Browse Items (3223 total)

Granite statue of Fernando de Rojas in his hometown, Puebla de Montalbán, of the province of Toledo, Glorieta square. It includes an inscription that says "Relic of the remains of Fernando de Rojas, donated by Talavera de la Reina"

Painting on wood made with a mixed technique that represents a medieval courtship scene inspired byLa Celestina.The author writes about the image: "To seduce the beloved the help of the procuress was not enough. It was necessary to reach the dreamy…

Tinta y pastel sobre papel.

Genre painting by Flemish author, based on the parable of the prodigal son (merry company). Note the old woman in the foreground, who, Judas-like, reaches for the bread.

Other titles: The Prodigal Son, De Verloren Zoon

Dutch painting, genre painting or merry company.
Note the old woman in the foreground with the beer or wine mug.

Original title: Lockere Gesellschaft
Other title: Brothel Scene

Dutch art. Genre painting of tavern or brothel.
Note the old woman.

Other title: Det glada sällskapet

Surrealistic painting in dark blue tones

Scene of music and a banquet, a subject of which this painter has several paintings. Note the old woman on the right and the wine.

Scene inspired by the tradition of the prodigal son. Caravaggio influences. "Honthorst's genre painting relates to the subject portrayed by his fellow Utrecht Caravaggisti. It depicts a provocative scene of a wanton student (the prodigal son?) in the…

Dinner scene with prostitutes inspired by the biblical story of the prodigal son, a common theme in Dutch painting of the time. Compared with pictures by Murillo on the same theme, which do not present these scenes but rather the reconciliation.

"Honthorst's genre pictures of light-hearted gatherings had a great impact in Utrecht. He made such pictures while he was still in Italy. His Supper Party, painted during his last months in Italy, set a precedent for similar scenes done in the 1620s…

Despite the biblical theme, it is treated as a genre scene in which a young woman welcomes a procuress with a missive.

Blanket of Portuguese origin with scenes from the play and the names of Calisto and Melibea. It is kept at the Victoria and Albert Museum of London.

Representation directed by Álvaro Custodio of the Teatro Español de Mexico for the Ateneo Español de Mexico, in Mexico D.F. Clippings of theater reviews, comics, and photos and pages taken from magazines.

Representation directed by Nilda González of the University Theatre of the Puerto Rico University. Adaptation by Nilda González based on Francisco Fernández Villegas' version. Official program, sketches of the stage, illustrations of the stage,…

Representation directed by Jose Osuna, for the Teatro Reina Victoria. Premiered by Milagros Leal.

Representation of Alfonso Sastre's version of La Celestina.Storia di amore e di magia con qualche citazione dalla famosa tragicommedia di Calisto e Melibea.Performance at the Teatro Argentina, Rome, Italy. Premiere April 26, 1979.

Original title:De Spaanse Hoer ("The Spanish Whore"), adaptation of the work by Hugo Claus directed by Alfons Goris at the Studio Herman Teirlinck, Antwerp (1987-88).Representation in the city of Antwerp. Photos of the performance showing the actors…

Adaptation: Gonzalo Torrente Ballester
Music: Carmelo Bernaola
Scenography, costumes and lighting: Carlos Cytrynowski

Cast* (By order of dialogue):
Juan Gea- Calixto
Adriana Ozores- Melibea
Jesús Puente- Sempronio
Amparo Rivelles:…

Representation directed by Cristina Pezzoli for the Quirino Theater in Rome. Clippings of theater reviews with actors and parts of the stage.

Representation directed by Antoine Vitez of the Théatre National de l'Odeon for the Grec-89 Festival. Starring Jeanne Moreau, Lambert Wilson, and Valerie Dreville.Record of representation in CDAEM, Spanish…

Representation directed by Adolfo Marsillach of the National Classical Theater Company for the Edinburgh International Festival at the Royal Lyceum Theater, starring Amparo Rivelles and Jesus Puente.

Representation directed by Antoine Vitez of the Théatre National de l'Odeon for the Avignon Festival (D'Avignon Festival).

Author: Fernando de Rojas
Stage direction: Antoine Vitez
Artistic direction: Roland Hergault
Scenography: Yannis…

Representation directed by Ernesto Concepción of the Teatro Repertorio Clásico Mundial from the Teatro Tapia.

Representation directed by Francois Michel Presenti from Theater Basel.

Bilingual production.
Adaptation by Margarita Stocker and Margarita Galbán.
Decor: D. Azfali

Cast:
Margarita Stocker and Margarita Córdova - Celestina
Sully Díaz and Veronika Stoker - Melibea
Olegario Andrade and Johnathan del Arco -…

Representation with choreography by Paco Romero of the Spanish Ballet at the Cultural Center of the Villa de Madrid.

Performance directed by Alejandro Sieveking for the Montecarmelo Center, starring Bélgica Castro in Santiago de Chile.Cast:Bélgica Castro (Celestina)Jéssica Vera (Melibea)Mauricio Torres (Calisto)Ramón Carcher (Sempronio)Mónica Jaramillo…

Assistant Directors: Lito Bara and Ana Belén Saint-Jean
Fight Consulting: Hernán Martinez
Original Music: Jorge Valcarcel
Musicians on stage: Jorge Valcarcel and Luis Reales
Lighting design: Lito Pastrán and Jorgelina Flores
Setting and costume…

Representation of the compañía Guirigai, directed by Agustín Iglesias, from Teatro Muños Seca.

Opera performance for the Zarzuela Theater, Directed by Ana Mª Iriarte (artistic direction), Miquel Ortega (musical direction), Ignacio García (stage direction).

Representation directed by Adam Nashman from Elverket Dramaten Theater in Stockholm.

La Celestina, de la pasión al revolcón ("La Celestina, from passion to tumble")Free version of La Celestina by the BoTiKa group. Theater-cabaret company.Some images are from the representation at the Cáceres Classical Theater Festival at the Plaza de…

Original title: Calisto, historia de un personaje ("Calisto, history of a character").Representation directed by Miguel Seabra from meridional theatre, protagonizadla by Álvaro Lavín.

Representation directed by Pamela Howard and Robert Potter from Dartmouth Department of Theater.

Representation of the Edinburgh International Festival, directed by Calixto Bieito, from the Birmingham Repertory Theatre.

Representation directed by Robert Lepage, at the Nau de Sagunt, featuring Nuria Espert.

Representation directed by José Mayo, from the Zampanó theater.

Cast:Patricia Becker-MelibeaJosé Enrique Díaz-CalistoBeatriz Córdoba- CelestinaFermín Suárez-SempronioJosé Cheo Oliveras-PármenoEva Cristina Vásquez- AreúsaMariana Buoninconti- Elicia

Representation directed by Carlos, Diaz from the Cultural Center of Spain, from the El Público theater.
Dramaturgical version by Norge Espinosa and Abel González Melo
Theater consultancy by Norge Espinosa
Costume Design, Vladimir Cuenca and Carlos…

Representation directed by A. Diaz-Florian, at the Espada de Madera Theater. The photos show the actors.Record of representation in CDAEM, Spanish Theater:https://www.teatro.es/estrenos-teatro/la-celestina-27557

Representation directed by Mariano de Paco Serrano, Secuencia 3 Artes y Comunicación.
Version: Eduardo Galán.
Direction: Mariano de Paco Serrano.
Scenography: David Deloaysa.
Clothing: Maika Chamorro.
Music: Tomás Marco.
Lighting: Pedro…

Representation directed by Christy Drogosch, of the Miracle Theatre Group. Adaptation: Raquel CarrióProduction: MilagroSponsors: Josie Mendoza and Hugh MackworthDuration: 90 min.Language: Spanish with English subtitlesCast: Bibiana Lorenzo Johnston-…

Representación dirigida por Yayo Cáceres, protagonizado por Charo López.

Representation directed by Luis Escobar and Humberto Pérez de la Ossa, of Eslava Theater

Composite scene that shows two servants escorting Calisto on horseback and a third Black servant or page. It also includes a dog and in the right margin Melibea's house, where she and Lucrecia are on the balcony, while Celestina knocks on the door,…

Represents the author and at times the illustration is identified as "young author" to distinguish it from the image of the "old author" in the Valencia edition (1518).

Five factotums of Pármeno, Calisto, Melibea (holding a mirror and a background with vegetation), Celestina, Elisa. The name Crito is included above the factotums but does not have a corresponding image.

Three factotums of Calisto, Pármeno and Sempronio. Framed by a tree and a tower with two people inside. The image of Pármeno is the same used in the previous act for Calisto.

Factotums of Sempronio, Celestina and Elicia framed by a tree and a tower.

Factotums of Lucrecia, Celestina, Alisa and Melibea. Only Alisa corresponds to an older woman, but not Celestina. On the left, there is a row of houses.

Factotums of Calisto, Pármeno, Sempronio, Celestina and a house with a person inside in the right margin.

Factotums of a house with a person inside, Calisto, Celestina (head covered), Pármeno and Sempronio.

Factotums of Pármeno, Celestina, Areúsa, Elicia and a house.

Factotums of Sempronio, Pármeno, Areúsa, Calisto and a house.

Factotums of Sempronio, Pármeno, two houses repeated (in the Valencia edition (1514) they are different), and a covered female character. The names above these five factotums are Sempronio, Pármeno, Elicia, Celestina, Areúsa, Lucrecia.

Factotums of Melibea, Celestina, Lucrecia, Alisa.

Factotums of Calisto, Celestina, Pármeno, Sempronio and Elicia.

Factotums of Calisto, Lucrecia, Melibea, Sempronio and Pármeno.

Pármeno and Sempronio killing Celestina with swords.

The executioner executes Pármeno and Sempronio in the right margin and the judge holds a staff and sword in his belt flanked by two armed soldiers.

Sosia and Tristán stand guard while Calisto begins to climb the ladder. Lucrecia and Melibea watch them from the other side of the crenelated wall. This is used again in act XX.

Factotum of Areúsa, who has her head covered in mourning, Centurio and Elicia. Framed by factotums of buildings on each side.

Factotums of Pleberio without a beard, Alisa, Lucrecia wearing cloak, and Melibea holding a mirror and a plant in the background. Factotum of a building in the right margin.

Factotums of Elicia, Areúsa and Sosia framed by two buildings in the margins.

Factotums of Centurio, Elicia (covered) and Areúsa (without head covering) framed by two buildings.

The same image used in act XIV: Sosia and Tristán stand guard while Calisto begins to climb the ladder. Lucrecia and Melibea watch from the other side of the crenelated wall.

Sosia and Tristán retrieve Calisto's body. He has just fallen from the ladder.

Factotums of Pleberio, without a beard, Lucrecia who has her head covered and Melibea with the mirror and a plant in the background, surrounded by a building on the left and a tree on the right. Very similar to the illustration used in act XVI. Note…

Factotum of a house, Alisa, Melibea throwing herself from the tower (without a name above) and Pleberio tearing at his beard.

Symbolic portrait of Celestina with the moon and what appear to be flames or a tree.

Celestina walking surrounded by mythological beings. Note Picasso's influence on the minotaur, Melibea in the background and garden with trees that remind us of the cypresses from the cementery.

Melibea in her room surrounded by cupids. Note the similarity with the paintings of the Anunciación.

Naked woman, perhaps Melibea, abducted on a billy goat so it could be Celestina; inspired perhaps in the Abduction of Europa.

Drawing of the gallant scene between Calisto and Melibea, probably their encounter in the garden.

Drawing of Calisto playing the lute in his room with a sleeping dog in the foreground and the city seen through the window.

Drawing of naked Melibea bathing in a pond while a bird draws near.

Drawing of Calisto playing the lute while Pármeno and Sempronio speak in the back.

Drawing of Calisto bowing, probably before the arrival of Celestina to his house.

Drawing of Calisto on horseback while the falcon is flying.

Drawing of Calisto and Melibea in the garden.

Colour image of Melibea with long hair. Beneath the image can be read: "La soberana hermosura" ("The sovereign beauty").

Colour image of Melibea with the falcon. Underneath can be read: "De cuyo amor preso comenzóle de hablar" ("About whose imprisoned love he began to speak to him about").

Drawing of Melibea as a locked up damsel that is sewing or embroidering with a cat at her feet.

Drawing of Celestina in her house with the string and a cat at her feet.

Drawing of Celestina at the table casting a spell and the spirits becoming visible.

Drawing of Celestina on the balcony and Celestina behind speaking to her.

Drawing of Celestina walking down the street and a young man, Sempronio, waiting for her leaning on a wall.

Coloured image of Sempronio hugging Elicia. Underneath can be read: "No derribes la mesa" ("Don't knock down the table").

Drawing of a group of older women.

Drawing of Calisto playing the lute in his bed and Celestina speaking to him. Dog on the floor and Pármeno listening in the background.

Calisto and Melibea kissing in the garden under the moon. Underneath can be read: "¡Oh mi vida y mi amor!" ("Oh my life and my love!").

A skeleton representing death approaches a dove or bird on a branch.

Drawing of Celestina approaching Areúsa, naked, in the bed, while Pármeno watches from behind a curtain.

Drawing of Areúsa bent over and naked.

Drawing of Areúsa and Pármeno getting out of bed the next day.

Drawing of the banquet at Celestina's house.

Drawing of a couple hugging and ascending to the top floor of Celestina's house, while Pármeno is downstairs, kneeling??

Drawing of Pármeno and Sempronio speaking at the table at Celestina's house, from whose ceiling hang hams and charcuterie.