Browse Items (3223 total)

First illustration from act X from the Mexico edition (1947)
Drawing of Melibea seated at the window of her room playing with a cat.

Second illustration from act X from the Mexico edition (1947)
Colour image of Pármeno approaching Areúsa's bed. She is naked. Underneath can be read: "Que quiero ver par cuanto eres" ("I want to see how much you are worth").

First illustration from act XI from the Mexico edition (1947)
Celestina and Calisto walk down the street accompanied by Pármeno and Sempronio, who are following them. View from the city and superimposed part of the text written by hand.

Second illustration from act XI from the Mexico edition (1947)
Drawing of Celestina with the Church of the Magdalena in the background and handwritten superimposed text of her words in which she desires to go to the Church of the Magdalena to meet with Calisto.

First illustration from act XII from the Mexico edition (1947)
Calisto and Melibea's meeting behind the garden door. Pármeno and Sempronio in the background.

Second illustration from act XII from the Mexico edition (1947)
Calisto and Melibea, half naked, hugging in the garden, with the moon and the tree in the background.

First illustration from act XIII from the Mexico edition (1947)
Drawing of dead Celestina and of Elicia crying, plus a series of female characters in the background.

Second illustration from act XIII from the Mexico edition (1947)
Drawing of a body covered with a sheet or a shroud that is supposedly dead Celestina.

First illustration from act XIV from the Mexico edition (1947)
Drawing of Calisto and Melibea hugging in the garden.

Second illustration from act XIV from the Mexico edition (1947)
Drawing of Lucrecia playing the lute while Calisto and Melibea hug in the garden.

First illustration from act XV from the Mexico edition (1947)
Drawing of Elicia arriving to Areúsa's house dressed in mourning. Areúsa appears almost naked.

Second illustration from act XV from the Mexico edition (1947)
Drawing of a man (Sosia or Tristán) who with a candle in his hand illuminates a fallen corpse beside the wall who could be Calisto after his fall.

First illustration from act XVI from the Mexico edition (1947)
Conversation between Pleberio and Alisa inside the house.

Second illustration from act XVI from the Mexico edition (1947)
Drawing of Melibea playing the lute in her bed.

Third illustration from act XVI from the Mexico edition (1947)
Coloured image of naked Melibea and Calisto in the garden. Underneath can be read: "¡Oh dulce sobresalto!" ("Oh sweet shock!").

First illustration from act XVII from the Mexico edition (1947)
Drawing of Areúsa coaxing Sosia while Elicia listens behind the curtain.

Second illustration from act XVII from the Mexico edition (1947)
Drawing of a naked woman changing clothes. She is perhaps Elicia or Areúsa who is changing from mourning to more cheerful clothes.

First illustration from act XVIII from the Mexico edition (1947)
Drawing of Elicia and Areúsa standing before Centurio, who appears almost as an avenging angel.

Second illustration from act XVIII from the Mexico edition (1947)
Centurio gives Traso el Cojo and another ruffian instructions.

First illustration from act XIX from the Mexico edition (1947)
Drawing of Calisto dead in his servants' arms. Calisto's figure is curiously nude.

Second illustration from act XIX from the Mexico edition (1947)
Coloured image of Melibea's suicide that transforms to rose gradually as she falls.

First illustration from act XX from the Mexico edition (1947)
Symbolic drawing that is difficult to interpret. It could be Calisto's ghost hugging Melibea while a character transformed into a tree could be Celestina's ghost.

Second illustration from act XX from the Mexico edition (1947)
Symbolic drawing that could be the spirits of Calisto and Melibea.

Illustration from act XXI from the Mexico edition (1947)
Drawing of Pleberio's sobs with mourners in the background.

First illustration from the back cover from the Mexico edition (1947)
Capital letter O that frames a naked Melibea and angels.

Second illustration from the back cover from the Mexico edition (1947)
Naked man or woman reading a book beside a tree and falcon.

Third illustration from the back cover from the Mexico edition (1947)
Drawing of death in skeleton form floating beside the ladder in the garden.

Fourth illustration from the back cover from the Mexico edition (1947)
Drawing of a young, naked woman between two billy goats.

Robbery in a Brothel, by Steen (1665, c.)
Brothel scene. A young man on the lap of a young woman, while another young woman hands an object to an elderly woman. The old woman acts as a procuress for the young women. A couple of men in the background playing music instruments.

Escena de burdel, para Vicente, de Bernard (1888)
Depiction of a brothel scene where a young woman is drinking, a young man looking at her and an old woman by his side. The old woman may be acting as a procuress for the young woman.

La 'madama' rehaciendo su peinado, de Henri de Toulouse-Lautrec (1893)
Portrait of a woman with red hair combing her hair.

Tal para cual de Goya (1797)
A young woman is hugged by a young man while a pair of old women are seated to the left.

Estudio de Cabeza, de Velásquez (Fecha desconocida)
Portrait of an old woman.

Los españoles pintados por sí mismos, de anónimo (1851)
A young woman in the center of the drawing. On the left, an old woman looking at her, on the right a young man looking at her.

No hay quien nos desate, de Goya (1797)
A tied young woman and man are attacked by a giant owl.

The maja on the balcony, by Alenza y Nieto (1840, c.)
Goya-type model of a maja on the balcony with a procuress behind. A young woman looks out on a balcony and on the left, an old woman that acts as her procuress.

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Waiting on the balcony, by Alenza y Nieto (1835, c.)
A young woman sitting in a room near a balcony. Around her, an old woman sitting on the right, a man sitting on the left, and a man standing on the left.

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Poor man and Celestina, by Alenza y Nieto (1840, c.)
A man is accompanied by an old woman with a cane.

Country scene, de Alenza y Nieto (1877)
A young woman sitting under a tree, accompanied by an old woman on the left and several men on the left looking at her.

Young Woman and Celestina on the Balcony (Maja y Celestina al balcón), by Goya (1808, c.)
In the image two figures appear on a balcony: a young woman leaning on the railing and looking at the viewer (maja) and an old woman with a rosary on the left who reminds of Celestina. From the title it is also understood that the old woman acts as…

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Celestina and Young Woman (Celestina y maja), by Goya (1824)
A young woman appears in the center of the painting in the foreground. An old woman appears to the right in the background.

La maja, de Velásquez (Fecha desconocida)
A young woman is sits on a bench. There is a dog on the right and a guitar on the bench. On the left, an old woman looks at the young woman as if whispering. In the background some men are seen staring at the young woman.

El huerto de Calisto y Melibea, theater (2000 c.)
Cut out puppet theatre of Melibea's garden with the characters from the play. The front page, in English and Spanish, includes a summary of the story and explains that the garden is near Salamanca's Old Cathedral, which clearly appears in the…

Film poster for La Celestina, by Ardavín
Melibea (Amelia de la Torre) stands out in the background, while Celestina (Elisa Ramírez) and Areúsa (Heidelotte Diehl) are found in the foreground.

Photochrome 1 from the movie La Celestina, by Ardavín
Celestina (Amelia de la Torre) convincing Pármeno (Gonzalo Cañas) to join Sempronio in her plan.

Photochrome 2 from the movie La Celestina, by Ardavín
Lunch scene at the procuress' house. Celestina (Amelia de la Torre) alongside Pármeno (Gonzalo Cañas) and Areúsa (Heidelotte Diehl). Sempronio (Antonio Medina) and Elicia (Ursula Mellin) are on the other side of the table.

Photochrome 3 from the movie La Celestina, by Ardavín
Celestina (Amelia de la Torre) in the foreground. Beside her are Sempronio (Antonio Medina) and Elicia (Ursula Mellin).

Photochrome 4 from the movie La Celestina, by Ardavín
Celestina (Amelia de la Torre) witnessing a fight between Elicia (Ursula Mellin) and Sempronio (Antonio Medina).

Photochrome 5 from the movie La Celestina, by Ardavín
Pleberio (Konrad Wagner), Alisa (Eva Lissa), Lucrecia (Eva Guerr) and Melibea (Elisa Ramírez) watching a religious procession from the top of her mansion.

Photochrome 6 from the movie La Celestina, by Ardavín
Alisa (Eva Lissa) with the procuress' string, Celestina (Amelia de la Torre) and Melibea (Elisa Ramírez). Lucrecia (Eva Guerra) is found in the background.

Photochrome 9 from La Celestina, by Sabido
Calisto (Luigi Montefiori) and Melibea (Isela Vega)

Photochrome 7 from La Celestina, by Sabido
Areúsa (Martha Zabaleta) and behind her Sempronio (José Gálvez) and Pármeno (Porfirio Bas ) getting drunk.

Photochrome 6 from La Celestina, by Sabido
Celestina (Ofelia Guilmáin)

Photochrome 5 from La Celestina, by Sabido
Elicia (Marcela López Rey ) and Sempronio (José Gálvez).

Photochrome 4 from La Celestina, by Sabido
Celestina (Ofelia Guilmáin) accompanied by Sempronio (José Gálvez).

Photochrome 3 from La Celestina, by Sabido
Calisto (Luigi Montefiori) and Melibea (Isela Vega)

Photochrome 2 from La Celestina, by Sabido
Melibea (Isela Vega) in her garden

Photochrome 1 from La Celestina by Sabido
Lucrecia (Ana de Sade) as the witness of the sexual pleasure between Areusa and Elicia and their lovers.

Design of the collectible photochromes from La Celestina, by Sabido
Melibea and Calisto. The procuress Celestina is in the background.

Photochrome 8 from La Celestina, by Vera
Calisto (Juan Diego Botto) and Melibea (Penélope Cruz)

Photochrome 7 from La Celestina, by Vera
Lucrecia (Nathalie Seseña) and Melibea (Penélope Cruz)

Photochrome 6 from La Celestina, by Vera
Medieval party and music

Photochrome 5 from La Celestina, by Vera
Elicia (Candela Peña) and Areúsa (Maribel Verdú)

Photochrome 4 from La Celestina, by Vera
Calisto (Juan Diego Botto) and Melibea (Penélope Cruz)

Photochrome 3 from La Celestina, by Vera
Sempronio (Nancho Novo) and Celestina (Terele Pávez) moments before her death.

Photochrome 2 from La Celestina, by Vera
Tristán (Sergio Villanueva) and Sosia (Carlos Fuentes) crying over the death of Calisto (Juan Diego Botto)

Photochrome 1 from La Celestina, by Vera
Pármeno (Jordi Mollà) and Calisto (Juan Diego Botto)

Photochrome 7 from the movie La Celestina, by Ardavín
Calisto (Julian Mateos) observing Melibea (Elisa Ramírez) when he enters her garden to find his falcon.

Film poster for La Celestina, by Sabido
Calisto (Luigi Montefiori) and Melibea (Isela Vega). On the top part, you can see the eye of the procuress Celestina (Ofelia Guilmáin).

Characters from the movie La Celestina, by Ardavín
From right to left, in the upper part, Melibea (Elisa Ramírez), Celestina (Amelia de la Torre) and Calisto (Julián Mateos); in the middle part, Pleberio (Konrad Wagner), Sempronio (Antonio Medina), Alisa (Eva Lissa), Lucrecia (Eva Guerr) and, in the…

Characters from the movie La Celestina, by Ardavín
From right to left, Pleberio, Alisa, Sempronio, Lucrecia, Areúsa, Pármeno, Elicia and Centurio.

Book of photochromes from the movie La Celestina, by Ardavín
Images from Act IXCelestina, Elicia, the new couple of Pármeo and Areúsa, Sempronio is at the end of the table.

Book of photochromes from the movie La Celestina, by Ardavín (antecedents)
On one hand, the image corresponds to one of the first acts. Celestina speaks with Calisto, while Pármeno listens carefully to the conversation.
On the other hand, the text corresponds to the antecedents of Rojas' book.

Photochrome 8 from the movie La Celestina, by Ardavín
Calixto's "dreams." The love dream Calisto (Julián Mateos) aspiring to be loved by Melibea (Elisa Ramírez).

Book of photochromes from the movie La Celestina, by Ardavín (presentation)
The introduction of a tragic love story.
Image of middlemen, procuresses and lovers.

Photochrome 9 from the movie La Celestina, by Ardavín
Melibea (Elisa Ramírez) hearing Traso and his men fighting with Calisto's servants.

Photochrome 10 from the movie La Celestina, by Ardavín
Celestina (Amelia de la Torre) being murdered by Sempronio (Antonio Medina)

Photochrome 11 from the movie La Celestina, by Ardavín
Celestina, master in erotic arts.
Celestina (Amelia de la Torre) convincing Areúsa (Heidelotte Diehl) to give herself to Pármeno (Gonzalo Cañas). In the second image, you can the result of the successful art of Celestina.

Photochrome 12 from the movie La Celestina, by Ardavín
Drama inLa Celestina.In the first image Alisa (Eva Lissa) is desperate for not being able to prevent Melibea's death. In the second, Elicia (Ursula Mellin) comes down the stairs and finds Celestina (Amelia de la Torre) dead.
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