Browse Items (3223 total)
Sort by:
Celestinesque character in the film version of the zarzuela La Trapera, by Larra y Ossorio (1925, c.)
A character identified as Celestina tries to corrupt the heroine. The actress who plays Celestina is Dolores Fora.
Engraving of the English procuress Elizabeth Creswell, by Laroon (1675)
Also known as Mother Creswell and Madam Cresswell of Clerkenwell, she was one of the most famous and successful brothel prostitutes and regents in seventeenth-century England. Written below in French and Italian her profession of procuress: "" Une…
The Quarrel, by Lameyer (1850 c.)
Oil on canvas. A gypsy man and woman quarrel while an old woman is sitting next to them. The old woman is not normally seen as a procuress, but it is possible to see her as such
Courtesan and Procuress, by Lama (1720 c. )
Young woman and procuress talking
Oil on canvass, 20 1/2 x 25 3/4 inches (52 x 65.5 cm)
Oil on canvass, 20 1/2 x 25 3/4 inches (52 x 65.5 cm)
Third illustration from act XXI from the Paris edition (1949)
Illustration of the end of the work. The lovers' faces and their names carved in stone.
Second illustration from act XXI from the Paris edition (1949)
Illustration of Melibea's funeral procession.
First illustration from act XXI from the Paris edition (1949)
Some women pray for Melibea's soul.
Second illustration from act XX from the Paris edition (1949)
Pleberio and Alisa lament their daughter's death.
First illustration from act XX from the Paris edition (1949)
Melibea's suicide.
Second illustration from act XIX from the Paris edition (1949)
Calisto and Melibea's sexual encounter.
First illustration from act XIX from the Paris edition (1949)
Calisto and Melibea's nighttime encounter.
Third illustration from act XVIII from the Paris edition (1949)
Illustration of Centurio.
Second illustration from act XVIII from the Paris edition (1949)
Illustration of the sunset in the medieval city.
First illustration from act XVIII from the Paris edition (1949)
Calisto and his servants on route to Melibea's house.
Second illustration from act XVII from the Paris edition (1949)
Entrance to the city of La Celestina.
First illustration from act XVII from the Paris edition (1949)
Areúsa, Sosia and Elicia.
Second illustration from act XVI from the Paris edition (1949)
Melibea and Lucrecia (?) outside the main door of Pleberio's house.
First illustration from act XVI from the Paris edition (1949)
Pleberio and Alisa speak about Melibea's future.
Second illustration from act XV from the Paris edition (1949)
Areúsa consoles Elicia about Celestina's death.
First illustration from act XV from the Paris edition (1949)
Centurio and Areúsa.
Second illustration from act XIV from the Paris edition (1949)
Sempronio about to stab Celestina. Pármeno stops Elicia. Calisto alludes to this murder in act XIV.
Third illustration from act XIII from the Paris edition (1949)
Sempronio and Pármeno's death spoken about by the townspeople.
Second illustration from act XIII from the Paris edition (1949)
Calisto's servants, Pármeno and Sempronio, are decapitated.
First illustration from act XIII from the Paris edition (1949)
The town crier announces the decapitation of Calisto's servants.
Fifth illustration from act XII from the Paris edition (1949)
Sempronio falls from a window after killing Celestina.
Fourth illustration from act XII from the Paris edition (1949)
Celestina awakens to receive Sempronio and Pármeno who are looking for their part of the winnings.
Third illustration from act XII from the Paris edition (1949)
Calisto converses with Melibea who is on the other side of the door.
Second illustration from act XII from the Paris edition (1949)
Lucrecia and Melibea listen to Calisto from the other side of the door.
First illustration from act XII from the Paris edition (1949)
Pármeno and Sempronio prepare themselves to leave for Melibea's house.
Second illustration from act XI from the Paris edition (1949)
Celestina brings Calisto Melibea's string.
First illustration from act XI from the Paris edition (1949)
Celestina leaves Melibea's house.
Second illustration from act X from the Paris edition (1949)
Celestina visits a lovesick Melibea.
First illustration from act X from the Paris edition (1949)
Lucrecia and Celestina walk towards Melibea's house.
Fourth illustration from act IX from the Paris edition (1949)
One of Celestina's prostitutes with a client in the procuress' younger years.
Third illustration from act IX from the Paris edition (1949)
The younger years of Celestina's house. Reminds us of act IX.
Second illustration from act IX from the Paris edition (1949)
Illustration of the meal at Celestina's house. Celestina, Areúsa and Pármeno in the foreground. In the background, Elicia and Sempronio can be seen.
First illustration from act IX from the Paris edition (1949)
Pármeno and Sempronio on route to Celestina's house.
Third illustration from act VII from the Paris edition (1949)
Celestina introduces Areúsa to Pármeno.
Second illustration from act VII from the Paris edition (1949)
Claudina taking a molar from a person that has been hanged. Celestina is seen in the front.
First illustration from act VII from the Paris edition (1949)
Celestina and Claudina in a field of hanged people.
Third illustration from act VI from the Paris edition (1949)
Illustration from act VI when Celestina tells Calisto what she did at Melibea's house.
Second illustration from act VI from the Paris edition (1949)
Sempronio and another servant speak at Calisto's house.
First illustration from act VI from the Paris edition (1949)
Celestina brings Calisto news about Melibea. Pármeno can also be observed calming down his master's dog.
Third illustration from act V from the Paris edition (1949)
The medieval city at sunset.
Second illustration from act V from the Paris edition (1949)
Celestina speaks with Sempronio. In the background, Elicia and Areúsa can be observed.
First illustration from act V from the Paris edition (1949)
Celestina walks through the city market.
Fifth illustration from act IV from the Paris edition (1949)
Celestina leaves Melibea's house.
Fourth illustration from act IV from the Paris edition (1949)
Melibea insults Celestina.
Third illustration from act IV from the Paris edition (1949)
Celestina takes the string to Melibea's house. Melibea is inside embroidering with Lucrecia.
Second illustration from act IV from the Paris edition (1949)
Claudina's death.
Third illustration from act II from the Paris edition (1949)
Calisto leaves on horseback. Pármeno can be seen behind.
First illustration from act I from the Paris edition (1949)
Illustration of Celestina and a young man, perhaps Sempronio or Calisto, walking outside, with the city in the background as a symbol of the young rich men.
Third illustration from act I from the Paris edition (1949)
Illustration that corresponds to the episode where Celestina brings Sempronio to her house so he can have sexual relations with Elicia and another client hidden in the background.
Fourth illustration from act I from the Paris edition (1949)
An illustration of Celestina undressing a young woman who is hiding her eyes, before two men, in the Les Bibliophiles de France version.
Fifth illustration from act I from the Paris edition (1949)
Illustration from the edition Les Bibliophiles de France, made by Maurice Lalau.
Sixth illustration from act I from the Paris edition (1949)
A couple that looks like Sempronio and Elicia having sexual relations while Celestina faces the fire while cooking or perhaps preparing her spell for the string.
First illustration from act II from the Paris edition (1949)
Calisto descending some stairs with one of his servants, behind them a chair and a book are left abandoned in the courtyard.
Second illustration from act II from the Paris edition (1949)
Market scene, possibly an illustration of Lucrecia carrying out her domestic chores for Melibea's house. Melibea appears in La Celestina of Les Bibliophiles de France.
First illustration from act III from the Paris edition (1949)
Celestina walking down the street to meet Calisto. Two beggars can be seen on the corner, perhaps as a reference to the previous victims of Celestina's plotting.
Second illustration from act III from the Paris edition (1949)
Illustration of Areúsa and Elicia (?) in Areúsa's bed talking.
Third illustration from act III from the Paris edition (1949)
Illustration of Celestina's spell when she calls upon the devil to help her with tricking Melibea with the string.
First illustration from act IV from the Paris edition (1949)
Celestina travelling through what appears to be Melibea's garden with the goal of selling her the string.
Second illustration from act VIII from the Paris edition (1949)
Sempronio and Areúsa.
Third illustration from act VIII from the Paris edition (1949)
Calisto speaking with Sempronio.
Fourth illustration from act VIII from the Paris edition (1949)
Illustration that appears in the first volume of La Celestina of Les Bibliophiles de France. It seems to refer to Sempronio and Pármeno conspiring against Calisto. Some images come from ebay.fr and others from googlebooks.com.
Illustration of the lovers' dinner from the Paris edition (1949)
Illustration by Maurice Lalau, made as part of the Les Bibliophiles de France edition.
First illustration from act XIV from the Paris edition (1949)
Illustration by Maurice Lalau, made for the French edition of La Celestina, of Les Bibliophiles de France.
Illustration of Celestina's dinner from the Paris edition (1949)
Illustration from the French edition from Les Bibliophiles de France, illustrations by Maurice Lalau for the edition. One illustration also appears in Celestinesca.
The procuress, by Lago (1984)
In the image appear a couple of women with her torsos naked. A man appears in front of them and looking at them. A couple of men appear to the right also looking at the women.
Cover of the Ediciones B. edition: Barcelona, 1996
The cover image is the image from the film poster of Vera's cinematic version.
Representation of the Fidel Méndez Auditorium, Acapulco, 2014
Cast: Jonathan, Alvarado, Lisa Waska, Luis Arturo Salazar, Juan Luis Altamirano, Yadira Vázquez, Alejandra Romero, Rebeca García, Carla Serrano, Adrián Becerril, Diego Jiménez, Alan Flores and Ximena Rosete.
Representation of the Celestina Festival, la Puebla de Montalbán, 2016
Adaptation by María Elena Diardes and Luis María García
Representation of the underground Theatre in the Celestina Festival, la Puebla de Montalbán, 2012
Entre pícaros, alcahuetas y enamorados ("Among rascals, procuresses and lovers")
Representation of the Celestina Festival, la Puebla de Montalbán, 2012
El pacto de Centurio ("Centurio's Pact")
Representation of the underground Theatre in the Celestina Festival, la Puebla de Montalbán, 2011
CelestineosSketches of scenes from La Celestina
Representation of the Festival de La Celestina, La Puebla de Montalbán, 2009
The images of Terele Pávez representing Celestina in the first scene of La Celestina by La Recua Teatro at the La Celestina Festival held in La Puebla de Montalbán (Toledo) in 2009.
La Celestina comic, school work, by La Milagrosa Ikastetxea school (2018)
La Celestina comic, school work made by: Maite Cuesta, Mikel Morales, María Saiz, Judith Asenjo in Language and literature by the La Milagrosa Ikastetxea school.
Logo of La Celestina Studio, México (2018)
The logo of this graphic design company contains a capital C from which two crossed female legs come out with red flat shoes. On the left, the name of the company "La Celestina". The C in the logo is a reference to her name and the female legs can…
Pleberio and Alisa, by L'Hoir (1943)
Fourth image of the introduction, of Pleberio and Alisa, of the Paris edition (1943)Adaptation by Paul Achard. Another illustration in the series by Maurice Hoir, presented in CelestinescaVol. 23, Num. 1 & 2, p. 160.