Browse Items (3223 total)

Three factotums of Calisto, Pármeno and Sempronio. Framed by a tree and a tower with two people inside. The image of Pármeno is the same used in the previous act for Calisto.

Factotums of houses and four masculine characters. Written above are the names Calisto, Pármeno and Sempronio. The factotums' placement implies that the characters are interacting two by two. Three are bearded.

Factotums of Calisto, Pármeno and Sempronio. In the two margins a tree and houses respectively.

Two factotums, one of a woman that could be Celestina, and the other of a young man with a bag that appears to be a hunting morion. Perhaps it is trying to show the delivery of the bag of gold to Celestina with two images from another source.

The same engraving of the factotum of Celestina that appears on the cover and in many other acts. Factotum of Sempronio shows a young man whose dress seems to be that of a gentleman rather than a servant. This same image is repeated in other acts.

La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6

Calisto conversing with Pármeno and Sempronio in the interior of the house.

Sempronio talks to his owner Calisto

This illustration is presented in act II in the edition, but in reality corresponds to act III in the plot line.

Factotum of four blocks: houses, Calisto, Pármeno and Sempronio, the last two are armed and Sempronio has a turban and a shield.

Three men in a street speaking, while a woman watches them from the window. It is unclear which scene of the work is referenced here because the image is so generic.

Calisto leaving his house on horseback, and Pármeno, cursing him in the background (p. 73).

Five factotums and written above are the names of the characters in the act, repeating Calisto's twice to indicate he is the one who speaks first in the act. Calisto's name is the only one that coincides with the factotum of an image, although it…

A couple, woman and man, talking, while another group of five people, all young men with the exception of an old woman who can be interpreted as a celestina appear to argue over a spyglass in order to spy on the couple on the left. Portico…

Five factotums of Pármeno, Calisto, Melibea (holding a mirror and a background with vegetation), Celestina, Elisa. The name Crito is included above the factotums but does not have a corresponding image.

Five factoums and above the names of Calisto, Melibea, Sempronio, Celestina, Elicia, Crito and Pármeno. Celestina holding the rosary and Sempronio reaching for his sword as if to threaten Celestina, who is at his side. All the masculine characters…

Factotums of Pármeno, Calisto, Melibea, Sempronio and Celestina. Elicia and Crito, whose names appear in the image heading, are not shown. Pármeno attired with a turban

A woman wearing a girdle with an object in hand (diamond?) in a garden with Cupid.

Two factotums of Calisto and Melibea with their names written in the borders in black ink. Rocky scenery behind Melibea and Calisto holding a rod or cane and wearing rounded toe shoes.

La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6

Sempronio and Calisto.

Calisto in the garden and Melibea on a balcony. Curiously Calisto is shown with a bow.

Melibea and Lucrecia see Calisto and his falcon in the garden.

Illustration of the Barcelona edition by Escobar, presented in the Classical Spanish Library 21 edition byDaniel Cortezo Cía. In Celestinesca Vol 10, Num 1.

Illustration without title of act I, probably Sempronio visiting Celestina, by Escobar for theClassical Spanish Library 21 edition byDaniel Cortezo Cía. In Celestinesca Vol 10, Num 1.

This is a copy taken from the engraving from act V from the Zaragoza edition (1545). A double scene in which Calisto is shown seated on the left, and Pármeno standing, and on the right, Celestina accompanied by Sempronio. Note the black veil…

Three scenes separated by columns. The first is of a couple talking inside a building, the woman seated on a dais, which is thought to be in some way representative of Calisto and Melibea's first meeting. The second is a man that seems melancholic,…

Act 4 - Represents the scene where Celestina visits Melibea at her home.

Act 21 - Represents the scene where Pleberio and Alisa (Melibea's parents) mourn the death of their daughter.

Act 20 - Represents the scene where Melibea is at the top of a tower and upon hearing that her beloved Callisto has died, she decides to jump from the tower.

Act 16 - Represents the scene where Pleberio and Alisa (Melibea's parents), discuss her marriage. Melibea listens to the conversation and sends Lucrecia to end it.

Act 12 - Represents the scene where Sempronio and Pármeno go to Celestina's house and after an argument, they end up killing the procuress.

Act 1 - Represents the scene where Melibea rejects Callisto's declaration of love.

Act 1 - Represents the scene in the field where Callisto declares his love for Melibea.

Callisto playing the lute