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Cover of Lisbon, 1540
Only print in the book. Scene of Calisto and Melibea's initial encounter. Calisto has the hawk. Celestina with the string and a servant.This edition containsother 21 illustrations, that can be seen here.
Image of act 3 of the edition of Lisbon (1540)
Factotums of two characters and their names above. Sempronio with a sword, Celestina and Elicia.
Image of act 1 of the edition of Lisbon (1540)
Three factotums, Calisto with flowers, Melibea with girdle and Pármeno
Image of act 2 of the edition of Lisbon (1540)
Factotums of Calisto, Pármeno and Sempronio
Image of act 5 of the edition of Lisbon (1540)
Three factotums and four names: Sempronio, Celestina, Pármeno and Calisto
Image of act 6 of the edition of Lisbon (1540)
Three factotums and four names of the characters in this act: Calisto, Celestina, Pármeno and Sempronio. Same image of Calisto with flowers of act 1.
Image of act 7 of the edition of Lisbon (1540)
Factotums of Pármeno, Celestina, Areúsa and Elicia. Image of Areúsa with a girdle, used before for Melibea
Image of act 8 of the edition of Lisbon (1540)
Factotums of three characters and four names: Areúsa, Pármeno, Sempronio and Calisto
Image of act 9 of the edition of Lisbon (1540)
Three factotums and the names of Sempronio, Pármeno and Celestina
Image of act 10 of the edition of Lisbon (1540)
Four factotums and the names Melibea, Celestina, Alisa and Lucrecia
First image of act 12 of the edition of Lisbon (1540)
Three factotums and the names Calisto, Melibea, Lucrecia, Pármeno
Second image of act 12 of the edition of Lisbon (1540)
Death of Celestina. While one of the male characters holds her, the other is ready to stab her. Elicia is pulling her hairs. Curiously, there is a window or door with two characters outside. Shelves with cups and glass containers.
Image of act 13 of the edition of Lisbon (1540)
Execution of Pármeno and Sempronio with Sosias present.
Image of act 14 of the edition of Lisbon (1540)
Calisto on the stairs accessing the garden where Melibea and Lucrecia are waiting. Outside Sosia and Tristán armed.
Image of act 15 of the edition of Lisbon (1540)
Three factotums with the names of Elicia, Centurio and Areúsa.
Image of act 16 of the edition of Lisbon (1540)
Four names of Melibea, Lucrecia, Pleberio and Alisa. Three factotums
Image of act 17 of the edition of Lisbon (1540)
Three factotums with the names of Elicia, Areúsa and Sosia
Image of act 18 of the edition of Lisbon (1540)
Centurio, Areúsa and Elicia Factotums
First image of act 19 of the edition of Lisbon (1540)
Same illustration as the one used in act 14 of Calisto entering the garden.
Second image of act 19 of the edition of Lisbon (1540)
Calisto dead at the foot of the ladder is carried by Sosia and Tristan
First image of act 20 of the edition of Lisbon (1540)
Pleberio, Lucrecia and Melibea Factotums
Second Image of act 20 of the edition of Lisbon (1540)
Melibea's suicide with her and Pleberio. Two unidentified male characters on the margin are included. There is also an image of an object in the sky that may be Melibea's girdle or cord falling or another object.
Pleberio and Alisa, by L'Hoir (1943)
Fourth image of the introduction, of Pleberio and Alisa, of the Paris edition (1943)Adaptation by Paul Achard. Another illustration in the series by Maurice Hoir, presented in CelestinescaVol. 23, Num. 1 & 2, p. 160.
Logo of La Celestina Studio, México (2018)
The logo of this graphic design company contains a capital C from which two crossed female legs come out with red flat shoes. On the left, the name of the company "La Celestina". The C in the logo is a reference to her name and the female legs can…
La Celestina comic, school work, by La Milagrosa Ikastetxea school (2018)
La Celestina comic, school work made by: Maite Cuesta, Mikel Morales, María Saiz, Judith Asenjo in Language and literature by the La Milagrosa Ikastetxea school.
Representation of the Festival de La Celestina, La Puebla de Montalbán, 2009
The images of Terele Pávez representing Celestina in the first scene of La Celestina by La Recua Teatro at the La Celestina Festival held in La Puebla de Montalbán (Toledo) in 2009.
Representation of the underground Theatre in the Celestina Festival, la Puebla de Montalbán, 2011
CelestineosSketches of scenes from La Celestina
Representation of the Celestina Festival, la Puebla de Montalbán, 2012
El pacto de Centurio ("Centurio's Pact")
Representation of the underground Theatre in the Celestina Festival, la Puebla de Montalbán, 2012
Entre pícaros, alcahuetas y enamorados ("Among rascals, procuresses and lovers")
Representation of the Celestina Festival, la Puebla de Montalbán, 2016
Adaptation by María Elena Diardes and Luis María García
Representation of the Fidel Méndez Auditorium, Acapulco, 2014
Cast: Jonathan, Alvarado, Lisa Waska, Luis Arturo Salazar, Juan Luis Altamirano, Yadira Vázquez, Alejandra Romero, Rebeca García, Carla Serrano, Adrián Becerril, Diego Jiménez, Alan Flores and Ximena Rosete.
Cover of the Ediciones B. edition: Barcelona, 1996
The cover image is the image from the film poster of Vera's cinematic version.
The procuress, by Lago (1984)
In the image appear a couple of women with her torsos naked. A man appears in front of them and looking at them. A couple of men appear to the right also looking at the women.
Illustration of Celestina's dinner from the Paris edition (1949)
Illustration from the French edition from Les Bibliophiles de France, illustrations by Maurice Lalau for the edition. One illustration also appears in Celestinesca.
First illustration from act XIV from the Paris edition (1949)
Illustration by Maurice Lalau, made for the French edition of La Celestina, of Les Bibliophiles de France.
Illustration of the lovers' dinner from the Paris edition (1949)
Illustration by Maurice Lalau, made as part of the Les Bibliophiles de France edition.
Fourth illustration from act VIII from the Paris edition (1949)
Illustration that appears in the first volume of La Celestina of Les Bibliophiles de France. It seems to refer to Sempronio and Pármeno conspiring against Calisto. Some images come from ebay.fr and others from googlebooks.com.
Third illustration from act VIII from the Paris edition (1949)
Calisto speaking with Sempronio.
Second illustration from act VIII from the Paris edition (1949)
Sempronio and Areúsa.
First illustration from act IV from the Paris edition (1949)
Celestina travelling through what appears to be Melibea's garden with the goal of selling her the string.
Third illustration from act III from the Paris edition (1949)
Illustration of Celestina's spell when she calls upon the devil to help her with tricking Melibea with the string.
Second illustration from act III from the Paris edition (1949)
Illustration of Areúsa and Elicia (?) in Areúsa's bed talking.
First illustration from act III from the Paris edition (1949)
Celestina walking down the street to meet Calisto. Two beggars can be seen on the corner, perhaps as a reference to the previous victims of Celestina's plotting.
Second illustration from act II from the Paris edition (1949)
Market scene, possibly an illustration of Lucrecia carrying out her domestic chores for Melibea's house. Melibea appears in La Celestina of Les Bibliophiles de France.
First illustration from act II from the Paris edition (1949)
Calisto descending some stairs with one of his servants, behind them a chair and a book are left abandoned in the courtyard.
Sixth illustration from act I from the Paris edition (1949)
A couple that looks like Sempronio and Elicia having sexual relations while Celestina faces the fire while cooking or perhaps preparing her spell for the string.
Fifth illustration from act I from the Paris edition (1949)
Illustration from the edition Les Bibliophiles de France, made by Maurice Lalau.
Fourth illustration from act I from the Paris edition (1949)
An illustration of Celestina undressing a young woman who is hiding her eyes, before two men, in the Les Bibliophiles de France version.
Third illustration from act I from the Paris edition (1949)
Illustration that corresponds to the episode where Celestina brings Sempronio to her house so he can have sexual relations with Elicia and another client hidden in the background.
First illustration from act I from the Paris edition (1949)
Illustration of Celestina and a young man, perhaps Sempronio or Calisto, walking outside, with the city in the background as a symbol of the young rich men.
Third illustration from act II from the Paris edition (1949)
Calisto leaves on horseback. Pármeno can be seen behind.
Second illustration from act IV from the Paris edition (1949)
Claudina's death.
Third illustration from act IV from the Paris edition (1949)
Celestina takes the string to Melibea's house. Melibea is inside embroidering with Lucrecia.
Fourth illustration from act IV from the Paris edition (1949)
Melibea insults Celestina.
Fifth illustration from act IV from the Paris edition (1949)
Celestina leaves Melibea's house.
First illustration from act V from the Paris edition (1949)
Celestina walks through the city market.
Second illustration from act V from the Paris edition (1949)
Celestina speaks with Sempronio. In the background, Elicia and Areúsa can be observed.
Third illustration from act V from the Paris edition (1949)
The medieval city at sunset.
First illustration from act VI from the Paris edition (1949)
Celestina brings Calisto news about Melibea. Pármeno can also be observed calming down his master's dog.
Second illustration from act VI from the Paris edition (1949)
Sempronio and another servant speak at Calisto's house.
Third illustration from act VI from the Paris edition (1949)
Illustration from act VI when Celestina tells Calisto what she did at Melibea's house.
First illustration from act VII from the Paris edition (1949)
Celestina and Claudina in a field of hanged people.
Second illustration from act VII from the Paris edition (1949)
Claudina taking a molar from a person that has been hanged. Celestina is seen in the front.
Third illustration from act VII from the Paris edition (1949)
Celestina introduces Areúsa to Pármeno.
First illustration from act IX from the Paris edition (1949)
Pármeno and Sempronio on route to Celestina's house.
Second illustration from act IX from the Paris edition (1949)
Illustration of the meal at Celestina's house. Celestina, Areúsa and Pármeno in the foreground. In the background, Elicia and Sempronio can be seen.
Third illustration from act IX from the Paris edition (1949)
The younger years of Celestina's house. Reminds us of act IX.
Fourth illustration from act IX from the Paris edition (1949)
One of Celestina's prostitutes with a client in the procuress' younger years.
First illustration from act X from the Paris edition (1949)
Lucrecia and Celestina walk towards Melibea's house.
Second illustration from act X from the Paris edition (1949)
Celestina visits a lovesick Melibea.
First illustration from act XI from the Paris edition (1949)
Celestina leaves Melibea's house.
Second illustration from act XI from the Paris edition (1949)
Celestina brings Calisto Melibea's string.
First illustration from act XII from the Paris edition (1949)
Pármeno and Sempronio prepare themselves to leave for Melibea's house.
Second illustration from act XII from the Paris edition (1949)
Lucrecia and Melibea listen to Calisto from the other side of the door.
Third illustration from act XII from the Paris edition (1949)
Calisto converses with Melibea who is on the other side of the door.
Fourth illustration from act XII from the Paris edition (1949)
Celestina awakens to receive Sempronio and Pármeno who are looking for their part of the winnings.
Fifth illustration from act XII from the Paris edition (1949)
Sempronio falls from a window after killing Celestina.
First illustration from act XIII from the Paris edition (1949)
The town crier announces the decapitation of Calisto's servants.
Second illustration from act XIII from the Paris edition (1949)
Calisto's servants, Pármeno and Sempronio, are decapitated.
Third illustration from act XIII from the Paris edition (1949)
Sempronio and Pármeno's death spoken about by the townspeople.
Second illustration from act XIV from the Paris edition (1949)
Sempronio about to stab Celestina. Pármeno stops Elicia. Calisto alludes to this murder in act XIV.
First illustration from act XV from the Paris edition (1949)
Centurio and Areúsa.
Second illustration from act XV from the Paris edition (1949)
Areúsa consoles Elicia about Celestina's death.
First illustration from act XVI from the Paris edition (1949)
Pleberio and Alisa speak about Melibea's future.
Second illustration from act XVI from the Paris edition (1949)
Melibea and Lucrecia (?) outside the main door of Pleberio's house.
First illustration from act XVII from the Paris edition (1949)
Areúsa, Sosia and Elicia.
Second illustration from act XVII from the Paris edition (1949)
Entrance to the city of La Celestina.
First illustration from act XVIII from the Paris edition (1949)
Calisto and his servants on route to Melibea's house.
Second illustration from act XVIII from the Paris edition (1949)
Illustration of the sunset in the medieval city.
Third illustration from act XVIII from the Paris edition (1949)
Illustration of Centurio.
First illustration from act XIX from the Paris edition (1949)
Calisto and Melibea's nighttime encounter.
Second illustration from act XIX from the Paris edition (1949)
Calisto and Melibea's sexual encounter.
First illustration from act XX from the Paris edition (1949)
Melibea's suicide.
Second illustration from act XX from the Paris edition (1949)
Pleberio and Alisa lament their daughter's death.
First illustration from act XXI from the Paris edition (1949)
Some women pray for Melibea's soul.
Second illustration from act XXI from the Paris edition (1949)
Illustration of Melibea's funeral procession.