Browse Items (3223 total)

The same image as used in act XV, now to represent Elicia helping Areúsa to make peace with Centurio.

Areúsa in her house receiving Sosia, while Elicia listens hidden. Bed and stairs in the background.

Lucrecia and Melibea, on a cushion, on the other side of a door listen to the conversation between Pleberio and Alisa, who are sitting in another room.

Elicia and Areúsa plot their revenge against Calisto with Centurio, shown with a sword. In the background, a bed and stairs. This image is used again in act XVIII.

Calisto climbing a ladder while Melibea and Lucrecia watch from two arches. On the right, Sosia and Tristán stand guard outside. The same image is repeated again in act XIX.

Pármeno and Sempronio's execution. On the left, the judge and three people, one of which is probably Sosia. On the right, the execution, one of the defendants already decapitated and the other being decapitated. Two people with beards on the right.…

Sosia and Tristán talk in the doorway about the execution of Pármeno and Sempronio while Calisto lies in his bed.

Pármeno and Sempronio kill Celestina, who is on the floor, while Elicia watches horrified.

While Pármeno and Sempronio, well armed, stand watch, Calisto speaks with Lucrecia and Melibea, who are not represented, through the garden door.

Celestina is accompanied by Pármeno and Sempronio, in the street. Calisto on his knees in the church of the Magdalen.

Two consecutive scenes. On the left, Celestina, holding the rosary, arrives at Melibea's house with Lucrecia. On the right, inside the house, Celestina talks with Melibea while sitting on the dais, and Alisa enters through the door.

The banquet scene in Celestina's house with Pármeno, Sempronio, Elisa y Areúsa. Outside Lucrecia knocking on the door. Celestina drinking and a cat or dog with a bone in front of the table.

Double scene. On the right, Pármeno has awoken to go to his master's house after spending the night with Areúsa. On the left, the following scene is of the encounter and agreement between Pármeno and Sempronio.

On the left, Celestina speaking with Pármeno. On the right, the following scene of him lying with Areúsa.

At Calisto's house, Celestina is speaks with him, while Sempronio and Pármeno talk amongst themselves apart from them. A background with columns and arches.

Sempronio and Celestina arrive at Calisto's house. He speaks with Pármeno, while seated inside. A bed in the background.

Celestina in Melibea's house, and she, with Lucrecia on a dais, while Alisa leaves with the messenger who has come to call on her. A pet next to one of the women.

Sempronio, accompanied by Celestina, arrives at her house, where Elicia is inside, occupied with a task. Oustide, in the background, a crenellated wall with trees behind.

Three men in a street speaking, while a woman watches them from the window. It is unclear which scene of the work is referenced here because the image is so generic.

Three scenes separated by columns. The first is of a couple talking inside a building, the woman seated on a dais, which is thought to be in some way representative of Calisto and Melibea's first meeting. The second is a man that seems melancholic,…

Very elaborate variant of the composite model taken fromValencia (1514)andSevilla (1523).Illustrated edition with 26 engravings (plus cover) that can be seen by clicking here:Zaragoza (1545).

Drawing in a literary journal by Cecilio Plá.

A series of 103 slides published on the website: www. slideshare.net of the user Liss Rodriguez. It shows a theatrical performance of La Celestina captured in slides. Probably part of a secondary school project.

Factotums of Alisa and Pleberio that are the same used previously for Melibea and Sempronio.

The only image in the book that is not made up of factotums. It shows a man with a cane or staff and a crossed belt with bells and a woman in front of a building. The woman is showing a typical gesture of refusal or surprise, with her palm raised.…

Factotums of Sosia and Tristán that reuse the images of Pármeno and Sempronio.

Factotums of Areúsa and Centurio that reuse the images of Melibea and Calisto.

Factotums of Areúsa and Elicia with images previously used for Melibea and Celestina.

Factotums of Pleberio and Alisa that use the images of Pármeno and Celestina from previous acts.

Factotums of Areúsa and Elicia are images previously used for Melibea and Celestina respectively.

Factotums of Melibea and Calisto identical to the ones used in act I.

Factotum of Sosia, the same used for Pármeno in act VII and the following acts, and of Calisto, which is used in previous acts.

Factotums of Calisto, the same as previous acts, and of Lucrecia, the image used for her is the same as the one used in act IV for Celestina.

Factotums of Celestina and Calisto, the same used in previous acts.

Factotums of Celestina and Melibea used in previous acts.

Factotums of Pármeno and Sempronio already used in previous acts.

Factotums of Pármeno, same as the previous act, and of Areúsa, the same used in act I for Melibea.

Factotum of Pármeno as a youth with a sword, and of Celestina, the same as the cover and other acts.

Factotum of Celestina not used in any of the previous acts, and of Calisto, the same used in act I.

The same factotums of Celestina and Sempronio used in act II.

Factotum of Lucrecia (actually the same image used in act I for Melibea) and of Celestina who is shown as a woman with a flower in hand.

Factotums of Celestina --the same as on the cover-- and of Sempronio, the same as in act II.

The same engraving of the factotum of Celestina that appears on the cover and in many other acts. Factotum of Sempronio shows a young man whose dress seems to be that of a gentleman rather than a servant. This same image is repeated in other acts.

Two factotums of Calisto and Melibea with their names written in the borders in black ink. Rocky scenery behind Melibea and Calisto holding a rod or cane and wearing rounded toe shoes.

A factotum of an older woman with a rosary or beads tucked into her belt and with the name Celestine in red in a border.

Celestina convinces or cajoles a young woman, likely Melibea, although in theory it could be Areúsa, in her bedroom. Bed in the background. "Vetula cauda scorpionis" is written in Latin (an old woman, like the tail of a scorpion).

The same illustration as act I. Above, the names Sosia, Tristanico, Calisto, Melibea, Lucrecia, Sosia (repeated)

The same illustration as act IV. Above, the names of Elicia, Areúsa, Sosia, Elicia (repeated)

The same illustration as act I. Above, the names Pleberio, Alisa, Lucrecia, Melibea, Pleberio.

The same illustration as act IV.

The same illustration as act I. Above, the names Melibea, Lucrecia, Sosia, Tristanico, Calisto, Melibea (repeated)

The same illustration as act IV. Above, the names Calisto, Tristanico, Sosia, Celestina.

The same illustration as act I. Above, the names Calisto, Sempronio, Pármeno, Lucrecia, Melibea, Pleberio, Alisa, Celestina, Elicia, Calisto (repeated)

The same illustration as act I. Above are the names Celestina, Sempronio, Calisto, Pármeno, Elicia, Celestina (repeated)

The same illustration as act IV. Above the names Melibea, Celestina, Lucrecia, Elisa, Melibea (repeated).

The same illustration of act I. Written above are the names Sempronio, Pármeno, Elicia, Celestina, Areusa, Lucrecia, Sempronio (repeated).

The same illustration as act IV, written above are the names Pármeno, Areúsa, Sempronio, Calisto, Pármeno (repeated).

The same illustration as act I. The names Celestina, Pármeno, Areúsa, Elicia, Celestina (repeated) written above the figures.

The same illustration as act IV. The names Calisto, Celestina, Pármeno, Sempronio, Calisto. Note the repetition of the name Calisto.

The same generic illustration from act IV. Written above are the names Celestina, Sempronio, Calisto, Pármeno, Celestina. Note that the name Celestina is repeated.

Two young men on one side, an old woman or celestina in the middle and a young man on the left making a supplicating gesture. Porticoes in the background. Written over the figures are the names Celestina, Lucrecia, Elisa, Melibea, which clearly do…

A couple, woman and man, talking, while another group of five people, all young men with the exception of an old woman who can be interpreted as a celestina appear to argue over a spyglass in order to spy on the couple on the left. Portico…

An artistic project in the form of comics by the user Cuenta.Cuentos on the site: www.desmotivaciones.es.

A blue, white and yellow depiction of a castle, suggestive of a watercolour drawing. Superimposed on this outline is the looming figure of Celestina, which occupies the majority of the foreground. Within the shape of her figure, a couple (Calisto…

Frontispiece framed with two images, one upper and one lower, which respectively illustrate Callisto accessing the garden of Melibea with the ladder and their servants removing his corpse after the deadly fall. These same scenes appear later in the…

Corresponds to Celestina's spell in act III

Production: Secuencia 3 Artes y Comunicación Adaptation: Eduardo Galán Scenography and ligthing: Carmen Martínez Figurines and costume design: Vicente Soler Sound: Manuel Llada Poster photography: Jorge Zorrila Management: Luis Galán Graphic design:…

Company: Las Nueve Menos Cuarto
Genre: Drama
Approximate duration: 1 h. 45 min.

Cast:
Pilar García- Celestina
Bini Saiz- Calisto
Marta Martínez- Melibea
Frutos Martínez- Sempronio
Cristóbal Martínez- Pármeno
Xandra Lemolt- Elicia
Carmen…

Tragedia fantástica de la gitana Celestina ("Fantastic tragedy of the gypsy Celestina") Author: Alfonso Sastre. Co-production of the Centre Dramàtic de la Generalitat and the Grupo de Acción Teatral (GAT), from l'HospitaletMusic: Teresa FloLighting:…

Amor de Calixto y Melibea… y la puta Celestina ("Love of Calixto and Melibea ... and the whore Celestina") Comedy turning into shamFree adaptationMéxico Dramaturgy and direction: Enrique Cancio Production: Estela Lucio Cañandonga…

La Celestina: Tragicomedia de Calixto y Melibea ("La Celestina: Tragicomedy of Calixto and Melibea")

UNAPEC Theater group
Duration: 90 min.

Cast:
Lidia Ariza- Celestina
Bryan Payano- Calisto
Jisell Sanchez- Melibea
Félix Melián- Pármeno
Javé Javier- Sempronio
Aleja Jhonson- Elicia

Representation of La Celestina, tragicomedia de Calisto y Melibea ("La Celestina, tragicomedy of Calisto and Melibea") directed by Gustavo Meza at the Teatro del Ángel (Chile).Adaptation in 4 acts: José Ricardo MoralesCreative team:Costumes-…

Adaptation and assembly:
Isabel González
Experimental company of the Orfeó Maonès

Cast:
Darakth Teixidor González -Calisto
Cristina Pons Van Walré- Melibea
Toñi Rivera – Celestina
María Cubas -Elicia
Bárbara Delgado -Areúsa
Jaume Font…

Adaptation: Carmelo Bernaola
Production: Royal Theater
Choreography: Ramón Oller
Scenography and costumes: Montse Amenós
Illumination: Albert Faura
Makeup: Liliana Pereña and Carlos Montosa
Costume making: Ana Lacoma
Serigraphy: Concha…

Tristán and Sosia recover Calisto's fallen corpse from in front of the garden wall. Different from the previous illustration, Calisto does not have a beard. Two fortified towers on the sides of the canvas of the garden wall. Not shown, are Melibea or…

Two armed servants stand guard while Calisto climbs the ladder to enter the garden where Melibea and Lucrecia wait, one of them has her hand to her breast. Note the fortified tower that tops the wall of the garden. Calisto and one of his servants…

The same image from act XX: Scene of Melibea's suicide falling from the tower in the center. On the left, an unidentified man, Pleberio, with arms outstretched accompanied by another unidentified man. In the right margin, two female characters…

Scene of Melibea's suicide while falling from the tower in the center. On the left, an unidentified man, Pleberio has his arms outstretched, accompanied by another unidentified man. In the right margin, two female characters lament the event. Above…