Browse Items (3223 total)

Photochrome 3 from the movie La Celestina, by Ardavín
Celestina (Amelia de la Torre) in the foreground. Beside her are Sempronio (Antonio Medina) and Elicia (Ursula Mellin).

Photochrome 2 from the movie La Celestina, by Ardavín
Lunch scene at the procuress' house. Celestina (Amelia de la Torre) alongside Pármeno (Gonzalo Cañas) and Areúsa (Heidelotte Diehl). Sempronio (Antonio Medina) and Elicia (Ursula Mellin) are on the other side of the table.

Photochrome 1 from the movie La Celestina, by Ardavín
Celestina (Amelia de la Torre) convincing Pármeno (Gonzalo Cañas) to join Sempronio in her plan.

Film poster for La Celestina, by Ardavín
Melibea (Amelia de la Torre) stands out in the background, while Celestina (Elisa Ramírez) and Areúsa (Heidelotte Diehl) are found in the foreground.

Film poster for the movie, by Ardavín (1969)
Calisto and Melibea (Julián Mateos y Elisa Ramírez) hugging in the foreground, Celestina in the background (Amelia de la Torre)

fichacontieneenlacenglish.jpg
The shadow of Celestina, Calisto and Melibea

Photochrome 14 from the movie La Celestina, by Ardavín
Sempronio (Antonio Medina), Areúsa (Heidelotte Diehl) and Elicia (Ursula Mellin)

Photochrome 13 from the movie La Celestina, by Ardavín
Melibea's (Elisa Ramírez) death and Calisto (Julián Mateos)

Film poster
Celestina (Amelia de la Torre), Melibea (Elisa Ramírez) and Calisto (Julián Mateos).

Celestina in three vignettes, by Antonio (2008)
Three vignettes of a comic of Celestina using an online program for this kind of creations. Made for pedagogical use

Prodigal son brothel.jpg
The engraving shows a brothel scene where a young woman is found holding the chin of a young man as if seducing him. To the young woman's right sits an old woman, acting as procuress, and drinking from a glass of wine while a young man hands her a…

ONCE lottery ticket, 500 years of the publication of La Celestina (1999)
Ticket from November 10, 1999. Copy of the cover of the Toledo, 1526 edition on a lottery ticket from the Organización Nacional de Ciegos Españoles. Commemoration of the 500 years since the publication of the work. On this ONCE…

Title page of the Barcelona edition (1883)
A colored version of the old title page of the Toledo edition, Remón de Petras (1536) and by J Toledo, Juan de Ayala (1538).

The Prodigal Son Today, cover of book by Hooft (1630)
Scene from the Biblical story of the prodigal son

Comic Mother Celestina's Powders (Los polvos de la madre Celestina) (c. 1920)
Two children and a witch in front a cauldron and a skeleton. Cover of a children's novel based on Hansel and Gretel.

L'Enfant_prodigue_chez_les_courtisanes.jpeg
Original title: "L'Enfant prodigue chez les courtisanes" ("The prodigal son among the courtesans").

This painting represents the biblical story of the prodigal son in the house of the prostitutes. This story is represented as a banquet scene with…

Carta de amor (Alcahueta), de Anónimo (1550 c)
French Art, second half of the 16th century.

Lovers with procuress, by anonymous (1600, c.)
Original title: Liebespaar mit kupplerin ("Lovers with procuress").

Painting by author belinging to the Dutch School.

In the image three figures appear, a young couple where the man approaches the young woman while she moves away and an old…

Elegant company, by anonymous (1770, c.)
Other titles: Elegant company playing backgammon in an interior, an amorous couple, and a monk and procuress with a young lady.

Painting in the manner after William Hogarth.

The image shows four figures, a man and three young women playing…

Illustration of the Second Celestina, by Salazar y Torres (1850, c.)
The image on the cover shows a scene from the second journey in which Celestina tricks them with a mirror.

A trickster, single sheet, by anonymous (1870)
The image shows a woman described as "a new celestina" who appears on top of a well speaking to a group of people who are watching her.Text at the bottom of the image:"A new Celestina,half a witch at leastwith her lies and trapsshe scammed an entire…

Caricature of the representation directed by Marsillach, by anonymous (1988, c.)
Caricature that appears in thetheater critic of "La Celestina" adapted by Gonzalo Torrente Ballester and directed by Adolfo Marsillach inABC, Madrid titled "Another version of "La Celestina" at the National Dramatic Center" ("Otra versión de "La…

Caricature of the representation directed by Tamayo, by anonymous (1978, c.)
Caricature that appears in the theater critic of "La Celestina" adapted by Camilo José Cela and directed by José Tamayo in ABC, Madrid titled "A grand literary version of "La Celestina"" ("Una gran versión literaria de "La Celestina""), by…

Caricature of Celestina in tribute to the actress Irene López Heredia, by anonymous (1957, c.)
Caricature in tribute to the actress Irene López Heredia, that appears in the theater critic of "La Celestina" represented in the Eslava Theater, Madrid, in ABC, Madrid, titled "Tribute to Irene López Heredia on the occasion of the hundred…

Mother Celestina, by anonymous (1977)
Festas Gordas del Vino y del Tocino, by Miguel Romero Esteo.

Puppet of a woman with a covered head representing Mother Celestina.

Celestina del Ampurdán, by anonymous (1975)
Puppet in the play Les Aventures d'en Malic("Malic's adventures").Puppet doll of an old woman in a red dress representing the celestina.

Celestina negotiating the dowry, by anonymous (1914)
In the image appears an old woman with her head covered talking to a man. On the left and with her back towards the two characters appears a woman. The image was published in the foreign humor section of the magazine, so the clothing of the…

50121bf8a0276b7407d0bbb0335141a5.jpg
In the image appears an old man with a hat and a club and an old woman with a hat reminiscent of Celestina. They are both in front of a building that, from the joke that appears below the image, it is understood that it is a school that the old woman…

Celestina as Mrs Lent, by anonymous (1886)
In the image appears an old woman reminiscent of Celestina with her head covered, holding a club and what looks like a rosary hanging from her hip. On the left is a human body with the head of a donkey and a guitar on his shoulder. On the donkey's…

Celestina telling a story to two children, by anonymous (1886)
In the drawing appears an old woman with her head covered, reminiscent of Celestina, talking to two children. From the word that appears in the image "Stories", the image can be interpreted as an old woman telling a story to two children. The gesture…

Celestina on a donkey, by anonymous (1862)
The image contains two scenes; the first image shows a carnival scene where elegantly dressed men and women appear with some of them wearing masks. In the second image, people appear in disguise and with instruments such as umbrellas or brooms. In…

Calisto and Melibea tattoo, by anonymous (2022)
Codex Manesse tattoo that the person got for its reference to Calisto and Melibea, as suggested by the cover of Esther Borrego's edition of Celestina (Cover of the Cooperación Editorial edition: Madrid, 2002) and the Bookmark Calisto and Melibea,…

Mr Emilio Castelar dressed as Celestina, by anonymous (1894)
In the drawing appears Mr Emilio Castelar dressed as Celestina, with a mustache, dress, shoes and his head covered. Underneath the drawing appears the following text (translated):"Ms Emilia (Celestina) after working so hard to position Venturita came…

The procuress, by anonymous (1850, c.)
In the image appears a young couple in the foreground. Next to the young woman appears an old woman with her head covered looking at them. Several men also appear surrounding the couple. By the title it is understood that the old woman acts as a…

Young woman with crown and procuress, by anonymous (1800, c.)
Original title: Junge Frau mit Krone und Kupplerin ("Young woman with crown and procuress").

In the image appears a young woman looking at the viewer and holding a crown. Beside her appears an old woman looking at the young woman and showing her a…

The procuress, by anonymous (1625, c.)
Anonymous author, attributed to the Dutch School of the early 17th century.On the mount there is an old attribution in black chalk that reads "Jan Boucchorst". (see Sotheby's…

Caricatures of Celestina in the satirical newspaper Don Junípero from the 19th century, by anonymous, Cuba (1862)
Two caricatures appear in the newspaper. Both are in the headline of the newspaper that is repeated in subsequent issues. In the black and white caricature an old woman with her head covered appears, who may represent the procuress (first image). The…

Coasters from La Celestina wine bar, brewery and restaurant, by anonymous (2000, c.)
Coasters from La Celestina wine bar, brewery and restaurant, in Santander Street, 6, Burgos, Spain. Celestina's face and the name "La Celestina" appear on the coasters with ice cubes in the background.

Scene with Celestina, by anonymous (1900, c.)
Calisto and Melibea appear in the scene looking at each other outside a house. Melibea looks out the window while Calisto appears outside and looking at her. In the window on the right, Celestina appears looking at Calisto and Melibea.

graffitti.jpg
Graffiti of Calisto, Melibea and Celestina in Castrogonzalo, Zamora, Spain. Calisto and Melibea appear lying with their heads towards the center, while Celestina appears in the middle of the two as if joining them.

223337.jpg
In the image appears a naked young woman (Danae) picking up coins that fall from a cloud. To her side, an old woman looking at her that acts as her procuress.

Tin bas-relief of a Celestina type scene, by anonymous (1900, c.)
Bas reliefi in tin of a plate to hang. It represents a scene of lovers in a garden and an older woman looking upon them from a window. It may be part of the Celestina tradition, but this exact distribution of the characters is not traditional.

Cover page of the Medina del Campo edition (1536)
Composite images of two paintings. On the left is the garden with Calisto and Melibea inside and a servant and horse outside. On the right Celestina is knocking on the door while holding the string and Lucrecia is standing at the window. The model is…

Comic La Celestina, anonymous (2017 c.)
An anonymous comic made using a software program that allows one to create comics using preexisting images. Probably an assignment by a student in secondary school.

Plate painted with gallant scene and procuress, anonymous (c. 1700)
A plate with a scene of a suitor and a young woman; a procuress facilitating the negotiation behind.

Colombian escorts and models service logo (2015)
Website logo from Colombia that offers sexual services by women. The logo looks as if it was taken from Victoria's Secret, although the crown and the name La Celestina are of a different origin.

Second image of act XX of the Medina del Campo edition (1536)
Scene of the suicide of Melibea with her falling and Pleberio with his arms raised at the foot of the tower.

First image of act XX of the Medina del Campo edition (1536)
Factotums of Pleberio, Lucrecia and Melibea.

Third image of act XIX of the Medina del Campo edition (1536)
Scene of the retrieval of the body of Calisto by his servants Tristán and Sosia.

Second image of act XIX of the Medina del Campo edition (1536)
Image repeated from XIV: scene of Calisto with the ladder entering the garden, where Melibea and Lucrecia wait for him. Outside, with weapons, Sosia and Tristán. One of the two with a finger to his mouth in a gesture of silence.

First image of act XIX of the Medina del Campo edition (1536)
Factotums of Sosia, Crito, Calisto, Melibea and Lucrecia.

Image of act XVIII of the Medina del Campo edition (1536)
Factotums of Elicia, Centurio and Areúsa.

Image of act XVII of the Medina del Campo edition (1536)
Factotums of Elicia, Areúsa and Sosia.

Image of act XVI of the Medina del Campo edition (1536)
Factotums of Melibea, Lucrecia, Pleberio, Alisa and a house.

Image of act XV of the Medina del Campo edition (1536)
Factotums of Elicia, Centurio and Areúsa.

Imagen del acto XIV de la edición de Medina del Campo (1536)
Scene of Calisto entering the garden with the ladder, where Melibea and Lucrecia wait for him. Outside, holding weapons, are Sosia and Tristán. One of the two has a finger against his mouth, as if in a gesture of silence. This image repeats as the…

Second image of acto XIII of the Medina del Campo edition (1536)
Scene of the execution of Pármeno and Sempronio, although it only shows one culprit being executed, two soldiers and Tristán as witness. There doesn't appear to be a judge in the scene.

First image of act XIII of the Medina del Campo edition (1536)
Factotums of houses, Calisto, Tristán, Sosia and a tree.

Second image of act XII of the Medina del Campo edition (1536)
Double scene. On the left the judge, a soldier and a dead or executed body of a man; on the right, Celestina's death at the hands of Pármeno and Sempronio, with Elicia tearing at her hair.

First image of act XII of the Medina del Campo edition (1536)
Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

Image of act XI of the Medina del Campo edition (1536)
Factotums of Celestina, Sempronio, Calisto, Pármeno and Elicia.

Image of act X of the Medina del Campo edition (1536)
Factotums of Melibea, Celestina, Alisa, Lucrecia and houses.

Image of act IX of the Medina del Campo edition (1536)
Six names and five only factotums: Sempronio, Pármeno, Celestina, Elicia, Areúsa and Lucrecia.

Image of act VIII of the Medina del Campo edition (1536)
Factotums of Pármeno, Areúsa, Calisto, Sempronio and a tree.

Image of act VII of the Medina del Campo edition (1536)
Factotums of Pármeno, Celestina, Areúsa, Elicia and houses.

Image of act VI of the Medina del Campo edition (1536)
Factotums of a tree, Calisto, Celestina, Pármeno and Sempronio.

Image of act V of the Medina del Campo edition (1536)
Factotums of houses, Celestina, Sempronio, Pármeno and Calisto.

Image of act IV of the Medina del Campo edition (1536)
Factotums of houses, Celestina, Lucrecia, Alisa and Melibea among plants.

Image of act III of the Medina del Campo edition (1536)
Factotums of Sempronio, Celestina and Elicia.

Image of act II of the Medina del Campo edition (1536)
Three factotums of Calisto, Sempronio and Pármeno.

Image of act I of the Medina del Campo edition (1536)
Five factotums and seven names above: Calisto, Melibea --Elicia underneath --, Parmeno --underneath Crito--, Sempronio and Celestina. The double names are as if it were recognized that the same image is for two characters at a time.

El huerto de Calisto y Melibea, theater (2000 c.)
Cut out puppet theatre of Melibea's garden with the characters from the play. The front page, in English and Spanish, includes a summary of the story and explains that the garden is near Salamanca's Old Cathedral, which clearly appears in the…

Los españoles pintados por sí mismos, de anónimo (1851)
A young woman in the center of the drawing. On the left, an old woman looking at her, on the right a young man looking at her.

Blanket or bedspread with scene from La Celestina (1615)
Blanket of Portuguese origin with scenes from the play and the names of Calisto and Melibea. It is kept at the Victoria and Albert Museum of London.

Portada de Medina del Campo, 1530.
Two factotums of a man and a woman, thought to represent Calisto and Melibea.

Coaster from Melibea club, Jaca, Spain (circa 2000)
Original ink illustration in naive style of Melibea and Celestina with a heart and a sun.

Matchmaker from Greek comedy on a mosaic (2nd century B.C.)
Scene from the comedy Synaristoi by Aristophanes or another comedy from the New Comedy in which there is a matchmaker, probably Philatinies and a hetaera and other characters. Banquet scene.See more extant variants of this scene…

Two Men and a Matchmaker (Dos hombres y una alcahueta), ceramic from Apulia, scene from a comedy (4th century B.C.)
Comedy scene (phylakes) with characters with masks and matchmaker on the side, in red and black ceramic.

Satyrical painting from the XIX century, anonymous. (Cuadro satírico del XIX).
A matchmaker and her pupil, who shows a leg, are surprised by a priest and a women that exit a house and are scandalized. Possible ironic reference to the priest that carries a little boy.

Advertisement card for the restaurant La Celestina, Madrid (2000 c.)
Blue monochromatic fragment of the painting Patronage of the Arts by the House of Habsburg(Patronazgo de las artes por la casa de Habsburgo), by Julius Victor Berger (Kunsthistorisches Museum of Vienna). The seated young woman is Isabella of…

Cover of the novel The Brothel Keeper (La madama), by Concha Alós (1973)
Cover with a woman covered in a Celestina-like way. In the work, there is a woman that encourages another to prostitute herself.

La Celestina, by Anachronic-Doll (2009)
An artistic work on the website DeviantArt for a literature class by the user Anachronic-Doll.

Representation of the Musée du Petit-Palais, Paris, by Amyl (1981)
Paris Festival
Decoration by Jean-Guy Lecat, Hortense Guillemard

Cast: Judith Magre, Sylvie Orcier, François Clavier, Catherine Hubeau, Emmanuel Dechartre, Emmanuelle Stochl, Monique Brun, Michel Robbe
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