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Image of act XVII of the Burgos edition (1531)
Factotums of a tree, Elicia, Areúsa, Sosia and houses.
Image of act XVII of the Medina del Campo edition (1536)
Factotums of Elicia, Areúsa and Sosia.
Image of act XVII of the Paris edition (1943)
Adaptation by Paul Achard
Image of act XVII of the Salamanca edition (1590)
Factotums of an unidentified man and woman, probably representing Areúsa and Sosia's encounter, although these factotums have been used previously for other characters.
Image of act XVII of the Valladolid edition (1561)
Areúsa in her house receives Sosia, while Elicia listens, hidden. A bed and stairs in the background.
Image of act XVIII of the Burgos edition (1531)
Factotums of a tree, Centurio, Areúsa, Elicia and a house.
Image of act XVIII of the Medina del Campo edition (1536)
Factotums of Elicia, Centurio and Areúsa.
Image of act XVIII of the Paris edition (1943)
Adaptation by Paul Achard
Image of act XVIII of the Salamanca edition (1590)
Melibea and Lucrecia listen behind the door while Pleberio and Alicia discuss the marriage of their daughter.
Image of act XVIII of the Valladolid edition (1561)
The same image used for act XV, now to show Elicia helping Areúsa to make peace with Centurio.
Image of act XX of the Salamanca edition (1590)
Melibea throws herself from the tower while two women watch. Note the absence of the character of Pleberio.
Image of act XX of the Valladolid edition (1561)
Pleberio, behind him Alisa in bed, knocking on Melibea's door. Lucrecia answering and a sad Melibea sitting on the dais.
Image of act XXI of the Paris edition (1943)
Adaptation by Paul Achard
Image of act XXI of the Valladolid edition (1561)
Three bearded male figures contemplate Melibea's corpse, lying facedown and, beside her, Lucrecia, Alisa and Pleberio. Two female figures standing on the wall also contemplate the scene.
Image of the prologue of the Paris edition (1943)
Adaptation by Paul Achard
