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Celestina: manipulator of men

A new love triangle: Miguel Ángel Gael Parra, a suitor of Melibea's (Emmanuel Palomares), Melibea Fuentes Cordero (Josette Vidal) and Calixto Sánchez Peláez (Lasso).

Melibea Fuentes Cordero (Josette Vidal) and Calixto Sánchez Peláez (Lasso).

Celeste Rojas (Nacarid Escalona), Pleberio Fuentes, Melibea's father (Guillermo Pérez), Alina Cordero de Fuentes, Melibea's mother (Emma Rabbe).

Celestina (Amelia de la Torre), Melibea (Elisa Ramírez) and Calisto (Julián Mateos)

Melibea throws herself from the tower while Pleberio opens his arms on the left side (variation of the image used in the previous act) and a woman with her hair down joins her hands in prayer.

Factotums of houses, Pleberio (image used previously for Calisto), Lucrecia, Melibea and a tree.

Dead Calisto is taken by Sosia and Tristán after falling from the ladder.

Same image used in act XIV; Calisto climbing the ladder to the garden where Melibea and Lucrecia wait for him and outside Tristán and Sosia armed.

Factotums of Sosia, Tristán, Calisto, Melibea and Lucrecia.

Factotums of a tree, Centurio, Areúsa, Elicia and a house.

Factotums of a tree, Elicia, Areúsa, Sosia and houses.

Factotums of Melibea, Lucrecia, Pleberio, Alisa (image previously used for Celestina) and a tree.

Factotum of houses, Elicia, Centurio (man with a turban, which has already been used), Areúsa in mourning (image used previously for Alisa) and houses.

Calisto climbs the ladder to the garden where Melibea and Lucrecia are waiting for him and outside Tristán and Sosia are armed. It is reused in act XIX.

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto (new image of a young man for Calisto) (Sosia is shown as the image of the man with the turban used previously for Sempronio).

Pármeno and Sempronio's execution scene with Sosia as witness, plus judge, two soldiers and another character pointing their fingers.

Factotums of a tree, Calisto, Tristán, Sosia and houses.

Double image, Celestina's death at the hands of Pármeno and Sempronio with Elicia as witness on the left and their jump from the window and the judge sentencing them on the right. Only the house wall serves to partially separate the scenes.

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

Factotums of Celestina, Calisto, Sempronio, Pármeno and Elicia.

Factotums of Melibea, Celestina, Alisa, Lucrecia and houses.

Factotums of Sempronio, Pármeno, Celestina, Lucrecia, Elicia and Areúsa (image used previously for Lucrecia and Elicia).

Factotums of Pármeno, Areúsa, Calisto, Sempronio and houses.

Factotums of houses, Celestina, Parmeno, Areúsa and Elicia (image used previously for Lucrecia).

Factotums of Calisto, Celestina, Pármeno, Sempronio and houses.

Factotums of Celestina, Sempronio, Pármeno, Calisto and houses.

Factotums of houses, Celestina, Lucrecia, Alisa and Melibea. New image for Melibea, who in the other acts is portrayed with the same image as in act I.

Factotums of a tree, Sempronio, Celestina, Elicia and houses. The image of Sempronio is different from the ones used in earlier acts.

Factotums of Calisto, Sempronio and Pármeno and two factotums of houses in the right margin. Same character images as used in act I.

Six factotums and above seven names: Calisto, Melibea, Pármeno, Sempronio, Celestina, Elicia and Crito (there is no image for him). The image of Calisto is of an old man which is used in act XX for Pleberio; Sempronio wearing a turban, an image that…

Composite scene with an unidentified servant, Calisto, Melibea and Lucrecia with their initials above them, and Celestina, also with initials, knocking at a door with the thread in hand; a tree in the center.

Pleberio and Alisa watch as Melibea throws herself from the tower. Two buildings at the sides.

Four factotums: Lucrecia, Melibea, a building with two people, and Pleberio.

Tristan and Sosia collect Calisto's dead body. Melibea's garden in the background with the ladder at hand. Above, the names Melibea, Lucrecia, Sosia, Tristán, Calisto can be read. The images of Melibea and Lucrecia are not seen, but it is assumed…

Lucrecia and Melibea behind the crenellated walls of the garden that Calisto is scaling, on the right, two armed servants, Sosia and Tristán.

Four factotums: a building with two people inside, Areúsa, Elicia, Centurio (image used for another character in another act XI).

Four factotums: a tower with various people on top of and within it, Elicia with a black mourning mantle, Areúsa, Sosia (image used for another character in act IX).

Four factotums with the names of Pleberio, Alisa, Lucrecia and Melibea (with a flower).

Four factotums: building, Areúsa (image of a woman that is covered, possibly to represent her mourning, but the same used in previous acts to portray Celestina), Centurio (image used in act XII for Sempronio) and Elicia.

Tristán and Sosia remove Calisto's dead body. In the background, Melibea's garden and the ladder at hand. Above, the names Melibea, Lucrecia, Sosia, Tristán and Calisto can be read. The images of Melibea and Lucrecia are not visible, but it is…

The judge between two armed soldiers and, on the right, the executioner beheading Pármeno and Sempronio with a knife (one of them is already beheaded). A corner background of houses with arched windows and a two part view.

Double image. On the left, the judge and two soldiers stand over Pármeno or Sempronio's fallen body, while the other of the two is still jumping from the window.
On the right, the previous scene of Pármeno and Sempronio killing Celestina with…

Four factotums: two men and two young women and five names: Calisto, Lucrecia, Pármeno, Melibea, Sempronio.

Four factotums of Calisto, Celestina, Pármeno and Sempronio. Elicia's name appears above but there is no character for her.

Factotums of Celestina, Melibea with a flower in hand, Lucrecia and Alisa.

Four factotums of two masculine and two feminine figures. Above are the names Sempronio, Pármeno, Elicia, Celestina, Areúsa and Lucrecia. As there is no older woman, Celestina does not seem to be represented and one of the named young women is…

Four factotums of Calisto, Areúsa, Sempronio and Pármeno.

Four factotums of Celestina, Pármeno, Areúsa and Elicia.

Factotums of Calisto, Celestina, Pármeno and Sempronio.

Four factotums with the names of Calisto, Pármeno, Sempronio (wearing a turban) and a new image for Celestina with her head covered with a black scarf.

Factotums of Celestina, Lucrecia, Melibea and Alisa. Alisa's factotum is the same that is used for Celestina in the first illustration of act I.

Four blocks of factotums with Pármeno, Elicia, Celestina and houses.

Factotum of four blocks: houses, Calisto, Pármeno and Sempronio, the last two are armed and Sempronio has a turban and a shield.

Drop cap letter E with the figure of an undetermined saint. It is part of Calisto's first words, "In this I see..." Perhaps it was considered relevant given the content of loa of the divine work of these words, or simply used this image at random.

Factotums of four images, two young men, a young woman and an old woman. Above are the names Pármeno, Calisto, Melibea, Sempronio, Celestina and Crito, which correspond to characters in the act, not to the images. Celestina is covered and has her…

Building with two windows and three characters inside, two women in a garden in front, Celestina knocking at the door, Calisto and two servants in the right margin, behind there are two men and two women who meet in the street in front of other…

The same image used in acts VII and XVII. Now it could be used to represent the conversation between Pleberio and Alisa with Lucrecia present.

The same image used in acts XV and XVIII. Now it could represent Pleberio speaking with Alisa and Lucrecia present.

The same illustration used in act XIII Pármeno and Sempronio's execution. Now it does not seem to be connected with the action of the current scene, save for referencing the previous event.

The same image as used in act XIV. Calisto's visit to Melibea's garden with Sosia and Tristán present.

The same illustration used in act XII. Now representing Calisto's visit to Melibea with Tristán and Sosia as escorts.

The same illustration as used in act X. Now it can be assumed it represents the conversation between Centurio, Areúsa and Elicia.

Same image of a woman in bed and a man and another woman at the foot, used in act VIII representing there the visit of Pármeno and Celestina to Areúsa. Here the image does not make sense as it does not correspond to the action in the act. It is…

Same image used in act III that now seems to represent Alisa and Pleberio talking while Lucrecia listens in.