Browse Items (3220 total)

Three factotums of a man between two women, thought to be Calisto standing between Melibea and Celestina.

Emblem of the printer showing a hand between clouds or waves, holding an object in the form of "T" and the inscription in Latin "Per verbum Dei auditus".

The cover features a fragment of the cover of the Valencia edition of 1514.

The cover features an unidentified medieval miniature or painting that depicts a garden or paradise and a man - possibly Petrarch - at the door.

Possibly an exact reproduction of an edition published before 1923.

History and analysis of the text.
The image is a fragment from Velázquez's work: Vieja friendo huevos (Old woman frying eggs)

A photograph of Celestina and a male character from the theatrical performance in Teatro Esponcedra 34, Madrid, 1980

The cover features a modern black and red print that depicts the nocturnal scene, with Celestina in the street, Calisto jumping over the wall of the garden and Melibea welcoming him.

A naive-style drawing in colour of a book, a quill, and an inkwell.

Cover that looks like a rotated copy from theZaragoza edition (1545)but from a much less careful production. See the description on Zaragoza's cover. It is an edition with illustrations that can be seen here.Very similar to the laterreeditionAntwerp…

Cover that looks like a rotated copy from the Zaragoza edition (1545)but from a much less careful production. See the description on Zaragoza's cover. It is an edition with illustrations that can be seen here.

Emblem of the printer showing a Stork feeding its young, and a motto in Latin: "PIetas homini utilissima virtus."

Tragicomedie van Calisto ende Melibea. Anónimo trad. TʼHantwerpen: HeyndricHeyndricz, 1574. Traducción anónima al holandés. La mayoría de lasilustraciones son copias giradas de las ilustraciones deZaragoza…

Emblem of the printer Christoph Plantin and his descendants, which is a compass held in a hand which is rising from a cloud and the Latin inscription "labore et constantia".
The second image is of a similar edition but dated 1595

In the cover appears a reproduction of the old cover of the Seville edition, 1511 (1502).

A drawing of a single figure wearing a hat over what appears to be a veil, in what is most likely a depiction of Celestina.

Japanese translation.

Portuguese translation.

Turkish translation.

Noble edition published in commemoration of the 500th anniversary.

This is the catalogue of the well-known exhibit at Casa de Cultura, which ran from April to May of 1999.

A silhouette of two lovers in black and red, in the style of a cinema projection.

A building with two windows and three characters inside, a front garden with two women, and Celestina knocking on the door. Callisto and two servants on the right hand margin, in behind, two men and two women are in the street in front of other…

This is the same as that of Barcelona, 1525: A building with two windows and three characters inside, the front garden with two women, Celestina knocking on the door, Calisto and two servants on the right bank, behind him two men and two women are in…

This edition had a print run of 5000 copies.

French translation.

The cover of the first volume of a French edition.

The cover features a vignette, reminiscent of a theater scene, that depicts a black-robed Celestina looming menacingly over the forms of two nude young women, most likely…

Italian translation.

Italian translation.

An unusual cover that depicts Celestina. Drawn in grey-scale, her calculating expression shows her unsavory intentions. Interestingly, in place of a veil imitating a nun's habit, she wears a head covering that could be…

Italian translation.

A grey-scale illustration of a young man and woman, both young and lavishly dressed, with their heads inclined towards each other in conversation. It is a depiction of Calisto and Melibea.

On the cover appears a young woman and two black silhouettes behind her. The two black silhouettes in the background suggest Celestinas of the Goya type.

Two people appear on the cover, on the right an old woman with her head covered following the Celestinesque tradition and holding a club and on the left a young man handing a sack of coins to the old woman. By the title of the work it is understood…

Montage of two Adam and Eve type baroque statues.

Book with cover that suggests that it is an essay with the subtitle "estudio sobre la mitología de lo femenino, la mujer y su manipulación a través de la industria cultural." The title is probably influenced bu the Spanish translation of Kubrick's…

Image of a female hindu deity

A coloured reproduction of the older cover of Seville, 1501. It depicts Celestina knocking on the door of Melibea's house, while Melibea and Calisto are shown, in the foreground, in their first meeting. Lucrecia stands behind them, observing them.…

Coloured drawings of a money bag and gold coins positioned against a green background.

A black-and-white illustration from the first act of the Burgos edition of 1499, printed by Fadrique de Basilea. The image is a depiction of the first meeting between Calisto and Melibea.

The cover features the image of the painting Celestina, by Picasso (1904).

A naive-style drawing of Celestina walking in a cemetery at night.

An abstract painting (signed but unidentified) that depicts Celestina and two women.

Properly speaking, this is not an actual cover, but rather an illustration of the first scene of Act I, depicting the initial encounter between Calisto and Melibea. The cover, if there was one, has been lost. For this reason, the first illustration…

Composite scene with an unidentified servant, Calisto, Melibea and Lucrecia, with the initials above. Celestina, also with initials above is knocking at the door, with the thread in hand. A tree in the center. An illustrated edition with26…

This is the same as in the Burgos, 1531 edition.

Celestina painted in watercolor appears as the cover of this version of Carlos Slim Foundation, México.

This cover features a fragment of the cover of the Seville edition of 1523. The editors have chosen to focus on the characters Calisto and Melibea (prominent in the foreground) instead of including the full image, which incorporates three animals: a…

The cover features the image from the painting Maja and Celestina (c.1824) by Francisco de Goya.

The cover features a fragment of the paintingJudith Beheading Holofernes (c.1598) by Michelangelo Merisi da Caravaggio.

An old woman, characterized as a witch, offers a young woman a box or jewel. The image is reminiscent of the depictions of Snow White and the witch in Disney's images.

On the cover there is a fragment of the painting Bathsheba receiving David’s Letter, by Steen (1659, c.).

A coloured drawing of Celestina counting coins in the foreground while Calisto and Melibea share an embrace in the background.

A cubist depiction - possibly by Picasso - of a naked woman and a matchmaker, framed in a black as is typical of the collection.

A fragment of an unidentified painting depicting a woman combing her hair and another woman with her head covered. Although they are both young, it could be a representation of Celestina and Melibea.

The cover features illustrations of a woman and some buildings in color. On the cover, it explains that it is detail from a woodcut for a 15th century edition of Ovid's 'Art of Loving'.

A water colour imitation of the mural Witches' Sabbath (The Great He-Goat) by Francisco Goya.

Celestina's face as she casts the spell in a theatrical version.

Mandarin translation.

The cover features an image of an engraving of the death of Celestina from from act XII from the Toledo edition (1538).

According to the description on the cover, this edition is considered to be of cultural and educational interest by UNESCO.

A black-and-white drawing of a couple leaning against each other, embellished by roses to indicate Melibea's garden.

A gold, red and blue copy of an unidentified engraving, in which Celestina appears with a bag and two other characters.

Circle of Friends of History ("Círculo de Amigos de la Historia"). 1975. Spanish literature. Theater. Tragedies of the XV century. (860-21 14) 17 cm. 308 p., 2 h., 4 h., Plate. Publisher's hardcover binding. Spanish Classics Collection. Rojas,…

Melibea and Calisto appear on the cover of this edition.

A black-and-white drawing of a couple. The man reaches up for the woman's hand as she is standing on a balcony or an enclosed patio.

The cover features a fragment of a medieval illumination that depicts two lovers in a garden.

Portuguese translation.

On the cover the painting Old Woman Frying Eggs by Velázquez (1618, c.) appears.

A modern, fine-line caricature of the old Celestina.

A greyscale drawing of Celestina possibly casting the spell from the third act, positioned against an orange background.

A copy of the image from a painting or tapestry of a hunting scene, which depicts a young noble man with a falcon, a dog, and a servant.

The cover features an image of an old woman with her head covered. The style of the illustration suggests that it was probably taken from a Dutch painting and altered to be a two-tone drawing.

English translation.

Adapted to modern Castilian.

A gallant scene with couples and troubadours that appears to be a modified medieval illumination.

A red quill or feather against a blue background, in reference to the author and the act of writing.

A drawing of the face of an old woman against a blue background.

This cover imitates older covers, with the emblem or seal of the printer. The cover does not feature any images of the characters of the text.

Panel-style drawing of Celestina with her cane and in the background, two lovers kissing in the garden and the moon.

A coloured drawing of an old woman's face, a snake, and an object that looks like a bird's wing.

A lavender grey and red cover depicting Calisto and Melibea in an embrace. Celestina, leaning on a cane, faces away from them. All three characters are set against a white orb appears to be the moon, and, thus, suggestive of the couple's nocturnal…

A montage of an old woman with a cane and two lovers reclining against a tree. It resembles an old painting.