A new love triangle: Miguel Ángel Gael Parra, a suitor of Melibea's (Emmanuel Palomares), Melibea Fuentes Cordero (Josette Vidal) and Calixto Sánchez Peláez (Lasso).
Melibea throws herself from the tower while Pleberio opens his arms on the left side (variation of the image used in the previous act) and a woman with her hair down joins her hands in prayer.
Factotum of houses, Elicia, Centurio (man with a turban, which has already been used), Areúsa in mourning (image used previously for Alisa) and houses.
Calisto climbs the ladder to the garden where Melibea and Lucrecia are waiting for him and outside Tristán and Sosia are armed. It is reused in act XIX.
Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto (new image of a young man for Calisto) (Sosia is shown as the image of the man with the turban used previously for Sempronio).
Double image, Celestina's death at the hands of Pármeno and Sempronio with Elicia as witness on the left and their jump from the window and the judge sentencing them on the right. Only the house wall serves to partially separate the scenes.
Factotums of houses, Celestina, Lucrecia, Alisa and Melibea. New image for Melibea, who in the other acts is portrayed with the same image as in act I.
Six factotums and above seven names: Calisto, Melibea, Pármeno, Sempronio, Celestina, Elicia and Crito (there is no image for him). The image of Calisto is of an old man which is used in act XX for Pleberio; Sempronio wearing a turban, an image that…
Composite scene with an unidentified servant, Calisto, Melibea and Lucrecia with their initials above them, and Celestina, also with initials, knocking at a door with the thread in hand; a tree in the center.
Tristan and Sosia collect Calisto's dead body. Melibea's garden in the background with the ladder at hand. Above, the names Melibea, Lucrecia, Sosia, Tristán, Calisto can be read. The images of Melibea and Lucrecia are not seen, but it is assumed…
Four factotums: a tower with various people on top of and within it, Elicia with a black mourning mantle, Areúsa, Sosia (image used for another character in act IX).
Four factotums: building, Areúsa (image of a woman that is covered, possibly to represent her mourning, but the same used in previous acts to portray Celestina), Centurio (image used in act XII for Sempronio) and Elicia.
Tristán and Sosia remove Calisto's dead body. In the background, Melibea's garden and the ladder at hand. Above, the names Melibea, Lucrecia, Sosia, Tristán and Calisto can be read. The images of Melibea and Lucrecia are not visible, but it is…
The judge between two armed soldiers and, on the right, the executioner beheading Pármeno and Sempronio with a knife (one of them is already beheaded). A corner background of houses with arched windows and a two part view.
Double image. On the left, the judge and two soldiers stand over Pármeno or Sempronio's fallen body, while the other of the two is still jumping from the window.
On the right, the previous scene of Pármeno and Sempronio killing Celestina with…
Four factotums of two masculine and two feminine figures. Above are the names Sempronio, Pármeno, Elicia, Celestina, Areúsa and Lucrecia. As there is no older woman, Celestina does not seem to be represented and one of the named young women is…
Four factotums with the names of Calisto, Pármeno, Sempronio (wearing a turban) and a new image for Celestina with her head covered with a black scarf.
Drop cap letter E with the figure of an undetermined saint. It is part of Calisto's first words, "In this I see..." Perhaps it was considered relevant given the content of loa of the divine work of these words, or simply used this image at random.
Factotums of four images, two young men, a young woman and an old woman. Above are the names Pármeno, Calisto, Melibea, Sempronio, Celestina and Crito, which correspond to characters in the act, not to the images. Celestina is covered and has her…
Building with two windows and three characters inside, two women in a garden in front, Celestina knocking at the door, Calisto and two servants in the right margin, behind there are two men and two women who meet in the street in front of other…
The same illustration used in act XIII Pármeno and Sempronio's execution. Now it does not seem to be connected with the action of the current scene, save for referencing the previous event.
Same image of a woman in bed and a man and another woman at the foot, used in act VIII representing there the visit of Pármeno and Celestina to Areúsa. Here the image does not make sense as it does not correspond to the action in the act. It is…