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Duration: 1h 40 min. Production: Teatro Zampanó Assistant: José Ángel Navarro Music: Toni Mádigan Scenography: Javier Roselló Lightning: José Miguel López Sáez Clothing: María Luisa Engel Recording: Mariano Díaz Graphic design: Gara Koan Clothing:…

Complete program

New adaptation of La Celestina titled: Tragicomedia ante el espejo (Tragicomedy in front of the mirror)Dramaturgy by Luis María García

105 years after it was written, Antoni Ros Marbá presents two scenes from Felipe Pedrell's opera:La Celestina: tragicomedia lírica de Calisto y Melibea en cuatro actos ("La Celestina: lyrical tragicomedy of Calisto and Melibea in four acts").Symphony…

Five factoums and above the names of Calisto, Melibea, Sempronio, Celestina, Elicia, Crito and Pármeno. Celestina holding the rosary and Sempronio reaching for his sword as if to threaten Celestina, who is at his side. All the masculine characters…

Factotums of houses and four masculine characters. Written above are the names Calisto, Pármeno and Sempronio. The factotums' placement implies that the characters are interacting two by two. Three are bearded.

Factotums of a tree, Sempronio, Celestina, Elicia and houses. All previously used and Elicia's is used for Melibea. Sempronio looking as though he is threatening Celestina.

Factotums of houses, Celestina, Lucrecia, Alisa and Melibea.

Factotums of houses, Celestina, Sempronio, Pármeno and Calisto.

Factotums of a tree, Calisto, Celestina, Pármeno and Sempronio.

Factotums of houses, Celestina, Pármeno, Areúsa and Elicia. The factotums of Areúsa and Elicia are the ones used earlier for Alisa and Melibea respectively.

Factotums of houses, Pármeno, Areúsa (used earlier for Melibea), Sempronio and Calisto. Sempronio's image is new and shows a character gesturing with his index finger.

Factotums of Sempronio, Pármeno, Celestina, Elicia, Areúsa and Lucrecia.

Factotums of houses, Melibea, Lucrecia, Celestina and Alisa.

Factotums of houses, Melibea, Lucrecia, Celestina and Alisa.

Six factotums and above the names of Calisto, Sempronio, Pármeno, Lucrecia, Melibea and Pleberio. On the second line, the other characters' names in the act (Alisa, Celestina, Elicia).

Pármeno and Sempronio's execution scene. One of them is already executed by beheading and the other has his hand raised. Next to them are the executioner and two characters, one is armed. The post in the middle of the image divides it in two and has…

Factotums of Melibea, Lucrecia (image used previously for Melibea), Sosia, Tristán and Calisto.

Factotums of a tree, Areúsa, Centurio, Elicia and houses.

Six factotums and five names: Pleberio, Alisa, Melibea and Lucrecia. One of which is clearly Celestina but is not indicated as such. Both Melibea and Alisa are wearing a girdle around their waists.

Factotums of houses, Elicia, Areúsa, Sosia and a tree. Sosia with a black face, printed in negative.

Factotums of houses, Elicia, Centurio, Areúsa and a tree.

Scene of Sosia and Tristán carrying the body of the fallen Calisto. Above are written the names of Sosia, Tristán, Calisto, Melibea and Lucrecia, although the last two are not seen in the image.

Scene of Melibea's suicide while falling from the tower in the center. On the left, an unidentified man, Pleberio has his arms outstretched, accompanied by another unidentified man. In the right margin, two female characters lament the event. Above…

The same image from act XX: Scene of Melibea's suicide falling from the tower in the center. On the left, an unidentified man, Pleberio, with arms outstretched accompanied by another unidentified man. In the right margin, two female characters…

Two armed servants stand guard while Calisto climbs the ladder to enter the garden where Melibea and Lucrecia wait, one of them has her hand to her breast. Note the fortified tower that tops the wall of the garden. Calisto and one of his servants…

Tristán and Sosia recover Calisto's fallen corpse from in front of the garden wall. Different from the previous illustration, Calisto does not have a beard. Two fortified towers on the sides of the canvas of the garden wall. Not shown, are Melibea or…

Adaptation: Carmelo Bernaola
Production: Royal Theater
Choreography: Ramón Oller
Scenography and costumes: Montse Amenós
Illumination: Albert Faura
Makeup: Liliana Pereña and Carlos Montosa
Costume making: Ana Lacoma
Serigraphy: Concha…

Adaptation and assembly:
Isabel González
Experimental company of the Orfeó Maonès

Cast:
Darakth Teixidor González -Calisto
Cristina Pons Van Walré- Melibea
Toñi Rivera – Celestina
María Cubas -Elicia
Bárbara Delgado -Areúsa
Jaume Font…

Representation of La Celestina, tragicomedia de Calisto y Melibea ("La Celestina, tragicomedy of Calisto and Melibea") directed by Gustavo Meza at the Teatro del Ángel (Chile).Adaptation in 4 acts: José Ricardo MoralesCreative team:Costumes-…

UNAPEC Theater group
Duration: 90 min.

Cast:
Lidia Ariza- Celestina
Bryan Payano- Calisto
Jisell Sanchez- Melibea
Félix Melián- Pármeno
Javé Javier- Sempronio
Aleja Jhonson- Elicia

La Celestina: Tragicomedia de Calixto y Melibea ("La Celestina: Tragicomedy of Calixto and Melibea")

Amor de Calixto y Melibea… y la puta Celestina ("Love of Calixto and Melibea ... and the whore Celestina") Comedy turning into shamFree adaptationMéxico Dramaturgy and direction: Enrique Cancio Production: Estela Lucio Cañandonga…

Tragedia fantástica de la gitana Celestina ("Fantastic tragedy of the gypsy Celestina") Author: Alfonso Sastre. Co-production of the Centre Dramàtic de la Generalitat and the Grupo de Acción Teatral (GAT), from l'HospitaletMusic: Teresa FloLighting:…

Company: Las Nueve Menos Cuarto
Genre: Drama
Approximate duration: 1 h. 45 min.

Cast:
Pilar García- Celestina
Bini Saiz- Calisto
Marta Martínez- Melibea
Frutos Martínez- Sempronio
Cristóbal Martínez- Pármeno
Xandra Lemolt- Elicia
Carmen…

Production: Secuencia 3 Artes y Comunicación Adaptation: Eduardo Galán Scenography and ligthing: Carmen Martínez Figurines and costume design: Vicente Soler Sound: Manuel Llada Poster photography: Jorge Zorrila Management: Luis Galán Graphic design:…

Corresponds to Celestina's spell in act III

Frontispiece framed with two images, one upper and one lower, which respectively illustrate Callisto accessing the garden of Melibea with the ladder and their servants removing his corpse after the deadly fall. These same scenes appear later in the…

A blue, white and yellow depiction of a castle, suggestive of a watercolour drawing. Superimposed on this outline is the looming figure of Celestina, which occupies the majority of the foreground. Within the shape of her figure, a couple (Calisto…

An artistic project in the form of comics by the user Cuenta.Cuentos on the site: www.desmotivaciones.es.

A couple, woman and man, talking, while another group of five people, all young men with the exception of an old woman who can be interpreted as a celestina appear to argue over a spyglass in order to spy on the couple on the left. Portico…

Two young men on one side, an old woman or celestina in the middle and a young man on the left making a supplicating gesture. Porticoes in the background. Written over the figures are the names Celestina, Lucrecia, Elisa, Melibea, which clearly do…

The same generic illustration from act IV. Written above are the names Celestina, Sempronio, Calisto, Pármeno, Celestina. Note that the name Celestina is repeated.

The same illustration as act IV. The names Calisto, Celestina, Pármeno, Sempronio, Calisto. Note the repetition of the name Calisto.

The same illustration as act I. The names Celestina, Pármeno, Areúsa, Elicia, Celestina (repeated) written above the figures.

The same illustration as act IV, written above are the names Pármeno, Areúsa, Sempronio, Calisto, Pármeno (repeated).

The same illustration of act I. Written above are the names Sempronio, Pármeno, Elicia, Celestina, Areusa, Lucrecia, Sempronio (repeated).

The same illustration as act IV. Above the names Melibea, Celestina, Lucrecia, Elisa, Melibea (repeated).

The same illustration as act I. Above are the names Celestina, Sempronio, Calisto, Pármeno, Elicia, Celestina (repeated)

The same illustration as act I. Above, the names Calisto, Sempronio, Pármeno, Lucrecia, Melibea, Pleberio, Alisa, Celestina, Elicia, Calisto (repeated)

The same illustration as act IV. Above, the names Calisto, Tristanico, Sosia, Celestina.

The same illustration as act I. Above, the names Melibea, Lucrecia, Sosia, Tristanico, Calisto, Melibea (repeated)

The same illustration as act IV.

The same illustration as act I. Above, the names Pleberio, Alisa, Lucrecia, Melibea, Pleberio.

The same illustration as act IV. Above, the names of Elicia, Areúsa, Sosia, Elicia (repeated)

The same illustration as act I. Above, the names Sosia, Tristanico, Calisto, Melibea, Lucrecia, Sosia (repeated)

Celestina convinces or cajoles a young woman, likely Melibea, although in theory it could be Areúsa, in her bedroom. Bed in the background. "Vetula cauda scorpionis" is written in Latin (an old woman, like the tail of a scorpion).

A factotum of an older woman with a rosary or beads tucked into her belt and with the name Celestine in red in a border.

Two factotums of Calisto and Melibea with their names written in the borders in black ink. Rocky scenery behind Melibea and Calisto holding a rod or cane and wearing rounded toe shoes.

The same engraving of the factotum of Celestina that appears on the cover and in many other acts. Factotum of Sempronio shows a young man whose dress seems to be that of a gentleman rather than a servant. This same image is repeated in other acts.

Factotums of Celestina --the same as on the cover-- and of Sempronio, the same as in act II.

Factotum of Lucrecia (actually the same image used in act I for Melibea) and of Celestina who is shown as a woman with a flower in hand.

The same factotums of Celestina and Sempronio used in act II.

Factotum of Celestina not used in any of the previous acts, and of Calisto, the same used in act I.

Factotum of Pármeno as a youth with a sword, and of Celestina, the same as the cover and other acts.

Factotums of Pármeno, same as the previous act, and of Areúsa, the same used in act I for Melibea.

Factotums of Pármeno and Sempronio already used in previous acts.

Factotums of Celestina and Melibea used in previous acts.

Factotums of Celestina and Calisto, the same used in previous acts.

Factotums of Calisto, the same as previous acts, and of Lucrecia, the image used for her is the same as the one used in act IV for Celestina.

Factotum of Sosia, the same used for Pármeno in act VII and the following acts, and of Calisto, which is used in previous acts.

Factotums of Melibea and Calisto identical to the ones used in act I.

Factotums of Areúsa and Elicia are images previously used for Melibea and Celestina respectively.

Factotums of Pleberio and Alisa that use the images of Pármeno and Celestina from previous acts.

Factotums of Areúsa and Elicia with images previously used for Melibea and Celestina.

Factotums of Areúsa and Centurio that reuse the images of Melibea and Calisto.

Factotums of Sosia and Tristán that reuse the images of Pármeno and Sempronio.

The only image in the book that is not made up of factotums. It shows a man with a cane or staff and a crossed belt with bells and a woman in front of a building. The woman is showing a typical gesture of refusal or surprise, with her palm raised.…

Factotums of Alisa and Pleberio that are the same used previously for Melibea and Sempronio.

A series of 103 slides published on the website: www. slideshare.net of the user Liss Rodriguez. It shows a theatrical performance of La Celestina captured in slides. Probably part of a secondary school project.

Drawing in a literary journal by Cecilio Plá.