Browse Items (3223 total)

Factotums of Pármeno, Calisto, Melibea, Sempronio and Celestina. Elicia and Crito, whose names appear in the image heading, are not shown. Pármeno attired with a turban

Five factoums and above the names of Calisto, Melibea, Sempronio, Celestina, Elicia, Crito and Pármeno. Celestina holding the rosary and Sempronio reaching for his sword as if to threaten Celestina, who is at his side. All the masculine characters…

Five factotums of Pármeno, Calisto, Melibea (holding a mirror and a background with vegetation), Celestina, Elisa. The name Crito is included above the factotums but does not have a corresponding image.

A couple, woman and man, talking, while another group of five people, all young men with the exception of an old woman who can be interpreted as a celestina appear to argue over a spyglass in order to spy on the couple on the left. Portico…

Five factotums and written above are the names of the characters in the act, repeating Calisto's twice to indicate he is the one who speaks first in the act. Calisto's name is the only one that coincides with the factotum of an image, although it…

Calisto leaving his house on horseback, and Pármeno, cursing him in the background (p. 73).

Three men in a street speaking, while a woman watches them from the window. It is unclear which scene of the work is referenced here because the image is so generic.

Factotum of four blocks: houses, Calisto, Pármeno and Sempronio, the last two are armed and Sempronio has a turban and a shield.

This illustration is presented in act II in the edition, but in reality corresponds to act III in the plot line.

Sempronio talks to his owner Calisto

Calisto conversing with Pármeno and Sempronio in the interior of the house.

La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6

The same engraving of the factotum of Celestina that appears on the cover and in many other acts. Factotum of Sempronio shows a young man whose dress seems to be that of a gentleman rather than a servant. This same image is repeated in other acts.

Two factotums, one of a woman that could be Celestina, and the other of a young man with a bag that appears to be a hunting morion. Perhaps it is trying to show the delivery of the bag of gold to Celestina with two images from another source.

Factotums of Calisto, Pármeno and Sempronio. In the two margins a tree and houses respectively.

Factotums of houses and four masculine characters. Written above are the names Calisto, Pármeno and Sempronio. The factotums' placement implies that the characters are interacting two by two. Three are bearded.

Three factotums of Calisto, Pármeno and Sempronio. Framed by a tree and a tower with two people inside. The image of Pármeno is the same used in the previous act for Calisto.

Four factotums of characters and one of houses. Above only the names of Calisto, Sempronio and Pármeno appear, which do not coincide with the characters over which they are been situated.

El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Sempronio, accompanied by Celestina, arrives at her house, where Elicia is inside, occupied with a task. Oustide, in the background, a crenellated wall with trees behind.

Four blocks of factotums with Pármeno, Elicia, Celestina and houses.

La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Celestina and Sempronio speak in the street and Elicia coming out of a doorway. The same image is reused in act XVI.

Factotums of Celestina --the same as on the cover-- and of Sempronio, the same as in act II.

Factotums of houses, Celestina, Sempronio, Elicia and a tree

Factotums of a tree, Sempronio, Celestina, Elicia and houses. All previously used and Elicia's is used for Melibea. Sempronio looking as though he is threatening Celestina.

Factotums of Sempronio, Celestina and Elicia framed by a tree and a tower.

Celestina conversa con Sempronio y Elicia

Celestina shows Melibea her spellbound thread.

This image corresponds to act IV in the plot line, but is placed in act V in the physical copy of the National Library of Spain

Celestina in Melibea's house, and she, with Lucrecia on a dais, while Alisa leaves with the messenger who has come to call on her. A pet next to one of the women.

A simplified copy of the engraving from act IV in the Zaragoza edition (1545).Celestina at Melibea's house, where she is with Lucrecia on the side, while Alisa leaves with the messenger that has come for her.Note that in the Zaragoza version there is…

Factotums of Celestina, Lucrecia, Melibea and Alisa. Alisa's factotum is the same that is used for Celestina in the first illustration of act I.

La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Melibea hands over the girdle to Celestina, who carries a staff.

El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Factotum of Lucrecia (actually the same image used in act I for Melibea) and of Celestina who is shown as a woman with a flower in hand.

Factotums of houses, Lucrecia, Celestina, Alisa and Melibea

Factotums of houses, Celestina, Lucrecia, Alisa and Melibea.

Factotums of Lucrecia, Celestina, Alisa and Melibea. Only Alisa corresponds to an older woman, but not Celestina. On the left, there is a row of houses.

Two young men on one side, an old woman or celestina in the middle and a young man on the left making a supplicating gesture. Porticoes in the background. Written over the figures are the names Celestina, Lucrecia, Elisa, Melibea, which clearly do…

Celestina aborda el tema del gentil hombre con Melibea

Banquete scene in Celestina's house (p. 178). She is represented with an envious expression, contemplating the lovers while they kiss, while she grabs the jar and cup of wine to serve herself once more. At the foot of the page it says; "Besáos y…

The banquet scene in Celestina's house with Pármeno, Sempronio, Elisa y Areúsa. Outside Lucrecia knocking on the door. Celestina drinking and a cat or dog with a bone in front of the table.

Banquet scene at Celestina's house in an illustration completely unrelated to the equivalent illustration in the Zaragoza edition (1545), of which, generally speaking, almost all the illustrations here have been copied.

Four factotums of two masculine and two feminine figures. Above are the names Sempronio, Pármeno, Elicia, Celestina, Areúsa and Lucrecia. As there is no older woman, Celestina does not seem to be represented and one of the named young women is…

Illustration found in Celestinesca, Vol 10, No. 1, from an edition printed in Barcelona in 1888, made by Escobar, presented in the edition of the Biblioteca Clásica Española 21 de Daniel Cortezo Cía.

The banquet in Celestina's house with Pármeno, Sempronio, Elicia and Areúsa. A dog under the table is eating something. A large jug of wine beside Celestina.

Illustration likely of act IX

La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6

Factotums of five characters and six names above: Sempronio, Pármeno, Celestina, Lucrecia, Elicia and Areúsa

Factotums of Sempronio, Pármeno, Celestina, Elicia, Areúsa and Lucrecia.

Factotums of Sempronio, Pármeno, two houses repeated (in the Valencia edition (1514) they are different), and a covered female character. The names above these five factotums are Sempronio, Pármeno, Elicia, Celestina, Areúsa, Lucrecia.

The same illustration of act I. Written above are the names Sempronio, Pármeno, Elicia, Celestina, Areusa, Lucrecia, Sempronio (repeated).

Five factotums and above the names of the characters who appear in the act: Sempronio, Pármeno, Elicia, Celestina and Lucrecia, and later repeated, Sempronio to indicate he is the first to speak in the act.

La Celestina. Barcelona, Lumen Editorial, 1988 . Version by Enrique Ortenbach. Illustrations by Bartolomé Liarte.

Elicia discute con Sempronio

Calisto and Pármeno at the window watching Celestina near the house with the cord (we do not see Celestina) (p. 111).

Sempronio and Celestina arrive at Calisto's house. He speaks with Pármeno, while seated inside. A bed in the background.

The same illustration used in act I, which in turn is a copy of the illustration of Act V in the Zaragoza edition (1545). A double scene in which Calisto is shown seated and Pármeno standing, and on the right Celestina arriving at Calisto's…

Four factotums with the names of Calisto, Pármeno, Sempronio (wearing a turban) and a new image for Celestina with her head covered with a black scarf.

La Celestina. Barcelona, Lumen Editorial, 1988 . Version by Enrique Ortenbach. Illustrations by Bartolomé Liarte.

La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Celestina walks through the street while a dog barks at her and a man and woman watch her from the doorway of a house. This does not appear to represent any specific scene from the act. Perhaps it is a reference to Pármeno's words in act I "si pasa…

La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6

The same factotums of Celestina and Sempronio used in act II.