Browse Items (3223 total)

From left to right: Miguel Ángel, Calixto, Melibea, Alina, Pleberio, Celeste, and Caín.

A composite scene of Celestina knocking on the door holding the thread, Lucrecia at the window, Calisto and Melibea in the garden, a horse and a woman. Low quality image the seems to have been inspired by the cover page of the Valencia edition (1514)…

Factotum of Celestina with her rosary.

Factotum of Melibea.

Factotums of Calisto and Melibea, possibly the encounter in the garden.

Two factotums of an old and a younger man and above the names Calisto, Pármeno and Sempronio.

Two factotums, man and woman, and above the names of Sempronio, Celestina and Elicia. The first factotum is the one used in act I for Calisto. The second has her head covered and the rosary so she must be Celestina.

Two factotums of women and above the names Celestina, Lucrecia, Alisa and Melibea. The first, an old woman, covered with something in hand, this could be Celestina, although the image is not the same as the one used in the previous act for this…

Celestina and Sempronio approach the door of Calisto's house, where he is speaking with Pármeno. This image is used again in acts XI and XVI.

An image without meaning in this act due to its seeming representation of act XVIII, where it is reused there appropriately, where Melibea and Lucrecia listen while Pleberio and Alisa speak about the possible marriage of their daughter. Above the…

Scene in two frames of the visit of Pármeno and Celestina to Areúsa. On the left hand part the first two are speaking and in the right hand part the following scene of Pármeno lying with Areúsa. Above are written the names of Celestina, Pármeno,…

This scene does not appear to have anything to do with the action in this act. If it represents anything it would be Melibea's suicide although there are many characters. Additionally, in act XX a different image is used for Melibea's suicide.

Banquet scene at Celestina's house with five characters, two men and three women. It does not appear to show a banquet but rather a meeting. Above are the names of Sempronio, Pármeno, Celestina, Elicia, Areúsa and Lucrecia.

Two factotums of women, representing Melibea and Celestina. Above, the names Melibea, Alisa, Celestina, Lucrecia are written.

The same image used in act V to show the visit of Celestina and Sempronio to Calisto's house, who is speaking with Pármeno. Written above is Celestina, Sempronio, Calisto and Pármeno. Used again in act XVI.

While Melibea and Lucrecia wait on the crenelated garden wall, Calisto climbs the ladder and Pármeno and Sempronio keep watch.

Pármeno and Sempronio kill Celestina.

The execution of Pármeno and Sempronio with an executioner and two male characters as witnesses.

The same image used in act XII, now for Calisto's visit to Melibea's garden with Sosia and Tristán.

Centurio between Areúsa and Elicia.

Scene already used in acts V and XI but here it doesn't seem to have any relation with the events in the act.

Factotums of an unidentified man and woman, probably representing Areúsa and Sosia's encounter, although these factotums have been used previously for other characters.

Melibea and Lucrecia listen behind the door while Pleberio and Alicia discuss the marriage of their daughter.

Sosia and Tristán transport Calisto's body, after falling from the ladder.

Melibea throws herself from the tower while two women watch. Note the absence of the character of Pleberio.

This drawing represents the Russian folk legend of Vasilissa, a young woman, and a witch. The original story does not contain any Celestinesque references. However, Vania Zouravliov's work introduces elements of the visual tradition of La Celestina.…

A couple in bed while an older woman acting as a procuress sits at the foot of the bed counting coins.

A young woman sits with a book in her hands. Two musicians around her play the harp and the double bass. Behind the young woman, an old woman.

Original title: Musicerend gezelschap

A pair of lovers in a border with Cupid in the middle firing an arrow.

A multi-colored depiction of the characters. They are all somewhat abstract, resulting in no clear or obvious identification of any of the characters, including the iconic Celestina.

The cover contains three fragments of three acts from the old Valencia edition (1514)in yellow on an orange background:the engraving of act I,the engraving of act IVandthe engraving of act XXI.

A red quill or feather against a blue background, in reference to the author and the act of writing.

A black and yellow dust jacket with a drawing of a ladder propped against a wall. The image references Calisto's visit to Melibea in the fourteenth act.

Manuscript illustration for the chapter on lust. See explanation in German in attached file.

The cover is a partial reproduction of the engraving of act XII from the old Valencia edition (1514).

Author: Fernando de Rojas Adaptation/version: Luis García Montero Direction and scenography: Joaquín Vida Figurines: Vitorio y Luquino Lighting design: Carlos Moreno Costumes: Victorio y Luchino Cast: Nati Mistral, Paco Morales, Eva García (in…

In the image appears an old woman with her head covered and a man dressed as a fray. The woman represents Celestina or a procuress.

Portrait of an old woman.

A young woman leaning out on a balcony and accompanied by an old woman.

Other title: Jeune femme au balcon

A man in a hood talks to an old woman.

A drawing of a single figure wearing a hat over what appears to be a veil, in what is most likely a depiction of Celestina.

ELENCO
baile Shoji kojima
Cristian Lozano
Tamara López
Pablo Fraile
Francisco Morgado
Ángel Sánchez Fariña

Ballet Shoji Kojima Flamenco:
Chiharu Okano, Kanako Maeda, Ayumi Yanagiya
Harumitsu Seki, Tomoya Matsuda
Satoyo Kamata, Etsuko…

A room with a table with a red tablecloth. On the left, a young woman near a man and next to her an old woman who seems to act like a procuress.

19th century engraving from a History of Prostitution, By P. L. Jacobs, 1885.

The shadow of Celestina, Calisto and Melibea

A red version of an older (white) cover that depicts Celestina approaching a house. The image is a reproduction of a section of the title page engraving from the Valencia edition (1514). Two figures can be seen in the garden, and two others in the…

Parece recorder a la serie de prositutas en el balcón de Goya, aunque parece falta la alcahueta vieja