Five factotums and above the names Celestina, Sempronio, Calisto, Pármeno and Elicia that appear to coincide with the image order. Celestina's name is repeated twice for being the first to appear in the act.
Melibea goes out by night, accompanied by Lucrecia (p. 229). One of the two holds her index finger to her lips in a signal to be quiet. The foot of the image says: "Qué harían si mi cierta salida supiesen?" ("What would they do if they knew of my…
Sempronio amd Pármeno stand guard while Calisto is at the gates of Melibea's garden. Because of the types of arms they carry it seems to be a military scene. Note that the shield Calisto carries has an image of a heart pierced by an arrow. The same…
La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6
Five factotums (three men and two women) and above in two lines the names of Calisto, Lucrecia, Melibea, Pármeno, Sempronio, Pleberio, Alisa, Celestina, Elicia
Six factotums and above the names of Calisto, Sempronio, Pármeno, Lucrecia, Melibea and Pleberio. On the second line, the other characters' names in the act (Alisa, Celestina, Elicia).
The same illustration as act I. Above, the names Calisto, Sempronio, Pármeno, Lucrecia, Melibea, Pleberio, Alisa, Celestina, Elicia, Calisto (repeated)
Five factotums and above the names of Calisto, Sempronio, Pármeno, Lucrecia, Melibea, Pleberio, Alisa, Celestina, Elicia, and repeated Calisto for being the first to speak in the act.
La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6
Pármeno and Sempronio's execution scene. One of them is already executed by beheading and the other has his hand raised. Next to them are the executioner and two characters, one is armed. The post in the middle of the image divides it in two and has…
Five factotums of houses, three characters and a tree. Above, the names Calisto, Tristanico, Sosia and Calisto repeated, for being the first to speak in the act. One of the factotums is a woman.
Calisto climbing a ladder while Melibea and Lucrecia watch from two arches. On the right, Sosia and Tristán stand guard outside. The same image is repeated again in act XIX.
A copy of the illustration of act XIV of the Zaragoza edition(1545).Calisto climbs the ladder while Melibea and Lucrecia look out from two arches and two servants on guard outside. This has been used in act XII and is also used in act XIX.
Tristán and Sosia remove Calisto's dead body. In the background, Melibea's garden and the ladder at hand. Above, the names Melibea, Lucrecia, Sosia, Tristán and Calisto can be read. The images of Melibea and Lucrecia are not visible, but it is…
A strange representation of Calisto's visit to Melibea which shows Sosia and Tristán in the same image and the ladder beside Melibea. The image seems to suggest that Melibea had descended from a tower using the ladder. The same image is used again in…
La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6
Scene of Calisto climbing the ladder to the Melibea's garden protected by two servants. Within Lucrecia and Melibea wait. The same engraving is used again in act XIX
Sosia and Tristán stand guard while Calisto begins to climb the ladder. Lucrecia and Melibea watch them from the other side of the crenelated wall. This is used again in act XX.
Five factotums of characters, two women and three men, and above, the names of Melibea, Lucrecia, Sosia, Trístanico, Calisto and Melibea repeated for being the first to speak in the act. The order of the characters appears to coincide, but the first…
Calisto and Melibea embrace in the garden while Lucrecia stands guard or spies (p. 314). The footnote at the bottom of the page says: "Jamás querría, señora, que amaneciese, según la gloria y descanso que mi sentido recibe" ("My lady, I never want…
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola
La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6
Scene of Sosia and Tristán carrying the body of the fallen Calisto. Above are written the names of Sosia, Tristán, Calisto, Melibea and Lucrecia, although the last two are not seen in the image.
Five factotums (two women and three men) and above, the names Sosia, Tristanico, Calisto, Melibea, Lucrecia, and Sosia repeated for being the first to speak in the act.
Elicia and Areúsa plot their revenge against Calisto with Centurio, shown with a sword. In the background, a bed and stairs. This image is used again in act XVIII.
Elicia and Areúsa orchestrate their revenge against Calisto with Centurio, shown with a sword. In the background, a bed and stairs. This image is used again in act XVIII.
Four factotums: building, Areúsa (image of a woman that is covered, possibly to represent her mourning, but the same used in previous acts to portray Celestina), Centurio (image used in act XII for Sempronio) and Elicia.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola
La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6
Factotums of houses, Elicia with her head covered (image used for Alisa in act IV), Centurio (image with turban used previously for Sempronio), Areúsa and a tree
Lucrecia and Melibea, on a cushion, on the other side of a door listen to the conversation between Pleberio and Alisa, who are sitting in another room.
A copy of the engraving of act XVI in the Zaragoza edition (1545).Lucrecia and Melibea on a cushion, on the other side of a door, listening to the conversation between Pleberio and Alisa, who are seated in another room. This is used again in act XX.