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Illustration of act II of the Barcelona edition (1959)
This illustration is presented in act II in the edition, but in reality corresponds to act III in the plot line.
Illustration of act IV (V?) of the Barcelona edition (1959)
This image corresponds to act IV in the plot line, but is placed in act V in the physical copy of the National Library of Spain
Illustration of act VIII of the Barcelona edition (1959)
This image corresponds to act VII but is placed in act VIII in the physical copy
Illustration of act VIII (?) of the Barcelona edition (1959)
This image does not appear in the edition housed in the National Library, but does appear in the Celestinesca journal
Valencian Falles -cardboard statues/ entitled Pamtomime and Celestina go well together (Pantomima i Celestina sempre han fet molt bona rima), by Martínez Aparici (2017)
A falla by the falla group San Vicente-Periodista Azzati for the 2017 Fallas in Valencia (Spain). It is described as a "Venetian pantomime" and, in some ways, a criticism of the contemporary society. It has a budget of 42,000 Euros.
A masked…
A masked…
News caricature of a New Orleans brothel owner (1890)
A cartoon in the periodical The Mascot of the infamous New Orleans brothel regent Emma Johnson as an octopus that captures the innocent passers-by. Below written in English "lewd and abandoned" (lustful and abandoned). Although there is no direct…
Engraving of the English procuress Elizabeth Creswell, by Laroon (1675)
Also known as Mother Creswell and Madam Cresswell of Clerkenwell, she was one of the most famous and successful brothel prostitutes and regents in seventeenth-century England. Written below in French and Italian her profession of procuress: "" Une…
A Spanish feast, by Vermeyen (1545)
First, a young woman robs the purse of a young man whom she kisses. In the background, on the right, a celestinesque old woman with a musical instrument. Under an inscription in Latin: "Sic Hispana Venus loccas excantat loving. Sic fucata rapit basia…
First illustration from act I from the Paris edition (1989)
Calisto and Melibea's first encounter.
Second illustration from act I from the Paris edition (1989)
Sempronio playing the guitar for his master.
Third illustration from act I from the Paris edition (1989)
Celestina and Sempronio.
Fourth illustration from act I from the Paris edition (1989)
Celestina's spell (this illustration corresponds to Rojas' act III).
Fifth illustration from act I from the Paris edition (1989)
Calisto gives Celestina 100 gold coins.
Illustration from act II from the Paris edition (1989)
Pármeno and Calisto riding his horse.
Illustration from act III from the Paris edition (1989)
Celestina walking towards Melibea's house.
First illustration from act IV from the Paris edition (1989)
Alisa and her page.
Second illustration from act IV from the Paris edition (1989)
Celestina speaks with Melibea.
Illustration from act V from the Paris edition (1989)
Sempronio and Celestina.
First illustration from act VI from the Paris edition (1989)
Pármeno and Sempronio.
Second illustration from act VI from the Paris edition (1989)
Celestina and Pármeno (?).
Illustration from act VIII from the Paris edition (1989)
Celestina and Areúsa.
Illustration from act IX from the Paris edition (1989)
Dinner at Celestina's house.
First illustration from act X from the Paris edition (1989)
Melibea and Celestina.
Second illustration from act X from the Paris edition (1989)
Lovesick Melibea.
First illustration from act XI from the Paris edition (1989)
Calisto waiting for news from Celestina.
Second illustration from act XI from the Paris edition (1989)
Sempronio and Calisto (?).
First illustration from act XII from the Paris edition (1989)
Sempronio and Pármeno accompanying their master Calisto.
Second illustration from act XII from the Paris edition (1989)
Calisto approaches Melibea's door.
Third illustration from act XII from the Paris edition (1989)
Pármeno and Sempronio.
Fourth illustration from act XII from the Paris edition (1989)
Celestina's death.