Browse Items (3223 total)

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, ​​Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón

Representation Celestina, Moulin Rougein the CajaGranada Theatre, Granada, Spain, 2019.Production:Jacaranda 11.Free adaptation of the text by Fernando de Rojas: Antonio César Morón.Direction: Carmen Ruiz Mingorance.Cast:Aristide BruantAdéle de…

Celestina convinces or cajoles a young woman, likely Melibea, although in theory it could be Areúsa, in her bedroom. Bed in the background. "Vetula cauda scorpionis" is written in Latin (an old woman, like the tail of a scorpion).

Celestina convinces or begs a young woman, probably Melibea, although in theory she could also be Areúsa, in her bedroom. The bed in the background. In Latin is written: "vetula tail scorpionis" (an old lady like the tail of a scorpion)This is an…

A couple, woman and man, talking, while another group of five people, all young men with the exception of an old woman who can be interpreted as a celestina appear to argue over a spyglass in order to spy on the couple on the left. Portico…

Two young men on one side, an old woman or celestina in the middle and a young man on the left making a supplicating gesture. Porticoes in the background. Written over the figures are the names Celestina, Lucrecia, Elisa, Melibea, which clearly do…

The same generic illustration from act IV. Written above are the names Celestina, Sempronio, Calisto, Pármeno, Celestina. Note that the name Celestina is repeated.

The same illustration as act IV. The names Calisto, Celestina, Pármeno, Sempronio, Calisto. Note the repetition of the name Calisto.

The same illustration as act I. The names Celestina, Pármeno, Areúsa, Elicia, Celestina (repeated) written above the figures.

The same illustration as act IV, written above are the names Pármeno, Areúsa, Sempronio, Calisto, Pármeno (repeated).

The same illustration of act I. Written above are the names Sempronio, Pármeno, Elicia, Celestina, Areusa, Lucrecia, Sempronio (repeated).

The same illustration as act IV. Above the names Melibea, Celestina, Lucrecia, Elisa, Melibea (repeated).

The same illustration as act I. Above are the names Celestina, Sempronio, Calisto, Pármeno, Elicia, Celestina (repeated)

The same illustration as act I. Above, the names Calisto, Sempronio, Pármeno, Lucrecia, Melibea, Pleberio, Alisa, Celestina, Elicia, Calisto (repeated)

The same illustration as act IV. Above, the names Calisto, Tristanico, Sosia, Celestina.

The same illustration as act I. Above, the names Melibea, Lucrecia, Sosia, Tristanico, Calisto, Melibea (repeated)

The same illustration as act IV.

The same illustration as act I. Above, the names Pleberio, Alisa, Lucrecia, Melibea, Pleberio.

The same illustration as act IV. Above, the names of Elicia, Areúsa, Sosia, Elicia (repeated)

The same illustration as act I. Above, the names Sosia, Tristanico, Calisto, Melibea, Lucrecia, Sosia (repeated)

Adaptation of The Lusty Andalusian(La lozana andaluza)by Francisco Delicado.Broadcast on May 6, 1983.Producer: José FradeProduction director: José SalcedoScript: Chumy ChámezDecorator: José Luis GaliciaWardrobe advisor:…

Presentation

The heroine and Rampín.

The heroine

The heroine's nighttime visits.

The heroine and Clarina

The heroine and knight.

Clarina and a knight

Card of the six of swords representing Brígida convincing Doña Inés that Don Juan is in love with her. The swords are used to represent her pain in the tradition of the heart of Mary of Sorrows.

Staging: Leon Schiller
Translation: Juliusz Gomulicki
Adaptation: Marcel Achard
Decoration: Władysław Daszewski
Music: Tomasz Kiesewetter
Assistant director : Hieronim Konieczka

Casting:
Jadwiga Chojnacka – Celestina
Jan Zdrojewski –…

Staging: Leon Schiller
Translation: Juliusz Gomulicki
Adaptation: Marcel Achard
Scenography and costumes: Władysław Daszewski
Choreography: Jadwiga Hryniewiecka
Music: Tomasz Kiesewetter
Assistant director: Andrzej Żarnecki

Cast:
Jadwiga…

Emblem of the printer Christoph Plantin and his descendants, which is a compass held in a hand which is rising from a cloud and the Latin inscription "labore et constantia".
The second image is of a similar edition but dated 1595

Representation ofEl ñaque de celestina ("The Celestine ñaque"), Goliardía teatro company in the Library of Castilla y León, Valladolid, organized by Junta de Castilla y León premiered on October 7, 2021.Author: David ParaDirection: Miguel…

The cover features the image of the painting Celestina, by Picasso (1904).

A naive-style drawing of Celestina walking in a cemetery at night.

La tragicomedia de Hamlet y Calisto("The tragicomedy of Hamlet and Calisto")Integrated Center for Professional Training in New Technologies- José Luis GarciWhen the stories of Hamlet and Celestina are mixed, the characters become confused and loves…

The first image shows Celestina with a cauldron, alluding to the spell that the character performs in act III. The second image shows Celestina surrounded by trees.

Original title: Le billet doux ("The Love Letter").

A young woman in between matchmaker with a letter and a man that solicits her services.

Bookmark with an image of a couple taken from the Codex Manesse (Zurich, 1304) and the words describing love in La Celestina "it is a hidden fire" etc

English translation.

The cover features a mirrored image of an abstract pattern against a blue background, which seems to represent a tower, embroidered in gold thread with a red half circle. This could be interpreted as a coat of arms or an…

A black-and-white print positioned against a red background. The print depicts Calisto on his bed, pining after his first disastrous encounter with Melibea. Behind him, Sempronio approaches with Celestina, having gone to fetch her.

A banner is carried by the two figures -one male and one female- bearing the inscription: "como quien sale a justar" ("as one who goes out to fair"). The man and the woman are also holding up a sheaf of wheat or wild flowers. In the background, a…

Figurines by designer Lorenzo Collado of the characters from La Celestina, including: Melibea, Calixto, Parmeno, Areusa, Lucrecia, Sempronio, Celestina, student and the author Fernando de Rojas. Celestina's character is reminiscent of a nun because…

Book with cover that suggests that it is an essay with the subtitle "estudio sobre la mitología de lo femenino, la mujer y su manipulación a través de la industria cultural." The title is probably influenced bu the Spanish translation of Kubrick's…

La Celestina: Tragicomedia de Calixto y Melibea ("La Celestina: Tragicomedy of Calixto and Melibea")

The image shows the afternoon session of Hartzenbusch's The Powders of Mother Celestina ("Los polvos de la madre Celestina"). Note that there are children and youth among the audience.Engraving print The theaters and their public ("Los teatros y su…

Event organized by ACTÚA (Artistic cultural action) on the occasion of Book Day, in the Plaza de Las Palmas de Arrecife, the public enjoyed this scene represented by Begoña Cedrés, Matías Di Candia and Germán Barrios.

The Celestina: Between two desiresCast:Estrella R.- MelibeaFlamenco by Teatro Albéniz

Women in the Celestina

Representation directed by Ernesto Concepción of the Teatro Repertorio Clásico Mundial from the Teatro Tapia.

Series made byAndreas Constantinoucomposed of nine photos of a model that poses as Melibea. According to the photographer, "My inspiration came after visiting Salamanca and the garden where the story took place, the fiancé (now husband) of my best…

Cast:Patricia Becker-MelibeaJosé Enrique Díaz-CalistoBeatriz Córdoba- CelestinaFermín Suárez-SempronioJosé Cheo Oliveras-PármenoEva Cristina Vásquez- AreúsaMariana Buoninconti- Elicia

Festival Esphera Teatro

La ¿tragi?comedia de Calixto y MelibeaProduction: Indigesto TheaterCostume: Indigesto Theater and ETMZ Cast: Encarni Corrales – CelestinaLorena García – Melibea Laura Tejero – Elicia Yolanda Jurado – Alisa Alberto Salvador – Úrsula J.J. Sánchez –…

Unipersonal Poetry and Theater: “Embriagaos”

La Celestina (Act XII- second scene)
Cast: Elsa Gelso

A greyscale drawing of Celestina possibly casting her spell in the third act against an orange background.

Celestina in the foreground and Calisto and Melibea in the background. The black and sepia tones give the illustration an aged appearance.

A greyscale drawing of Celestina possibly casting the spell from the third act, positioned against an orange background.

Translation: Florence Delay

Valérie Jouve (film: Delay Conference)
Aymeric Reumaux (animated film)
Space: Christian Fenouillat and Françoise Coupat 
Costumes: Alexandra Wassef and Agostino Cavalca
Lighting: Christophe Forey
General direction:…

Description of painting by the Art Institute of Chicago: "Mère Grégoire is a character from a popular song written in 1820 by French lyricist Pierre Jean Béranger. As described by Béranger, she was the portly proprietress…

Scene of a client being robbed while he negotiates with a prostitute and procuress in the background.

Triangle between client, prostitute and matchmaker. Bag of money in the client and matchmaker's hands and a jug with alcohol in the prostitute's hand.

Other titles: Ungleiches Paar, Die verliebte Alte.

Two women appear in the painting, a young woman and an old woman. The old woman appears with a fan pointing at the young woman. Following the celestinesque tradition, the old woman can act as a procuress for the young woman. Two children also appear…

A black-and-white illustration from the first act of the Burgos edition of 1499, printed by Fadrique de Basilea. The image is a depiction of the first meeting between Calisto and Melibea.

This cover features a fragment of the cover of the Toledo edition of 1538, framed in a shape that resembles a castle or arched building.

Among many other engraving, this Dutch engraver printed a book with portraits of famosu courtisans and bawds. 'Miroir des plus belles courtisans de ce temps¨. Spigel der alderschoonste courtisanen deses tyts,

Illustration of one of the problematic copies of the supposed 1502 edition, actually 1513-15, Cromberger, This copy includes the usual illustration for the execution plus this one of a servant taken to the gallows. It looks as it had been taken from…

A strange illustration of the execution of Parmeno and Sempronio that introduces a female character as executioner. It could be Areúsa or Elicia, or an allegorical character. It is not clear if there is a bag of money or an allusion to the horn of…

A composed scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…

The second picture is of a similar edition dated 1543

The same engraving as in act XIV which shows Calisto with two servants climbing into Melibea's garden,where she is waiting for him with Lucrecia

Celestina knocking at the door of Pleberio's house with the yarn in her hand. Lucrecia in the background, Melibea and Calisto in their first meeting talking, a horse and unnamed servant on the right margin. Initials of Lucrecia, Melibea and Calisto…

Factotums of houses, Calisto, Pármeno, Sempronio and Celestina

Factotums of Pármeno, Calisto, Melibea, Sempronio and Celestina. Elicia and Crito, whose names appear in the image heading, are not shown. Pármeno attired with a turban

Factotums of Calisto, Pármeno and Sempronio. In the two margins a tree and houses respectively.

Factotums of houses, Celestina, Sempronio, Elicia and a tree

Factotums of houses, Lucrecia, Celestina, Alisa and Melibea

Factotums of houses, Calisto, Celestina (with the rosary), Pármeno and Sempronio

Factotums of Celestina, Pármeno, Areúsa, Elicia and houses

Factotums of Sempronio, Pármeno, Calisto and Areúsa

Factotums of five characters and six names above: Sempronio, Pármeno, Celestina, Lucrecia, Elicia and Areúsa

Factotums of Melibea, Celestina, Lucrecia, Alisa and houses

Factotums of Calisto, Celestina, Pármeno, Sempronio and Elicia

Five factotums (three men and two women) and above in two lines the names of Calisto, Lucrecia, Melibea, Pármeno, Sempronio, Pleberio, Alisa, Celestina, Elicia

The scene of Celestina's death at the hands of Pármeno and Sempronio on the left, with Elicia present, and on the right the following scene of Pármeno and Sempronio jumping from the window and the judge with a soldier

The execution scene of Pármeno and Sempronio with an executioner and his assistant on the right. On the left, the judge with two soldiers and a character who covers their eyes so as not to see, perhaps Sosia

Scene of Calisto climbing the ladder to the Melibea's garden protected by two servants. Within Lucrecia and Melibea wait. The same engraving is used again in act XIX

Factotums of houses, Elicia with her head covered (image used for Alisa in act IV), Centurio (image with turban used previously for Sempronio), Areúsa and a tree