Browse Items (3223 total)

Factotums of the images of Calisto, Pármeno, Sempronio, and Celestina. Houses in the left margin.

Factotums of the images of Calisto, Celestina, Pármeno and Sempronio. Houses in the left margin.

Factotums of the images of Celestina, Pármeno, Areúsa and Elicia. Houses in the left margin.

Factotums of the images of Sempronio, Pármeno, Calisto and Areúsa. Houses in the right margin.

Factotums of the images of Sempronio, Pármeno, Celestina, Lucrecia, Elicia and Areúsa.

Factotums of the images of Calisto, Celestina, Pármeno and Elicia.

Factotums of the images of Calisto, Lucrecia, Melibea and Sempronio.

Narration of Celestina's death at the hands of Pármeno and Sempronio on the left side, then their jump through the window in the central part and judge and soldier on the right and also in the left margin.

Execution of Pármeno and Sempronio.

Calisto, escorted by Sosia and Tristán, scaling the wall to Melibea's garden, where Melibea and Lucrecia await. The same engraving is repeated in act XIX.

Factotums of the images of Elicia, Centurio and Areúsa. In the margins, a house and a tree.

An illustrated edition with 26 engravings (plus the cover)The image in the cover is the same as the one used inZaragoza 1545, but the typographic composition of the page is different.A very elaborate composite model that originated fromValencia,…

Five factoums and above the names of Calisto, Melibea, Sempronio, Celestina, Elicia, Crito and Pármeno. Celestina holding the rosary and Sempronio reaching for his sword as if to threaten Celestina, who is at his side. All the masculine characters…

Factotums of houses and four masculine characters. Written above are the names Calisto, Pármeno and Sempronio. The factotums' placement implies that the characters are interacting two by two. Three are bearded.

Factotums of a tree, Sempronio, Celestina, Elicia and houses. All previously used and Elicia's is used for Melibea. Sempronio looking as though he is threatening Celestina.

Factotums of houses, Celestina, Lucrecia, Alisa and Melibea.

Factotums of houses, Celestina, Sempronio, Pármeno and Calisto.

Factotums of a tree, Calisto, Celestina, Pármeno and Sempronio.

Factotums of houses, Celestina, Pármeno, Areúsa and Elicia. The factotums of Areúsa and Elicia are the ones used earlier for Alisa and Melibea respectively.

Factotums of houses, Pármeno, Areúsa (used earlier for Melibea), Sempronio and Calisto. Sempronio's image is new and shows a character gesturing with his index finger.

Factotums of Sempronio, Pármeno, Celestina, Elicia, Areúsa and Lucrecia.

Factotums of houses, Melibea, Lucrecia, Celestina and Alisa.

Factotums of houses, Melibea, Lucrecia, Celestina and Alisa.

Six factotums and above the names of Calisto, Sempronio, Pármeno, Lucrecia, Melibea and Pleberio. On the second line, the other characters' names in the act (Alisa, Celestina, Elicia).

Pármeno and Sempronio's execution scene. One of them is already executed by beheading and the other has his hand raised. Next to them are the executioner and two characters, one is armed. The post in the middle of the image divides it in two and has…

Factotums of Melibea, Lucrecia (image used previously for Melibea), Sosia, Tristán and Calisto.

Factotums of a tree, Areúsa, Centurio, Elicia and houses.

Six factotums and five names: Pleberio, Alisa, Melibea and Lucrecia. One of which is clearly Celestina but is not indicated as such. Both Melibea and Alisa are wearing a girdle around their waists.

Factotums of houses, Elicia, Areúsa, Sosia and a tree. Sosia with a black face, printed in negative.

Factotums of houses, Elicia, Centurio, Areúsa and a tree.

Scene of Sosia and Tristán carrying the body of the fallen Calisto. Above are written the names of Sosia, Tristán, Calisto, Melibea and Lucrecia, although the last two are not seen in the image.

Scene of Melibea's suicide while falling from the tower in the center. On the left, an unidentified man, Pleberio has his arms outstretched, accompanied by another unidentified man. In the right margin, two female characters lament the event. Above…

The same image from act XX: Scene of Melibea's suicide falling from the tower in the center. On the left, an unidentified man, Pleberio, with arms outstretched accompanied by another unidentified man. In the right margin, two female characters…

Two armed servants stand guard while Calisto climbs the ladder to enter the garden where Melibea and Lucrecia wait, one of them has her hand to her breast. Note the fortified tower that tops the wall of the garden. Calisto and one of his servants…

Tristán and Sosia recover Calisto's fallen corpse from in front of the garden wall. Different from the previous illustration, Calisto does not have a beard. Two fortified towers on the sides of the canvas of the garden wall. Not shown, are Melibea or…

Celestina, carrying the spool of thread, is knocking at the door of Pleberio's hourse; Melibea and Calisto (with the falcon) are talking. Trees and building in the background.

Translated transcription from the PDF, courtesy of the Museum of Fine Arts of Asturias, Spain.

"In the painting that concerns us now, the character of La Celestina appears to the right of the composition, with her bad arts she is addressing…

Other title: Le jardin de Melibée.

Scenography: Lakis Genethlis
Costumes: Miranda Theodoridou
Lighting: George Lazoglou
Music: Helen Lomvardou
Song: Soprano Penelope KARAOLI Prokopios
Choreography: Eva Papageorgopoulos
UPPER THROSKO Productions

Greek and Cypriot cast:
Helena…

Comic by the young (15 years old) Murcian illustrator Alejandro Peña Sáez, who would later become a cartoonist and artist. It is a black and white adventure comic in a combination of medieval and western settings in the type of Mortadelo and Filemón…

Representation "Celestina Infernal" ("Infernal Celestina"), puppets for adults. Cáceres Theater Festival.At the Corsario Theater, Plaza De Las Veletas, CáceresFrom Thursday, 06/17/2021 to Friday, 06/18/2021Teatro Corsario show co-produced by: Teatro…

Calisto (Juan Diego Botto) and Melibea (Penélope Cruz)

Sempronio, (and Pármeno?)Acrylic painting inspired on Calisto's servant.

This is a commentary of the text.

Dramatized reading of act IV, 17 September 2017 in Centro Cultural El Foco, Tlacotalpan 16, CDMX, as part of the 6° Encuentro de Lectura en Voz Alta. Counting with four readers.

Lucrecia: Musa Georgina Galindo Orihuela.
Alisa: Aline Yazharit…

Presentation of the television version of Pezzoli.
Melibea (Pia Lanciotti) walks through her garden.

Calisto (Sergio Albelli) tells Sempronio (Daniele Griggio) about his lovesickness.

Celestina (Isa Daniele) and Sempronio (Daniele Griggio) they are greeted by Pármeno (Peppino Mazzotta).

Calisto (Sergio Albelli) pays Celestina (Isa Danieli) for her services.

Celestina's Spell (Isa Danieli)

Celestina (Isa Danieli) visits Melibea (Pia Lanciotti). Behind is Lucrezia (Elena Carloni)

Celestina (Isa Danieli) brings news to Calisto (Sergio Albelli) of his loved one. Pármeno (Peppino Mazzotta) is on the left and Sempronio (Daniele Griggio) on the right.

Dinner at Celestina's house. From left to right: Elicia (Maria Ariis), Sempronio (Daniele Griggio), Celestina (Isa Danieli), Areúsa (Beatrice Visibelli) and Pármeno (Peppino Mazzotta).

Calisto (Sergio Albelli) puts his gold chain on Celestina (Isa Danieli).

Pármeno (Peppino Mazzotta) gives the final blow to Celestina (Isa Danieli)

Pármeno (Peppino Mazzotta) and Sempronio's death (Daniele Griggio).

Elicia (Maria Ariis) becomes the new Celestina. She and her cousin Areúsa (Beatrice Visibelli) plan their revenge against Calisto and Melibea.

Lucrezia (Elena Carloni) and Melibea (Pia Lanciotti) await the arrival of Calisto.

Elicia (Maria Ariis), Sicario (Adriano Mottola) and Areúsa (Beatrice Visibelli) meet outside Melibea's house.

Elicia (Maria Ariis) and Areúsa (Beatrice Visibelli) push Calisto (Sergio Albelli) and Melibea (Pia Lanciotti) off a ladder.

Representation directed by Cristina Pezzoli for the Quirino Theater in Rome. Clippings of theater reviews with actors and parts of the stage.

Three figures appear in the drawing, a man with a mustache and elegant clothing, a young woman and an old woman with a mustache and her head covered. The young woman represents the city of Barcelona, the old woman represents the procuress Celestina…

"Night scene in interior, with Apollo, in the guise of the old woman Eurynome, caressing Leucothoe's chin; in ornate frame, with heads of Diana and Apollo, printed from a separate plate" (Description from The British Museum, London, UK,…

Fernando de Rojas, The Célestine, Editions de l'Atelier Crommelynck, Paris, 1971. French language edition from the Pierre Heugas translation, with 66 engravings from Suite 347 by Picasso. This is the first edition to include these engravings. Limited…

66 engravings (click here to view) of the Suite or Series 347 indirectly inspired by La Celestina, although they do not represent any particular episode of the work. These engravings form part of a portfolio titled La Celestina within the Series 347…

La Celestina illustrated by Pablo Picasso, Planeta, 2007

Luxury limited edition which reproduces Picasso's 66 engravings for Suite 347. The reproduced text is that of Valencia 1514. Each engraving is reproduced at 140% of its original size.
See…

A man on the left looks at a naked young woman holding a flower and lying on the right. An old woman appears in the center of the engraving, probably acting as a procuress.

Full title: Suite 347 L249 (Femme blonde à la fleur IV)