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Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of edition V. Centennial of the City of La Puebla de Montalban (1999)
La Celestina. Edition V. Centennial of the City of La Puebla de Montalban. Edition and foreword by Julio Rodríguez Puértolas. Illustrations by Teo Puebla.
Illustration of Crito of the Barcelona edition, 2000
La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón
Illustration of Centurio of the Barcelona edition, 2000
La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón
Illustration of Celestina's drugstore, by Mérida Jiménez (2004)
Celestina looking for ingredients for her conjurations
Illustration of Celestina's dinner from the Paris edition (1949)
Illustration from the French edition from Les Bibliophiles de France, illustrations by Maurice Lalau for the edition. One illustration also appears in Celestinesca.
Illustration of Celestina, Pármeno and Areúsa from the Budapest edition (1979)
Illustration from the Hungarian edition by Sándor Károlyi and
Ferenc Szőnyi, made by Gyula Feledy.
Ferenc Szőnyi, made by Gyula Feledy.
Illustration of Celestina, by Hijo (2003)
Illustration of Celestina which appears in the book Leyendas, milagros y rumores extraordinarios de la ciudad de Salamanca. Amarú, 2003.
Illustration of Celestina of the Barcelona edition, 2000
La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón
Illustration of Celestina in the comedyEufemia, by Lope de Rueda, in the magazine Blanco y Negro (1906)
Illustration by the magazine Blanco y Negro in an article signed by Azorín that references a celestina from the comedyEufemia, by Lope de Rueda, that connects with the traditional Celestina only because of sorcery. The image resembles Cervantes' La…
Illustration of Celestina from the Budapest edition (1979)
Illustration of Celestina made by Gyula Feledy in the Hungarian edition by Károlyi and Szőnyi. Presented in the 1981 edition from Celestinesca.
Illustration of Celestina convincing Melibea from the Barcelona edition (1948)
Drawing of a scene from La Celestina made by Manuel Humbert in an edition of Celestinesca.
Illustration of Celestina bringing Calisto Melibea's string from the Budapest edition (1979)
Illustration by Gyula Feledy in the 1892 edition from Celestinesca. Made by the Hungarian edition by Károlyi and Szőnyi from 1979.
Illustration of Calisto's death from the Budapest edition (1979)
Illustration from the Hungarian edition by Sándor Károlyi and
Ferenc Szőnyi, made by Gyula Feledy.
Ferenc Szőnyi, made by Gyula Feledy.
Illustration of Calisto of the Barcelona edition, 2000
La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón
Illustration of Calisto in Melibea's garden from the Budapest edition (1979)
Drawing by Gyula Feledy in a Hungarian edition from 1979 in Celestinesca Vol. 5 Num 1. Pa. 34. September 4, 2016.
Illustration of Calisto from the Albacete edition (1999)
La Celestina Ilustrada, Museo de Albacete, 1999. Illustrations by Teo Puebla.
Illustration of Calisto and Melibea from the Budapest edition (1979)
Illustration from the Hungarian edition by Sándor Károlyi and
Ferenc Szőnyi, made byGyula Feledy.
Ferenc Szőnyi, made byGyula Feledy.
Illustration of back cover of theMoscow edition,byLobanova (2014)
Back cover of the bookLa Celestinaby Rojas, Moscow edition, illustrated byLobanova (2014)
Illustration of Areusa of the Barcelona edition, 2000
La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón
Illustration of Areusa from the Albacete edition (1999)
La Celestina Ilustrada, Museo de Albacete, 1999. Illustrations by Teo Puebla.
Illustration of an old woman giving a letter to a young woman, Passe ( 1600 c.)
Illustration of an old woman giving a love letter to a young woman, in the background to the right a feathered hat or a flower vase. Undearneath, written in French and German is the following text: "I swear that he is so taken by you that he is…
Illustration of Alisa from the Albacete edition (1999)
La Celestina Ilustrada, Museo de Albacete, 1999. Illustrations by Teo Puebla.
Illustration of Alisa and Pleberio of the Barcelona edition, 2000
La Celestina. Tragicomedy of Calisto and Melibea. Barcelona, Editorial Crítica, 2000. Prologue by Francisco Rico. Illustrations by Celedonio Perellón
Illustration of acts XX and XXI of the Moscow edition (2014)
Pleberio's lament occupies a place of attention for the reader, but on the other side Melibea's suicide is represented in miniature.
Illustration of act XXII of the Estella edition (1557)
The same image used in acts VII and XVII. Now it could be used to represent the conversation between Pleberio and Alisa with Lucrecia present.
Illustration of act XXI of the Valencia edition (1529)
Factotum of a house, Alisa, Melibea throwing herself from the tower (without a name above) and Pleberio tearing at his beard.
Illustration of act XXI of the Salamanca edition (1540)
The same image from act XX: Scene of Melibea's suicide falling from the tower in the center. On the left, an unidentified man, Pleberio, with arms outstretched accompanied by another unidentified man. In the right margin, two female characters…
Illustration of act XXI of the Paris edition (1527)
Factotums of Alisa and Pleberio that are the same used previously for Melibea and Sempronio.
Illustration of act XXI of the Oxford edition (2016)
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.
Illustrations: Marina Seoane Pascual
Web: marinaseoane.com
Illustrations: Marina Seoane Pascual
Web: marinaseoane.com
Illustration of act XXI of the Micomicona Ediciones edition: Valencia, 2019
La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6
Illustration of act XXI of the Estella edition (1557)
The same image used in acts XV and XVIII. Now it could represent Pleberio speaking with Alisa and Lucrecia present.
Illustration of act XXI of the Barcelona edition, 2013
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola
Illustration of Act XXI of the Barcelona edition (1988)
La Celestina. Barcelona, Lumen Editorial, 1988 . Version by Enrique Ortenbach. Illustrations by Bartolomé Liarte.
Illustration of act XXI of the Barcelona edition (1525)
Pleberio and Alisa watch as Melibea throws herself from the tower. Two buildings at the sides.
Illustration of act XXI of the Antwerp edition (1616)
A copy of act XXI of the Zaragoza edition (1545).Three bearded male characters contemplate Melibea's body lying face down, and beside her, Lucrecia, Alisa and Pleberio. One unidentified character watching from the wall also contemplates the scene…
Illustration of act XXI from the Zaragoza edition (1545)
Three bearded male characters contemplate Melibea's corpse lying facedown and, beside her, Lucrecia, Alisa and Pleberio. Two unidentified people leaning over the wall also contemplate Melibea's corpse.
Illustration of act XXI from the Barcelona edition (1883)
Melibea lies dead after throwing herself from the tower (p. 294). Vignette.
Illustration of act XX, by Alcalá Iberri (2004)
Pleberio atónito por la confesión y muerte de su hija
Illustration of act XX of the Venice edition (1541)
Factotums of a tree, three characters (two men and one woman) and houses, written above Pleberio, Lucrecia, Melibea and Pleberio repeated for being the first to speak in the act.
Illustration of act XX of the Salamanca edition (1540)
Scene of Melibea's suicide while falling from the tower in the center. On the left, an unidentified man, Pleberio has his arms outstretched, accompanied by another unidentified man. In the right margin, two female characters lament the event. Above…
Illustration of act XX of the Paris edition (1527)
The only image in the book that is not made up of factotums. It shows a man with a cane or staff and a crossed belt with bells and a woman in front of a building. The woman is showing a typical gesture of refusal or surprise, with her palm raised.…
Illustration of act XX of the Oxford edition (2016)
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.
Illustrations: Marina Seoane Pascual
Web: marinaseoane.com
Illustrations: Marina Seoane Pascual
Web: marinaseoane.com
Illustration of act XX of the Micomicona Ediciones edition: Valencia, 2019
La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6
Illustration of act XX of the Barcelona edition, 2013
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola
Illustration of act XX of the Barcelona edition (1525)
Four factotums: Lucrecia, Melibea, a building with two people, and Pleberio.
Illustration of act XX of the Antwerp edition (1616)
A copy of the engraving of act XVI of the Zaragoza (1545)edition.Pleberio, behind him Alisa in bed, knocking on Melibea's door. Lucrecia answering and Melibea saddened sitting on the dais.This has already been used in act XVI with a different…
Illustration of act XVIII of the Venice edition (1541)
Four factotums of characters (three women and one man) and houses. Above is written Elicia, Centurione ruffian [sic] and Areúsa, with the name of Elicia repeated for being the first to speak in the act.
Illustration of act XVIII of the Valencia edition (1529)
Factotums of Centurio, Elicia (covered) and Areúsa (without head covering) framed by two buildings.
Illustration of act XVIII of the Salamanca edition (1540)
Factotums of houses, Elicia, Centurio, Areúsa and a tree.
Illustration of act XVIII of the Rome edition: Marcelo Silber, 1515 (colophon Stanislao Polono, Sevilla, 1502)
Factotums of a tree, Areúsa covered (Image used previously for Elicia and Alisa), Centurio (image used previously for Pármeno and Sempronio), Elicia and houses
Illustration of act XVIII of the Paris edition (1527)
Factotums of Areúsa and Centurio that reuse the images of Melibea and Calisto.
Illustration of act XVIII of the Oxford edition (2016)
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.
Illustrations: Marina Seoane Pascual
Web: marinaseoane.com
Illustrations: Marina Seoane Pascual
Web: marinaseoane.com
Illustration of act XVIII of the Micomicona Ediciones edition: Valencia, 2019
La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6
Illustration of act XVIII of the Estella edition (1557)
The same illustration as used in act X. Now it can be assumed it represents the conversation between Centurio, Areúsa and Elicia.
Illustration of act XVIII of the Barcelona edition, 2013
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola
Illustration of act XVIII of the Barcelona edition (1525)
Four factotums: a building with two people inside, Areúsa, Elicia, Centurio (image used for another character in another act XI).
Illustration of act XVIII of the Antwerp edition (1616)
A copy of the illustration of act XV of the Zaragoza edition(1545). It has already been used in acts XII and XV. Now it is being used to represent Elicia helping Areúsa make peace with Centurio.
Illustration of act XVIII from the Zaragoza edition (1545)
The same image as used in act XV, now to represent Elicia helping Areúsa to make peace with Centurio.
Illustration of act XVII, by Alcalá Iberri (2004)
El pacto de Centurio
Illustration of act XVII of the Venice edition (1541)
Four factotums of characters (three women and one man) and houses. Above, the names Elisa, Areúsa and Sosia, with Elicia repeated for being the first to speak in the act.
Illustration of act XVII of the Venice edition (1519)
The same illustration as act IV. Above, the names of Elicia, Areúsa, Sosia, Elicia (repeated)
Illustration of act XVII of the Valencia edition (1529)
Factotums of Elicia, Areúsa and Sosia framed by two buildings in the margins.
Illustration of act XVII of the Salamanca edition (1540)
Factotums of houses, Elicia, Areúsa, Sosia and a tree. Sosia with a black face, printed in negative.
Illustration of act XVII of the Rome edition: Marcelo Silber, 1515 (colophon Stanislao Polono, Sevilla, 1502)
Factotums of houses, Elicia (Image used in act IX for Celestina and in act XVI for Alisa), a woman with the erroneous name of Sosia, Areúsa and a tree
Illustration of act XVII of the Paris edition (1527)
Factotums of Areúsa and Elicia with images previously used for Melibea and Celestina.