Browse Items (3223 total)

Representation directed by Adolfo Marsillach of the National Classical Theater Company for the Edinburgh International Festival at the Royal Lyceum Theater, starring Amparo Rivelles and Jesus Puente.

Representation directed by Antoine Vitez of the Théatre National de l'Odeon for the Grec-89 Festival. Starring Jeanne Moreau, Lambert Wilson, and Valerie Dreville.Record of representation in CDAEM, Spanish…

Representation directed by Cristina Pezzoli for the Quirino Theater in Rome. Clippings of theater reviews with actors and parts of the stage.

Adaptation: Gonzalo Torrente Ballester
Music: Carmelo Bernaola
Scenography, costumes and lighting: Carlos Cytrynowski

Cast* (By order of dialogue):
Juan Gea- Calixto
Adriana Ozores- Melibea
Jesús Puente- Sempronio
Amparo Rivelles:…

Original title:De Spaanse Hoer ("The Spanish Whore"), adaptation of the work by Hugo Claus directed by Alfons Goris at the Studio Herman Teirlinck, Antwerp (1987-88).Representation in the city of Antwerp. Photos of the performance showing the actors…

Representation of Alfonso Sastre's version of La Celestina.Storia di amore e di magia con qualche citazione dalla famosa tragicommedia di Calisto e Melibea.Performance at the Teatro Argentina, Rome, Italy. Premiere April 26, 1979.

Representation directed by Jose Osuna, for the Teatro Reina Victoria. Premiered by Milagros Leal.

Representation directed by Nilda González of the University Theatre of the Puerto Rico University. Adaptation by Nilda González based on Francisco Fernández Villegas' version. Official program, sketches of the stage, illustrations of the stage,…

Representation directed by Álvaro Custodio of the Teatro Español de Mexico for the Ateneo Español de Mexico, in Mexico D.F. Clippings of theater reviews, comics, and photos and pages taken from magazines.

Blanket of Portuguese origin with scenes from the play and the names of Calisto and Melibea. It is kept at the Victoria and Albert Museum of London.

Despite the biblical theme, it is treated as a genre scene in which a young woman welcomes a procuress with a missive.

"Honthorst's genre pictures of light-hearted gatherings had a great impact in Utrecht. He made such pictures while he was still in Italy. His Supper Party, painted during his last months in Italy, set a precedent for similar scenes done in the 1620s…

Dinner scene with prostitutes inspired by the biblical story of the prodigal son, a common theme in Dutch painting of the time. Compared with pictures by Murillo on the same theme, which do not present these scenes but rather the reconciliation.

Scene inspired by the tradition of the prodigal son. Caravaggio influences. "Honthorst's genre painting relates to the subject portrayed by his fellow Utrecht Caravaggisti. It depicts a provocative scene of a wanton student (the prodigal son?) in the…

Scene of music and a banquet, a subject of which this painter has several paintings. Note the old woman on the right and the wine.

Surrealistic painting in dark blue tones

Dutch art. Genre painting of tavern or brothel.
Note the old woman.

Other title: Det glada sällskapet

Dutch painting, genre painting or merry company.
Note the old woman in the foreground with the beer or wine mug.

Original title: Lockere Gesellschaft
Other title: Brothel Scene

Genre painting by Flemish author, based on the parable of the prodigal son (merry company). Note the old woman in the foreground, who, Judas-like, reaches for the bread.

Other titles: The Prodigal Son, De Verloren Zoon

Tinta y pastel sobre papel.

Painting on wood made with a mixed technique that represents a medieval courtship scene inspired byLa Celestina.The author writes about the image: "To seduce the beloved the help of the procuress was not enough. It was necessary to reach the dreamy…

Granite statue of Fernando de Rojas in his hometown, Puebla de Montalbán, of the province of Toledo, Glorieta square. It includes an inscription that says "Relic of the remains of Fernando de Rojas, donated by Talavera de la Reina"

A black background with a colourful and semi-abstract representation of Celestina. A line, representing the thread she sells, forms loops and knots, referencing the way she ties her victims up into her schemes. She clutches the money bag in her right…

Representation directed by Carlos Giménez of the fundación Rajatabla (Venezuela) tour 1987-1989. Clippings of theater reviews with photos of the actors from the newspapers El Público, Boletín, andLa Prensa. Version by Carlos Giménez based on the…

Representation directed by Phillip Prowse by The Citizens Company for the Citizens Theatre, in Glasgow. Photos of the representation by photographer John Vere Brown. The pictures show the actors and parts of the stage.

Version: José Ruibal Scenography: Marcelo Grande Clothing: Marcelo Grande Lighting: Quico Gutiérrez (AAI) Production: Focus Cast: Amparo Soler Leal- Celestina Romà Sánchez- Calisto Bea Guevara- Melibea Paul Berrondo- Sempronio Xavier Ruano- Pármeno…

Representation directed by David Gilmore in Nuffield Theatre, in the University of Southampton. Pictures of the representation,clippings of newspaper theater reviews and advertising poster showing the actors and parts of the stage and an illustrated…

Representation directed by Salvador Garcini of the Teatro de la Nación del IMSS in the Teatro Julio Prieto (Ciudad de México, México). Official program and newspaper clippings with the cast and photos of the actors.

Representation of the Compañía Lope de Vega in various theaters and festivals. Directed by José Osuna. Revision by Alejandro Casona. Premiered by Esperanza Grases, Milagros Leal, and José Rubio.Record of representation in CDAEM, Spanish…

Author: Fernando de Rojas.Adaptation: Alejandro CasonaDirection: José Osuna, helped by Luis Balaguer.Decorations and figurines: Emilio Burgos, made by Viuda de López y Muñoz.Director of the company: José TamayoLope de Vega companyCast: Milagros Leal,…

Representation directed by José Ricardo Morales of the Teatro experimental of the Universidad de Chile. Cutting from the official program. Contains an illustrated representation and the cast. Technical team: Raúl Aliaga, Props; Juan Cruz, Makeup;…

Factotums of a tower, Pleberio, Lucrecia and Melibea. Above the tower appear the words "de la torre abajo." This image changes in order and attribution of the characters of the equivalent image in the Toledo edition (1526).

Melibea throws herself from the tower while Pleberio watches.

Tristán and Sosia remove the dead Calisto, ladder and the garden wall in the background. Note that Calisto's shoes are on the ground.

Factotums of Sosia, Tristán, Calisto, Melibea and Lucrecia. In the Toledo edition (1526) the first character on the left is Tristán and he has a different image.

Five factotums. This engraving does not seem to be in the Toledo edition (1526), although the characters are a recombination of the same usual images.

Factotums of houses, Areúsa, Elicia, unnamed character as the same one called "el moço" in the illustration from act XV, and Centurio.

Factotums of casas, Elicia, Areúsa, Sosia and houses.

Factotums of Melibea, Lucrecia, Alisa, Pleberio and houses.

Factotums of Elicia, the moço (sic), Centurio, Areúsa and houses.

Sosia and Tristán armed in the street while Calisto climbs the ladder to Melibea's garden. She waits for him inside with Lucrecia.

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto.

Pármeno and Sempronio's execution with two soldiers, a judge, Sosia observing and an executioner wearing a turban. One of the executed has a cross in his hand.

Factotums of buildings, Calisto, Tristán, Sosia and buildings. Tristán and Sosia are wielding swords.

Judge and two soldiers with Pármeno and Sempronio (one on the ground, the other jumping out the window) on the left side and on the right, Pármeno and Sempronio kill Celestina with swords while Elicia tears out her hair behind Celestina. Curiously…

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

Factotums of Celestina, Calisto, Sempronio, Pármeno and Elicia.

Factotums of Melibea, Celestina, Alisa, Lucrecia, all speaking in pairs, and houses.

Five factotums and six names above: Sempronio, Pármeno, Celestina, Elicia, Lucrecia, Areúsa.

Factotums of Pármeno, Celestina, Areúsa, Elicia and houses.

Factotums of Pármeno, Celestina, Areúsa, Elicia and houses.

Factotums of houses, Calisto, Celestina, Pármeno and Sempronio.

Factotums: houses, Celestina, Sempronio, Pármeno and Calisto.

Factotums: houses, Lucrecia, Celestina, Alisa and Melibea. They speak in pairs, Celestina with Lucrecia and Alisa with Melibea. Celestina and Alisa are characterized as old women with their heads covered. The only difference from the Toledo edition…

Factotums of houses, Sempronio, Celestina, Elicia and a tree. This image changes two characters and the tree with respect to the equivalent model from the Toledo edition (1526).

Five block factotum: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding the bag. The houses are mirror images of a same model.

Five factotums and seven names above: Calisto, Melibea, Sempronio, Pármeno, Celestina, Elicia, Crito. Celestina is carrying the rosary and a cane. Some of the images are different from the equivalent images used in the Toledo edition (1526).

Calisto and Melibea are in the walled garden on the left. Celestina is carrying the rosary, string and a cane knocking on a door and a young woman (Lucrecia) leans out of the window to see who is knocking.

Melibea's suicide, as she throws herself from the tower while two male (Pleberio and another) and two female (Alisa and Lucrecia) characters watch.

Factotum of a tree, Lucrecia, Pleberio and houses.

Calisto, dead, is carried away by Sosia and Tristán.

Calisto scaling the wall of Melibea's garden accompanied by Tristán and Sosia while Melibea and Lucrecia wait within. The same image used in act XIV.

Factotums of houses, Areúsa, Centurio, Elicia and a tree.

Factotums of houses, Elicia Sosia, Areúsa and a tree.

Factotums of Melibea, Lucrecia, Alisa and Pleberio.

Factotums of houses, Elicia, Centurio, Areúsa and a tree.

Calisto scaling Melibea's garden wall accompanied by Sosia and Tristán. Melibea and Lucrecia wait inside. The same image is used later in act XIX.

Pármeno and Sempronio's execution.

Two sequences that simultaneously show Celestina's death, Pármeno and Sempronio jumping from the window, and their sentence by the judge.

Factotums of Pleberio, Alisa, Celestina and Alicia.

Factotums of Calisto, Celestina, Pármeno, Sempronio and Elicia.

Factotums of Melibea, Celestina, Lucrecia and Alisa.

Factotums of Sempronio, Pármeno, Celestina, Lucrecia and Areúsa.

Factotums of Calisto, Sempronio, Pármeno and Areúsa.

Factotums of Celestina, Pármeno, Areúsa, Elicia and buildings.

Factotums of Calisto, Celestina, Pármeno and Sempronio.

Factotums of buildings, Calisto, Pármeno, Sempronio and Celestina.

Celestina, Melibea, Lucrecia, Calisto, Sempronio and a dog. Falcon and horse. Celestina holding her rosary and Calisto the chain and falcon. Note the detail of the horse's testicles that can be seen from behind.

Factotums of buildings, Lucrecia, Celestina, Alisa and Melibea.

Comedic summary of La Celestina in 2 minutes with moving figures and Madrid zarzuela type accent.

Factotums of houses, Alisa and Pleberio.

Melibea throws herself from the tower while Pleberio watches.

Dead Calisto is removed by Tristán and Sosia. In the background, a ladder and the garden wall. Note the detail that Calisto's shoes are on the ground.

Dead Calisto is removed by Tristán and Sosia. In the background, a ladder and the garden wall. Note the detail that Calisto's shoes are on the ground.

Factotums of Tristán, Sosia, Calisto, Melibea and Lucrecia.

Five factotums and the six names of Traso, Centurio, Aréusa, Elicia, Terencia and Tiburcia.

Factotums of houses, Aréusa, Elicia, same unnamed character called the "moço" as in the illustration from act XV, and Centurio.

Factotums of houses, Elicia, Aréusa, Sosia and houses.

Factotums of Melibea, Lucrecia, Alisa, Pleberio and houses.

Factotums of Elicia, the moço (sic), Centurio, Areúsa and houses.

Sosia and Tristán are armed in the street while Calisto goes up the staircase beside Melibea's garden, who is waiting for him inside with Lucrecia.

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto.

Pármeno and Sempronio's execution with two soldiers, judge, Sosia contemplating him and executioner wearing a turban. One of the executed carries a cross in hand.

Factotums of buildings, Calisto, Tristán, Sosia and buildings. Tristán and Sosia are armed with swords.

Judge and two soldiers with Pármeno and Sempronio (one on the floor, the other jumping out the window) on the left side and on the right, Pármeno and Sempronio kill Celestina with swords while Elicia pulls out her own hair behind Celestina. Curiously…

Factotums of Alisa, Pleberio, Celestina, Elicia and houses. Exceptionally the names are underneath instead of above the figures.

Factotums of Celestina, Calisto, Sempronio, Pármeno and Elicia.

School project, 50 minute video. Described on the YouTube page as "Adaptation of the classic by Fernando de Rojas". Audiovisual project by the grade 11 students from Bovalar Secondary School (2009-2010 school year) from the Castilian Language and…

"Brief summary of the argument of the play La Celestina"
Six minute silent video in which an electronic blackboard and a series of drawings is used to summarize the argument. Educational material?? Note the use of modern characters in the drawings.