Colour image of Pármeno approaching Areúsa's bed. She is naked. Underneath can be read: "Que quiero ver par cuanto eres" ("I want to see how much you are worth").
Celestina and Calisto walk down the street accompanied by Pármeno and Sempronio, who are following them. View from the city and superimposed part of the text written by hand.
Drawing of Celestina with the Church of the Magdalena in the background and handwritten superimposed text of her words in which she desires to go to the Church of the Magdalena to meet with Calisto.
Symbolic drawing that is difficult to interpret. It could be Calisto's ghost hugging Melibea while a character transformed into a tree could be Celestina's ghost.
Brothel scene. A young man on the lap of a young woman, while another young woman hands an object to an elderly woman. The old woman acts as a procuress for the young women. A couple of men in the background playing music instruments.
Depiction of a brothel scene where a young woman is drinking, a young man looking at her and an old woman by his side. The old woman may be acting as a procuress for the young woman.
Goya-type model of a maja on the balcony with a procuress behind. A young woman looks out on a balcony and on the left, an old woman that acts as her procuress.
A young woman sitting in a room near a balcony. Around her, an old woman sitting on the right, a man sitting on the left, and a man standing on the left.
In the image two figures appear on a balcony: a young woman leaning on the railing and looking at the viewer (maja) and an old woman with a rosary on the left who reminds of Celestina. From the title it is also understood that the old woman acts as…
A young woman is sits on a bench. There is a dog on the right and a guitar on the bench. On the left, an old woman looks at the young woman as if whispering. In the background some men are seen staring at the young woman.
Cut out puppet theatre of Melibea's garden with the characters from the play. The front page, in English and Spanish, includes a summary of the story and explains that the garden is near Salamanca's Old Cathedral, which clearly appears in the…
Lunch scene at the procuress' house. Celestina (Amelia de la Torre) alongside Pármeno (Gonzalo Cañas) and Areúsa (Heidelotte Diehl). Sempronio (Antonio Medina) and Elicia (Ursula Mellin) are on the other side of the table.
Pleberio (Konrad Wagner), Alisa (Eva Lissa), Lucrecia (Eva Guerr) and Melibea (Elisa Ramírez) watching a religious procession from the top of her mansion.
Alisa (Eva Lissa) with the procuress' string, Celestina (Amelia de la Torre) and Melibea (Elisa Ramírez). Lucrecia (Eva Guerra) is found in the background.
From right to left, in the upper part, Melibea (Elisa Ramírez), Celestina (Amelia de la Torre) and Calisto (Julián Mateos); in the middle part, Pleberio (Konrad Wagner), Sempronio (Antonio Medina), Alisa (Eva Lissa), Lucrecia (Eva Guerr) and, in the…
On one hand, the image corresponds to one of the first acts. Celestina speaks with Calisto, while Pármeno listens carefully to the conversation.
On the other hand, the text corresponds to the antecedents of Rojas' book.
Celestina, master in erotic arts.
Celestina (Amelia de la Torre) convincing Areúsa (Heidelotte Diehl) to give herself to Pármeno (Gonzalo Cañas). In the second image, you can the result of the successful art of Celestina.
Drama inLa Celestina.In the first image Alisa (Eva Lissa) is desperate for not being able to prevent Melibea's death. In the second, Elicia (Ursula Mellin) comes down the stairs and finds Celestina (Amelia de la Torre) dead.