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First engraving of act XII of the Venice edition (1534)

Factotums of Pleberio, Alisa, Celestina and Alicia.

First engraving of act XIX of the Venice edition (1534)

Calisto scaling the wall of Melibea's garden accompanied by Tristán and Sosia while Melibea and Lucrecia wait within. The same image used in act XIV.

First engraving of act XX of the Venice edition (1534)

Factotum of a tree, Lucrecia, Pleberio and houses.

First illustration from act I from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 13.

First illustration from act I from the Barcelona edition (1996)

First illustration from act I from the Mexico edition (1947)

Drawing of Calisto and Melibea in the garden.

First illustration from act I from the Paris edition (1949)

Illustration of Celestina and a young man, perhaps Sempronio or Calisto, walking outside, with the city in the background as a symbol of the young rich men.

First illustration from act I from the Paris edition (1989)

Calisto and Melibea's first encounter.

First illustration from act I from the Toledo edition (1526)

Five factotums and six names on top: Calisto, Melibea, Sempronio, Pármeno, Celestina, Elicia, Crito. Celestina is carrying the rosary and a walking stick.

First illustration from act II from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 41.

First illustration from act II from the Barcelona edition (1996)

First illustration from act II from the Paris edition (1949)

Calisto descending some stairs with one of his servants, behind them a chair and a book are left abandoned in the courtyard.

First illustration from act III from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act III from the Barcelona edition (1996)

First illustration from act III from the Paris edition (1949)

Celestina walking down the street to meet Calisto. Two beggars can be seen on the corner, perhaps as a reference to the previous victims of Celestina's plotting.

First illustration from act IV from the Barcelona edition (1967)

Celestina walking quickly through the streets, her skirt hoisted and people observing her. Page 66.

First illustration from act IV from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act IV from the Barcelona edition (1996)

First illustration from act IV from the Paris edition (1949)

Celestina travelling through what appears to be Melibea's garden with the goal of selling her the string.

First illustration from act IV from the Paris edition (1989)

Alisa and her page.

First illustration from act IX from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 111.

First illustration from act IX from the Barcelona edition (1996)

First illustration from act IX from the Mexico edition (1947)

Drawing of the banquet at Celestina's house.

First illustration from act IX from the Paris edition (1949)

Pármeno and Sempronio on route to Celestina's house.

First illustration from act V from the Barcelona edition (1996)

First illustration from act V from the Mexico edition (1947)

Drawing of Celestina walking down the street and a young man, Sempronio, waiting for her leaning on a wall.

First illustration from act V from the Paris edition (1949)

Celestina walks through the city market.

First illustration from act VI from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act VI from the Barcelona edition (1996)

First illustration from act VI from the Mexico edition (1947)

Drawing of Calisto playing the lute in his bed and Celestina speaking to him. Dog on the floor and Pármeno listening in the background.

First illustration from act VI from the Paris edition (1949)

Celestina brings Calisto news about Melibea. Pármeno can also be observed calming down his master's dog.

First illustration from act VI from the Paris edition (1989)

Pármeno and Sempronio.

First illustration from act VII from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 87.

First illustration from act VII from the Barcelona edition (1996)

First illustration from act VII from the Mexico edition (1947)

Drawing of Celestina approaching Areúsa, naked, in the bed, while Pármeno watches from behind a curtain.

First illustration from act VII from the Paris edition (1949)

Celestina and Claudina in a field of hanged people.

First illustration from act VIII from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 103.

First illustration from act VIII from the Barcelona edition (1996)

First illustration from act VIII from the Mexico edition (1947)

Drawing of Areúsa and Pármeno getting out of bed the next day.

First illustration from act VIII from the Paris edition (1949)

First illustration from act X from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 127.

First illustration from act X from the Barcelona edition (1996)

First illustration from act X from the Mexico edition (1947)

Drawing of Melibea seated at the window of her room playing with a cat.

First illustration from act X from the Paris edition (1949)

Lucrecia and Celestina walk towards Melibea's house.

First illustration from act X from the Paris edition (1989)

Melibea and Celestina.

First illustration from act XI from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 135.

First illustration from act XI from the Barcelona edition (1996)

First illustration from act XI from the Mexico edition (1947)

Celestina and Calisto walk down the street accompanied by Pármeno and Sempronio, who are following them. View from the city and superimposed part of the text written by hand.

First illustration from act XI from the Paris edition (1949)

Celestina leaves Melibea's house.

First illustration from act XI from the Paris edition (1989)

Calisto waiting for news from Celestina.

First illustration from act XII from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 143.

First illustration from act XII from the Barcelona edition (1996)

First illustration from act XII from the Mexico edition (1947)

Calisto and Melibea's meeting behind the garden door. Pármeno and Sempronio in the background.

First illustration from act XII from the Paris edition (1949)

Pármeno and Sempronio prepare themselves to leave for Melibea's house.

First illustration from act XII from the Paris edition (1989)

Sempronio and Pármeno accompanying their master Calisto.

First illustration from act XII from the Toledo edition (1526)

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

First illustration from act XII from the Toledo edition (1538)

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

First illustration from act XIII from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XIII from the Barcelona edition (1996)

First illustration from act XIII from the Mexico edition (1947)

Drawing of dead Celestina and of Elicia crying, plus a series of female characters in the background.

First illustration from act XIII from the Paris edition (1949)

The town crier announces the decapitation of Calisto's servants.

First illustration from act XIII from the Toledo edition (1538)

Factotums of buildings, Calisto, Tristán, Sosia and buildings. Tristán and Sosia are wielding swords.

First illustration from act XIV from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XIV from the Barcelona edition (1996)

First illustration from act XIV from the Mexico edition (1947)

Drawing of Calisto and Melibea hugging in the garden.

First illustration from act XIV from the Paris edition (1949)

Illustration by Maurice Lalau, made for the French edition of La Celestina, of Les Bibliophiles de France.

First illustration from act XIV from the Paris edition (1989)

Lucrecia and Melibea in the garden.

First illustration from act XIV from the Toledo edition (1526)

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto.

First illustration from act XIV from the Toledo edition (1538)

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto.

First illustration from act XIX from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XIX from the Barcelona edition (1996)

First illustration from act XIX from the Mexico edition (1947)

Drawing of Calisto dead in his servants' arms. Calisto's figure is curiously nude.

First illustration from act XIX from the Paris edition (1949)

Calisto and Melibea's nighttime encounter.

First illustration from act XIX from the Paris edition (1989)

Lucrecia and Melibea.

First illustration from act XV from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XV from the Barcelona edition (1996)

First illustration from act XV from the Mexico edition (1947)

Drawing of Elicia arriving to Areúsa's house dressed in mourning. Areúsa appears almost naked.

First illustration from act XV from the Paris edition (1949)

Centurio and Areúsa.

First illustration from act XVI from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 179.

First illustration from act XVI from the Barcelona edition (1996)

First illustration from act XVI from the Mexico edition (1947)

Conversation between Pleberio and Alisa inside the house.

First illustration from act XVI from the Paris edition (1949)

Pleberio and Alisa speak about Melibea's future.

First illustration from act XVII from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 183.

First illustration from act XVII from the Barcelona edition (1996)

First illustration from act XVII from the Mexico edition (1947)

Drawing of Areúsa coaxing Sosia while Elicia listens behind the curtain.

First illustration from act XVII from the Paris edition (1949)

Areúsa, Sosia and Elicia.

First illustration from act XVIII from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XVIII from the Barcelona edition (1996)

First illustration from act XVIII from the Mexico edition (1947)

Drawing of Elicia and Areúsa standing before Centurio, who appears almost as an avenging angel.

First illustration from act XVIII from the Paris edition (1949)

Calisto and his servants on route to Melibea's house.

First illustration from act XX from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea), Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

First illustration from act XX from the Barcelona edition (1996)

First illustration from act XX from the Mexico edition (1947)

Symbolic drawing that is difficult to interpret. It could be Calisto's ghost hugging Melibea while a character transformed into a tree could be Celestina's ghost.

First illustration from act XX from the Paris edition (1949)

Melibea's suicide.

First illustration from act XX from the Toledo edition (1526)

Factotums of Tristán, Sosia, Calisto, Melibea and Lucrecia.

First illustration from act XXI from the Barcelona edition (1968)

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro. Page 211.

First illustration from act XXI from the Barcelona edition (1996)

First illustration from act XXI from the Paris edition (1949)

Some women pray for Melibea's soul.

First illustration from act XXI from the Toledo edition (1526)

Dead Calisto is removed by Tristán and Sosia. In the background, a ladder and the garden wall. Note the detail that Calisto's shoes are on the ground.

First illustration from the back cover from the Mexico edition (1947)

Capital letter O that frames a naked Melibea and angels.

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