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First illustration of act IV of the Madrid edition, 2005

First illustration of act IV from the Barcelona edition (1883)

A somewhat contemporary image of the devil as an illustration of Celestina's words a few lines before "Por aquí anda el diablo" ("Here walks the devil") (p. 90.).

First illustration of act III of the Micomicona Ediciones edition: Valencia, 2019

La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6

First illustration of act III of the Madrid edition, 2005

First illustration of act III of the Antwerp edition (1616)

Double image that shows Calisto and Celestina'smeeting while Pármeno and Sempronio talk amongst themselves. This does not appear to be a copy of the illustrations in Zaragoza (1545), one of the few cases in the book. Due to the simplicity of…

First illustration of act III from the Barcelona edition (1883)

Vignette with a portrait of a woman, supposedly Elicia (p. 81).

First illustration of act II of the Madrid edition, 2005

First illustration of act I, by Alcalá Iberri (2004)

Ilustración primera del Acto I, de Alcalá Iberri (2004)

Calisto recrimina a Sempronio

First illustration of act I of the Paris edition, 1976

First illustration of act I of the Oxford edition (2016)

Ilustración primera del acto I de la edición Oxford, 2016

El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

First illustration of act I of the Madrid edition, 2005

First illustration of act I of the Bilbao edition (1971)

First illustration of act I of the Barcelona edition, 2013

Ilustración primera del acto I de la edición Barcelona, 2013.

La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

First illustration of act I of the Barcelona edition (1525)

Factotums of four images, two young men, a young woman and an old woman. Above are the names Pármeno, Calisto, Melibea, Sempronio, Celestina and Crito, which correspond to characters in the act, not to the images. Celestina is covered and has her…

First illustration of act I from the Barcelona edition (1883)

Melibea in the garden, in the opening scene of the work (p. 36). Alone in the vegetation, with long plaits and a wall in the background.

First illustration of act 20 of Medina del Campo, 1530

First illustration 20 of act of Medina del Campo, 1530

First illustration of act 2 of the Madrid edition (2010)

First illustration of act 14 of Medina del Campo, 1530

First Illustration of act 13 of Medina del Campo, 1530

First Illustration of act 12 of the Madrid edition (2010)

First illustration from the prologue from the Mexico edition (1947)

Melibea in her room surrounded by cupids. Note the similarity with the paintings of the Anunciación.

First illustration from the Madrid edition (1974)

Celestina's laboratory.

First illustration from the introduction from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from the back cover from the Mexico edition (1947)

Capital letter O that frames a naked Melibea and angels.

First illustration from act XXI from the Toledo edition (1526)

Dead Calisto is removed by Tristán and Sosia. In the background, a ladder and the garden wall. Note the detail that Calisto's shoes are on the ground.

First illustration from act XXI from the Paris edition (1949)

Some women pray for Melibea's soul.

First illustration from act XXI from the Barcelona edition (1996)

First illustration from act XXI from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 211.

First illustration from act XX from the Toledo edition (1526)

Factotums of Tristán, Sosia, Calisto, Melibea and Lucrecia.

First illustration from act XX from the Paris edition (1949)

Melibea's suicide.

First illustration from act XX from the Mexico edition (1947)

Symbolic drawing that is difficult to interpret. It could be Calisto's ghost hugging Melibea while a character transformed into a tree could be Celestina's ghost.

First illustration from act XX from the Barcelona edition (1996)

First illustration from act XX from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea), Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XVIII from the Paris edition (1949)

Calisto and his servants on route to Melibea's house.

First illustration from act XVIII from the Mexico edition (1947)

Drawing of Elicia and Areúsa standing before Centurio, who appears almost as an avenging angel.

First illustration from act XVIII from the Barcelona edition (1996)

First illustration from act XVIII from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XVII from the Paris edition (1949)

Areúsa, Sosia and Elicia.

First illustration from act XVII from the Mexico edition (1947)

Drawing of Areúsa coaxing Sosia while Elicia listens behind the curtain.

First illustration from act XVII from the Barcelona edition (1996)

First illustration from act XVII from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 183.

First illustration from act XVI from the Paris edition (1949)

Pleberio and Alisa speak about Melibea's future.

First illustration from act XVI from the Mexico edition (1947)

Conversation between Pleberio and Alisa inside the house.

First illustration from act XVI from the Barcelona edition (1996)

First illustration from act XVI from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 179.

First illustration from act XV from the Paris edition (1949)

Centurio and Areúsa.

First illustration from act XV from the Mexico edition (1947)

Drawing of Elicia arriving to Areúsa's house dressed in mourning. Areúsa appears almost naked.

First illustration from act XV from the Barcelona edition (1996)

First illustration from act XV from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XIX from the Paris edition (1989)

Lucrecia and Melibea.

First illustration from act XIX from the Paris edition (1949)

Calisto and Melibea's nighttime encounter.

First illustration from act XIX from the Mexico edition (1947)

Drawing of Calisto dead in his servants' arms. Calisto's figure is curiously nude.

First illustration from act XIX from the Barcelona edition (1996)

First illustration from act XIX from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XIV from the Toledo edition (1538)

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto.

First illustration from act XIV from the Toledo edition (1526)

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto.

First illustration from act XIV from the Paris edition (1989)

Lucrecia and Melibea in the garden.

First illustration from act XIV from the Paris edition (1949)

Illustration by Maurice Lalau, made for the French edition of La Celestina, of Les Bibliophiles de France.

First illustration from act XIV from the Mexico edition (1947)

Drawing of Calisto and Melibea hugging in the garden.

First illustration from act XIV from the Barcelona edition (1996)

First illustration from act XIV from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XIII from the Toledo edition (1538)

Factotums of buildings, Calisto, Tristán, Sosia and buildings. Tristán and Sosia are wielding swords.

First illustration from act XIII from the Paris edition (1949)

The town crier announces the decapitation of Calisto's servants.

First illustration from act XIII from the Mexico edition (1947)

Drawing of dead Celestina and of Elicia crying, plus a series of female characters in the background.

First illustration from act XIII from the Barcelona edition (1996)

First illustration from act XIII from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XII from the Toledo edition (1538)

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

First illustration from act XII from the Toledo edition (1526)

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

First illustration from act XII from the Paris edition (1989)

Sempronio and Pármeno accompanying their master Calisto.

First illustration from act XII from the Paris edition (1949)

Pármeno and Sempronio prepare themselves to leave for Melibea's house.

First illustration from act XII from the Mexico edition (1947)

Calisto and Melibea's meeting behind the garden door. Pármeno and Sempronio in the background.

First illustration from act XII from the Barcelona edition (1996)

First illustration from act XII from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 143.

First illustration from act XI from the Paris edition (1989)

Calisto waiting for news from Celestina.

First illustration from act XI from the Paris edition (1949)

Celestina leaves Melibea's house.

First illustration from act XI from the Mexico edition (1947)

Celestina and Calisto walk down the street accompanied by Pármeno and Sempronio, who are following them. View from the city and superimposed part of the text written by hand.