Browse Items (3223 total)

Calisto looking thoughtful in a chair, Tristán and Sosia come to tell him about Sempronio and Pármeno's death. Woman in the background (mental image of Melibea?) (see image from act II for a similar treatment of thought). Page 161.

Celestina assassinated. Illustration from act XII in Celestinesca Vol 9, Num 1, made by José Segrelles.

Factotums of Celestina, Calisto, Sempronio, Pármeno and Elicia.

Factotums of Celestina, Calisto, Sempronio, Pármeno and Elicia.

Factotums of Melibea, Celestina, Alisa, Lucrecia and houses, the characters speaking in pairs.

Celestina and Melibea. Illustration from act X by José Segrelles in Celestinesca, Vol. 8 Num. 2.

Factotums of Melibea, Celestina, Alisa, Lucrecia, all speaking in pairs, and houses.

Two page panoramic view of the city. On the right, a woman going up some ladders that could be Celestina walking fast. Pages 136-137,

Sempronio and Pármeno. Illustration from act VIII by José Segrelles in Celestinesca Vol 9, Num 1.

Factotums of Pármeno, Celestina, Areúsa, Elicia and houses.

Factotum of five blocks: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding a bag. The houses are mirror images of a same model.

Celestina and Areúsa.

Image made up of a square or street seen from a portico and at the same time from outside. Page 113.

Celestina and Areúsa. Illustration from act VII in Celestinesca, Vol. 9 Num. 1. Made by José Segrelles.

Factotums of Pármeno, Celestina, Areúsa, Elicia and houses.

Factotums of Pármeno, Celestina, Aréusa, Elicia and houses.

Calisto and Celestina. Illustration from act VI in Celestinesca, Vol 9. Num 1. Made by José Segrelles.

Factotums of houses, Calisto, Celestina, Pármeno and Sempronio.

Factotums of houses, Calisto, Celestina, Pármeno and Sempronio.

Factotums: houses, Celestina, Sempronio, Pármeno and Calisto.

Factotums: houses, Celestina, Sempronio, Pármeno and Calisto.

Sempronio and Celestina.

Generic scene of the old city. Page 82.

Sempronio, Pármeno, Elicia, Celestina, Areusa and Lucrecia. Illustration from act IX in Celestinesca Vol 9, Num 1, made by José Segrelles.

Five factotums and six names above: Sempronio, Pármeno, Celestina, Elicia, Lucrecia, Areúsa.

Five factotums and six names above: Sempronio, Pármeno, Celestina, Elicia, Lucrecia, Areúsa.

Dinner at Celestina's house.

Illustration of Celestina speaks to Melibea about Calisto in Celestinesca by José Segrelles from the Castalia edition, 1946. Celestinesca Vol. 7, Num. 2, Pa. 10.

Factotums: houses, Lucrecia, Celestina, Alisa and Melibea. They speak in pairs, Celestina with Lucrecia and Alisa with Melibea. Celestina and Alisa are characterized as old women with their heads covered. The only difference from the Toledo edition…

Factotums: houses, Lucrecia, Celestina, Alisa and Melibea. They are speaking in pairs, Celestina with Lucrecia and Alisa with Melibea. Celestina and Alisa are characterized as old women with their heads covered.

Drawing of Celestina on the balcony and Celestina behind speaking to her.

Factotums of houses, Sempronio, Celestina, Elicia and a tree. This image changes two characters and the tree with respect to the equivalent model from the Toledo edition (1526).

Factotums of houses, Sempronio, Celestina, Elicia and the same houses inverted. Celestina is holding a rosary and a walking stick, same image used before.

Celestina walking towards Melibea's house.

Drawing of Celestina at the table casting a spell and the spirits becoming visible.

Sempronio and Calisto. Illustration from act II in Celestinesca Vol 9, Num 1, made by José Segrelles.

Five block factotum: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding the bag. The houses are mirror images of a same model.

Factotum with five blocks: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding a bag. The houses are mirror images of a same model.

Pármeno and Calisto riding his horse.

Drawing of Celestina in her house with the string and a cat at her feet.

Conversation between Calisto and Sempronio, a woman in the background (mental image of Melibea?) (Cf. image from act XIII). Page 53.

Ilustration "Get out of there..." in Celestinesca by José Segrelles of the encounter and confrontation between Calisto y Melibea at the beggining of the novel. Act I from the Valencia edition (1946). In Celestinesca Vol. 7, Num 2, p. 34.

Five factotums and seven names above: Calisto, Melibea, Sempronio, Pármeno, Celestina, Elicia, Crito. Celestina is carrying the rosary and a cane. Some of the images are different from the equivalent images used in the Toledo edition (1526).

Calisto and Melibea's initial encounter. Calisto has the falcon. Page 12.

Melibea and Calisto in their nocturnal encounter.Made by Dodie Masterman for the Folio Society in London. In Celestinesca, vol. 10, no. 2.http://parnaseo.uv.es/Celestinesca/Numeros/1986/VOL%2010/NUM%202/NUM%202.pdf

The judge between two armed soldiers and, on the right, the executioner beheading Pármeno and Sempronio with a knife (one of them is already beheaded). A corner background of houses with arched windows and a two part view.

Sempronio and Pármeno about to murder Celestina.

The same illustration used in act VI, which shows Celestina talking with a seated Calisto, while Pármeno and Sempronio talk amongst themselves behind her.

Four factotums of Calisto, Celestina, Pármeno and Sempronio. Elicia's name appears above but there is no character for her.

Areúsa and Celestina.

Four factotums of Celestina, Pármeno, Areúsa and Elicia.

Four factotums of characters and houses. Above, without coinciding with the images --two male and two female--, the names Celestina, Lucrecia, Elicia and Melibea.

Two women who appear with a written title identifying them as "Celestine" and Lucrecia. This is the only case where there is identification over the figures. The figure of Lucrecia has a band or border above probably destined to be inscribed,…

Celestina and Melibea.

The same factotums as in act II.

Comment by the artist: "At the end of October I finished illustrating La Celestinawith approximately 80 drawings, the project had stalled for various reasons. This time the publication was planned for February 2010. In this illustration I…

Welcome to a night of pure theatrical magic in the heart of Madrid! In the emblematic Teatro Arlequín Gran Vía, the central studios of Radio Nacional de España come to life tonight thanks to radio theatre. The star of the evening? Nothing less than…

The painting shows a room with five young women, two men, an older woman and a child. They all appear around a bed, except for the child, which lies underneath the bed.

The painting portrays a room where six women appear: three of them are sitting in two chairs, the remaining three are standing. One of them is drinking and another one is sweeping. A man lying behind a chair appears in the background of the painting.

Original title: Scène d'auberge("Hostel scene").The image shows an indoor scene where several young men appear drinking and a young woman among them. To the right in the foreground is an old woman with her head covered following the Celestinesque…

Drawing as part of the collection "Horrors of war". A person completely covered is carrying the body of a hanged person in a bag. Two female characters are watching in horror.

This painting represents a biblical scene where Herodias pierces the tongue of John the Baptist while his severed head is resting on a plate hold by Salome.
The portrayal of the young woman, the older woman and a man is reminiscent of Celestina…

Portrait of an old woman.

The biblical parable of the prodigal son is depicted in this tapestry. The prodigal son in the centre appears with a young woman on the left. An older woman presents the young woman to the prodigal son, which could indicate that she is acting as the…

In the image three figures appear in a field. A young woman dressed in a regional dress, an old woman to her right with a fan covering her face, and a man on horseback behind them. The trio is reminiscent of celestina scenes where the old woman acts…

Graffiti of Calisto, Melibea and Celestina in Castrogonzalo, Zamora, Spain. Calisto and Melibea appear lying with their heads towards the center, while Celestina appears in the middle of the two as if joining them.

Original title: Se rendant à la fête ou Promenade après la course ("Going to the party or a walk after the race").

In the image appear four young women dressed in regional dresses and mantillas. They are in a field surrounded by men and women…

Recreation by the painter and illustrator of Galdós' character Gloria from the work of the same name published in 1876. Note the presence of the old women with a celestinesque appearance in the church in this work in which the heroine falls in love…

In the image appear five young women dressed in a similar way. To the right appear three other figures, two men and a young woman, with a different aesthetic from that of the other young women. In the middle of the young women appears an old woman…

From the series La Celestina (2008, c.)

Card of the six of swords representing Brígida convincing Doña Inés that Don Juan is in love with her. The swords are used to represent her pain in the tradition of the heart of Mary of Sorrows.

A young woman accompanied by an old woman and it seems that the latter acts as her procuress. A young man is on the left.

Other title: Galante Szene

Celestina (Lola Gaos) convincing Pármeno (Francisco Portes) to join her and to not interfere in her line of work.

Engraving by Jean Mohler that accompanies the title page and acts as a frontispieceof the book La Célestine, Tragi-Comédie de Calixte et Mélibéeby Fernando De Rojas, translated into French by A. Germond de Lavigne, published by Les Compagnons du…

German translation with the 66 illustrations by Picasso of the Suite 347. For a detailed description see the following article by: Gustav Siebenmann, "Una versión alemana de Celestina," Celestinesca (1991): 67-70See also the related items at the…

Ink drawings in a series.
Note the celestinesque characters with their heads covered and in some images the old woman appears with a rosary.

Calisto (Sergio Albelli) tells Sempronio (Daniele Griggio) about his lovesickness.

Adaptation by Paul Achard

Pármeno le advierte a Calisto la presencia de unos hombres armados

Pármeno and Calisto descending the staircase while Celestina and Sempronio, not included in the image, wait for them below (p. 52).

Drawing of naked Melibea bathing in a pond while a bird draws near.

The go-between Celestina. On the left, a prostitute and on the other, a knight in the form of a bird.

La Celestina (Tragicomedia de Calisto y Melibea) Barcelona, Ediciones Marte, 1968. Illustrations by F. Ezquerro.

Drawing of a young, naked woman between two billy goats.