Browse Items (3223 total)

First illustration from the introduction from the Barcelona edition (1968)
La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from the Madrid edition (1974)
Celestina's laboratory.

First illustration from the prologue from the Mexico edition (1947)
Melibea in her room surrounded by cupids. Note the similarity with the paintings of the Anunciación.

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First Illustration of act 13 of Medina del Campo, 1530

First illustration of act 14 of Medina del Campo, 1530

First illustration of act 2 of the Madrid edition (2010)

First illustration 20 of act of Medina del Campo, 1530

First illustration of act I from the Barcelona edition (1883)
Melibea in the garden, in the opening scene of the work (p. 36). Alone in the vegetation, with long plaits and a wall in the background.

First illustration of act I of the Barcelona edition (1525)
Factotums of four images, two young men, a young woman and an old woman. Above are the names Pármeno, Calisto, Melibea, Sempronio, Celestina and Crito, which correspond to characters in the act, not to the images. Celestina is covered and has her…

Ilustración primera del acto I de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

First illustration of act I of the Bilbao edition (1971)

First illustration of act I of the Madrid edition, 2005

Ilustración primera del acto I de la edición Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

First illustration of act I of the Paris edition, 1976

Ilustración primera del Acto I, de Alcalá Iberri (2004)
Calisto recrimina a Sempronio

First illustration of act II of the Madrid edition, 2005

First illustration of act III from the Barcelona edition (1883)
Vignette with a portrait of a woman, supposedly Elicia (p. 81).

First illustration of act III of the Antwerp edition (1616)
Double image that shows Calisto and Celestina'smeeting while Pármeno and Sempronio talk amongst themselves. This does not appear to be a copy of the illustrations in Zaragoza (1545), one of the few cases in the book. Due to the simplicity of…

First illustration of act III of the Madrid edition, 2005

First illustration of act III of the Micomicona Ediciones edition: Valencia, 2019
La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6

First illustration of act IV from the Barcelona edition (1883)
A somewhat contemporary image of the devil as an illustration of Celestina's words a few lines before "Por aquí anda el diablo" ("Here walks the devil") (p. 90.).

First illustration of act IV of the Madrid edition, 2005

First illustration of act IX from the Barcelona edition (1883)
The banquet in Celestina's house (p. 171). She is standing with the jug of wine in hand.

First illustration of act IX of the Madrid edition, 2005

Ilustración del acto IX de la edición Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

First illustration of act VI from the Barcelona edition (1883)
Calisto receives Celestina at his house, who reasons before handing over the cord. Decoration of weapons and urns (p. 114).

First illustration of act VI of the Madrid edition, 2005

First illustration of act VII from the Barcelona edition (1883)
Celestina goes to the bed in which Areúsa is lying (p. 143).

First illustration of act VII of the Madrid edition, 2005

First illustration of act VIII from the Barcelona edition (1883)
Pármeno sees and greets Sempronio from afar (p. 155).

First illustration of act VIII of the Madrid edition, 2005

First illustration of act X of the Madrid edition, 2005

Ilustración primera del Acto X, de Alcalá Iberri (2004)
Melibea le confiesa a Celestina su mal de amor

First illustration of act XI of the Madrid edition, 2005

Ilustración primera del Acto XI, de Alcalá Iberri (2004)
Calisto, Sempronio y Pármeno parten rumbo a la casa de Melibea

First illustration of act XII (?) of the Paris edition, 1976

First illustration of act XII from the Barcelona edition (1883)
Calisto talks to Melibea through the door while Pármeno and Sempronio stand guard (p. 208).

First illustration of act XII from the Zaragoza edition (1545)
While Pármeno and Sempronio, well armed, stand watch, Calisto speaks with Lucrecia and Melibea, who are not represented, through the garden door.

First illustration of act XII of the Antwerp edition (1616)
A copy of the illustration of act XIV of the Zaragoza edition(1545).Calisto climbing a ladder while Melibea and Lucrecia are looking out of two arches. To the right, Sosia y Tristán, stand guard outside. This is used again in acts XIV y XIX

Ilustración primera del acto XII de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

First illustration of act XII of the Madrid edition, 2005

First illustration of act XII of the Medina del Campo edition (1582)

First illustration of act XII of the Salamanca edition, 1577

First illustration of act XII of the Valencia edition (1529)
Factotums of Calisto, Lucrecia, Melibea, Sempronio and Pármeno.

First illustration of act XII of the Zaragoza edition, 1545

Ilustración primera del acto XII de la página 73 de la edición Barcelona, 1988.
La Celestina. Barcelona, Lumen Editorial, 1988 . Version by Enrique Ortenbach. Illustrations by Bartolomé Liarte.

First illustration of act XIII from the Barcelona edition (1883)
Herald proclaiming the deaths of Pármeno and Sempronio (p. 231). Vignette.

First illustration of act XIII from the Zaragoza edition (1545)
Sosia and Tristán talk in the doorway about the execution of Pármeno and Sempronio while Calisto lies in his bed.

First illustration of act XIII of the Antwerp edition (1616)
An image of a man arriving to a tower with a woman at the door and another man inside. This image does not seem to have anything to do with the events in act XIII, other than the generic idea of arriving to give news, but the female character does…

First illustration of act XIII of the Estella edition (1557)
Scene used previously for act VIII to show Pármeno and Sempronio talking at the door of a house. Now it could represent them before entering Celestina's house and killing her.

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First illustration of act XIII of the Rome edition: Marcelo Silber, 1515 (colophon Stanislao Polono, Sevilla, 1502)
The scene of Celestina's death at the hands of Pármeno and Sempronio on the left, with Elicia present, and on the right the following scene of Pármeno and Sempronio jumping from the window and the judge with a soldier

Ilustración primera del Acto XIII, de Alcalá Iberri (2004)
Calisto desea a Melibea

First illustration of act XIV from the Barcelona edition (1883)
Calisto holds Melibea's hand on a bench in the garden (p. 237).

Ilustración primera del acto XIV de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

First illustration of act XIV of the Madrid edition, 2005

First illustration of act XIX from the Barcelona edition (1883)
Calisto climbing the wall of the garden of Melibea, the moon in the sky (p. 277).

First illustration of act XIX from the Zaragoza edition (1545)
The same illustration used in act XIV, now for Calisto's fatal visit to Melibea.

First illustration of act XIX of the Antwerp edition (1616)
A copy of the illustration of act XIV of the Zaragoza edition(1545).Calisto climbing a ladder while Melibea and Lucrecia are watching from two arches. On the right Sosia and Tristán, standing guard outside.This has been used in acts XII and…

First illustration of act XIX of the Barcelona edition (1525)
Lucrecia and Melibea behind the crenellated walls of the garden that Calisto is scaling, on the right, two armed servants, Sosia and Tristán.

First illustration of act XIX of the Madrid edition, 2005

First illustration of act XIX of the Paris edition, 1976

First illustration of act XIX of the Rome edition: Marcelo Silber, 1515 (colophon Stanislao Polono, Sevilla, 1502)
The same engraving as in act XIV which shows Calisto with two servants climbing into Melibea's garden,where she is waiting for him with Lucrecia

First illustration of act XIX of the Zaragoza edition, 1545

First illustration of act XV of the Madrid edition, 2005

First illustration of act XVII of the Madrid edition, 2005

First illustration of act XVIII from the Barcelona edition (1883)
Centurio speaks with Elicia and Areúsa in her house (p. 270).

Ilustración primera del Acto XVIII, de Alcalá Iberri (2004)
Calisto quiere bajar a ayudar a Sosia

First illustration of act XX from the Zaragoza edition (1545)
Pleberio, and behind him Alisa in bed, knocking on the door of Melibea's bedroom. Lucrecia answering while saddened Melibea is sitting on the dais.

First illustration of act XX of the Estella edition (1557)
The same image as used in act XIV. Calisto's visit to Melibea's garden with Sosia and Tristán present.

First illustration of act XX of the Madrid edition, 2005

First illustration of act XX of the Rome edition: Marcelo Silber, 1515 (colophon Stanislao Polono, Sevilla, 1502)
Factotums of a tree, Melibea, Lucrecia, Pleberio and houses

First illustration of act XX of the Valencia edition (1529)
The same image used in act XIV: Sosia and Tristán stand guard while Calisto begins to climb the ladder. Lucrecia and Melibea watch from the other side of the crenelated wall.

First illustration of act XX of the Zaragoza edition, 1545

First illustration of act XXI of the Madrid edition, 2005

First illustration of the cover page of the Salamanca edition (1540)
Two armed servants stand guard while Calisto climbs the ladder to enter the garden where Melibea and Lucrecia wait, one of them has her hand to her breast. Note the fortified tower that tops the wall of the garden. Calisto and one of his servants…

First illustration of the cover page of the Valencia edition (1529)
Composite scene that shows two servants escorting Calisto on horseback and a third Black servant or page. It also includes a dog and in the right margin Melibea's house, where she and Lucrecia are on the balcony, while Celestina knocks on the door,…

First illustration, of Calisto, of the binding of the Madrid edition, 2005

First image of act 12 of the edition of Lisbon (1540)
Three factotums and the names Calisto, Melibea, Lucrecia, Pármeno

First image of act 19 of the edition of Lisbon (1540)
Same illustration as the one used in act 14 of Calisto entering the garden.

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Pleberio, Lucrecia and Melibea Factotums

First image of act I of the Paris edition (1943)
Adaptation by Paul Achard

First image of act IV of the Paris edition (1943)
Adaptation by Paul Achard

Imagen primera del Acto VII de Burgos, 1531

First image of act XII of the Barcelona edition (1525)
Four factotums: two men and two young women and five names: Calisto, Lucrecia, Pármeno, Melibea, Sempronio.

First image of act XII of the Burgos edition (1531)
Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

First image of act XII of the Medina del Campo edition (1536)
Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

First image of act XIII of the Burgos edition (1531)
Factotums of a tree, Calisto, Tristán, Sosia and houses.

First image of act XIII of the Medina del Campo edition (1536)
Factotums of houses, Calisto, Tristán, Sosia and a tree.

First image of act XIII of the Paris edition (1943)
Adaptation by Paul Achard

First image of act XIV of the Burgos edition (1531)
Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto (new image of a young man for Calisto) (Sosia is shown as the image of the man with the turban used previously for Sempronio).

First image of act XIX of the Burgos edition (1531)
Factotums of Sosia, Tristán, Calisto, Melibea and Lucrecia.

First image of act XIX of the Medina del Campo edition (1536)
Factotums of Sosia, Crito, Calisto, Melibea and Lucrecia.

First image of act XIX of the Paris edition (1943)
Adaptation by Paul Achard

First image of act XX of the Burgos edition (1531)
Factotums of houses, Pleberio (image used previously for Calisto), Lucrecia, Melibea and a tree.

First image of act XX of the Medina del Campo edition (1536)
Factotums of Pleberio, Lucrecia and Melibea.

First image of the cover page of the Salamanca edition (1590)
A composite scene of Celestina knocking on the door holding the thread, Lucrecia at the window, Calisto and Melibea in the garden, a horse and a woman. Low quality image the seems to have been inspired by the cover page of the Valencia edition (1514)…

First image of the introduction, of Celestina, of the Paris edition (1943)
Adaptation by Paul Achard. Illustration of the same French series, by Maurice Hoir, shown in Celestinesca vol 22, num 2.

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Títeres de Calisto y Melibea
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