Browse Items (3223 total)

Engraving from act 17 of Antwerp, 1574
Es copia del grabado delacto XVII de la edición de Zaragoza(1545). Areúsa en su casa, que recibe a Sosia, mientras Elicia escucha escondida. Cama y escaleras de fondo.

Engraving from act 16 of Antwerp, 1574
Es copia delgrabado del acto XVI en la edición de Zaragoza(1545).Lucrecia y Melibea, sobre un cojín, al otro lado de una puerta escuchan la conversación entre Pleberio y Alisa, sentados en otra habitación.

Engraving from act 15 of Antwerp, 1574
Elicia y Areúsa conciertan la venganza contra Calisto con Centurio, representado con espada. De fondo una cama y escaleras. Se vuelve a usar la imagen en el acto XVIII.

First engraving from act 14 of Antwerp, 1574
Es copia de la ilustración del acto XIV de la edición de Zaragoza(1545).Calisto subiendo por una escalera mientras Melibea y Lucrecia están asomadas a dos arcos, y dos criados de guardia afuera.

Second engraving from act 14 of Antwerp, 1574
Ejecución de Pármeno y Sempronio. A la izquierda el juez y tres personajes, uno de ellos probablemente Sosia. A la derecha la ejecución, con uno de los reos decapitados y otro siendo decapitado. Dos personajes con barba a la…

Second engraving from act 13 of Antwerp, 1574
Está copiada de laZaragoza 1545pero hay cambios notables. No existe equivalente en la reedición deAmberes 1616Sosia y Tristán hablan a la puerta sobre la ejecución de Pármeno y Sempronio mientras Calisto yace en su…

First engraving from act 13 of Antwerp, 1574
Está copiada con cambios notables de la edición deZaragoza, 1545. No tiene equivalente en la reedición deAmberes 1616

Engraving from act 11 of Antwerp, 1574
It is copied with changes from theZaragoza 1545edition.

Engraving from act 10 of Antwerp, 1574
Esta copiada girada y cambiada de la edición deZaragoza, 1545.Se ha usado ya en el acto 4. No tiene equivalente enAmberes 1616en este capítulo, pero si en el 4.

Engraving from act 9 of Antwerp, 1574
Escena del banquete en casa de Celestina. Es copia girada y simplifiicada (falta el gato) de la deZaragoza 1545.La ilustración usada en la reedición deAmberes 1616es muy diferente.

Engraving from act 8 of Antwerp, 1574
Escena doble. A la derecha Pármeno se ha levantado para ir a casa de su amo tras pasar la noche con Areúsa.Esta copiada de la deZaragoza, 1545. No tiene equivalente en la reedición deAmberes 1616

7n.jpg
Variación de la escena delacto VII de Zaragoza (1545). Celestina hablando con Pármeno a la puerta de Areúsa, que yace en la cama. Nótese que en esta versión, adiferencia del caso de la imagende Zaragoza (1545),la…

Engraving from act 6 of Antwerp, 1574
Copiada girada y alterada de la deZaragoza, 1545

Engraving from act 5 of Antwerp, 1574
Copia girada de la ilustración del acto V de laedición de Zaragoza(1545). Escena doble en que se presenta a la izquierda a Calisto sentado y Pármeno de pie, y a la derecha a Celestina llegando a casa de Calisto acompañada…

graving from act 4 of Antwerp, 1574
Se vuelve a usar en el acto 10. Es copia del acto 10 de la deZaragoza, 1545, que presenta una dirferente para el acto III.

Engraving from act 3 of Antwerp, 1574
Sempronio, acompañado de Celestina, llega a casa de ésta, donde está Elicia en el interior, ocupada en una labor.No tiene equivalente en la reedición deAmberes 1616Copia girada y alterada de la deZaragoza, 1545.

Engraving from act 2 of Antwerp, 1574
Tres hombres hablando en la calle y. No está muy claro a qué escena de la obra se refiere pues la imagen es demasiado genérica.Copia girada y modificada de la deZaragoza, 1545. de la que cambia en que no hay una mujer en la…

Engraving from act 1 of Antwerp, 1574
Es copia dela imagen del acto XX de la edición de Zaragoza, (1545).Sosia y Tristán retiran el cuerpo muerto de Calisto.

Cover of the Antwerp edition (1574)
Cover that looks like a rotated copy from theZaragoza edition (1545)but from a much less careful production. See the description on Zaragoza's cover. It is an edition with illustrations that can be seen here.Very similar to the laterreeditionAntwerp…

Bookmark Calisto and Melibea, Codex Manesse (2018 c.)
Bookmark with an image of a couple taken from the Codex Manesse (Zurich, 1304) and the words describing love in La Celestina "it is a hidden fire" etc

Eclogue of Plácida and Vitoriano, by Juan del Encina (1518.c)
Same illustration used for the argument opening Fadrique de Basilea's Burgos 1499 edition of the Comedia de Calisto y Melibea.

Other title: Egloga nueuame[n]te trobada por juan d[e]l enzina : En la qual se introduzen dos enamorados llamada ella…

Poster of editions of La Celestina and Lazarillo, Academia Mexicana (2018)
Poster of a conference in which editions of La Celestina and El Lazarillo will be announced.
Image of Celestina taking from one of the early illustrated editions to which a child, presumably Lazarillo, has been added.

Celestina, a Tragic Music Comedy, by Bond, New York, 1999
Reviewed Celestinesca23.1-2 (1999)Songs (courtesy of Brad Bond)Press on the song to hear themHERE AM I In this number, Melibea is in her moonlit garden waiting for Calisto to arrive. This demo features the new orchestration accompaniment. The singer…

Postal stamp of the Festival La Celestina, by FNMT (2018)
Postal stamp commemorating the Festival La Celestina that takes place in La Puebla de Montalban, the town in Toledo province where Fernando de Rojas was born. The festival takes place every year. The stamp is a red and white version of part of the…

Romance del conde Claros, by Varesio (1593, c.)
Original title: Romance del Conde Claros de Moltauan : con vn villancico pastoril al cabo, muy gracioso ("Romance of Count Claros from Montalban: with a pastoral carol at the end, very funny").

Same engraving as the one Fadrique de Basilea used in…

Today Fresh Sausage, by Grosz (1928)
Mixed media, watercolor and ink, on paper.
A young carrying a package and an old woman . Although there is no indication of being a procuress and her protegee, Grosz painted many scenes of prostitution in Weimer Germany.

Old celestina, by Alenza y Nieto (1830, c.)
The image shows a young man sitting at a table and an old woman with her head covered talking to him. The way in which the old woman is represented is reminiscent of Celestina in the Celestinesque tradition.

Cover of the Zaragoza edition, 1554
An illustrated edition with 26 engravings (plus the cover)The image in the cover is the same as the one used inZaragoza 1545, but the typographic composition of the page is different.A very elaborate composite model that originated fromValencia,…

The Prodigal Son Today, cover of book by Hooft (1630)
Scene from the Biblical story of the prodigal son

La Celostina, Mexican television character (2000)
Sketches del programa cómico La Hora Pico de El Canal del las Estrellas, México. En cada historia Celestina sale con un hombre diferente, pero nunca falta que malinterprete las acciones de su pareja al estar con otra mujer (viéndola, hablándole) y se…

In the Salon, by Toulouse-Lautrec (1893)
Madam and two girls in a brothel's salon.

Other title: Au salon

Calligraphic rendering of the words La Celestina, Ceibe (2014)
Elaborate calligraphic rendering of the words La Celestina in a style that has reminiscences of Miro and Lorca´s drawings

'The Pained Heart', or 'Sigh No More, Ladies', or 'Juliet and her Nurse, by Hughes (1867)'
Old lady and young woman, Pre Raphaelite style, several possible interpreations.

Other titles: Sigh No More, Ladies, Juliet and her Nurse

La Celestina (Goya), by Braun-Vega (2000, c.)
Self/portrait, Goya's maja and naked young girl

Vanitas, allegory of ages, by Martinelli (1650 c.)
Death, young and old woman, a servant or procuress, coins.

Representation of Bambalinas, Valencia, 2018
Puppet representation. "Carme Teatre presenta una adaptación de La Celestina de Fernando de Rojas, donde las técnicas y recursos propios de los títeres y del teatro de objetos harán posible una puesta en escena dinámica y contemporánea, rica en…

Representation of Second Act, Almuñecar, 2018
The group Segundo Acto (Second act) is formed of Silvio Rivas (Father), Francisco Gabriel Martín (Calixto), Inma Molina (Melibea), Lorenzo Guerrero (Sempronio), Mari Carmen Díaz (Celestina), Emerencia Alabarce (Elicia), José Francisco Villoslada…

Celestina, by Barbudo (2003)
OMENTARIO A LA OBRA PRESENTADA La obra de Isabel Barbudo, titulada "Celestina", simboliza, en los personajes de la inmortal creacion de Fernando de Rojas,la ambicion de conseguir los deseos mas inconfesables por cualquier medio, lo que fatalmente…

A Venetian Procuress, by Boissard (1581)
Image of three women of the sex trade in Venice, including two prostitutes and a procuress.

Other title: Prostituée bourgeoise, Noble prostituée vénitienne, Maquerelle vénitienne

The Fortune Teller, by Paolini (1681)
The Fortune Teller displays the exaggerated tenebrism (contrasting light and shadow) that was initiated by Caravaggio. Symbolic elements such as the mirror that the young man on the left is holding suggests vanity, while the garlic on his head may…

The Procuress or the Old Woman and the Gallant Young Man
A young woman appears in the centre of the painting looking to the right at an older woman who is holding a hand fan. To the left of the young woman, there is a young man covering his body and partly his face.

76._Una_valente_Ruffiana_-_Le_Arti_di_Bologna.png
Engravings in a collection representing different characters in he city of Bologna, in this case a procuress at the door of a house with two women

Cover of Valencia, 1575
Tragicomedia de Calisto y Melibea, de Joan Navarro, Valencia, 1575. Imagen compuesta que parece un fragmento del modelo con que arranca de Cromberger, Sevilla, 1511 (1502) y Valencia, 1514, que presenta el huerto con Calisto y Melibea, el criado con…

Cover of Seville, 1501
Comedia de Calisto y Melibea Oxford (UK), Taylorian Institute Library Taylorian TAY Main Libr MICR.1267 Paris (Fr), Bibliothèque nationale de France RES-YG-63 Record inUTSC

Wine Celestina, Argentina
Wine label with a young woman,. It does not seem to be relate to the literary character of Celestina, especially because it is an Argentinian wine and the Italina connection is more likely.

Cover of Libsa, Madrid (2017)
A collage depicting a Celestina based on Picasso's famous painting, Calisto and Melibea embracing in front of an arch or window, and a black cat.

Cove of Gilman´s The Spain of Fernando de Rojas
. 1978. Literatura española. ¿Rojas, Fernando de? 7 Celestina.06 (860 ¿Rojas, Fernando de? 7 Celestina.06) 21 cm. 534 p., 1 h. Encuadernación en tapa blanda de editorial ilustrada. Colección Persiles , numero…

Cover of Montaner y Simón, Barcelona, 1952
An image of two cherubs or cupids.

Engraving act XXI, Valencia, 1575
Melibea's suicide and Pleberio's lament. A third character coming out of the tower

Representation of the Cátedra Extraordinaria Juan Ruiz de Alarcón of the Universidad Nacional Autónoma, Mexico, 2017
Dramatized reading of act IV, 17 September 2017 in Centro Cultural El Foco, Tlacotalpan 16, CDMX, as part of the 6° Encuentro de Lectura en Voz Alta. Counting with four readers.

Lucrecia: Musa Georgina Galindo Orihuela.
Alisa: Aline Yazharit…

Celestina in three vignettes, by Antonio (2008)
Three vignettes of a comic of Celestina using an online program for this kind of creations. Made for pedagogical use

Study for an engraving in the Hortus Voluptatum, by de Passe (1599)
A woman and a man in the center of a room. The woman points to the bed while he has his hand on her waist. There is another woman at the door.

Picture4.jpg
A strange illustration of the execution of Parmeno and Sempronio that introduces a female character as executioner. It could be Areúsa or Elicia, or an allegorical character. It is not clear if there is a bag of money or an allusion to the horn of…

Picture3.jpg
Illustration of one of the problematic copies of the supposed 1502 edition, actually 1513-15, Cromberger, This copy includes the usual illustration for the execution plus this one of a servant taken to the gallows. It looks as it had been taken from…

Portada de la Tercera Celestina, de  Gómez de Toledo, 1539
Cover page in which the execution of Celestina is depicted

El Palco de la Celestina, by Santasusagna (1944 c.)
Winner of the Honor Award in the 1944 Fine Arts Exhibition in Barcelona.

Illustration of an old woman giving a young woman a letter, by Passe (1600 c.)
Illustration of an old woman giving a love letter to a young woman, in the background to the right a feathered hat or a flower vase. Undearneath, written in French and German is the following text: "I swear that he is so taken by you that he is…

Lucrecia, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Gifting of a Gold Chain, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Melibea offers the Celestina a string, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina manipulates the characters, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Areúsa, Pármeno and Celestina, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina and Melibea, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina and Calisto at Church, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina and Pármeno, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina and Lucrecia, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Celestina, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Accompanying Celestina, by Acedo (2008 c.)
From the series La Celestina (2008, c.)

Cover in watercolor of La Celestina, by Acedo (2011, c.)
Cover in watercolor of the Libro de Calixto y Melibea y la puta vieja Celestina("Book of Calixto and Melibea and the old whore Celestina")

Celestina, by Acedo (2011, c.)
Portrait of the procuress Celestina
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