Browse Items (3223 total)

Adaptation by Paul Achard. Illustration in Celestinesca vol 22, num 2 of the French edition illustrated by Maurice L'Hoir.

Scene of the execution of Pármeno and Sempronio, although it only shows one culprit being executed, two soldiers and Tristán as witness. There doesn't appear to be a judge in the scene.

Melibea throws herself from an elevated location with locked doors, while Pleberio joins his hands in a gesture of begging or prayer.

Scene of the suicide of Melibea with her falling and Pleberio with his arms raised at the foot of the tower.

Melibea throws herself from the tower while Pleberio opens his arms on the left side (variation of the image used in the previous act) and a woman with her hair down joins her hands in prayer.

Sosia and Tristán retrieve Calisto's corpse.

Adaptation by Paul Achard

Image repeated from XIV: scene of Calisto with the ladder entering the garden, where Melibea and Lucrecia wait for him. Outside, with weapons, Sosia and Tristán. One of the two with a finger to his mouth in a gesture of silence.

Same image used in act XIV; Calisto climbing the ladder to the garden where Melibea and Lucrecia wait for him and outside Tristán and Sosia armed.

Calisto climbs the ladder to the garden where Melibea and Lucrecia are waiting for him and outside Tristán and Sosia are armed. It is reused in act XIX.

Sosia and Tristán speak at the door about Pármeno and Sempronio's execution while Calisto lies in his bed.

Adaptation by Paul Achard

Pármeno and Sempronio's execution scene with Sosia as witness, plus judge, two soldiers and another character pointing their fingers.

Double scene. On the left the judge, a soldier and a dead or executed body of a man; on the right, Celestina's death at the hands of Pármeno and Sempronio, with Elicia tearing at her hair.

Double image, Celestina's death at the hands of Pármeno and Sempronio with Elicia as witness on the left and their jump from the window and the judge sentencing them on the right. Only the house wall serves to partially separate the scenes.

Pármeno and Sempronio kill Celestina.

Factotums of houses, Celestina, Parmeno, Areúsa and Elicia (image used previously for Lucrecia).

Adaptation by Paul Achard

Adaptation by Paul Achard

Melibea's suicide with her and Pleberio. Two unidentified male characters on the margin are included. There is also an image of an object in the sky that may be Melibea's girdle or cord falling or another object.

Calisto dead at the foot of the ladder is carried by Sosia and Tristan

Death of Celestina. While one of the male characters holds her, the other is ready to stab her. Elicia is pulling her hairs. Curiously, there is a window or door with two characters outside. Shelves with cups and glass containers.

Tristán and Sosia recover Calisto's fallen corpse from in front of the garden wall. Different from the previous illustration, Calisto does not have a beard. Two fortified towers on the sides of the canvas of the garden wall. Not shown, are Melibea or…

Sosia and Tristán retrieve Calisto's body. He has just fallen from the ladder.

The scene of Melibea's suicide in which she throws herself from the tower while Pleberio and a female character watch the event. Note the prominence of the lock on the door of the tower to show that the door is locked. This image is of a simpler…

The same illustration used in act XIII Pármeno and Sempronio's execution. Now it does not seem to be connected with the action of the current scene, save for referencing the previous event.

Melibea throws herself from an elevated location with locked doors meanwhile Pleberio joins his hands in a sign of prayer.

Calisto se pone su capa para salir a defender a sus criados

Vignette of the end of the chapter with two separate scenes: two birds, one in a fallen nest and an adult bird looking on from the tree (p. 273).

Scene of Tristán and Sosia removing the body of Calisto fallen beside the ladder

Tristan and Sosia collect Calisto's dead body. Melibea's garden in the background with the ladder at hand. Above, the names Melibea, Lucrecia, Sosia, Tristán, Calisto can be read. The images of Melibea and Lucrecia are not seen, but it is assumed…

A copy of the image of act XX of the Zaragoza (1545) edition. Sosia and Tristán remove Calisto's corpse.

Sosia and Tristán remove Calisto's corpse.

Lucrecia spying on the lovers from behind the vegetation (p. 281).

La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Cat playing with a ball of wool (p. 240).

Melibea se lamenta haber perdido su corona de virgen por tan breve deleite

The execution scene of Pármeno and Sempronio with an executioner and his assistant on the right. On the left, the judge with two soldiers and a character who covers their eyes so as not to see, perhaps Sosia

Pármeno and Sempronio's execution. It is novel to include two women in the right margin watching from the window, as if referencing Elicia and Areúsa, although this detail does not occur in the text. This image is used again in act XX.

Scene in which Pármeno and Sempronio are executed. This is one of the rare cases in which this edition does not follow the images in Zaragoza (1545).This image was possibly taken from one of the books ofthe period depicting the extermination…

Pármeno and Sempronio's execution. On the left, the judge and three people, one of which is probably Sosia. On the right, the execution, one of the defendants already decapitated and the other being decapitated. Two people with beards on the right.…

Vignette of the end of the chapter, with a small dead bird (p. 234).

La Celestina. Barcelona, Lumen Editorial, 1988 . Version by Enrique Ortenbach. Illustrations by Bartolomé Liarte.

Pármeno and Sempronio killing Celestina with swords.

La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Pármeno and Sempronio murder Celestina

Double image. On the left, the judge and two soldiers stand over Pármeno or Sempronio's fallen body, while the other of the two is still jumping from the window.
On the right, the previous scene of Pármeno and Sempronio killing Celestina with…

A copy of the illustration of act XV Zaragoza edition (1545). Elicia y Areúsa plot their revenge against Calisto with Centurio, shown with a sword. In the background, a bed and stairs. It is used again in acts XV y XVIII.

Pármeno and Sempronio kill Celestina, who is on the floor, while Elicia watches horrified.

Melibea answers Calisto next to the garden gate, from inside (p. 210).

Encuentro entre Calisto y Melibea

El mal de amor de Melibea

Pármeno and Sempronio comment on the situation of their master, who is in bed thinking about love (p. 160). Vignette with black background.

Celestina descends the stairs leaving Pármeno and Areúsa in bed (p. 149).

Calisto takes the cord from Celestina's hands (p. 125).

El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Vignette of a heart wounded by an arrow (p. 180).

Celestina's first visit to Melibea's house, who stands angrily from her chair and reproaches her for her business there (p. 97).

La Celestina, by Fernando deRojas. Edition byJesucristoRiquelme and Carlos R. Talamás,illustrations by Carles Maiques. Valencia: Micomicona Ediciones, 2019.ISBN:978-84-949728-3-6

A copy of the engraving of act XVII in the Zaragoza edition(1545). Where it is used to represent Areúsa in her house, receiving Sosia, while Elicia listens in hiding. Bed and stairs in the background. Here it appears to represent Sempronio…

Celestina performing her spell in her house in front of the fire (p. 83).

Celestina recibe las monedas de oro de Calisto

El Árbol de los clásicos collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Drop cap letter E with the figure of an undetermined saint. It is part of Calisto's first words, "In this I see..." Perhaps it was considered relevant given the content of loa of the divine work of these words, or simply used this image at random.

Sempronio's discussion with Celestina and Elicia about whether there were noises coming from the floor above (p. 43). The three characters, and a staircase in the background. Sempronio and Celestina argue behind, Elicia appears to be crying or…