters of the equivalent image in the Toledo edition (1526).
Pleberio cries before Melibea's body. In the background, Lucrecia, Sosia and Tristán look downcast (possibly a fragment from Calisto's death). Page 206.
Factotums of Sosia, Tristán, Calisto, Melibea and Lucrecia. In the Toledo edition (1526) the first character on the left is Tristán and he has a different image.
Areúsa coaxes Calisto's plans out of Sosia while Elicia listens. There are three female characters, one of which seems to not fit with the scene. Page 184.
Illustration of Calisto, Tristán and Sosia in Celestinesca Vol 13, Num 1, of Calisto with both his servants, possibly receiving news of Pármeno and Sempronio's deaths. Made by José Segrelles.