Browse Items (3223 total)

Adaptation by Karl Mickel

Calisto and MelibeaLibretto: Edwin HonigMusic: Jerome RosenDepartment of Dramatic Art & Music

Romanian translation. The image in the cover is a reproduction of the cover of the Rome edition (1520, c.).

The comic strip in the second image reproduces The Kidnapping of the Sabine Woman. In the first image, which is a fragment of the comic strip, you can see an old woman and in the description she is referred to as Celestina. It is this figure that…

Drawing by Cecilio Pla, contained in the edition by Pedro Bohigas.

Recreation by the painter and illustrator of Galdós' character Gloria from the work of the same name published in 1876. Note the presence of the old women with a celestinesque appearance in the church in this work in which the heroine falls in love…

Drawing in a literary journal by Cecilio Plá.

The image shows five figures; in the center, an old woman with her head covered following the celestinesque tradition, on the right a young couple, and on the left two women with habits. The trio can represent the typical triangle of prostitute,…

American Art Company

Cast: Marina Salvarezza, Mirella Tironi, Jose Sanchez, Hugo Aviles, Rafael de la Vera, Maribel Solines, Ruth Coello among others.

A sepia drawing of a very old woman.

This is the same as the Venecia, 1519 and Venecia, 1531 editions. Please see the description there.

A pair of lovers in a border with Cupid in the middle firing an arrow.

"La Celestina, tragicomedia de Lita"

Free version by Julieta Daga and David Piccotto of the work by Fernando de Rojas.
Direction: David Piccotto.
Costume and set designer: Santiago Pérez.
Lighting designer: Lilian Mendizábal.
Original music:…

German translation with the 66 illustrations by Picasso of the Suite 347. For a detailed description see the following article by: Gustav Siebenmann, "Una versión alemana de Celestina," Celestinesca (1991): 67-70See also the related items at the…

This blue period drawing by Picasso portrays an old woman in the center covered with a cape and looking at the viewer. In the background there are a young woman on her left and a man on her right.

Notice the old woman in the corner at the back of the picture.

Full title/ Other titles: Le harem, Nus roses, Figures roses

Portrait of an old woman.

Full title/ Other titles: La Célestine (Carlota Valdivia), La femme à la taie

Celestina can be seen as a weaver, one of the six trades she practices. On the left side, there is a young woman that brings her bread and possibly oil and wine in the amphora that she carries on her head.

Two lovers in a local brothel with late 19th century set. In the background one can see Celestina, the old procuress who accentuates the scene with her inquisitive gaze. SignedP. Ruiz Picasso-in the bottom right-hand corner.Contribution of the…

A man on the left looks at a naked young woman holding a flower and lying on the right. An old woman appears in the center of the engraving, probably acting as a procuress.

Full title: Suite 347 L249 (Femme blonde à la fleur IV)

La Celestina illustrated by Pablo Picasso, Planeta, 2007

Luxury limited edition which reproduces Picasso's 66 engravings for Suite 347. The reproduced text is that of Valencia 1514. Each engraving is reproduced at 140% of its original size.
See…

66 engravings (click here to view) of the Suite or Series 347 indirectly inspired by La Celestina, although they do not represent any particular episode of the work. These engravings form part of a portfolio titled La Celestina within the Series 347…

Fernando de Rojas, The Célestine, Editions de l'Atelier Crommelynck, Paris, 1971. French language edition from the Pierre Heugas translation, with 66 engravings from Suite 347 by Picasso. This is the first edition to include these engravings. Limited…

"Night scene in interior, with Apollo, in the guise of the old woman Eurynome, caressing Leucothoe's chin; in ornate frame, with heads of Diana and Apollo, printed from a separate plate" (Description from The British Museum, London, UK,…

Three figures appear in the drawing, a man with a mustache and elegant clothing, a young woman and an old woman with a mustache and her head covered. The young woman represents the city of Barcelona, the old woman represents the procuress Celestina…

Representation directed by Cristina Pezzoli for the Quirino Theater in Rome. Clippings of theater reviews with actors and parts of the stage.

Elicia (Maria Ariis) and Areúsa (Beatrice Visibelli) push Calisto (Sergio Albelli) and Melibea (Pia Lanciotti) off a ladder.

Elicia (Maria Ariis), Sicario (Adriano Mottola) and Areúsa (Beatrice Visibelli) meet outside Melibea's house.

Lucrezia (Elena Carloni) and Melibea (Pia Lanciotti) await the arrival of Calisto.

Elicia (Maria Ariis) becomes the new Celestina. She and her cousin Areúsa (Beatrice Visibelli) plan their revenge against Calisto and Melibea.

Pármeno (Peppino Mazzotta) and Sempronio's death (Daniele Griggio).

Pármeno (Peppino Mazzotta) gives the final blow to Celestina (Isa Danieli)

Calisto (Sergio Albelli) puts his gold chain on Celestina (Isa Danieli).

Dinner at Celestina's house. From left to right: Elicia (Maria Ariis), Sempronio (Daniele Griggio), Celestina (Isa Danieli), Areúsa (Beatrice Visibelli) and Pármeno (Peppino Mazzotta).

Celestina (Isa Danieli) brings news to Calisto (Sergio Albelli) of his loved one. Pármeno (Peppino Mazzotta) is on the left and Sempronio (Daniele Griggio) on the right.

Celestina (Isa Danieli) visits Melibea (Pia Lanciotti). Behind is Lucrezia (Elena Carloni)

Celestina's Spell (Isa Danieli)

Calisto (Sergio Albelli) pays Celestina (Isa Danieli) for her services.

Celestina (Isa Daniele) and Sempronio (Daniele Griggio) they are greeted by Pármeno (Peppino Mazzotta).

Calisto (Sergio Albelli) tells Sempronio (Daniele Griggio) about his lovesickness.

Presentation of the television version of Pezzoli.
Melibea (Pia Lanciotti) walks through her garden.

Dramatized reading of act IV, 17 September 2017 in Centro Cultural El Foco, Tlacotalpan 16, CDMX, as part of the 6° Encuentro de Lectura en Voz Alta. Counting with four readers.

Lucrecia: Musa Georgina Galindo Orihuela.
Alisa: Aline Yazharit…

This is a commentary of the text.

Sempronio, (and Pármeno?)Acrylic painting inspired on Calisto's servant.

Calisto (Juan Diego Botto) and Melibea (Penélope Cruz)

Representation "Celestina Infernal" ("Infernal Celestina"), puppets for adults. Cáceres Theater Festival.At the Corsario Theater, Plaza De Las Veletas, CáceresFrom Thursday, 06/17/2021 to Friday, 06/18/2021Teatro Corsario show co-produced by: Teatro…

Comic by the young (15 years old) Murcian illustrator Alejandro Peña Sáez, who would later become a cartoonist and artist. It is a black and white adventure comic in a combination of medieval and western settings in the type of Mortadelo and Filemón…

Scenography: Lakis Genethlis
Costumes: Miranda Theodoridou
Lighting: George Lazoglou
Music: Helen Lomvardou
Song: Soprano Penelope KARAOLI Prokopios
Choreography: Eva Papageorgopoulos
UPPER THROSKO Productions

Greek and Cypriot cast:
Helena…

Other title: Le jardin de Melibée.

Translated transcription from the PDF, courtesy of the Museum of Fine Arts of Asturias, Spain.

"In the painting that concerns us now, the character of La Celestina appears to the right of the composition, with her bad arts she is addressing…

Celestina, carrying the spool of thread, is knocking at the door of Pleberio's hourse; Melibea and Calisto (with the falcon) are talking. Trees and building in the background.

Tristán and Sosia recover Calisto's fallen corpse from in front of the garden wall. Different from the previous illustration, Calisto does not have a beard. Two fortified towers on the sides of the canvas of the garden wall. Not shown, are Melibea or…

Two armed servants stand guard while Calisto climbs the ladder to enter the garden where Melibea and Lucrecia wait, one of them has her hand to her breast. Note the fortified tower that tops the wall of the garden. Calisto and one of his servants…

The same image from act XX: Scene of Melibea's suicide falling from the tower in the center. On the left, an unidentified man, Pleberio, with arms outstretched accompanied by another unidentified man. In the right margin, two female characters…

Scene of Melibea's suicide while falling from the tower in the center. On the left, an unidentified man, Pleberio has his arms outstretched, accompanied by another unidentified man. In the right margin, two female characters lament the event. Above…

Scene of Sosia and Tristán carrying the body of the fallen Calisto. Above are written the names of Sosia, Tristán, Calisto, Melibea and Lucrecia, although the last two are not seen in the image.

Factotums of houses, Elicia, Centurio, Areúsa and a tree.

Factotums of houses, Elicia, Areúsa, Sosia and a tree. Sosia with a black face, printed in negative.

Six factotums and five names: Pleberio, Alisa, Melibea and Lucrecia. One of which is clearly Celestina but is not indicated as such. Both Melibea and Alisa are wearing a girdle around their waists.

Factotums of a tree, Areúsa, Centurio, Elicia and houses.

Factotums of Melibea, Lucrecia (image used previously for Melibea), Sosia, Tristán and Calisto.

Pármeno and Sempronio's execution scene. One of them is already executed by beheading and the other has his hand raised. Next to them are the executioner and two characters, one is armed. The post in the middle of the image divides it in two and has…

Six factotums and above the names of Calisto, Sempronio, Pármeno, Lucrecia, Melibea and Pleberio. On the second line, the other characters' names in the act (Alisa, Celestina, Elicia).